100 books like Shakespeare the Player

Critics argue that William Shakespeare did not write the works attributed to him because he lacked the knowledge of classical myth and history basic to his plots and imagery. Jonathan Bates proves that the curriculum of the grammar school in Stratford-on-Avon provided an education sufficient to explain Shakespeare’s plays and poems. Bate reviews books in English and Latin that Shakespeare would have read and that created his rhetorical brilliance. 

I treasure Bate’s biography because my own background originated in a rural, agricultural setting outside the social and economic circles that usually produce academic types. Bates disproves the fallacy that only the privileged and elite can survive and thrive in life and careers.

A literary biography, Will in the World connects the plots of Shakespeare’s plays and the sentiments of his poems to the writer’s life and career. No one living knows more about Shakespeare than Stephen Greenblatt. His research is solid and impressive. In this book, Greenblatt verges a bit into speculative possibilities. Where, exactly, was Shakespeare living—what was he doing?—during “The Lost Years”? Was the “Shakeshafte” mentioned in a Lancashire document our man, perhaps tutoring as a schoolmaster in a Catholic home? 

Greenblatt carefully points out that he is discussing possibilities, not certainties. But a possibility mentioned too many times by a scholar of Greenblatt’s authority often becomes accepted as fact. Yet, I appreciate this book because it provides a huge amount of information about Shakespeare’s milieu, and it forces readers to examine critically every claim. In our current milieu, we need exercises in critical thinking and analysis.

Schoenbaum’s massive compilation of documents from the life of William Shakespeare is the “go-to” book for anyone who wants the facts about the Bard. A large, folio-size edition, the book contains facsimiles of over 200 contemporary documents that record important moments and events in the life and career of Shakespeare. Arranged chronologically, Schoenbaum’s quite readable narrative explains the significance of each image and creates a living person from the documents that define Shakespeare, the man.

For anyone who asks the question, “Who Was Shakespeare,” Schoenbaum provides the answer. I love “just the facts.”

The Millionaire and the Bard almost makes you believe in money. This biography of Henry Clay Folger records a great American success story: “Poor-Boy-Makes-Good” (with money from Standard Oil). But look at what Folger did with his money! He collected copies of Shakespeare’s Folios, the first edition of which is the most valuable book in the world ($9.98 million for the copy sold in New York on October 14, 2020).  

Andrea Mays tells three stories: the biography of Henry Folger, who saved the First Folio; the story of the Folio itself (how it was published, read, and preserved); and the creation of the Folger Shakespeare Library, an amazing research and educational institution, improbably sited in Washington, D.C. I love this biography because it proves that one person (greatly assisted by his wife) can surely make a difference!

Gorgeously illustrated and elegantly written, Lena Orlin’s new study of William Shakespeare shows her great skill at doing research to give us new ways to understand the playwright. She puts the evidence of his life within the context of other Elizabethan documents. Orlin proves that we can know more about Shakespeare by examining the lives of the people in his circles. As she tells us, this is neither a literary biography nor a full biography, but it is a book that follows the evidence to tell us much more about Shakespeare the man. Shakespeare cared deeply about his father and his marriage to Anne was much less contentious and a more pleasant partnership. Though there have been so many books about Shakespeare, Orlin helps us understand him beyond the myths. Her brilliant and thorough reading of documents presents a wonderful read.

Alan Green hosts a popular Youtube channel that explores the mysteries and secret codes built into the works of Shakespeare and his decryptions are quite extraordinary in their depth.

Green has been investigating these hidden “Bard codes” for more than 15 years and his book reflects the incredible effort he has put into his work. He was at one time the musical director of The Monkees!)

This is a great example for anyone who is intrigued to read a physician’s case notes. The edition presents the patient observations of John Hall, son-in-law to William Shakespeare from the 1630s. There is a detailed introduction outing Hall’s life, medical practice, and social setting with further information about his library and his manuscript. Patient’s cases are presented throughout the book with helpful footnotes explaining who people were and illustrations bringing locations and faces to life. There is a helpful glossary of medical terms at the end. This is not necessarily a sit-down and read it cover-to-cover book but it provides a fascinating glimpse into one man’s medical practice and the lives of his patients.

I love O’Farrell’s use of language–the depth and the poetry—and have read most of her books. I especially liked this book because I read it shortly after my daughter died in 2020, and the maternal and complicated feelings of Hamnet’s mother (Shakespeare’s wife) are so well rendered.

O’Farrell also has a magical way of recreating a time and a place. I think she’s one of the best writers when it comes to getting into a character’s head, too.

Readers will either be drawn to this book by a novelist who studied Shakespeare in depth or put off by Burgess’ language. His wordplay is quite mad at times, especially when ‘WS’—Will Shakespeare—is drunk. No contemporary novelist would likely create such a mixture of Elizabethan and modern English. Despite Burgess’ knowledge of Shakespeare’s life and works, much of the plot is fanciful. However, his daring is encouraging, his imagination freeing. I never considered writing a book where Shakespeare speaks, but Nothing Like the Sun suggests, why not? Many biographies seem fictional in their guesswork; Burgess’ vitality and imagination outshine the strictly biographical. I found his ground-breaking work inspiring, and it’s a bawdy lark for readers who persevere!

This 1978 Booker-winner is said to be the British philosopher and novelist’s finest work. A celebrated London theater director retires from his dissolute show-business life to the seaside, only to encounter his lost boyhood love, for whom he renews a frightening passion made of equal parts nostalgia and fantasy. In addition to its Nabokovian study in obsession and its poetic air of Shakespearean romance, The Sea, the Sea is also a seminar in the ethics of art: the characters debate their obligations to other people, the viability of art when divorced from ordinary human concerns, and even—this is not strictly a realist novel—the morality of using magic to transform the world. Most novelists don’t face the ethics of art and literature this fearlessly; I love the challenge Murdoch poses to those of us who practice the art.