Here are 100 books that City of Lies fans have personally recommended if you like
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I'm an Iranian-American who left the country with my family after the Islamic Revolution. I'm watching the events unfold in Iran since the murder of Mahsa Amini with equal parts sadness and awe. Sadness for the loss of life and awe for the bravery of the young protestors in the country. My books will always have a nod to my culture of origin—whether about growing up in an immigrant household in my memoir, Americanized, or writing an Iranian-American character like Parisa in I Miss You, I Hate This. It's been fascinating to see people in America pay attention to what's happening in Iran and I wanted to share some books that'll help inform their perspective.
An American Coup and the Roots of Middle East Terror by Stephen Kinzer. Honestly, if I was Ben Affleck I would have made a movie based on this book instead of Argo.Kinzer’s book exposes the United States and the UK’s role in creating the Iran of today by detailing Operation Ajax—or the coup that caused the downfall of elected Prime Minister Mohammad Mosaddegh. Spoiler alert: it had a lot to do with oil. What’s devasting is to picture what Iran would look like today without foreign intervention in the 1950s.
With a thrilling narrative that sheds much light on recent events, this national bestseller brings to life the 1953 CIA coup in Iran that ousted the country’s elected prime minister, ushered in a quarter-century of brutal rule under the Shah, and stimulated the rise of Islamic fundamentalism and anti-Americanism in the Middle East. Selected as one of the best books of the year by the Washington Post and The Economist, it now features a new preface by the author on the folly of attacking Iran.
Lois Pryce is a British author who has travelled extensively in Iran. Her book, Revolutionary Ride tells the story of her 2013 solo motorcycle tour of the country and was shortlisted for the Edward Stanford ‘Adventure Book of the Year’ Award. Her travels have taken her to over fifty countries and her writing has featured in The New York Times, The Guardian, CNN, BBC, The Telegraph and The Independent.
An astounding 20th century life-story told with honesty and warmth by one of Iran’s most impressive and pioneering women. From growing up as part of her father’s harem before setting sail for the USA during WWII to attend university, then returning to Iran to create a national social care system and finally, the unbearable tragedy of her life’s work being destroyed by the Islamic regime, this is an inspiring but heartbreaking story of bravery and humanity at its best.
Sattareh Farman Farmaian, the daughter of a once-powerful and wealthy Iranian prince, was raised and educated in the 1920s and 1930s in a Persian harem compound, along with numerous mothers and more than 30 brothers and sisters. As a young woman, she broke with Muslim tradition and travelled to America, where she became the first Persian to study at the University of Southern California. Her new life in the West fired a vision to lift her own people out of backwardness and poverty, and she returned to Iran to found the Tehran School of Social Work. For more than 20…
Lois Pryce is a British author who has travelled extensively in Iran. Her book, Revolutionary Ride tells the story of her 2013 solo motorcycle tour of the country and was shortlisted for the Edward Stanford ‘Adventure Book of the Year’ Award. Her travels have taken her to over fifty countries and her writing has featured in The New York Times, The Guardian, CNN, BBC, The Telegraph and The Independent.
Written in a powerful journalistic style, this short but compelling book tells of the last years of the Shah’s reign, focusing in painful detail on the brutality of Savak, his secret police force, his detachment from his subjects, and setting the scene for the inevitable revolution that would seal his downfall. The fear on the streets is palpable.
Shah of Shahs depicts the final years of the Shah in Iran, and is a compelling meditation on the nature of revolution and the devastating results of fear. Here, Kapuscinski describes the tyrannical monarch, who, despite his cruel oppression of the Iranian people, sees himself as the father of a nation, who can turn a backward country into a great power - a vain hope that proves a complete failure. Yet even as Iran becomes a 'behemoth of riches' and as the Shah lives like a European billionaire, its people live in a climate of fear, terrorized by the secret…
I'm an Iranian-American who left the country with my family after the Islamic Revolution. I'm watching the events unfold in Iran since the murder of Mahsa Amini with equal parts sadness and awe. Sadness for the loss of life and awe for the bravery of the young protestors in the country. My books will always have a nod to my culture of origin—whether about growing up in an immigrant household in my memoir, Americanized, or writing an Iranian-American character like Parisa in I Miss You, I Hate This. It's been fascinating to see people in America pay attention to what's happening in Iran and I wanted to share some books that'll help inform their perspective.
My family fled Iran a couple years after the Islamic Revolution, but growing up, my parents didn’t talk about that period in their life all that much. It was sort of like my friend whose dad never talked about Vietnam. So, even though I was born in Iran post-revolution, I didn’t learn much about the history of the Shah’s downfall until I read Marjane Satrapi’s incredible graphic novels –Persepolis, Books One and Two. Satrapi manages to create a funny and heartbreaking memoir about her adolescence during the revolution and her life as a young ex-pat living in Paris.
Follow it up with her graphic novella, Embroideries—which delves into the sex livesof Iranian women. Another topic that was generally off-limits in our household.
Here, in one volume: Marjane Satrapi's best-selling, internationally acclaimed graphic memoir of growing up as a girl in revolutionary Iran. • "That Satrapi chose to tell her remarkable story as a gorgeous comic book makes it totally unique and indispensable" —TIME
Persepolis is the story of Satrapi's unforgettable childhood and coming of age within a large and loving family in Tehran during the Islamic Revolution; of the contradictions between private life and public life in a country plagued by political upheaval; of her high school years in Vienna facing the trials of adolescence far from her family; of her homecoming—both…
I have always been a lover of love stories, yet it can be difficult to find “love stories” that aren’t put into other boxes or aren’t genre romances. My debut is also a family drama that spans sixty years of the twentieth century, but it’s a love story at its core. It’s sometimes classified as a romance because it’s a love story set on a beach. Still, it doesn’t quite fit into typical romance frameworks, which have characters meet and pulled apart before finally ending up back together. My book, instead, explores the reality of loving someone over decades and building a life together.
Continuing with heartbreaking love stories (can you sense a theme? and perhaps the reason my debut is often recommended to be read with tissues), I adore this book. I was listening to the audiobook and enjoying it so much that I bought the print version to inhale the formats in tandem.
It is another love story told over decades, set against the backdrop of political upheaval in Tehran. It will leave you nostalgic for the path not taken while deeply satisfied with the ending Kamali pens (Warning: I bawled). A poignant novel that will stay with you for a long time.
A poignant, heartfelt new novel by the award-nominated author of Together Tea—extolled by the Wall Street Journal as a “moving tale of lost love” and by Shelf Awareness as “a powerful, heartbreaking story”—explores loss, reconciliation, and the quirks of fate.
Roya, a dreamy, idealistic teenager living amid the political upheaval of 1953 Tehran, finds a literary oasis in kindly Mr. Fakhri’s neighborhood stationery shop, stocked with books and pens and bottles of jewel-colored ink.
Then Mr. Fakhri, with a keen instinct for a budding romance, introduces Roya to his other favorite customer—handsome Bahman, who has a burning passion for justice…
I began writing Ali’s incredible international odyssey as a film, but once I discovered the epic breadth of his journey, I decided on a book first.
For 3 years I worked intensely with Ali. Not only was it a passionate and personal epic tale about love and loss, overcoming insurmountable odds, endurance and survival, but it hit a chord with readers from all walks of life, bringing understand to why people fled their countries, and help to change attitudes on refugees from fear to compassion. After three years on the road with the book I have now completed the screenplay.
Kooshyar Karimi wrote this stunning memoir so beautifully it blew me away. Now a Sydney-based doctor and writer, he grew up as a Jew in Muslim Iran, hiding his origins from a brutal regime, always with a humorous eye.
It is such a powerful story of survival, torture, and spying, plus forced deceptions and betrayal of others for helping desperate female rape victims. The struggle for redemption and eventual escape make his journey an unforgettable one.
Whilst many stories have come out of Iran in the last few decades, nothing matches the grittiness of this portrayal of life in the crumbling alleyways and damp cellars of an Iranian slum district--the extreme poverty and desperation, and the regular betrayals and compromises, even within families, in the fight for survival. Born on the back seat of a police car in the subzero temperatures of a bleak and icy winter's night, Karimi summons extraordinary and unwavering dedication throughout his childhood to break free of this hopeless existence, culminating in the achievement of his dream to become a surgeon. But…
I have studied aspects of war and strategy – mainly on the political-military interface level – for the past forty years of my life. My interest originated from my parents’ stories about their childhood and early youth in the Second World Wars, its horrors and hardships, and from myself living in South-East Asia during the time of the Vietnam War. Moreover, I became obsessed with the fear of nuclear war through reading and hearing about it. So I have studied aspects of war, much as an oncologist studies cancer, in the hope that a better understanding may eventually help us ban it in practice (and not just in theory as it has been since the Briand-Kellogg Pact of 1928).
This book begins with our inherited views of what constitutes victory – the proudly-displayed Greek panoply of captured weapons, the Roman triumph, the medieval view of battle as awesome divine judgment, and the modern quest for “decisive battle” in mind. By contrast, other cultures – Iran, Assad’s Syria, China, and Russia for example, which are covered brilliantly – may be content with indecisive, drawn-out conflicts which give them the chance to keep their fingers in many pies and incrementally increase their influence.
Thus our modern Western construct assuming that peace is the norm and war the exception, or that war should aim for a neat victory, and a lasting peace settlement imposed on the defeated adversary, is just that: a construct, rarely reflecting views and practices in other times and in other parts of the world.
While 'winning' might be considered a fundamental part of the human objective, what constitutes winning and how one might achieve it remain somewhat abstract, in war as in any other human endeavour. 'Winning' militarily at the tactical level - in a firefight or a battle - has always been more quantifiable than at the strategic level. At the strategic level, success might be measured by means of three big ideas: ownership; intervention for effect; and fighting for ideas. The divergence between success at the tactical level and the political context of the war creates a challenge at the operational level…
I’ve always loved to read, but on the other hand, there are few good books by and about Persian Americans. I took it upon myself to begin writing fiction about the Persian-Jewish American experience to preserve a limited historical window that is almost closed. As a third-generation Persian-American, I want readers to enjoy the transition story of an elegant, humorous, and diligent people. I continue to gobble up the literature of the Persian Americans, whether Christian, Muslim, or Jewish. I haven’t run across any works from a Zoroastrian yet, but I’m hoping to!
My favorite line from this book is “When you have been a refugee, abandoned all your loves and belongings, your memories become your belongings.”
I appreciated this book when I read it the first time, and I recently re-read it. Immigrant stories are half-and-half: how it was there, and how it is here. For those of us who are second or third-generation, we rely upon those who remember or record how it was there.
Often those stories focus on only the good things, omitting the trauma. Hakakian wonderfully balances the memories of Iran in its beauty and ugliness. This is an excellent snapshot of revolution-era Iran and how Jews were able to interact with their Muslim neighbors before and after the fall of the Shah.
An emotional, evocative coming-of-age story about one deeply intelligent and perceptive girl’s attempt to find her own voice in prerevolutionary Iran
“An immensely moving, extraordinarily eloquent, and passionate memoir.”—Harold Bloom
Roya Hakakian was twelve years old in 1979 when the revolution swept through Tehran. The daughter of an esteemed poet, she grew up in a household that hummed with intellectual life. Family gatherings were punctuated by witty, satirical exchanges and spontaneous recitations of poetry. But the Hakakians were also part of the very small Jewish population in Iran who witnessed the iron fist of the Islamic fundamentalists increasingly tightening its…
I was born in New Jersey to an American mother and an Iranian father. I spent the first twenty years of my life living both in Tehran and New York, striving to fit and blend into whatever culture I happened to occupy at a given moment. I whined about this, wishing I was one thing or another. But after the 1979 Islamic Revolution erupted and my family was permanently exiled, I learned the true meaning of being careful about what you wish for. To connect with my lost Persian heritage, I began to write about it, and to write about living in the diaspora. It’s how I make sense of the world.
Five Iranian women of very different backgrounds come together in a lush Persian garden outside Tehran. We learn their stories, their dreams, their hopes. The central theme is as the title suggests: what would a world without men be like? How would life away from the narrow gender-defined roles of an oppressive patriarchal system work? If you like magical realism, there is plenty here, and it’s beautifully rendered. Because of her writing, the author spent many years in prison under the Islamic Republic. Yet she never stopped writing. I think she should be considered for the Nobel Prize in literature. This novel was also made into a film.
From an outspoken Iranian author comes a “charming, powerful novella” that is banned in Iran for its depiction of female freedom (Publishers Weekly).
“Parsipur is a courageous, talented woman, and above all, a great writer.” —Marjane Satrapi, author of Persepolis
This modern literary masterpiece follows the interwoven destinies of five women—including a wealthy middle-aged housewife, a prostitute, and a schoolteacher—as they arrive by different paths to live together in an abundant garden on the outskirts of Tehran. Drawing on elements of Islamic mysticism and recent Iranian history, this unforgettable novel depicts women escaping the narrow confines of family and society,…
I am a professor of politics and international relations with a focus on Iran. My passion for the country started while studying Persian or Farsi with an exceptional professor in graduate school. During that time, I had the privilege of traveling to Iran three times to study the language and conduct research on rural politics. This period coincided with the Green Movement uprising, a pivotal moment in the country. Since then, I have been enthralled by Iranian history, politics, and culture. Their richness and complexity make it a subject that can be studied and appreciated for a lifetime.
Importantly, this book reminds the reader that the Iranian Revolution and others are rare and unpredictable events in human history that breed chaos and uncertainty. The book systematically and convincingly debunks the conventional explanations for the revolution related to static structures and processes in the government, military, economy, society, and culture. Instead, the book argues that what ultimately turned the tide of the revolution was the agency of activists who purposively created and exploited these structures and processes, translated initial fear into intensified outrage, drew power in numbers, and became convinced that success in the form of regime change was possible.
The shah of Iran, Mohammad Reza Pahlavi, would remain on the throne for the foreseeable future: This was the firm conclusion of a top-secret CIA analysis issued in October 1978. One hundred days later the shah--despite his massive military, fearsome security police, and superpower support was overthrown by a popular and largely peaceful revolution. But the CIA was not alone in its myopia, as Charles Kurzman reveals in this penetrating work; Iranians themselves, except for a tiny minority, considered a revolution inconceivable until it actually occurred. Revisiting the circumstances surrounding the fall of the shah, Kurzman offers rare insight into…
