Here are 100 books that The Witnesses are Gone fans have personally recommended if you like
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PoppyHarp has at its heart the mystery of a forgotten children’s TV show from the 70s, so I wanted to share books that explore a similar idea–the fiction in fiction–be it an invented book, movie, or TV show that drives the narrative in some way. These five books all feature the enigmatic quality of something lost or some kind of age-old mystery waiting to be unraveled by its protagonists. They are also five books that I absolutely adore.
I absolutely fell for and into this seductive and sublimely entertaining book about a journalist investigating the enigma of Stanislas Cordova, an infamous and reclusive horror movie director. Nobody knows where he is or even if he’s still alive.
The invention of Cordova’s legend in the book is inspired; I love how Pessl builds layers of fake pop culture references and internet rabbit holes that feel so real you can almost hear the flicker of celluloid of one of Cordova’s movies playing out in your head. Even years after reading this book, I still recall it vividly in my mind’s eye.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Cosmopolitan • Kirkus Reviews • BookPage
A page-turning thriller for readers of Stephen King, Gillian Flynn, and Stieg Larsson, Night Film tells the haunting story of a journalist who becomes obsessed with the mysterious death of a troubled prodigy—the daughter of an iconic, reclusive filmmaker.
On a damp October night, beautiful young Ashley Cordova is found dead in an abandoned warehouse in lower Manhattan. Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange circumstances…
PoppyHarp has at its heart the mystery of a forgotten children’s TV show from the 70s, so I wanted to share books that explore a similar idea–the fiction in fiction–be it an invented book, movie, or TV show that drives the narrative in some way. These five books all feature the enigmatic quality of something lost or some kind of age-old mystery waiting to be unraveled by its protagonists. They are also five books that I absolutely adore.
This is a love-it or hate-it novel. Either you find it tiresome, or you give yourself over whole-heartedly to its unique madness. It has at its heart a film, The Navidson Record, a documentary about a photojournalist who moves his family into a pretty house and discovers that the house is bigger on the inside than the outside, and getting bigger.
As he and his friends try to explore the limits of the house, it rearranges itself around them. The film is described in the text by an old man, complete with a mountain of scholarly footnotes by a tattoo artist. But this book is also powered by a genuinely unsettling, often terrifying descent into hell. It’s a deranged funhouse of a novel that you will probably never forget.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
PoppyHarp has at its heart the mystery of a forgotten children’s TV show from the 70s, so I wanted to share books that explore a similar idea–the fiction in fiction–be it an invented book, movie, or TV show that drives the narrative in some way. These five books all feature the enigmatic quality of something lost or some kind of age-old mystery waiting to be unraveled by its protagonists. They are also five books that I absolutely adore.
I was introduced to the beguiling novels of Jonathan Carroll by the owner of a bookstore where I worked when I was young. Thirty years on and I still greatly anticipate a new novel by this unclassifiable author.
It follows the efforts of a teacher and his girlfriend to write the biography of a deceased children’s author whom they idolize. I love that Carroll’s books begin with familiar scenarios but soon take off into a very unique kind of magical realism.
Carroll always writes with a sure, sweet touch; his dialogue is whip-smart, his characters larger than life, and his stories always zip along with an easy conversational tone. You can start anywhere with his books, but there’s a special place in my heart for this one.
Have you ever loved a magical book above all others? Have you ever wished the magic were real? Welcome to The Land of Laughs. A novel about how terrifying that would be.
Schoolteacher Thomas Abbey, unsure son of a film star, doesn't know who he is or what he wants--in life, in love, or in his relationship with the strange and intense Saxony Gardner. What he knows is that in his whole life nothing has touched him so deeply as the novels of Marshall France, a reclusive author of fabulous children's tales who died at forty-four.
PoppyHarp has at its heart the mystery of a forgotten children’s TV show from the 70s, so I wanted to share books that explore a similar idea–the fiction in fiction–be it an invented book, movie, or TV show that drives the narrative in some way. These five books all feature the enigmatic quality of something lost or some kind of age-old mystery waiting to be unraveled by its protagonists. They are also five books that I absolutely adore.
I’ve loved this book since the day I unwrapped it in that bookstore I used to work at in 1992. Over the years I’ve re-read it several times and found it reveals more of itself the older I get. Harrison’s writing is hugely influential for a lot of writers, not only for his exquisite way with prose but also because he uncovers complex truths and epiphanies hiding inside ordinary people who find themselves occasionally touched by the fantastical.
The heart of this novel is a fictional book—the imaginary memoirs of a travel writer traversing Europe in pursuit of a magical realm. Everything revolves around it, and this exquisite book is like a puzzle box that the years have only served to slowly unlock for me.
John M. Harrison delivers an extraordinary, genre-bending novel that weaves together mythology, sexuality, and the troubled past and present of Eastern Europe. It begins on a hot May night, when three Cambridge students carry out a ritualistic act that changes their lives. Years later, none of the participants can remember what exactly transpired; but their clouded memories can't rid them of an overwhelming sense of dread. Pam Stuyvesant is an epileptic haunted by strange sensual visions. Her husband Lucas believes that a dwarfish creature is stalking him. Self-styled Sorcerer Yaxley becomes obsessed with a terrifyingly transcendent reality. The seemingly least…
I am an experienced entrepreneur and venture capitalist and a voracious reader. My reading, particularly of non-business books, is motivated not just by a natural curiosity, but is also driven by a continuous search for metaphors and lessons from outside the traditional business genre that I can apply to situations and decisions in the business arena. My appreciation of the crossover benefit of non-business narratives to business contexts has motivated me to write my own Business Fiction works to “enlighten and entertain.”
While David and Goliath is generally listed as a “self-help” book, Gladwell’s understanding of the biblical vignette unlocks a profound business strategy that Hamilton Helmer defines as “Counterpositioning” in his book 7 Powers.
Not a weak “underdog” at all, David (the Challenger) defeats Goliath (the Incumbent) by turning Goliath’s very strengths into his weaknesses.
David alters the rules of engagement and confidently strides into battle knowing that he has an excellent chance of success because Goliath, even as he sees David’s strategy unfolding, is incapable of competing David’s way.
David is the quintessential counterpositioner, adopting a model of behavior that Goliath is powerless to employ in response, much like Netflix streaming videos on demand and competing with giant Blockbuster and its megastores filled with physical VHS tapes. Game over.
Explore the power of the underdog in Malcolm Gladwell's dazzling examination of success, motivation, and the role of adversity in shaping our lives, from the bestselling author of The Bomber Mafia.
Three thousand years ago on a battlefield in ancient Palestine, a shepherd boy felled a mighty warrior with nothing more than a stone and a sling, and ever since then the names of David and Goliath have stood for battles between underdogs and giants. David's victory was improbable and miraculous. He shouldn't have won.
Or should he have?
In David and Goliath, Malcolm Gladwellchallenges how we think about obstacles…
Privately and professionally, I've always been addicted to literature and history and stirred by the experiences that these studies reveal. Yet as a novelist (retired from college lecturing) I instinctively assume the comic or satirical mode. Whereas in analysing the poetry of perhaps T.S. Eliot, I'm totally serious, when creating a story I start to giggle. Psychiatrists might label this a defence mechanism – but I suspect it's the result of formative years spent reading social satirists such as Huxley, Greene, Wodehouse, and Waugh. While certainly no imitator, I feel that this type of literature has become insidiously bred in the bone – hence my listed choices being socially directed and often comic or acerbic.
A wonderful collection of outrageous, yet drily witty, short stories by the mordant satirist Saki (aka H.H. Munro tragically killed in WW1 – a great loss to literature). The milieux may be “cosy”, in that the setting is upper-class England of the early twentieth century, but the style is cuttingly astringent (darker than Wodehouse), yet the situations farcical. To be enjoyed with a generous libation to hand – though a malt whisky rather than a softer gin might be appropriate. A bonus to this edition is the excellent introduction by the late and great Graham Greene.
The best of Saki is a collection of short stories by the famed 20th century writer Hector Hugh Munro. Saki is the pen name that Munro wrote his short stories under. Saki was a misogynist, anti-semite, and reactionary, who also did not take himself too seriously. His stories, “true enough to be interesting and not true enough to be tiresome”, were considered ideal for reading. Saki was an Edwardian writer of sharply satirical, cynical short stories set in the milieu of well to do upper class Edwardian England. Born in1870, he started writing around the turn of century and died…
As a Rhode Islander, I didn’t have to do too much research to write Ready, Set, Oh. I was born in Providence, and I grew up in Cranston, a suburb outside the city. After graduating from a local high school, I studied at Brown University and after years of living in different cities, fifteen years ago I settled in Providence with my family. I adore this place—we have vibrant neighborhoods, gorgeous beaches, plenty of history, and a surprisingly lively literary scene. I assembled this list to draw attention to some great but under-recognized books set in Rhode Island, either by Rhode Islanders or writers with significant connections to the Biggest Little.
In this baker’s dozen of stories, Jean McGarry reprises favorite topics—tight-knit families, fraying loves, intimations of mortality. A native Rhode Islander with ties to Providence’s blue-collar Irish community, McGarry paints the state and its inhabitants in shades as tender as they are unsparing. McGarry’s great theme is decline: Everything that starts out promising invariably goes bad. Steeped in this worldview, her characters are lively and quick with an insult—even when they’re confronted by experts who presume to know them better than they know themselves. One mordant example: A therapist finally gets a breakthrough with a tough-to-reach Rhode Islander. The patient feels relief, and the therapist urges him to attend sessions more regularly. “You’re at it again,” the patient remarks. “Save your advertisements for someone else.”
The stories of Ocean State roll over the reader like a wave. Family pleasures, marriage, the essential moments and mysteries of a seemingly ordinary world that break into magical territory before we can brace ourselves-Jean McGarry puts us in life's rough seas with what the New York Times has called a "deft, comic, and devastatingly precise" hand.
I began reading science fiction when I was 8 years old and "borrowed" my father’s library books until, in defense, he got me my own library card. Not only have I spent decades reading SF, I’ve written it as well. As a veteran reader and writer with plenty of kill marks on my fuselage, I'm literally married to the SF mob (Grandmaster Robert Silverberg, is my spouse). I can both walk the walk and talk the talk. And after writing 9 SF novels including a Star Trek Book and reading uncounted SF and F tales, I still think science fiction and fantasy can be a literature of ideas illuminating the human condition.
All of these stories are superb but my favorite here is "The Last Garden," in which a woman with mother issues finds a surprising solution to them via hardware. Runnerup: "Arlington," with its brilliant use of time travel leavened by a nice dash of romance.
Jack Skillingstead is a cult writer who keeps a fine focus on the human condition, its pathos, comedy, kindness, and cruelty which he captures in surreal and satirical situations in the near and far future. I love his mordant humor, his playful imagination, and the crazy compounding situations he drops his characters into. Odd twists and unexpected endings. Very funny use of sentient hardware,
Characters who are damaged and find healing in unexpected places, ways, and times. His notes on the background of these stories and generous essay about writing make this much more than a short story collection: the reader will gain insight into…
What does it mean to be human in a universe of shifting, sometimes terrifying realities? Eighteen stories from Jack Skillingstead's second decade of publishing feature intense and surprising explorations of who we are, who we wish to be, and who we can't be.
In "The Whole Mess" a genius math professor solves a multiverse equation only to find himself pursued by ancient Masters across the many iterations of his could-have-been lives. "Straconia" gives us a Kafkaesque world where all the lost things go, including people who must first find themselves before they can find a way back home. "Tribute" looks…
I am a writer who loves writing about women. All sorts of women. Strong, witty, complicated, unlikeable, and intelligent. It is important for me to understand the lived experience of women both inside and outside my own time and cultural context. So many women live with intersecting social characteristics, norms, expectations, nearly all of which hinder or harm. Yet so many women resist and rebel to change life for others. It is this sense of solidarity through history, one group of women paving the way for others, that I find especially fascinating and hopeful. And it is why rebellious women are so crucial. They cannot, and will not, be ignored.
The protagonist of this novel, Mia Fredricksen, experiences love, loss, and emotional breakdown. But what I love about this book is when Mia starts to rebuild herself and her sense of identity (her doctor tells her “tolerating cracks is part of being alive”) we move into a joyful narrative of female strength, power, and the solidarity of female friendship. And, as the title suggests, a summer without men. What I love about this novel is the message that even if you are badly betrayed, healing is possible.
Out of the blue, your husband of thirty years asks you for a pause in your marriage to indulge his infatuation with a young Frenchwoman. Do you:
a) assume it's a passing affair and play along b) angrily declare the marriage over c) crack up d) retreat to a safe haven and regroup? Mia Fredricksen cracks up first, then decamps for the summer to the prairie town of her childhood, where she rages, fumes, and bemoans her sorry fate as abandoned spouse. But little by little, she is drawn into the lives of those around her: her mother and her…
I’ve always loved peculiar heroes and heroines. Characters with strange gifts and an equal number of challenges. It started with Sherlock Holmes, whose mind fascinated me. As a child, I gravitated to the unnatural protagonist, Tarzan, in the Edgar Rice Burroughs novels and Bilbo Baggins in The Lord of the Rings trilogy. I was never a big fan of Superman, I preferred people who adapted quickly to new surroundings and could think on their feet. Once I began my writing career, I kept those protagonists in my mind. Four novels in, I do my best to capture their spirit and determination to overcome whatever lands in front of them.
I loved this book because it’s one of the funniest books I’ve ever read, and its protagonist, Junior Thibodeau, knows something no one else knows. It’s a secret given to him in the womb: he knows when the world will end.
I was amazed at how Junior, knowing what he knows, searches for and ultimately finds love and some meaning in life. I laughed my way through a story about a world on the brink, and I’ve read it a bunch of times. Whenever I need really intelligent humor, this is the book I pick up!
"Startlingly talented . . . he survives the inevitable, apt comparisons to Kurt Vonnegut and writes in a tenderly mordant voice all his own." -Janet Maslin, The New York Times
In this novel rich in character, Junior Thibodeau grows up in rural Maine in a time of Atari, baseball cards, pop Catholicism, and cocaine. He also knows something no one else knows-neither his exalted parents, nor his baseball-savant brother, nor the love of his life (she doesn't believe him anyway): The world will end when he is thirty-six. While Junior searches for meaning in a doomed world, his loved ones…
