Here are 66 books that Time Out Great Train Journeys of the World (Time Out Guides) fans have personally recommended if you like
Time Out Great Train Journeys of the World (Time Out Guides).
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I took my first cross-country train ride with my mom when I was seven years old. That gave me the train bug. Since then, I’ve been across the United States three times via rail, across Europe, and all over northern India with my husband, too. I think train travel is a very special way to see a place. You’re going past backyards and back roads. You see the whole landscape, and you meet so many people you wouldn’t otherwise. I’ve never set out to write a “train book,” but trains play an important role in two of my three novels. I can’t get away from them, even in my imagination.
I read Monisha Rajesh’s earlier travel memoir, Around India in 80 Trains, while planning my own train journey in India. In this one, she circumvents the entire globe (technically more than once in terms of mileage). It’s the kind of book I wish I’d written myself because I would love to do a train journey like this! I love Rajesh’s descriptions of the places she passes through and the people she meets along the way, and of course, how it changes her to see the world through this lens.
WINNER OF THE NATIONAL GEOGRAPHIC TRAVELLER AWARD FOR BEST TRAVEL BOOK
SHORTLISTED FOR THE STANFORD DOLMAN TRAVEL BOOK OF THE YEAR AWARD
'Monisha Rajesh has chosen one of the best ways of seeing the world. Never too fast, never too slow, her journey does what trains do best. Getting to the heart of things. Prepare for a very fine ride' Michael Palin
From the cloud-skimming heights of Tibet's Qinghai railway to silk-sheeted splendour on the Venice Simplon-Orient-Express, Around the World in 80 Trains is a celebration of the glory of train travel and a witty and irreverent look at the…
I took my first cross-country train ride with my mom when I was seven years old. That gave me the train bug. Since then, I’ve been across the United States three times via rail, across Europe, and all over northern India with my husband, too. I think train travel is a very special way to see a place. You’re going past backyards and back roads. You see the whole landscape, and you meet so many people you wouldn’t otherwise. I’ve never set out to write a “train book,” but trains play an important role in two of my three novels. I can’t get away from them, even in my imagination.
Rydr is on her way from California to Chicago via rail, to meet a relative who will take care of her now that her grandmother no longer can. What I love most about this book—aside from the fact that it takes place on the California Zephyr, one of my very favorite train rides in the world—is that Rydr’s experience is so influenced by the strangers she meets on the train. That’s why I love train travel so much: you never know who you’re going to meet. And you almost always end up sharing a meal and a story with someone you would never have met otherwise.
A beautifully poignant debut perfect for fans of authors such as Rebecca Stead and Sharon Creech and books like Ali Benjamin's The Thing About Jellyfish. When Rydr travels by train from Los Angeles to Chicago, she learns along the way that she can find family wherever she is. Rydr is on a train heading east, leaving California, where her gramma can't take care of her anymore, and traveling to Chicago, to live with an unknown relative. She brings with her a backpack, memories both happy and sad, and a box, containing something very important. As Rydr meets her fellow passengers…
I adore crime fiction, especially mysteries. They make sense. In the real world, crime rarely has the resolution of fiction, and almost never has Belgian detectives with very neat moustaches, or old ladies solving a who-dunnit… I grew up reading these books, mentally inhaling everything from Christie to Rankin to McDermid, and now I spend my days writing brutal but quite silly murders solved by a woman who would really rather wear an old grey fleece and jeans than a sparkly dress, and her friends, the fictional TRASH drag family. Murder mysteries are fun – perfect escapism. In a world so messed up as ours is right now, don’t we need to escape into fiction?
I hate this book for all the reasons I love it: because it’s perfect.
It’s a perfect crime novel and a perfect mystery, with perfectly awful characters, set in a perfectly fabulous situation, and as a mystery writer I know I will never ever top Christie’s brilliance – but oh my, any chance I have, I fall into this story.
Romance. Deception. Murder. Shiny things.
Genius.
Forget the movie, pick up the real thing. Poirot at his best.
THE MOST WIDELY READ MYSTERY OF ALL TIME—NOW A MAJOR MOTION PICTURE DIRECTED BY KENNETH BRANAGH AND PRODUCED BY RIDLEY SCOTT!
“The murderer is with us—on the train now . . .”
Just after midnight, the famous Orient Express is stopped in its tracks by a snowdrift. By morning, the millionaire Samuel Edward Ratchett lies dead in his compartment, stabbed a dozen times, his door locked from the inside. Without a shred of doubt, one of his fellow passengers is the murderer.
Isolated by the storm, detective Hercule Poirot must find the killer among a dozen of the dead man’s…
I’m passionate about the theme of this list because I’ve experienced a lot in life already, even though I’m only 24 years old, and I know about the different situations that these books describe well. I’ve experienced a few traumatic situations later in my life (after I read these books) that these books have, it has turned me into somewhat of a realist over time, and I like to use my own talent of writing and creating characters to create, teach, and make people aware of scary and traumatic situations that can happen to anyone in real life. I hope more people will see the valuable lessons in these books.
I love this book because it teaches about real-life situations like children being orphaned, being homeless, family alienation, and even some survival tips (if that’s what you’re into). I would say that this book is cute, but now that I think about it, it’s really not. It’s cute in some aspects but mainly sad and scary.
I didn’t really understand what was going on in it back when I last read it (I was really young), but I do now.
Henry, Jessie, Violet, and Benny are brothers and sisters. They're orphans too, and the only way they can stay together is to make it on their own. When the children find an abandoned boxcar in the woods, they decide to call it home―and become the Boxcar Children!
I am a historian of diplomacy, war, and empire. A founding editor ofThe International History Review, I have written books on ‘Imperial Diplomacy’, on the origins of the First World War, and on the July Crisis.I have edited: the 5-volume Encyclopedia of War andthe 4-volumeEncyclopedia of Diplomacy; the journals of A.L. Kennedy for the Royal Historical Society; numerous collections of essays, and the multi-volume Seminar Studies in History series. I am currently working on a two-volume study of Political Intelligence in Great Britain, 1900-1950, which is a group biography of the men who made up the Department of Political Intelligence in Britain, 1917-1919
The First World War broke out in August 1914; by September 1914 articles and essays began to appear that defended – or attacked – the policies of the men responsible for the July Crisis. Books soon followed. And they have never stopped. No crisis in history has received more attention than that of July 1914. The topic, with its vast complexities, missed opportunities, and contradictory explanations, continues to fascinate us.
No book on the subject is more captivating than Thomas Otte’s day-by-day unravelling of the complicated diplomacy pursued by the statesmen of Europe. His mastery of the subject is impressive (he has written dozens of articles and essays on the diplomacy of prewar Europe) and his balanced treatment of the topic serves as a model of dispassionate scholarship.
This is a magisterial new account of Europe's tragic descent into a largely inadvertent war in the summer of 1914. Thomas Otte reveals why a century-old system of Great Power politics collapsed so disastrously in the weeks from the 'shot heard around the world' on June 28th to Germany's declaration of war on Russia on August 1st. He shows definitively that the key to understanding how and why Europe descended into world war is to be found in the near-collective failure of statecraft by the rulers of Europe and not in abstract concepts such as the 'balance of power' or…
Adam Zamoyski is a British historian of Polish origin. He is the author of over a dozen award winning books. His family originates in Poland. His parents left the country when it was invaded by Germany and Russia in 1939, and were stranded in exile when the Soviets took it over at the end of World War II. Drawn to it as much by the historical processes at work there as by family ties, Zamoyski began to visit Poland in the late 1960s. His interest in the subject is combined with a feel for its connections to the history and culture of other nations, and a deep understanding of the pan-European context.
This book provides a radically alternative perspective on what this event meant for ordinary people. Using a wide range of letters, diaries, and memoirs, Neiberg reveals that most people had no idea what the war was about and saw no good reason for it, while the soldiers were often confused as to whom they were fighting and which part of the world they were in. It is a short book but an enlightening read.
The common explanation for the outbreak of World War I depicts Europe as a minefield of nationalism, needing only the slightest pressure to set off an explosion of passion that would rip the continent apart. But in a crucial reexamination of the outbreak of violence, Michael Neiberg shows that ordinary Europeans, unlike their political and military leaders, neither wanted nor expected war during the fateful summer of 1914. By training his eye on the ways that people outside the halls of power reacted to the rapid onset and escalation of the fighting, Neiberg dispels the notion that Europeans were rabid…
I am a historian of diplomacy, war, and empire. A founding editor ofThe International History Review, I have written books on ‘Imperial Diplomacy’, on the origins of the First World War, and on the July Crisis.I have edited: the 5-volume Encyclopedia of War andthe 4-volumeEncyclopedia of Diplomacy; the journals of A.L. Kennedy for the Royal Historical Society; numerous collections of essays, and the multi-volume Seminar Studies in History series. I am currently working on a two-volume study of Political Intelligence in Great Britain, 1900-1950, which is a group biography of the men who made up the Department of Political Intelligence in Britain, 1917-1919
One of the most popular explanations for the outbreak of war between 1918 and 1939 was that it had been caused by the ‘Merchants of Death,’ i.e. the large armaments firms and their financiers who profited from international animosity. Although the conspiracy theory tendency in this belief gradually dissipated, the idea that the arms race was a significant contributory factor leading to war has long featured on any list of ‘causes’.
David Stevenson’s exhaustive research in the archives of most of the combatant states has provided us with massive and fascinating detail on the thinking of those involved and the relationship between geopolitical ambitions, strategic calculations, and financial realities. His treatment makes for fascinating reading, enhanced by crisply argued interpretations of the role of military and naval preparedness in the crises that plagued prewar Europe.
The global impact of the First World War dominated the history of the first half of the twentieth century. This major reassessment of the origins of the war, based on extensive original research in several countries, is the first full analysis of the politics of armaments in pre-1914 Europe.
David Stevenson directs attention away from the Anglo-German naval race towards the competition on land between the continental armies. He analyses the defence policies of the Powers, and the interaction between the growth of military preparedness and the diplomatic crises in the Mediterranean and the Balkans that culminated in the events…
I write YA fantasy novels with my sister, Liz. A Throne of Swans (our fourth book) is the first in a duology which features two fierce, shape-shifting queens. Since we both studied history at university, we’re particularly drawn to fantasy settings with a historical element, whether that’s a royal court or tall ships from the age of sail. In real history, queens wielding power tend to be rare or at least overlooked; Catherine of Aragon’s divorce is common knowledge, her wartime regency of England less so. Writing about and reading about powerful queens in fantasy novels is, I think, one small way of redressing the balance.
This is the third book in the awesome Isles of Storm and Sorrow trilogy. The hero, Marianne, is not only a queen and a mage but an amazing, kick-ass pirate. That means a lot of the adventure takes place on what for us are historic sailing ships – which I love – as well as in and around the various wonderfully described islands. Marianne’s moral struggles also fascinate me, particularly in Vulture. How easy is it to draw the line between fighting back for the right reasons and taking revenge simply for the pleasure of it? It’s a dilemma we’ve touched on in our own books, and an area of ambiguity that makes Marianne a particularly satisfying character to travel with.
Power, politics and pirates collide in Vulture, the finale of the epic YA fantasy series The Isles of Storm and Sorrow, perfect for fans of Pirates of the Caribbean.
We are all one misstep away from being the villain...
Marianne has passed the ultimate test required to be a Mage. She is finally powerful enough to reunite the Twelve Isles.
But having exposed herself to the darker side of magic, Marianne is struggling. The magic within her is nearly impossible to control, and she becomes cruel and violent, mercilessly pursuing those who have harmed her in the past, ignoring the…
I am a Russian academic living in the West and a contributor to both Western and Russian academia. I move between the two and try to build bridges by explaining the two sides’ differences and areas of potential cooperation. I do it in my teaching and research on international politics, which I understand through the lens of culture and politics. Most of my books analyze Russian and Western patterns of thinking formed through history and interaction with each other. I love reading good books about these topics and hope you enjoy my selected list!
Russia has historically connected to Europe as its significant other. This book describes the nature of the country’s identity development through the love-hate relations with European nations and search for recognition by Western other. Sometimes, Russia has sought to borrow Europe’s institutions and values. Other times, it has positioned itself as a great power and a superior system of internal values relative to “corrupt” Europe.
The end of the Soviet system and the transition to the market in Russia, coupled with the inexorable rise of nationalism, brought to the fore the centuries-old debate about Russia's relationship with Europe. In this revised and updated second edition of Russia and the Idea of Europe, Iver Neumann discusses whether the tensions between self-referencing nationalist views and Europe-orientated liberal views can ever be resolved.
Drawing on a wide range of Russian sources, this book retains the broad historical focus of the previous edition and picks up from where the it off in the early 1990s, bringing the discussion fully…
I moved to Britain from Belgrade, then the capital of Yugoslavia, in 1986. Still in my early twenties, I was a published poet in Serbian, but I didn’t dream I would eventually become a novelist in English. I devoured any English book that dealt with East-West encounters. I must have read several hundred as I researched my first book, Inventing Ruritania, a cultural study of the “Wild East”. I returned to them when I wrote Iron Curtain, a novel about a “Red Princess” from an unnamed East European country who marries an impecunious English poet. I sometimes thought of it as Ruritania writes back.
This is another story of a hapless, now unnamed, English academic in Eastern Europe, yet McGuinness’s Romanian novel couldn’t be more different from Bradbury’s Rates of Exchange, and not only for being tied to a very specific moment and place: Bucharest in the final months of 1989.
It captures the darkness and the deprivations of Ceaușescu’s regime just before its fall. It is a Cold War novel written by a poet and this shows in the richness of its melancholy and sinister atmosphere.
Once the gleaming "Paris of the East," Bucharest in 1989 is a world of corruption and paranoia, in thrall to the repressive regime of Nicolae Ceausescu. Old landmarks are falling to demolition crews, grocery shelves are empty, and informants are everywhere. Into this state of crisis, a young British man arrives to take a university post he never interviewed for. He is taken under the wing of Leo O'Heix, a colleague and master of the black market, and falls for the sleek Celia, daughter of a party apparatchik. Yet he soon learns that in this society, friendships are compromised, and…
