100 books like Ultimatum

This is one of the best books in Eisler’s John Rain series, featuring half-American, half-Japanese assassin and Vietnam veteran John Rain.

Eisler himself was a covert operative with the CIA’s Directorate of Operations, and his descriptions of fieldcraft, surveillance, torture, and killing techniques all ring so true, as does his extensive knowledge of modern Japan.

Tokyo is, of course, a fascinating playground for Rain’s adventures. Eisler’s books and unputdownable, and well worth discovering.

A fast-paced thriller set in Bangkok and (mainly) Hong Kong in 1991, prior to the retrocession of the Crown colony to Chinese rule.

The plot includes assassins, kidnapers, triads, gangs, and the police, in a well-researched book that is difficult to put down.

For readers who have lived in Asia, there is a ring of authenticity to what Leather writes, which shouldn’t come as a surprise given his previous life as a journalist on the South China Morning Post. Well worth a read, alongside Leather’s many other thrillers.

This is the first book in Valerie Goldsilk’s extensive ‘Reliable man’ series about former Royal Hong Kong Police inspector-turned assassin Bill Jedburgh, who plies his trade across Asia – and beyond, and who is known to those who use his services only as (you would have guessed it), “the reliable man”.

This thriller is set in Pattaya, Thailand, and involves a high-octane chase between Jedburgh, triad devotees, and European mafiosos, amid the exotic scenery of Southeast Asia. Nothing is missing, including bar girls, massage parlours, and sophisticated shoot outs.

Goldsilk herself has lived in Hong Kong for more than 30 years and is married to a former Hong Kong policeman. The story feels authentic (if not politically correct!) and is well written, as are the other books in the series.

Highly recommended!

This is the latest book in Boczar’s Eric Ketch series, which follows the adventures of an American international man of mystery across Hong Kong, Macao, Thailand, Cambodia, Vietnam, and Burma, in the pursuit of rubies, exotic women, and ruthless assassins.

Boczar himself knows the region very well, having lived in Hong Kong for over three decades, and worked as a war correspondent, on the porous borders of the golden triangle and in Lebanon during the civil war.

The descriptions, whether of cities, weapons, smugglers, or guerilla fighters, all feel true, and Boczar knows only too well how to tell a convincing and edge-of-your-seat story that is difficult to put down.

Hedayat (1903-1951) was an Iranian writer who knew that death and the mythic experience of Kairos time exists a hair’s breadth away from what we commonly experience as human life.

The Blind Owl was the book that gave me permission to write fiction: instead of writing a novel in standard form, I wanted to create a liminal space, a threshold world between real and unreal; to invite readers into an unfamiliar (and hopefully transformative) vision of humanity.

This is exactly what Hedayat does in The Blind Owl: we are immersed in a fable of otherworldly, repetitive, poetic, dark, and mesmerising power. The story (of jealousy, despair, the cyclical nature of life and death) has a rare depth and a sense of universal reach precisely because it has one foot in the liminal.

Almost three decades after its original French publication, this magnum opus continues to stand alone as the definitive narrative history of the first Persian empire under the Achaemenid dynasty. Briant’s sweeping account offers countless insights into Persian political history, demolishing dated views of the Persian-Greek wars as the beginning of the empire’s decline, and exploring the resilience of Persian elites and institutions even during the conquest by Alexander of Macedon. But the analysis is hardly limited to histoire événementielle, and is at its most impressive in the exploration of social and economic conditions and interactions between Iranian officials and settlers and the empire’s diverse subject populations, from Egypt and the Aegean to Central Asia and the Indus valley.  

This book begins with our inherited views of what constitutes victory – the proudly-displayed Greek panoply of captured weapons, the Roman triumph, the medieval view of battle as awesome divine judgment, and the modern quest for “decisive battle” in mind. By contrast, other cultures – Iran, Assad’s Syria, China, and Russia for example, which are covered brilliantly – may be content with indecisive, drawn-out conflicts which give them the chance to keep their fingers in many pies and incrementally increase their influence. 

Thus our modern Western construct assuming that peace is the norm and war the exception, or that war should aim for a neat victory, and a lasting peace settlement imposed on the defeated adversary, is just that: a construct, rarely reflecting views and practices in other times and in other parts of the world. 

Set during the 2005 bus-driver strikes in Iran, this book explores imprisonment at nearly every level—from the confinement of a totalitarian regime to the physical and psychological torture of a political prisoner, to the locked doors of one’s own mind, to the escape sought (and sometimes found) in heroine. What sticks with me most, however, is the interior exploration of the main character, Yunus, and the way seemingly small decisions lead to enormous consequences. 

This is the go-to book for the early Communist movement in Iran. Unlike the Arab countries of the Middle East, where Communism slowly spread in the early decades of the twentieth century, Iran experienced Communism as Soviet foreign policy in a direct manner. Bordering the Soviet Union, northern Iran was the subject of early attempts to spread the Communist creed in the aftermath of the October Revolution. Zabih’s book tells the story of those early inroads and the Iranian activists supporting the new ideology. The early attempts failed, but by the 1940s, the Communist Tudeh Party had emerged as a popular mass party. Zabih’s narrative is lucid, and his research is based on Soviet and Iranian materials. 

I had the wonderful opportunity to read this YA novel as an ARC. It debuts on November 1st 2022, so put your patient pants on for this one. 

It’s 1979, and Jasmine Zumideh, an Iranian American music-journalist-in-the-making, embellishes on her application to NYU. When her coveted acceptance letter arrives, she must win her school’s election for Class President to turn her lie into the truth. 

What I loved about this debut was although it tackled the complications of embracing one’s identity and culture, and how confusing and messy this can be, it was also a fun romp down the halls of the decade without feeling forced or dated. Life-altering events of the time were woven in seamlessly—The Iran Hostage Crisis, making for a heartfelt story about the hidden strength and perseverance of a teenage girl navigating discrimination, family expectations, friendships and a new love. Put this one on your… show more.