Here are 100 books that What Was Shakespeare Really Like? fans have personally recommended if you like
What Was Shakespeare Really Like?.
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As a long-time teacher of Shakespeare’s plays who’s performed in and directed amateur productions and written spin-off plays myself, I love all aspects of William Shakespeare. Before writing my own books set in his era I did intensive research into its theatre and politics, but the more imaginative approach of novelists offers different delights. I like shedding our reverence for The Bard and looking at the man, his relationships, and what contributed to his plays beyond his sources. Rather than real or fictional biographies of Shakespeare, my list features creative stories for both pleasure and learning.
Readers will either be drawn to this book by a novelist who studied Shakespeare in depth or put off by Burgess’ language. His wordplay is quite mad at times, especially when ‘WS’—Will Shakespeare—is drunk. No contemporary novelist would likely create such a mixture of Elizabethan and modern English. Despite Burgess’ knowledge of Shakespeare’s life and works, much of the plot is fanciful. However, his daring is encouraging, his imagination freeing. I never considered writing a book where Shakespeare speaks, but Nothing Like the Sun suggests, why not? Many biographies seem fictional in their guesswork; Burgess’ vitality and imagination outshine the strictly biographical. I found his ground-breaking work inspiring, and it’s a bawdy lark for readers who persevere!
A magnificent, bawdy telling of Shakespeare's love life, following young Will's maturation into sex and writing. A playful romp, it is at the same time a serious look at the forces that midwife art, the effects of time and place, and the ordinariness that is found side by side with the extraordinariness of genius.
Fake news is not new. Biographies, in particular, are fraught with fallacies and fake stories. When fake news slanders individuals, reputations are ruined and lives destroyed. That’s what happened to Elizabeth Wydeville, Queen Consort to Edward IV, and mother of the two princes who disappeared during Richard III’s reign. When I discovered the slander that destroyed Queen Elizabeth’s reputation, I began a 5-year research project to set the record straight. Some fallacies are deliberate, originating in envy or power putsches. Others derive from historical laziness or incompetence. What I learned from my research has determined my choices of biographies, stories that tell previously unrevealed truths about individuals.
Written from an actor’s perspective, Shakespeare The Player researches acting companies in Stratford-on-Avon and England during Shakespeare’s youth and adolescence. Southwark explores the possibilities of Shakespeare spending those “Lost Years” from 1585-1592 as an apprentice with acting companies. Shakespeare The Player provides otherwise obscure information about the world of the theater during Shakespeare’s formative years as an actor and writer.
How else did Shakespeare learn the crafts of writing, playing, and directing for which Robert Greene lambasted that “upstart crow…the only Shakes-scene in a country” in 1592?
Shakespeare the Player overturns traditional images of the Bard, arguing that Shakespeare cannot be separated from his profession as actor any more than he can be separated from his works.
I have a Ph.D. in English from Lehigh University, and I have taught English for 30 years. I have studied and taught Shakespeare, Tudor drama, English linguistics, the Reformation, and various other aspects in the literary and cultural history of the 16th century. The 16th century is a time of great upheaval and the more I study it, the more I am fascinated by how pivotal this epoch is in the creation of the modern world, for better and for worse. I seek out books that chart, from grandest to most intimate, this momentous time’s transformations.
Shakespeare’s Dogis the craziest Shakespearean book I’ve ever read. Not only is the young Stratford Shakespeare’s tale told by his dog, Hooker ̶ the dog speaks a kind of faux-Shakespearean: full of Elizabethan-esque vocabulary and syntax, Anglo-Saxon bawdry, new-coined usages of common words (“the wind flummoxed”; “I knelled the truth”). Moreover, Rooke must really know his dogs. Because the dog-viewpoint (a frustrated Shakespeare “bites his toenails”) seems right on the money. The struggle of a prodigy youth and his prodigy dog to escape the tawdry, shallow, raucous banality of provincial small-town life is told with vividness, wit, and pathos.
Will Shakespeare's dog, named Hooker, reports on the young poet and playwright's tumultuous Stratford household and on his and his master's shared and growing desire to be away to London
I’ve loved the theater ever since I first stepped on stage in a high school production of You Can’t Take It With You. I had one line and was hooked! And as for Shakespeare–I fell in love with the Bard when I was 13 and saw Franco Zeffirelli’s Romeo and Juliet. My best friend and I spent hours reciting the lines (I still remember whole speeches). So, when I was looking for an artsy subject (I love the arts) for my third novel, I naturally turned to the theater. I have a Master of Arts in Drama from the University of Toronto and when I’m not writing, I run Art In Fiction, a website showcasing 1700+ novels inspired by the arts.
Tracy Chevalier writes the novels I want to write! I’ve read just about all of them and was particularly excited to discover Burning Bright.Chevalier’s depiction of London in the early 19th century is masterful, and hugely inspiring for me. Burning Brightis a coming-of-age story that centers around two children’s interactions with the great poet William Blake. I met Tracy Chevalier at the Historical Novel Society Conference in Oxford where she made my day by graciously agreeing to accept a copy of my first novel The Towers of Tuscanywhich was heavily inspired by her novels and even insisting that I sign it!
From the author of the international bestseller Girl With a Pearl Earring and At the Edge of the Orchard, comes a stirring eighteenth-century coming-of-age tale
In the waning days of eighteenth-century London, poet, artist, and printer William Blake works in obscurity as England is rocked by the shock waves of the French Revolution. Next door, the Kellaway family has just moved in, and country boy Jem Kellaway strikes up a tentative friendship with street-savvy Maggie Butterfield. As their stories intertwine with Blake's, the two children navigate the confusing and exhilarating path to adolescence, and inspire the poet to create the…
I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
Keats, beloved of English majors and ordinary readers everywhere, died at 25.
No other writer – not Shakespeare, Chaucer, Milton, George Eliot, Jane Austen – would be remembered today if he or she had died at that age.
W.J. Bate was a magisterial Harvard scholar. His two sympathetic biographies, of Keats, and of Samuel Johnson, both won Pulitzer prizes and are still readable and important. They breathe life into their subjects and deeply humanize them.
The life of Keats provides a unique opportunity for the study of literary greatness and of what permits or encourages its development. Its interest is deeply human and moral, in the most capacious sense of the words. In this authoritative biography--the first full-length life of Keats in almost forty years--the man and the poet are portrayed with rare insight and sympathy. In spite of a scarcity of factual data for his early years, the materials for Keats's life are nevertheless unusually full. Since most of his early poetry has survived, his artistic development can be observed more closely than is…
My book is about political intrigue, violence, war, heroes and villains, libels and dreams, secret plots to overthrow governments, and murders most foul. It unfolds during a tense era of cultural upheaval and radical social change. A lifetime immersed in the works of Shakespeare helped prepare me to write it. I spent more than 20 years working for the New York Times, most of it as a foreign correspondent. My foreign postings placed me at the center of historic events and, at times, in the line of fire.
Shakespeare scholars hate discussing the “authorship question” for the same reason astronomers hate discussing whether space aliens kidnap human beings. There is no real “question.” But because guessing who wrote the plays has become such a parlor game, James Shapiro took on the challenge. His book tells the crazy history of the “authorship question” and makes irrefutably clear that yes, the fellow from Stratford really did write those plays. This should settle the issue forever—but of course it won’t.
For two hundred years after William Shakespeare's death, no one thought to argue that somebody else had written his plays.
Since then dozens of rival candidates - including The Earl of Oxford, Sir Francis Bacon and Christopher Marlowe - have been proposed as their true author. Contested Will unravels the mystery of when and why so many people began to question whether Shakespeare wrote the plays (among them such leading writers and artists as Sigmund Freud, Henry James, Mark Twain, Helen Keller, Orson Welles, and Sir Derek Jacobi)
Shakespeare scholar James Shapiro's fascinating search for the source of this controversy…
I’ve loved the theater ever since I first stepped on stage in a high school production of You Can’t Take It With You. I had one line and was hooked! And as for Shakespeare–I fell in love with the Bard when I was 13 and saw Franco Zeffirelli’s Romeo and Juliet. My best friend and I spent hours reciting the lines (I still remember whole speeches). So, when I was looking for an artsy subject (I love the arts) for my third novel, I naturally turned to the theater. I have a Master of Arts in Drama from the University of Toronto and when I’m not writing, I run Art In Fiction, a website showcasing 1700+ novels inspired by the arts.
Christopher Moore’s Shakespeare-themed novels are a hoot! He takes the hallowed works of the Bard and turns them into hysterical adventures starring Pocket (King Lear’s fool), Drool, and their pet monkey Jeff. The second in a trilogy is Shakespeare for Squirrels, Moore’s take on A Midsummer Night’s Dream. It’s irreverent and hilarious and left me breathless with admiration for Moore’s incredibly fertile imagination.
Shakespeare meets Dashiell Hammett in this wildly entertaining murder mystery from New York Times bestselling author Christopher Moore-an uproarious, hardboiled take on the Bard's most performed play, A Midsummer Night's Dream, featuring Pocket, the hero of Fool and The Serpent of Venice, along with his sidekick, Drool, and pet monkey, Jeff.
Set adrift by his pirate crew, Pocket of Dog Snogging-last seen in The Serpent of Venice-washes up on the sun-bleached shores of Greece, where he hopes to dazzle the Duke with his comedic brilliance and become his trusted fool.
My book is about political intrigue, violence, war, heroes and villains, libels and dreams, secret plots to overthrow governments, and murders most foul. It unfolds during a tense era of cultural upheaval and radical social change. A lifetime immersed in the works of Shakespeare helped prepare me to write it. I spent more than 20 years working for the New York Times, most of it as a foreign correspondent. My foreign postings placed me at the center of historic events and, at times, in the line of fire.
Shakespeare’s magnificent history plays have been described as “a feast of Henrys and Richards.” Who were those kings in real life? This book tells their true stories, and compares those stories to what Shakespeare wrote about them. Turns out he stuck pretty close to history!
When I first saw Shakespearean text, I could not get how anyone related to things written so many centuries ago. It took me several years before my soul awakened to these words that now felt fresh, like they could have been whispered to me that very day by a best friend who understood all the pain and all the laughter of my life. Very little is known about the man himself leaving writers a lot of room to create their own version of Shakespeare. I know my Shakespeare is just that: my magical, enigmatic, wise Shakespeare. It’s exciting to see how others give him life in their own stories.
Shakespeare’s plays can be very funny, (many of my friends disagree with this, but I swear by the goddess of Renaissance puns it’s true!), and this is a light, fluffy book that deserves a place on any bookshelf because it embraces silliness and turns it right up to eleven. Our Will’s key predicament is something everyone who has ever written can relate to, being certain you have a literary masterpiece locked up in your mind if only you can be left alone long enough to make it magically appear on the blank page.
Lena Einhorn is a writer and filmmaker, with a background in medicine. She has portrayed Greta Garbo’s life before the breakthrough, in the novel Blekinge Street 32, and in Nina’s Journey, she told the story of her mother, one of the last to leave the Warsaw ghetto alive. Nina’s Journey also became a feature film, written and directed by Einhorn. The book received the National Book Award of Sweden, and the film received the National Film Award for best picture and best script, as well as a number of international awards. In 2019 the critically acclaimed autobiographical novel The Thin Ice came out.
This is one of the many books that have delved into the old question of who William Shakespeare really was. And it is one of the more clever ones, drawing clear parallels between Shakespeare's texts, on the one hand, and the travels, experiences, opinions, and facilities of the main suspect, the Earl of Oxford, on the other. Looney’s book was the first one to propose and present exhaustive evidence that the Earl of Oxford was the sole author of all of Shakespeare’s works – a hypothesis that is now dominant among those who doubt the role of the relatively uneducated and untravelled “Stratford-man”.
Excerpt from "Shakespeare" Identified in Edward De Vere, the Seventeenth Earl of Oxford (Classic Reprint)
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