Here are 100 books that Tolkien's Theology of Beauty fans have personally recommended if you like
Tolkien's Theology of Beauty.
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I’ve been reading Tolkien since I was seven years old, mumblety-mumble years in the distant past, but it wasn’t till much later that I got serious about reading critical works on Tolkien, and then turned to writing about him, myself. Twenty years ago, I published my first book on Tolkien. Since then, I’ve edited a number of essay collections, published many papers, consulted on the Hobbit movies, amassed a respectable personal library, and edited Mythlore, one of the major journals in the field of Tolkien studies, since 2006. My love of Tolkien has led me on many adventures and to deep and abiding friendships around the world!
Verlyn Flieger is the doyenne of Tolkien criticism, and this collection sees her at her best.
I’ve often found that her brilliance lies in pointing out what’s been hiding in plain sight–and once you have seen it, your view is forever changed. “But What Did He Really Mean?” and “Politically Incorrect Tolkien” are my favorites, but there are many gems here worth excavating.
Devoted to Tolkien, the teller of tales and co-creator of the myths they brush against, these essays focus on his lifelong interest in and engagement with fairy stories, the special world that he called faerie, a world they both create and inhabit, and with the elements that make that world the special place it is. They cover a range of subjects, from The Hobbit to The Lord of the Rings and their place within the legendarium he called the Silmarillion to shorter works like "The Story of Kullervo" and "Smith of Wootton Major."
I’ve been reading Tolkien since I was seven years old, mumblety-mumble years in the distant past, but it wasn’t till much later that I got serious about reading critical works on Tolkien, and then turned to writing about him, myself. Twenty years ago, I published my first book on Tolkien. Since then, I’ve edited a number of essay collections, published many papers, consulted on the Hobbit movies, amassed a respectable personal library, and edited Mythlore, one of the major journals in the field of Tolkien studies, since 2006. My love of Tolkien has led me on many adventures and to deep and abiding friendships around the world!
I find many attempts to psychoanalyze authors disrespectful and poorly thought out, but this is an exception. It offers a unique perspective on the interrelationship between Tolkien’s life and art.
It is well-argued, convincing, and beautifully written. It gets deeply into the WHY of Tolkien’s art without being invasive or overly speculative.
I’ve been reading Tolkien since I was seven years old, mumblety-mumble years in the distant past, but it wasn’t till much later that I got serious about reading critical works on Tolkien, and then turned to writing about him, myself. Twenty years ago, I published my first book on Tolkien. Since then, I’ve edited a number of essay collections, published many papers, consulted on the Hobbit movies, amassed a respectable personal library, and edited Mythlore, one of the major journals in the field of Tolkien studies, since 2006. My love of Tolkien has led me on many adventures and to deep and abiding friendships around the world!
If you are anything like me, one of the reasons you keep coming back to Middle-earth is the landscape. This is the field guide I want to take on my next trip!
This is a very thoroughly researched compendium of information and folklore about real-world plants in Tolkien’s world—and about his invented plants as well. It's nicely illustrated, too!
The book considers the importance of plants in Tolkien's conception of Middle-earth. It develops the theme that Middle-earth is our own world - and will awaken the reader to the connection between the plants of Tolkien's legendarium and those growing in our gardens and local natural areas of the Northern Hemisphere. It also demonstrates the connection between the various plant communities of Middle-earth and the elven and human cultures that occupy them, including those environments degraded by warfare, industrialization or pollution.
The heart of the book is an alphabetical listing, arranged by common names, of all of the plants mentioned…
I’ve been reading Tolkien since I was seven years old, mumblety-mumble years in the distant past, but it wasn’t till much later that I got serious about reading critical works on Tolkien, and then turned to writing about him, myself. Twenty years ago, I published my first book on Tolkien. Since then, I’ve edited a number of essay collections, published many papers, consulted on the Hobbit movies, amassed a respectable personal library, and edited Mythlore, one of the major journals in the field of Tolkien studies, since 2006. My love of Tolkien has led me on many adventures and to deep and abiding friendships around the world!
I love a good, solid, chewy book of critical essays around a specific theme—I know, it’s a specialized taste. This is a good one.
Yes, I’d love to tramp peacefully around Middle-earth with the field guide I reviewed above, but there are horrors there as well, and this collection gives Tolkien’s dragons, wolves, spiders, and other monsters their due.
Fear and horror are an inextricable part of Tolkien's great mythology and his use of medieval sources for his evocations of fear and horror contribute to the distinctive tone of his work. This collection of essays shows how his masterly narrative techniques transform his sources, both familiar and unfamiliar, so that hitherto benign characters, objects and landscapes, as well as his famous monstrous creations, engage with deeply rooted human fears. The essays, by an international group of scholars, confirm Tolkien's worldwide reputation. They highlight the depiction of the fear associated with marginalised characters; explore the moral implications of light and…
I’ve been fascinated by Dante since my first years at university. For me, reading Dante was the beginning of a journey, opening up a rich world of theology, philosophy, art, literature, science, and culture. As Professor of Theology at the University of St Andrews, I especially enjoy facilitating students’ first encounters with Dante, and seeing how Dante so often leads them, also, to a deeper appreciation of some of the greatest thinkers and makers of our civilisation, from Aristotle and Virgil to Aquinas and Giotto.
This book was a revelation to me in first studying Dante. Here was an author taking Dante’s questions, and his answers to those questions, seriously. A brilliant Cambridge Italianist and a Dominican priest, Kenelm Foster is passionately engaged with the theology of Dante.
In this book, he provides his celebrated account of the ‘Two Dantes,’ one overly committed to paganism, the other devoted to Christianity. He also develops his comparison between Aquinas’s theory of implicit faith (according to which pagans may be saved) and Dante’s strange invention of a section of limbo in which virtuous pagans are, it seems, eternally damned. Although I do not hold now to all of Foster’s provocative assumptions or conclusions, I still find his mode of questioning Dante, and reading Dante historically and theologically, inspirational and exhilarating.
I readThe Hobbit when I was in primary school and was immediately captivated by the world of magic, dwarves, and dragons. Perhaps because in the North of England where I grew up, this world seemed often to be just around the next corner! I grew up writing, and as I learned my craft I naturally turned to books on Tolkien to see what inspired and drove him. I found that every writer on Tolkien brings a new and surprising perspective on his work, each revealing a little more of Tolkien’s genius, and inspiring me to demand ever more of myself as a writer.
Professor Tom Shippey is one of the great Tolkien scholars, with the gift of being able to offer deep insight and analysis in an accessible way. In The Road to Middle-Earth he uses Tolkien’s academic life and interests to shed light on the development of his personal mythology, from the foundational History of Middle-Earth works through toLord of The Rings. For me this is a ‘gateway’ book—if you enjoy what Shippey has to say and what he reveals about Tolkien’s work, then I suspect you’ll also like the remaining three books on this list.
“Uniquely qualified to explicate Tolkien’s worldview,” this journey into the roots of the Lord of the Rings is a classic in its own right (Salon.com).
From beloved epic fantasy classic to record-breaking cinematic success, J.R.R. Tolkien's story of four brave hobbits has enraptured the hearts and minds of generations. Now, readers can go deeper into this enchanting lore with a revised edition of Tom Shippey's classic exploration of Middle-earth.
From meditations on Tolkien's inspiration to analyses of the influences of his professional background, The Road to Middle-earth takes a closer look at the novels that made Tolkien a legend. Shippey…
I readThe Hobbit when I was in primary school and was immediately captivated by the world of magic, dwarves, and dragons. Perhaps because in the North of England where I grew up, this world seemed often to be just around the next corner! I grew up writing, and as I learned my craft I naturally turned to books on Tolkien to see what inspired and drove him. I found that every writer on Tolkien brings a new and surprising perspective on his work, each revealing a little more of Tolkien’s genius, and inspiring me to demand ever more of myself as a writer.
There’s a paradox at the heart of The Lord of The Rings. Tolkien wrote that it is “a fundamentally religious and Catholic work,” yet Middle-earth is pre-Christian and has little-to-no trace of religion evident within it. So how to reconcile the two? InThe Battle for Middle-earth, Rutledge, a priest, brings his own knowledge and understanding of scripture to bear on TheLord of the Rings, to reveal how Tolkien’s plots, themes, and characters can be understood from a Catholic perspective. One thing shines clear from this book: just what a great storyteller Tolkien is. He never seeks to dictate or persuade (unlike C.S. Lewis in his Narnia series), but allows each reader to discover for themselves the treasures within his stories.
J. R. R. Tolkien's Lord of the Rings has long been acknowledged as the gold standard for fantasy fiction, and the recent Oscar-winning movie trilogy has brought forth a whole new generation of fans. Many Tolkien enthusiasts, however, are not aware of the profoundly religious dimension of the great Ring saga.
In The Battle for Middle-earth Fleming Rutledge employs a distinctive technique to uncover the theological currents that lie just under the surface of Tolkien's epic tale. Rutledge believes that the best way to understand this powerful "deep narrative" is to examine the story as it unfolds, preserving some of…
I’m an award-winning and USA Today Best-Selling author whose work includes everything from short stories in school journals to horror and epic fantasy. But I’ve long been obsessed with books that work as well for adults as they do for children. The prose must be beautiful and designed to read aloud; the plot must be on point, and the characters must be compelling. And all of this with a PG rating. A tricky ask, even when the authors haven’t added Easter egg extras for adults. It’s because of this that I believe these are some of the best fantasy books ever written. So, enjoy!
This book was my favorite book for most of my life, so it holds a special place in my heart. It was only bumped by Well Witched (Verdigris Deep).
This is the book I read over and over to my two children. One of whom loved to act out being the indomitable Bilbo Baggins. The prose is beautiful, the plot is tight, the adventure is fun, the wonder is wondrous. Who doesn’t love forest elves? And the world-building is amazing. I guess we all know that was Tolkien’s specialty!
I will argue with anyone that this is the best story Tolkien ever wrote. The prose is beautiful to read. It doesn’t wander, it doesn’t get off track, there’s a humor, and let’s not forget the dragon, and all packed into 310 pages!
Special collector's film tie-in hardback of the best-selling classic, featuring the complete story with a sumptuous cover design inspired by THE HOBBIT: AN UNEXPECTED JOURNEY and brand new reproductions of all the drawings and maps by J.R.R. Tolkien.
Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End.
But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day to whisk him away on an unexpected journey 'there and back again'. They have a plot to raid…
Today, I teach fantasy at the University of Maryland, but I’ve been hooked on Tolkien from a young age. As a kid, I was wary that serious study of Tolkien might “destroy the magic,” but decades spent in strange corners of Tolkien’s invented universe have only deepened my appreciation for the inexhaustible depth of his sub-creation—it’s simply steeped in a profound sense of untold stories. I hope you enjoy digging in as much as I have.
I love it for taking me on a wild ride through Frodo’s dreams and along the lost road back to Númenor. Flieger’s study of Tolkien’s abandoned time travel stories is particularly effective; it made me want to explore every nook and cranny of The History of Middle-earth.
Much of her work on Tolkien is justly famous, but this one in particular showed me that Tolkien criticism could be a work of art in its own right.
J.R.R. Tolkien's The Hobbit, The Lord of the Rings, and Silmarillion have long been recognized as among the most popular fiction of the twentieth century, and most critical analysis of Tolkien has centered on these novels. Granted access by the Tolkien estate and the Bodleian Library in Oxford to Tolkien's unpublished writings, Verlyn Flieger uses them here to shed new light on his better known works, revealing a new dimension of his fictive vision and giving added depth of meaning to his writing.
Tolkien's concern with time-past and present, real and "faerie"-captures the wonder and peril of travel into other…
I love character-driven, roller coaster ride stories. As a young reader, I gravitated to the “choose your own adventure” books which relied on invoking knotted stomachs, and cold sweats in children as they struggled to make the right decision before reading on; turn to page 105 if you want to face the ravenous bear or page 23 if you wish to flee. Thus, the love of reading emerged and, eventually, the joy of writing followed. These books are just some of the stories that bring similar nostalgic tones when I delve into their pages. I hope you enjoy them as much as I do.
Whilst the Lord of the Rings trilogy should be read as one story, my favourite of the series is the second book, The Two Towers.
I loved the separation of our characters and the focus on one narrative concerning one group in its entirety before we see what happens to the other group. It was a new way of reading when I first read The Two Towers.
Prior, my encounter with books containing multiple storylines saw intercut sections, switching from one set of characters to the other.
I particularly enjoyed the overarching dread surrounding the story of Frodo, Sam, and Gollum. For me, there were many gut-wrenching moments when hope fizzled away. The character building in these moments is exquisite.
This brand-new unabridged audio book of The Two Towers, the second part of J. R. R. Tolkien's epic adventure, The Lord of the Rings, is read by the BAFTA award-winning actor, director and author, Andy Serkis.
The company of the Ring is torn asunder. Frodo and Sam continue their journey alone down the great River Anduin - alone, that is, save for the mysterious creeping figure that follows wherever they go.
This continues the classic tale begun in The Fellowship of the Ring, which reaches its awesome climax in The Return of the King.
