100 books like Shah of Shahs

An American Coup and the Roots of Middle East Terror by Stephen Kinzer. Honestly, if I was Ben Affleck I would have made a movie based on this book instead of Argo. Kinzer’s book exposes the United States and the UK’s role in creating the Iran of today by detailing Operation Ajax—or the coup that caused the downfall of elected Prime Minister Mohammad Mosaddegh. Spoiler alert: it had a lot to do with oil. What’s devasting is to picture what Iran would look like today without foreign intervention in the 1950s.  

An astounding 20th century life-story told with honesty and warmth by one of Iran’s most impressive and pioneering women. From growing up as part of her father’s harem before setting sail for the USA during WWII to attend university, then returning to Iran to create a national social care system and finally, the unbearable tragedy of her life’s work being destroyed by the Islamic regime, this is an inspiring but heartbreaking story of bravery and humanity at its best.

British-Iranian journalist, Ramita Navai shines a spotlight on 21st century Tehran that we rarely see in the mainstream press, delving into the city’s youth culture, illicit entertainment, and seedy underbelly of drugs and despair. City of Lies exposes the reality of how young, modern Iranians really live - constantly evading the authorities to seek out the pleasures they are denied under the regime.

My family fled Iran a couple years after the Islamic Revolution, but growing up, my parents didn’t talk about that period in their life all that much. It was sort of like my friend whose dad never talked about Vietnam. So, even though I was born in Iran post-revolution, I didn’t learn much about the history of the Shah’s downfall until I read Marjane Satrapi’s incredible graphic novels – Persepolis, Books One and Two. Satrapi manages to create a funny and heartbreaking memoir about her adolescence during the revolution and her life as a young ex-pat living in Paris. 

Follow it up with her graphic novella, Embroideries—which delves into the sex lives of Iranian women. Another topic that was generally off-limits in our household.

This book was written by one of the few Americans, who lived in Iran during the revolution, and helped inspire and inform my own monograph on the rural politics of the country. Based on years of painstaking ethnographic fieldwork and in-depth interviews, this anthropological work traces the sociopolitical transformations that transpired in an Iranian village located outside the city of Shiraz before and after the Iranian Revolution. The book demonstrates the increasingly blurry boundaries between rural and urban geographies and identities as the country modernized, and the opportunities and challenges behind this process. While previous scholarship contends that villagers refrained from supporting or participating in the revolution, this book paints a more nuanced and complex picture by showing that some in fact did while others did not and explains why this was the case.   

Importantly, this book reminds the reader that the Iranian Revolution and others are rare and unpredictable events in human history that breed chaos and uncertainty. The book systematically and convincingly debunks the conventional explanations for the revolution related to static structures and processes in the government, military, economy, society, and culture. Instead, the book argues that what ultimately turned the tide of the revolution was the agency of activists who purposively created and exploited these structures and processes, translated initial fear into intensified outrage, drew power in numbers, and became convinced that success in the form of regime change was possible.       

This novel was banned in Iran and published outside of it by a renowned Iranian author who grew up in a village and moved to Tehran, where he became a prominent writer and political prisoner. It lends a surreal and personal perspective to the Iranian Revolution and the Iran-Iraq War – the two most dramatic and formative events in the Islamic Republic’s forty-year existence. It tells the haunting and heart-wrenching story of an unnamed and disgraced former army colonel, who futilely tries to keep his mind intact and his family together during this tumultuous period. The novel poignantly demonstrates how the revolution and war tore individuals and their loved ones apart to the point of madness and death. It is a microcosm of the deep-seated dissonance and disillusionment that Iranians have experienced over aspirational nationalism and piety, on one side, and endemic fragmentation and repression, on the other. A difficult… show more.

I enjoyed the presentation of the historical and biographical point of view in this book which follows Forough Farrokhzad from a forced marriage to her life as a poet and filmmaker. The poetry from Forough Farrokhzad itself is used to give insight into her thoughts and desires. Her poem "Sin" was one that I read and re-read at different points during the book because of how it intertwined with the narrative. 

I’m going to be sneaky here and wedge two books in for the price of one. Kim Ghattas’ Black Wave is a beautifully written and reported, intimate history of the destructive ideological rivalry between Sunni Saudi Arabia and Shia Iran, a rivalry fuelled by the “tilt” policy of the Ronald Reagan administration that pitted the former allies against each other in an effort to keep them both weak (and unlikely to lead OPEC to attack the West again as they did in 1973). Ghattas, a Beiruti journalist who was friends with Jamal Khashoggi, grounds her history of the devastating cultural and geopolitical upheaval that followed in the personal and highly emotional stories of public intellectuals and other progressive thinkers who fought the Dark Age descending on the Middle East.

She finds her creation moment in the 1979 Iranian revolution, which occurred in the same year as the siege of the… show more.

Persepolis is the book that made me fall in love with graphic memoirs.

I’ve typically been more of a word person than a picture person, but Satrapi’s stark black-and-white images make such creative use of the space on the page that I was converted. I learned so much about the history of Iranian conflict from this book—through the young girl eyes of its narrator—but my favorite part is the way Satrapi visually depicts her conversations with God.

After I read this book, I started drawing images of my conversations with God into my own prayer journal.