Here are 100 books that There Would Always Be a Fairy Tale fans have personally recommended if you like
There Would Always Be a Fairy Tale.
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I’ve been reading Tolkien since I was seven years old, mumblety-mumble years in the distant past, but it wasn’t till much later that I got serious about reading critical works on Tolkien, and then turned to writing about him, myself. Twenty years ago, I published my first book on Tolkien. Since then, I’ve edited a number of essay collections, published many papers, consulted on the Hobbit movies, amassed a respectable personal library, and edited Mythlore, one of the major journals in the field of Tolkien studies, since 2006. My love of Tolkien has led me on many adventures and to deep and abiding friendships around the world!
I am fascinated by the contradictions of Tolkien’s women and by the tension between Christian and pagan in his writing.
This book is particularly valuable for its explication of Tolkien’s integration of Marian and Valkyrie imagery, resulting in female characters of transcendental beauty and heroism. And the writing is absorbing and informative.
I’ve been reading Tolkien since I was seven years old, mumblety-mumble years in the distant past, but it wasn’t till much later that I got serious about reading critical works on Tolkien, and then turned to writing about him, myself. Twenty years ago, I published my first book on Tolkien. Since then, I’ve edited a number of essay collections, published many papers, consulted on the Hobbit movies, amassed a respectable personal library, and edited Mythlore, one of the major journals in the field of Tolkien studies, since 2006. My love of Tolkien has led me on many adventures and to deep and abiding friendships around the world!
I find many attempts to psychoanalyze authors disrespectful and poorly thought out, but this is an exception. It offers a unique perspective on the interrelationship between Tolkien’s life and art.
It is well-argued, convincing, and beautifully written. It gets deeply into the WHY of Tolkien’s art without being invasive or overly speculative.
I’ve been reading Tolkien since I was seven years old, mumblety-mumble years in the distant past, but it wasn’t till much later that I got serious about reading critical works on Tolkien, and then turned to writing about him, myself. Twenty years ago, I published my first book on Tolkien. Since then, I’ve edited a number of essay collections, published many papers, consulted on the Hobbit movies, amassed a respectable personal library, and edited Mythlore, one of the major journals in the field of Tolkien studies, since 2006. My love of Tolkien has led me on many adventures and to deep and abiding friendships around the world!
If you are anything like me, one of the reasons you keep coming back to Middle-earth is the landscape. This is the field guide I want to take on my next trip!
This is a very thoroughly researched compendium of information and folklore about real-world plants in Tolkien’s world—and about his invented plants as well. It's nicely illustrated, too!
The book considers the importance of plants in Tolkien's conception of Middle-earth. It develops the theme that Middle-earth is our own world - and will awaken the reader to the connection between the plants of Tolkien's legendarium and those growing in our gardens and local natural areas of the Northern Hemisphere. It also demonstrates the connection between the various plant communities of Middle-earth and the elven and human cultures that occupy them, including those environments degraded by warfare, industrialization or pollution.
The heart of the book is an alphabetical listing, arranged by common names, of all of the plants mentioned…
I’ve been reading Tolkien since I was seven years old, mumblety-mumble years in the distant past, but it wasn’t till much later that I got serious about reading critical works on Tolkien, and then turned to writing about him, myself. Twenty years ago, I published my first book on Tolkien. Since then, I’ve edited a number of essay collections, published many papers, consulted on the Hobbit movies, amassed a respectable personal library, and edited Mythlore, one of the major journals in the field of Tolkien studies, since 2006. My love of Tolkien has led me on many adventures and to deep and abiding friendships around the world!
I love a good, solid, chewy book of critical essays around a specific theme—I know, it’s a specialized taste. This is a good one.
Yes, I’d love to tramp peacefully around Middle-earth with the field guide I reviewed above, but there are horrors there as well, and this collection gives Tolkien’s dragons, wolves, spiders, and other monsters their due.
Fear and horror are an inextricable part of Tolkien's great mythology and his use of medieval sources for his evocations of fear and horror contribute to the distinctive tone of his work. This collection of essays shows how his masterly narrative techniques transform his sources, both familiar and unfamiliar, so that hitherto benign characters, objects and landscapes, as well as his famous monstrous creations, engage with deeply rooted human fears. The essays, by an international group of scholars, confirm Tolkien's worldwide reputation. They highlight the depiction of the fear associated with marginalised characters; explore the moral implications of light and…
I’ve always read Sci-Fi and Fantasy. It’s my comfort place and haven’t we all needed that in the roaring '20s? It took a long while to clock that the books that stuck with me longest were all in that odd space where fantasy and sci-fi collide, (like Helliconia or Fire Upon the Deep or Dune) When I started writing, the ideas just poured out of me but after I realised I’d written a book like those I loved to read.
I love, love, love this book, for so many reasons. My top two are: 1) It sits squarely in that odd ‘fantasy in a technological world’ niche (Imagine 1984’s world filled with fairies!) 2) It has an odd, dark humour feel to a book that I like (think Gaiman or Pratchett) And oh! The characters? Funny, clever, nuanced. Bum that was three wasn’t it? I’ll come in again.
"What would happen if Terry Pratchett, Neil Gaiman, Emma Newman and K.E. Mills (in her Accidental Sorcerer mode) got together and had a fairy tale themed writathon? This, my friend, is probably what would happen."
Bea is a lowly cabbage fairy, but she dreams of being an official fairy godmother. Of course, no one thinks a cabbage fairy could run a story, least of all the other fairy godmothers. Until, one day, someone offers Bea a chance to prove herself. One heroine, one week, one marriage at the end of it. Easy, right?
I’ve always had an interest in art, growing up a military brat and constantly moving, left me time to doodle and read. I spent the first part of my life as an art professor and artist. I began writing three years ago when my manuscript was chosen for RWA’s Ramp program in 2021. With my art, my interest leans more towards the bizarre and unexplained. I believe the romance stories I write follow suit, dark and gothic romance my primary interest, but always with spiritual and hopeful undertones. I also write some non-fiction for a local magazine where I live, The Greenville Stroll and on substack a newsletter for romance writers.
This is what fairy tales would look like if they were gothic, so I love this book.
I read it a few years ago and fell in love with it. I purchased the print copy because I wanted the illustrations in front of me to look at too. Almost any story you read comes from a myth or a fairy tale if you deconstruct it, so reading this book keeps your brain tuned into this idea, but you don't need to be a writer to find delight in this book.
Once upon a time fairy tales weren't meant just for children, and neither is Angela Carter's Book of Fairy Tales. This stunning collection contains lyrical tales, bloody tales and hilariously funny and ripely bawdy stories from countries all around the world- from the Arctic to Asia - and no dippy princesses or soppy fairies. Instead, we have pretty maids and old crones; crafty women and bad girls; enchantresses and midwives; rascal aunts and odd sisters.
This fabulous celebration of strong minds, low cunning, black arts and dirty tricks could only have been collected by the unique and much-missed Angela Carter.…
I don’t read books with explicit scenes, and I don’t write them either. I’ve read hundreds of novels in this genre and written several of my own. I believe closed-door romances can be just as tension-filled and fun as those with spice. I love the closed-door romance community and have a passion for sharing books that make me laugh, cry, and swoon.
I absolutely loved the way that Emma wrote these characters. I related to Seraphina and fell for Rafe’s charm time and time again. They’re a couple that’s perfect for each other.
Some book couples you read and think they may not make it past the last page, but I could see these two together forever. The whole book made me swoon and laugh.
I have been fascinated by the richness of fairy tales since I was a child. The fantasy writing offers endless possibilities to nourish my mind’s eye and pearls of wisdom that I can transfer to real life. I remember from childhood that I cried reading the Little Mermaid by Hans Christian Andersen. This childhood memory never left me. Fantasy writing is interwoven with the realm of nature and beings other than humans that offer a tapestry for the tradition of storytelling and nature writing, which I found a fascinating field to explore. I hope you can find the same in the books on this list.
This book is a classic story that transported me to a realm where fairies come alive—I felt I could be there dancing with them, too.
I love the story's initial opening with the magical expression, “Once upon a time.” It’s like opening a gateway to my mind’s eye, imagining life in that country that was very close to Fairy Land, guided by the exquisite illustrations in the book.
I like also very much the simplicity of the names of the characters, like for example, “Princess Niente (Princess Nobody) and of the structure of the story divided into three chapters.
The end is sweet: “Journeys end in lovers meeting, and so do stories.” And offered me a pearl with the quote of Apuleius and the poem.
As a life-long lover of fairy tales, I believe the reason these timeless stories resonate so deeply is because they speak to an unquenchable desire in the center of each of our souls: the hope for a grand romantic adventure that will change our lives from the inside out. As an author, I strive to create those kinds of soul-speaking stories, crafting characters my readers relate to as friends... and respect as heroes. When my readers adventure alongside these fictional friends, I hope they are encouraged to bravely face the real-life challenges of our modern world, while being emboldened toward acts of everyday and exceptional heroism.
Wolves and Roses is a fun and snarky start to a big series in which humans exist in a modern world alongside shifters, witches, and fairies. Sounds fun, right?
Bryar Rose is expected to follow the Sleeping Beauty story template for her life. Unfortunately, something glitched in her personality, because no part of that story appeals to who she truly is, or what she wants out of life. When Bryar meets Knox, a powerful werewolf shifter in the midst of his own identity crisis, sparks fly.
If you enjoy strong, rebellious female leads and bad-boy heroes (yes, please!), this book has all those vibes, plus intrigue, witty banter (my fave), and action. Fans of alternate-history fantasy, paranormal romance, and modern-set fairy tale retellings should add this book to their TBR.
Seventeen-year-old Bryar Rose has a problem. She’s descended from one of the three magical races—shifters, fairies, or witches. That makes her one of the Magicorum, and Magicorum always follow a fairy tale life template. In Bryar’s case, that template should be Sleeping Beauty.
Should being the key word.
Trouble is, Bryar is nowhere near the sleeping beauty life template. Not even close. She doesn’t like birds or woodland creatures. She can’t sing. And she certainly can’t stand Prince Philpot, the so-called “His Highness of Hedge Funds” that her aunties want her to…
I have a passion for fairy tale stories especially ones for adults because they are often the first stories we learned as kids. The ability to look back at how we interpreted them and how our understanding changes over time and culture makes for something that is truly timeless, and therefore like a beloved trope is never the exact same thing twice. Each time only builds on our enjoyment and the many possibilities we can imagine. Not only in worlds of magic, but our own.
Sometimes you simply want all, I get it. That’s part of the reason why so many fairy tale characters know each other in my series, so why not try a brand-new fantasy romance anthology? Featuring 20 different short stories and authors, Once Upon A Forbidden Desire is bound to be magical. If you are anything like me, you have a long to-do list and there never seems like enough time. Short stories are the perfect thing for that in my opinion. I always savor them like an advent calendar’s candy.
When it comes to true love, rules are meant to be broken …
Dark forests and locked doors, poisoned apples and forbidden lovers ... Bold heroines and swoon-worthy heroes break all the rules in this enchanting anthology of the fairy tales you thought you knew.
Once Upon A Forbidden Desire features 20 enticing fairy tale retellings by a diverse selection of fantasy romance authors. From sweet true love’s kisses to sizzling passion, from modern streets to enchanted forests, and from a mage Rapunzel to a winged Prince Charming ...
If you enjoy captivating romance, enthralling new worlds, and stories with…
