88 books like The Sunday Macaroni Club

Another darkly comic thriller that is stunningly original and filled with cinema-worthy characters.

The book opens when an African American Marine meets a ghastly end inside a bolted-shut Mercedes that is filled with deadly cobras. Two cops arrive at the scene, but only one survives the ordeal. Sonchai Jitpleecheep, a devout Buddhist, watches his partner die from a cobra bite and vows revenge.

He teams up with an American FBI agent brought in to work the case. They chase a killer through the atmospheric streets of Bangkok, navigating through a world of illicit drugs, colorful prostitutes, and infinite corruption. Sonchai is a complex protagonist, filled with wry humor and a dogged determination that the reader will admire all the way to its intriguing end.

With some similarities to Catch 22, The Jukebox Queen of Malta follows American intelligence officer, Rocco Raven, when he arrives in Malta as part of I-3, “the intelligence inside Intelligence.”

Malta’s a chaotic and desperate place, with bombs falling day and night because the Germans are trying to crush the Maltese into submission. Rocco falls for the ethereal Melita, who delivers jukeboxes to local restaurants. She embodies the spirit of Maltese people, who, astonishingly, put on a brave face as their world crumbles.

It’s a mesmerizing tale of love amidst war, a story about the resiliency of the human spirit. The book is a profoundly moving exploration of the redemptive power of love even when the world is spinning out of control around you.

When several transsexuals turn up dead in the garbage chutes of various hotels in Cincinnati, NY, and Philadelphia, the police match the murder dates to a major league baseball team visiting at the time.

Fingers point at Teddy Moon, an ace relief pitcher who is manic-depressive and suffers from occasional bouts of amnesia.

After being interrogated by the police, Teddy realizes he has to uncover the murderer because he is being set up. Although this dark, murder mystery was written before today’s #MeToo movement, our culture wars, and celebrity obsessions, this book is an edgy send-up of everything that is wrong with today's American society.

When Teddy tells one of his wives, he lives like a monk, her salty retort, “Yeah, Rasputin,” captures the essence of the wicked dialogue filling this book. 

A laugh-out-loud funny book about an American scam artist looking for marks on the streets of Prague.

Posing as a successful Hollywood screenwriter, Nix swindles female tourists, but ends up stealing from the wrong woman as it attracts the attention of the woman’s fiancé, a local detective, whose soon sets his sight on Nix. When Nix spots a sultry young woman at the train station, he thinks he’s found his next victim, but she leads him on, then cleans him out. 

Thinking the two could be an unbeatable pair together, Nix tracks Monika down, but accidentally kills her pimp. The two team up, and Monika draws Nix deep into her web of lies. The book is filled with clever dialogue and two nihilistic characters, who will shock, fascinate, and entertain.

Gangsters of Capitalism covers a part of US history that is often deliberately overlooked by Americans, because it clashes with our national myths about ourselves. Katz follows US imperial history from the very end of the 19th century through to the middle of the 20th century, by following the life and career of Smedley Butler, a man who served in the marines for so much of this history. Gangster of Capitalism is in the top five of my favorite books that I have ever read. Katz’s ability to weave a personal biography with sweeping history and how that history still affects us all in the present is superb. 

Monument Lab is one book to get your hands on, if you are curious to know how a historic city can remake its traditional monumental history to become more inclusive and reflective of a holistic past and present. The book is about the organization called Monument Lab, which works with communities, artists, and more to reshape the monument culture of Philadelphia. Filled with short essays and colorful photographs, Monument Lab and Monument Lab the book model the democratic turn towards inclusive monument making in an American city.

Scottoline, a former big-firm litigator, has created Benny Rosato, the founder of an all-female firm of defense lawyers, as the master of the world of courts and jails. In Mistaken Identity, however, Benny defends an unexpected client—“Alice Connoly,” who is Rosato herself, a double claiming to be a long-lost twin. What follows raises the question of why (as the mysterious defendant asks) Alice is in jail while Rosato is free, secure, and successful. In a way, Mistaken Identity is a feminist version of The Trial--a fever dream of that same hellish world that Kafka saw beneath K.’s feet--the law, supernatural and inhuman, that waits to devour the innocent and the guilty alike.

This story collection grabbed me right away from the title and stole my heart with some of the most exciting and visceral characters that I’ve read. In “West of the Known,” my favorite story, a young girl escapes violence to become an outlaw; in “The Diplomat’s Daughter,” a woman renames and reworks herself into a feared force of nature. I’ll be honest that reading this book inspired me and scared me; I wanted to write as powerfully and truthfully about anger and violence in women as Chanelle did. So when I asked her to read an early copy of my book, and she came back with lovely praise, I just about lost my mind.

There are many historical novels about the Great Depression but Sold on a Monday moved me in particular. Perhaps I was drawn to it because it is a fictional account of actual circumstances. More likely, though, it is because, in one single story, Sold on a Monday is a lesson in the heart-wrenching decisions hundreds of thousands of people made to ensure their survival. As far-fetched as it sounds to us now, the notion of children being sold, or simply deposited on the front doorstep by their parents, was not uncommon during the Great Depression. The author was incredibly creative and thoughtful in the way she decided to tell the story, and that is perhaps the book’s greatest strength.

A well-written study of Philadelphia’s single women in the eighteenth century, this book offers an unusual view of women’s lives by focusing on the unmarried female residents of an urban middle-colony environment. (Most works on colonial women have studied married women in rural New England.) Each chapter highlights an individual woman and the diverse experiences of others like her, including poor women, dependents in siblings’ households, female shopkeepers and other tradeswomen, and women who form organizations with other women. Remarkably comprehensive, it presents a counterpoint to more familiar narratives.