100 books like The Revolution Will Not Be Funded

As a rebellious woman who is passionate about words and the revolutionary force of books, I know the power of stories. Stories are the seeds that give life to your purpose. Stories give you a reason to fight the good fight, care about something bigger than yourself, and want to be a part of social justice and positive change. The daily grind can kick you down, but a good story can remind you that there's still time to rise up, speak truth to power, help others less fortunate, and commit to what you value most. The books that I’m recommending are meant to be your personal guide to what really matters most in life to you.

I produced dozens of hours of film and television, including for Al Jazeera’s Emmy, Peabody, and DuPont-award-winning program Faultlines; as well as short and long-form documentaries for Democracy Now and teleSUR, and reporting in The New York Times and Washington Post. I’ve written two books based on my journalism, No More Heroes: Grassroots Responses to the Savior Mentality and Floodlines: Community and Resistance From Katrina to the Jena Six. I produced the independent feature film Chocolate Babies, which was recently added to the Criterion Collection. My latest film is Powerlands.

Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. His story is autobiographical: the story of a different kind of male hero, a genderqueer person's tale. It follows the author from his debut as an eighth grader in Los Alamos, New Mexico until his unorthodox coming out at the age of twenty-one on the University of New Mexico campus in Albuquerque. 

I produced dozens of hours of film and television, including for Al Jazeera’s Emmy, Peabody, and DuPont-award-winning program Faultlines; as well as short and long-form documentaries for Democracy Now and teleSUR, and reporting in The New York Times and Washington Post. I’ve written two books based on my journalism, No More Heroes: Grassroots Responses to the Savior Mentality and Floodlines: Community and Resistance From Katrina to the Jena Six. I produced the independent feature film Chocolate Babies, which was recently added to the Criterion Collection. My latest film is Powerlands.

Robin Attfield and Barry Wilkins are retired members of the Philosophy staff of Cardiff University, where they individually and jointly taught undergraduate courses in Philosophy and History of Ideas, and magistral courses in Social Ethics. They also supervised doctoral students in fields including development ethics; former students of theirs hold professorships in places ranging from Los Angeles to Addis Ababa and to Jahangirnagar (Bangladesh). Robin Attfield is currently completing his twentieth published book; several of his books have concerned our international responsibilities. From 1990 they became aware of a serious gap in the philosophical literature with regard to international development, and managed through their joint book to begin plugging it.

Mark Greenside has been a civil rights activist, Vietnam War protestor, anti-draft counselor, Vista Volunteer, union leader, and college professor. He holds B.S. and M.A. degrees from the University of Wisconsin and his stories have appeared in numerous journals and magazines. He presently lives in Alameda, California, where he continues to teach and be politically active, and Brittany, France, where he still can’t do anything without asking for help.

I was a suburban kid in Knoxville, Tennessee and Dayton, Ohio and didn’t see much wrong with my neighborhood. As someone who then grew up to write and teach about the history of cities and city planning, I’ve long been struck by the mismatch between high-brow scorn for “suburbia” and the everyday experience of people who live in suburban communities. This short book is an effort to show how the world became suburban and what that meant to people in the different corners of the world—and maybe to put in a plug for my suburban Meadow Hills and College Hill neighborhoods. 

I’ve been studying China for almost 60 years and have visited the country 40 times. Around 1990 I became aware of the sad situation of migrants from the countryside trying to move to cities to earn a better living. There they are met with low wages, poor living conditions, and discrimination. I spent 6 or 7 years interviewing them and writing about them and the book I wrote won a prize for the best book on 20th century China published in 1999. Then I learned about the workers who were laid off as China modernized, and went to talk with them. The present book is full of empathy and concern for these people.

As an author, I write both serious nonfiction and literary fiction. As a journalist, I have lifelong associations with The Atlantic and the Washington Monthly. I didn’t plan it, but four of my nonfiction books make an extended argument for the revival of optimism as intellectually respectable. A Moment on the Earth (1995) argued environmental trends other than greenhouse gases actually are positive, The Progress Paradox (2003) asserted material standards will keep rising but that won’t make people any happier, Sonic Boom (2009), published during the despair of the Great Recession, said the global economy would bounce back and It’s Better Than It Looks (2018) found the situation objectivity good on most major issues.

I am a university president, and I work daily among young people with very diverse stories, but one common theme is the brokenness we all share, whether as a product of our individual identities and histories, or simply the result of life’s cruel circumstances. Classic fantasy takes on the realities of evil, suffering, and brokenness, and in that imaginative process engages us deeply. But in so doing it thereby allows us to reimagine through story what our own possibilities and hopes for healing might be.