64 books like July Crisis

There are many different vantage points from which to view the road to war in 1914, but an essential one is that which focuses on the ethos, politics, and strategy of one of the constellations of European Great Powers. In the 1980s, Macmillan published a series of books focusing on each of these, written by acknowledged experts (Zara Steiner on Britain, John Keiger on France, Dominic Lieven on Russia, Volker Berghahn on Germany, Richard Bosworth on Italy). The last in the series appeared in 1990, when Samuel Williamson published his study of Austria-Hungary.

It was well worth the wait. Comprehensive in its structure, balanced in its judgments, meticulous in its research, Williamson established a new standard for studies of the Great Powers. His conclusion – that Austria-Hungary was largely responsible for initiating the July Crisis and, ultimately, the war itself – is persuasively argued and the story compellingly told.

John Keiger followed his study of French foreign policy with a ground-breaking biography of the most important Frenchman of the day, Raymond Poincaré. Readers have a multitude of biographies to turn to in their quest for an explanation of the war’s origins: the rulers of Russia, Germany, and Austria-Hungary; the leading politicians, foreign ministers, strategists, and diplomats of most of the states involved. But no biographical study has surpassed Keiger’s.

Poincaré was a pivotal figure in the diplomacy and politics of Europe before the war, serving in numerous positions, including those of foreign minister, prime minister, and president. His devotion to the alliance with Russia and his distrust of Germany led his critics to denounce him for his role in the outbreak of war. Keiger’s magnificent biography provides us with an elegantly written, thoroughly researched, and nuanced account of Poincaré’s role and policies.

One of the most enduring explanations for the outbreak of war in 1914 is that of ‘imperialism’. The argument that competition for resources beyond the ‘natural’ frontiers of European states created bitter rivalries among the Great Powers had been made many times before 1914, whenever a crisis in Africa, Asia, or the Middle East threatened to turn into a shooting war. But disentangling the complex motives, strategies, and tactics that intersected Great Power politics is a daunting task.

One of the finest case studies of the imperial mentalité can be found in Bobroff’s fascinating book. Not only does he break new ground in this study, but he has mined the Russian archives to great effect, moving the subject along from grand, unproven assertions concerning Russian policies to a detailed and persuasive understanding of both their ambitions and their fears.

One of the most popular explanations for the outbreak of war between 1918 and 1939 was that it had been caused by the ‘Merchants of Death,’ i.e. the large armaments firms and their financiers who profited from international animosity. Although the conspiracy theory tendency in this belief gradually dissipated, the idea that the arms race was a significant contributory factor leading to war has long featured on any list of ‘causes’.

David Stevenson’s exhaustive research in the archives of most of the combatant states has provided us with massive and fascinating detail on the thinking of those involved and the relationship between geopolitical ambitions, strategic calculations, and financial realities. His treatment makes for fascinating reading, enhanced by crisply argued interpretations of the role of military and naval preparedness in the crises that plagued prewar Europe.

This book provides a radically alternative perspective on what this event meant for ordinary people. Using a wide range of letters, diaries, and memoirs, Neiberg reveals that most people had no idea what the war was about and saw no good reason for it, while the soldiers were often confused as to whom they were fighting and which part of the world they were in. It is a short book but an enlightening read.

Ferguson shows us a neural network of another sort: the web of offshore finance and international co-investment that culminated in the First World War—not at Sarajevo but in the Middle East, where Great Britain and Germany faced off over railroad access to Britain’s prize possession, India. Wrapped in the thoroughly engaging family history of the far-flung Rothschilds and how they knit themselves together in an empire of their own, Ferguson embeds an equally enthralling history of what he calls “Globalization I,” the 19th-century race to connect the empires established in the preceding age of exploration with their European centers of power by commercial rather than military means, with railway and telecommunications lines as their primary instruments. I am indebted to him for inspiring insights into how, in the years preceding World War I, the great European railway race came down to the finish line, the last and crucial link connecting… show more.

Not only is this a great story but I think it’s beautifully written, even more exceptional because this is Stevens’ debut. Quite often, psychological thrillers are such page-turners, the reader doesn’t properly appreciate the words. I think that Elliot Stevens achieves both literary finesse and fast-paced action in this book. Set in London and the south of England, it’s tightly woven with an original premise, and as a bonus, has a fabulous twist at the end. Mark and Cecilia seem to have the perfect life, until he meets Alice. But he can’t leave Cecilia because she knows too much…

This is a book on one of the most dramatic periods in international history. Why were political leaders and diplomats in the 1910s unable to stop the world’s descent into chaos and global conflict?

In addition to providing exceptional detail on key historical episodes, the book also highlights how easy it is for localized conflict to escalate and expand, with disastrous consequences. 

Yes, this is a guidebook. Why do I love it so much? It’s the next best thing to actually riding a train. My bucket list of dream train rides is very long, and with two young kids, a couple of jobs, and currently an ongoing global pandemic, it’ll probably take me a while to get to all of them. Until then, I can immerse myself in the photos and descriptions in this book. 

A dear colleague of mine, a few years back he decided to just go for it. He used all his experience and did stuff he never did before. The result, an explosion of colour and beautiful use of different techniques. These pictures just keep on giving and giving. Every time you'll spot something new. Once again wordless, but children necessarily don't need words to understand a story.