81 books like The Resonance of Unseen Things

By turns funny, poignant, and incisive, the late author Tony Horwitz tours the South with a journalist’s eye and a sociologist’s heart.

He bravely takes on the memory of the Civil War through the eyes of reenactors, angry neo-Confederates in bars, and Black museum guides (among many others). I recently re-read this book through the lens of the Black Lives Matter movement and the killing of George Floyd, which touched off numerous protests against monuments to Confederate leaders.

When Horwitz wrote this book in the late 1990s, it seemed unlikely that Monument Avenue in Richmond would ever change. In the case of monuments to problematic historic figures, at least, people’s perspectives have indeed shifted over time. Horwitz’s book is a great reminder that change is possible!

This book made me reflect deeply on whom we praise as trailblazing “rebels” and who we ignore, erase, or brand with criminal status in the stories we inherit and then repeat thoughtlessly.

Hartman reimagines “transgression” through the lenses of race, gender, sexuality, and class in early 20th-century New York and Philadelphia. She immerses us in up-close and poignant stories of women’s nonconformity, showing how their choices were flexes not only for survival but for thriving, a refusal to be defined by the ugliest social denigrations of their time (as well as our own).

Wayward Lives is richly sourced, including recovered photographs with the evocative literary portraits. It is a moving, haunting, unforgettable book.

As someone raised in small-town USA, I had to come to terms with the fact that I was taught a white-washed, largely inaccurate American history. It was up to me to re-educate myself.

As someone who can get bogged down by long lists of dates and details, How the Word is Passed gave me a modern lens for understanding the history around slavery. I was gripped by Smith’s lyrical, humane approach.

This is the sort of book that makes the world better.   

Reading this book was like listening to beautiful music. It’s similar to Pachinko in that it covers a generational family saga, but this story has bite!

I loved how much I learned about pre-communist China in this book, but I also loved that the stories of family resonated so deeply. 

Over the thirty-odd years since its publication, Strieber’s haunting story of his own encounters with strange creatures—perhaps from outer space, perhaps from another layer of reality, perhaps from his own mind—has become the most popular and profound first-person account of alien encounters in modern American culture. 

This is in part due to Strieber’s prose, both fevered and fiercely precise. He was a successful horror novelist before producing this book, and whether one believes he is simply continuing his trade here or not, his story is compelling, terrifying, philosophical, and deeply disorienting.

Vallee is perhaps the most respected researcher in the UFO community.

Holder of a PhD and a successful computer scientist, he began writing about UFOs while in graduate school, and has produced a string of books that have transformed conversations about UFOs among believers. He is perhaps the most influential opponent of the so-called “extraterrestrial hypothesis,” the common assumption that UFOs are spacecraft that have made the trip across the stars.

Rather, in this groundbreaking book Vallee draws comparisons between contemporary stories of UFOs and the reams of accounts of encounters with small otherworldly beings, glowing lights, and strange bendings in time and space that have permeated human folklore and religion for centuries.

Perhaps, Vallee suggests, UFOs are simply the most contemporary manifestation of a much stranger and older phenomenon than simply little green men from another planet.

This is UFO investigation the way a professor of religious studies tackles it.

Diane Pasulka starts off considering why the levels of belief in intelligent extraterrestrial life amongst Americans roughly match the levels of belief in God. She then completes a study to find out why this is, and what – exactly – drives people, including some of the most successful and intelligent Americans she can find, to this belief.

To her credit she finds answers and covers the whole complex topic in a clear and readable book. Some of the most important contributions to understanding the UFO subject have been made by people who started their investigation from outside the UFO community. This is one of the best examples.

Bullard, a scholar of literature and folklore, has exhaustively catalogued more UFO encounters than a casual reader might imagine have ever occurred.

The book delves into dozens of cases, from well-known stories like the supposed UFO crash at Roswell to popularly overlooked events like the Chicago sightings of 2006.

He then distills this myriad of stories down to their mythic bones, trying to understand how the strange raw material of a sighting—somebody seeing an odd light in the sky—is translated again and again through the narratives of film and television, popular culture and academic analysis, and how the UFO becomes a myth: a story that means something to people in our time, and perhaps tells us something about ourselves too. 

A clear and well-argued account of how the planet became obsessed with stories of alien encounters and what they might mean to us.

An essential read for anyone curious about the subject largely because it considers the whole planet, not just the truly UFO-obsessed United States. It frequently presents the best and most challenging UFO cases with a clarity that gets to the heart of each claim, and never forgets that one thing driving the enduring popularity of the subject is that – whatever the truth behind each claim – we’re dealing with incredible claims that make for great stories.

This trilogy collection is perhaps the granddaddy of conspiracy novels because, frankly, it encompasses nearly all of them — at least at the time it was written — then weaves in fictional mythos, occult religions, fascist political movements, and a post-modern deconstruction of itself. It’s equal parts fun, crazy, confusing, and challenging. The fact that Shea and Wilson had the capacity to create such a mammoth work encompassing so many far-reaching, interconnecting lines of conspiratorial thought makes it work to behold, not only for its brilliance but also for its influence. This is not The DaVinci Code; it’s bigger, deeper, more imaginative, and more complex.