Love Dee-Coding Shakespeare? Readers share 100 books like Dee-Coding Shakespeare...

I am passionate about solving problems of any type. I have a long history of solving Computer problems that are known traditionally as “bugs”. After retiring, I turned my attention to other problems & mysteries, discovering I had a talent for historical detective work too! I wasn’t satisfied with the - very unconvincing - traditional “chocolate box” narrative of Shakespeare’s family and life. He must have had much more impact on the wider world than is currently known and I believe, after 450 years, I finally cracked it!

I am passionate about solving problems of any type. I have a long history of solving Computer problems that are known traditionally as “bugs”. After retiring, I turned my attention to other problems & mysteries, discovering I had a talent for historical detective work too! I wasn’t satisfied with the - very unconvincing - traditional “chocolate box” narrative of Shakespeare’s family and life. He must have had much more impact on the wider world than is currently known and I believe, after 450 years, I finally cracked it!

I am passionate about solving problems of any type. I have a long history of solving Computer problems that are known traditionally as “bugs”. After retiring, I turned my attention to other problems & mysteries, discovering I had a talent for historical detective work too! I wasn’t satisfied with the - very unconvincing - traditional “chocolate box” narrative of Shakespeare’s family and life. He must have had much more impact on the wider world than is currently known and I believe, after 450 years, I finally cracked it!

I am passionate about solving problems of any type. I have a long history of solving Computer problems that are known traditionally as “bugs”. After retiring, I turned my attention to other problems & mysteries, discovering I had a talent for historical detective work too! I wasn’t satisfied with the - very unconvincing - traditional “chocolate box” narrative of Shakespeare’s family and life. He must have had much more impact on the wider world than is currently known and I believe, after 450 years, I finally cracked it!

My name is Polly Schattel, and I’m a novelist, screenwriter, and film director. I wrote and directed the films Sinkhole, Alison, and Quiet River, and my written work includes The Occultists, Shadowdays, and the novella 8:59:29. I grew up loving fantasy—Tolkien, Moorcock, Zelazny—but phased out of it somewhat when I discovered writers like Raymond Carver, EL Doctorow, and Denis Johnson. Their books seemed more adult and more complex, not to mention the prose itself was absolutely transporting. In comparison, the fantasy I’d read often felt quite rushed and thin, with get-it-done prose. I drifted away from genre fiction a bit, but dove back to it with my first novel, the historical dark fantasy The Occultists.

I have been fascinated with Queen Elizabeth I and Shakespeare since I was a child and read a kid biography of the queen and saw a Shakespearean comedy. The two topics are completely intertwined—Elizabeth saw Shakespeare’s plays at court and the strong women in Shakespeare’s plays reflect the queen. Elizabeth and Shakespeare have been both my passion and my profession. I have loved teaching and writing about them. One of my favorite things to do is to go see Shakespeare plays and to see portraits of the queen at museums. This passion has so enriched my life. The queen and the playwright have been very good to me. 

Fake news is not new. Biographies, in particular, are fraught with fallacies and fake stories. When fake news slanders individuals, reputations are ruined and lives destroyed. That’s what happened to Elizabeth Wydeville, Queen Consort to Edward IV, and mother of the two princes who disappeared during Richard III’s reign. When I discovered the slander that destroyed Queen Elizabeth’s reputation, I began a 5-year research project to set the record straight. Some fallacies are deliberate, originating in envy or power putsches. Others derive from historical laziness or incompetence. What I learned from my research has determined my choices of biographies, stories that tell previously unrevealed truths about individuals.

I’m a lecturer in history at the University of Hertfordshire where I teach early modern history of medicine and the body. I have published on reproductive history in the seventeenth and early eighteenth centuries. The history of medicine is endlessly diverse, and there are so many books on early modern medicine, some broad and others more specific, it’s this variety that I find endlessly intriguing. Some conditions from the era, like gout and cancer, are familiar, while others like, greensickness, aren’t recognized any longer. Thinking about these differences and about how people’s bodies ached and suffered helps me to appreciate their relationships, struggles, and triumphs in a whole new dimension.

I’m an award-winning playwright and screenwriter. My work has been widely staged in London, across the UK, and internationally. I’ve had the honor of receiving the Royal Society of Literature Award and the Michael Grandage Futures Bursary Award, and I was also nominated for Political Play of the Year. Before I began writing, I worked as an anthropologist. Happy Death Club is my first nonfiction book.

For me a story with richly developed non-humanoid aliens is mind-stretching. Much of modern Western culture starts with the ingrained concept that humans are at the top, whether by divine right or as the peak of evolution or whatever. Well-developed non-humanoid aliens—especially if they’re not super advanced or charmingly primitive—challenge this assertion. When that assertion topples, so do a lot of other preconceived notions. An abiding fascination in my work is for the “other,” from the wolves and Wise Beasts of my Firekeeper Saga (first book, Through Wolf’s Eyes) to expanding and exploring treecat culture with David Weber in the Star Kingdom book, and a lot in between.