Here are 65 books that The Squatter and the Don fans have personally recommended if you like
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Carrie Gibson is a London-based writer who grew up in the US and spends as much time as she can in Latin America and the Caribbean. She started out as a journalist, working at UK newspapers, including the Guardian and the Observer, before diving into a PhD and historical research on European colonialism and its legacy in the Americas. She is the author of two books and continues to contribute to media outlets in the UK and US.
I had never heard of Lorenzo de Zavala until I started researching El Norte, and his story deserves to be much more widely known. He was born in Mexico when it was still under Spanish rule, and later became involved in Mexican independence. He also participated in the formation of the breakaway Republic of Texas (Tejas) in 1836, and he served as its first vice-president. Before that period of his life, however, he took a tour of the United States. He started in New Orleans in 1830, working his way north and east. This book describes that trip and his observations about the United States. It is one of the earliest travel accounts of the US written by a Mexican, and it provides a fascinating perspective from someone whose life intersected with pivotal political moments in both countries.
First published in Paris in 1834, Journey to the United States of America \/ Viaje a los Estados Unidos del Norte América, by Lorenzo de Zavala, is an elegantly written travel narrative that maps de Zavalas journey through the United States during his exile from Mexico in 1830. Embracing U.S., Texas, and Mexican history; early ethnography; geography; and political philosophy, de Zavala outlines the cultural and political institutions of Jacksonian America and post\-independence Mexico. de Zavalas commentary rivals Alex de Tocquevilles classic travel narrative, Democracy in America, which was published in Paris one year after de Zavalas. The narrative presents…
Carrie Gibson is a London-based writer who grew up in the US and spends as much time as she can in Latin America and the Caribbean. She started out as a journalist, working at UK newspapers, including the Guardian and the Observer, before diving into a PhD and historical research on European colonialism and its legacy in the Americas. She is the author of two books and continues to contribute to media outlets in the UK and US.
I’m not usually a fan of political memoirs (I tend to be skeptical of the authors), but this one is an enlightening read in terms of understanding the sorts of structural and governmental prejudices that Hispanic people faced in the early twentieth century as exemplified by New Mexico’s long struggle to obtain statehood. Otero was from a prominent New Mexican family and was the governor of the territory from 1897 to 1906. New Mexico was acquired as part of the Treaty of Guadalupe Hidalgo in the aftermath of the Mexican-American war in 1848, but it didn’t become a state until 1912, due in part to the anti-Hispanic attitudes in Washington DC that Otero discusses in his book.
Miguel Antonio Otero (1859-1944) not only distinguished himself as a political leader in New Mexico and lived out his life as a champion of the people, but he is also highly recognized for his career as an author. He published his legendary My Life on the Frontier, 1864-1882, in 1935, followed by The Real Billy the Kid: With New Light on the Lincoln County War in 1936, My Life on the Frontier, 1882-1897 in 1939, and My Nine Years as Governor of the Territory of New Mexico, 1897-1906 in 1940. These books, of which this is one in Sunstone's Southwest…
Carrie Gibson is a London-based writer who grew up in the US and spends as much time as she can in Latin America and the Caribbean. She started out as a journalist, working at UK newspapers, including the Guardian and the Observer, before diving into a PhD and historical research on European colonialism and its legacy in the Americas. She is the author of two books and continues to contribute to media outlets in the UK and US.
José Martí was a poet and writer who became the leader of Cuba’s final independence movement from Spain. He died in battle in 1895 and is the island’s best-known hero – images and statues of him can be found in almost every town in Cuba. He spent much of his life in exile, including in the United States. He was a prolific journalist, and his essay ‘Nuestra América’ (Our America, 1881) is one of his most-cited works. His observations about the US and the rest of the Americas were astute, and his work continues to offer insights that are applicable to the present day.
“[Martí] added a social agenda to the historic program of national liberation and instantly converted a movement devoted to the establishment of a new nation into a force dedicated to shaping a new society. Martí transformed rebellion into revolution. . . . Like a master weaver, Martí pulled together all the separate threads of Cuban discontent—social, economic, political, racial, historical—and wove them into a radical movement of enormous force.”—Louis A. Pérez Jr, author of José Martí in the United States
“Oh Cuba! . . . the blood of Martí was not yours alone; it belonged to an entire race, to…
I'm an activist/scholar and I taught in the Feminist Studies department at the University of California, Santa Cruz for 40 years. My most popular class was Introduction to Feminism. Then I taught another large, undergraduate course Feminism & Social Justice. By the time I retired I had taught over 16,000 students, and worked with scores of graduate students. My online class, Feminism & Social Justice, on the Coursera Platform has been taken by over 107,000 people located on literally every continent. My teaching and writings are always anti-racist, and explicitly queer. They've drawn on my life experiences. They come out of my passion to lessen suffering, and embrace compassion.
Gloria Anzaldúa was born and raised in South Texas, growing up along the U.S.-Mexican border. For many years she lived in San Francisco, and then in Santa Cruz, California.
The first 113 pages of the book are stories and essays drawn from her life experiences as a woman of Mexican and Indian heritage, daily experiencing life at the physical border between the United States and Mexico.
She was raised in a strongly Catholic tradition, while also drawn to and inventing her own spirituality rooted in indigenous practices of harmony, balance, and reverence for the earth. She was a lesbian in a straight world that condemned her woman-loving sensibility.
Each of these is a “borderland” to be navigated and negotiated, and each of these borders is rich with insight, life, laughter, tears, violence, and love. The last 100 pages of the book is titled “Un Agitado Viento/ Ehécatl, The Wind.” It…
"The U.S-Mexican border es una herida abierta where the Third World grates against the first and bleeds. And before a scab forms it hemorrhages again, the lifeblood of two worlds merging to form a third country--a border culture."--Gloria Anzaldúa
Rooted in Gloria Anzaldúa's experience as a Chicana, a lesbian, an activist, and a writer, the essays and poems in BORDERLANDS/LA FRONTERA: THE NEW MESTIZA profoundly challenged, and continue to challenge, how we think about identity. BORDERLANDS/LA FRONTERA remaps our understanding of what a "border" is, presenting it not as a simple divide between here and there, us and them, but…
I’m a longtime writer and author, who basically learned the craft of writing from over 17 years with the Portland Police Bureau. Some of the best writers are working and retired police officers because, when you write those daily reports or detailed investigativereports, you learn how to write. I've written six books, two of which have been published by Oregon Greystone Press, the Indie Publishing company operated by my wife, Theresa. I graduated from Portland State University in 2017 and was listed in the commencement program as “the oldest PSU graduate” of that year. I was 80. I live in Portland with my wife, Theresa, also a writer and author.
White Crow is a story that takes place in the early 1800s in California when it was still a territory, a part of Mexico, and before it became a state. The book details the story of a white boy, raised by Indians because his parents were killed. He becomes an Indian warrior whom they call White Crow and accept into their tribe. The book is like a western story, but much more complex. It shares the struggles of the lead character, Isaiah Crow, and how he becomes a part of the tribe. He marries an Indian woman and they have a child. Their son, Jedadiah grows up and carries on many of the traditions and customs he learns from the tribe but in a more modern California. I enjoyed this story because it's such a gripping story and Wood does an outstanding job of character development in this book.…
In the 19th century West begins the saga of a powerful family.
After mountain man Isaiah Crow arrives in Alta California, he saves a group of people from local bandits.
As luck would have it, they are family and Vaqueros from the rancho of Don Hernando Batista, one of the most powerful families in Southern California - and very anxious to take their new friends to meet the Patron.
After Señor Batista introduces his daughter Francisca to Isaiah, the two soon fall in love. From this union a child - Jedadiah - is born. He will learn not only how…
California’s San Joaquin Valley is so congenial to plants I thought it made me a gardener. When I got my first job in a retail nursery I quickly realized how little I knew. Twenty years in the nursery trade expanded the depth and breadth of my garden skills. I owe my horticultural education to knowledgeable colleagues, an unending stream of interesting questions from nursery customers, and especially to Ed Laivo who introduced me to an ArcticGlo nectarine that commanded my attention.
Because of obvious limitations—space in the garden, sun, availability, and one’s responsibility to be a conscientious steward during a probably unending California drought—it’s impossible to grow as many roses as one would like. It’s not impossible, however, to content oneself with two or three plants for cutting flowers, and, instead, moon over this comprehensive collection of gorgeous photographs, descriptions of form, petal counts, habits, parentage, and scents. Keep 2,000 roses on the bookshelf. This book is a treasure.
I enjoyed writing The Karma Kaper. Just as there's tragedy and comedy in every aspect of our lives there's humor in crime. It's fun bringing that humor to my audience. I also believe in justice for all. Sadly, as American courts are currently more concerned with criminals' rights than victims' rights there are no guarantees victims will receive the justice they deserve. No one can predict if a jury of 12 will find a defendant who has committed a crime guilty. Then, there's the highest court of appeal - fiction! Between the covers of a novel, a crafty writer can ensure just verdicts and devise macabre punishments for the bad guys! It doesn't get any better!
John Steinbeck wrote the Working Days... journals while writing The Grapes of Wrath.
The intent of the journal was to establish a schedule, including a completion date for the novel. What he reveals about his self-doubt is tonic for any writer who is haunted by the same malaise.
Here is the entry for June 18, "…I am assailed with my own ignorance and inability. Honesty. If I can keep an honesty to it… If I can do that it will be all my lack of genius can produce. For no one else knows my lack of ability the way I do. I am pushing against it all the time."
Sometimes, I seem to do a good little piece of work, but when it is done it slides into mediocrity…John Steinbeck’s honesty and humility remind me that self-doubt is a part of the creative process.
John Steinbeck wrote The Grapes of Wrath during an astonishing burst of activity between June and October of 1938. Throughout the time he was creating his greatest work, Steinbeck faithfully kept a journal revealing his arduous journey toward its completion.
The journal, like the novel it chronicles, tells a tale of dramatic proportions—of dogged determination and inspiration, yet also of paranoia, self-doubt, and obstacles. It records in intimate detail the conception and genesis of The Grapes of Wrath and its huge though controversial success. It is a unique and penetrating portrait of an emblematic American writer creating an essential American…
As a second-generation immigrant, I knew very little of my family’s migration story. My grandparents never really learned English despite living in the US sixty or more years. In my twenties when the country was undergoing turmoil about immigration reform once again, I began looking at the immigrants all around me (and in literature) and identifying what we had in common—how our lives intertwined and were mutually dependent on one another. In 2007 I traveled 8,500 miles around the perimeter of the US by bicycle on a research trip to collect stories from immigrants and those whose lives they impacted. I wrote two books based on that experience.
I read The Brick People when it was first published in 1988.
At the time, I was already familiar with Morales’ work, but this historical novel about the Simons Brick Factory in Southern California and the Mexican migrants who the Simons brother depended upon for their success seized my imagination.
The author blends folklore, history, myth, and magical realism into a novel that relates the story of Mexican migrants and their complicity with or rebellion against the Simons brothers and the mores of the early 20th Century Los Angeles region.
Morales shows how history from the ground up is manifested in people’s lives. His characters work and play hard as they seek to build community and pursue dreams of social mobility even when customs and laws prohibit them.
This engrosing historical novel traces the growth of California from the nineteenth to the twentieth centuries by following in the development of the Simons Brick Factory. With an attention to historical reality blended with myth and legend, the prolific Morales recounts the epic struggle of a people to forge their destiny, along with Califonia's.
Fantasy takes me to a place where I can get out of my own skin, explore new worlds, and live adventures. The stories that pulled folks from our world (for those of you as loosely tethered as I am, I refer to Earth) provided more connection to the idea that I could be in those fantasy worlds and involved in those stories. That’s the bonus level of escapism! I didn’t realize just how many of my favorite stories fell into that category until I wrote this. Those books were definitely instrumental in my writing, though I didn’t follow any of those specific formulas. I’ll have to write another grouping for the other major category of books that influenced my writing.
This is the first book of the three-book Darwath Series. A powerful wizard, in an attempt to save his world, winds up pulling a couple of people over from Earth. The relationships and the struggles, along with the wry humor, make this book great. All of Hambly’s fantasy books that I’ve read have worlds where magic does not come easy, and I always appreciate the price that magic users have to pay. This series of hers has a frighteningly good tale—that ending!
Gil, a graduate student, discovers that her nightmares of people fleeing in panic from a hideous evil are not dreams and that she is standing in the doorway to another world
If you live in the San Francisco Bay Area, you know that its climate is unique in the U.S. and that there are many microclimates within the region. It’s all mediterranean, as you can tell by its dry summers and mild, wet winters. But near the coast, summer fog carpets the land for weeks and winter is rarely frosty, while inland summers are hot, winter frosts are frequent. I live here and use my academic and first-hand experience with plants to help regional gardeners create year-round beauty and harvests in all of our wonderful, often perplexing microclimates.
An
introductory chapter describes our greater Bay Area climate and its
microclimates. The plants listed are ones that will thrive in the region with a
minimum of summer water. The glory of the book is in the photographs by Saxon
Holt, which include close shots for identification and wider shots that will
inspire you to combine plants handsomely in your garden.