Here are 100 books that The Pianist fans have personally recommended if you like
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I’m an author of historical fiction and many of my books have included war. I find I just cannot stay away from it as a subject. Obviously any war is full of natural drama which makes for wonderful narratives, but it’s more than that; it’s something to do with how war tests people to their limits, a veritable crucible. I’m fascinated by the way loyalties are split and how conflict is never simple. To paraphrase my character Helena from The Seamstress of Warsaw, war is peopled by a few heroes, a few bastards, and everyone else in the middle just trying to get through it in one piece…
A stone-cold classic in war writing, I studied this short novel at university and loved it. Crane never actually went to war and yet his depiction of men fighting in the American Civil War felt so real, that it gave me the confidence to write historical fiction, knowing I’d never experienced these things but my research and imagination could be brought to bear and hopefully transport the reader in the same way Crane did. It also began a lifelong obsession for me with the American Civil War. When I first started writing historical novels I knew I wanted to write about other combat arenas than the two C20th world wars, choosing the Boer War and The Seven Years’ War respectively.
Here is Stephen Crane's masterpiece, The Red Badge of Courage, together with four of his most famous short stories. Outstanding in their portrayal of violent emotion and quiet tension, these texts led the way for great American writers such as Ernest Hemingway.
My name is Jenny Harrison and my writing career started in 1997 in South Africa with Debbie's Story, which to my astonishment, became a bestseller. Thinking this was going to be an easy route to fame and fortune, I continued writing after migrating to New Zealand. Alas, the road to a bestseller is rife with disappointment but that didn't stop me from writing a bunch of paranormal and humorous novels. Circumstances led me to writing about families caught up in World War II. I don’t write about battles or generals, I write about ordinary people who face the unimagined cost of war and survive.
Social worker, Irene Sendler went into the Warsaw Ghetto, her job ostensibly as a public health specialist. The Jewish inmates allowed her to take their children out of the ghetto and to safety. She ultimately rescued several thousand children, down sewers, through abandoned buildings, and sometimes in her large medical bag. She kept the names of all rescued children in a glass bottle under an apple tree so that, at the end of the war, those Jewish mothers who survived would be reunited with their children. Her heroism is inspiring.
For desperate families trapped inside the Warsaw ghetto in 1942 with small children, one name was whispered urgently. It was the name of a young social worker in her thirties with the courage to take staggering risks and to save over 2,000 of those children from death and deportation.
Granted access to the ghetto as a public health specialist, Irena Sendler began by smuggling orphaned children out of the walled district and convincing her friends and neighbours to hide them. Soon, she began the perilous work of going from door to door and asking Jewish families to trust her with…
I’m pretty well qualified to provide you with a list of five great books about men at war because, frankly, I’ve spent half my life reading them and the other half trying to write them (you be the judge!). My degree in Military Studies was focused on the question of what makes men endure the lunacy of war (whether they be ‘goodies’ or ‘baddies’), and it was in fiction that I found some of the clearest answers–clue: it’s often less about country and duty and more about the love of the men alongside the soldier. In learning how to write, I also learned how to recognize great–enjoy!
This has to be one of–if not the–greatest single book I’ve ever read about war in the ancient world. I read the first ten pages, and I was interested; then I read the next forty, and I was utterly hooked. As a description of an elite military force holding out against overwhelming odds it fascinated me, but as a human story of the way Spartan society worked to produce those warriors, imbued with heroism, honour and humour in equal amounts I was simply blown away.
It’s fair to say that this book has been my greatest influence all the way through my writing career. I dare anyone with an interest in the genre to read this and then deny that they were informed, entertained, and (perhaps darkly) amused by the story and its payoff. This is God-tier writing, plain and simple, and, not for no reason, the closest thing the…
In the Sunday Times bestseller Gates of Fire, Steven Pressfield tells the breathtaking story of the legendary Spartans: the men and women who helped shaped our history and have themselves become as immortal as their gods.
'Breathtakingly brilliant . . . this is a work of rare genius. Savour it!' DAVID GEMMELL
'A tale worthy of Homer, a timeless epic of man and war, exquisitely researched and boldy written. Pressfield has created a new classic' STEPHEN COONTS
'A really impressive book - imaginatively framed, historically detailed and a really gripping narrative' ***** Reader review
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
The night before my dear friend Gina faced a delicate surgery that could have left her paralyzed from the waist down, she handed me a ziplock bag containing yellowed letters dating back to World War II. “No matter what happens to me, I want you to tell Bud’s story,” she said. “Promise me!” And so I did. What followed was a deep dive into what had happened to Gina’s uncle, Sergeant Bud Richardville, a young man drafted into the Army as the U.S. prepared to enter the war in Europe.
Once upon a time, war was portrayed as glorious. Smartly-dressed soldiers strutted off to battle as admiring crowds cheered their departure. But then came Erich Maria Remarque’s stunning semi-autographical rebuke. Remarque was conscripted into the Imperial German Army at 18 and was wounded in the poisonous trenches of World War I. While he survived, like many, he did not return home unscathed.
This book centers around young Paul Bäumer, an idealistic German boy raised in a picturesque village where patriotic speeches in school romanticize war and urge young men to sign up and fight for the Fatherland. He and his friends do just that and soon find themselves mired in the horrific conditions of trench warfare, a new kind of battle where little ground is ever made, and men die in all sorts of miserable ways.
As Paul and his peers struggle to do their duty, they succumb physically and…
The story is told by a young 'unknown soldier' in the trenches of Flanders during the First World War. Through his eyes we see all the realities of war; under fire, on patrol, waiting in the trenches, at home on leave, and in hospitals and dressing stations. Although there are vividly described incidents which remain in mind, there is no sense of adventure here, only the feeling of youth betrayed and a deceptively simple indictment of war - of any war - told for a whole generation of victims.
The Second World War has always fascinated me, starting when I first entered school. The war had just started and it became even more real with each successive class when we were encouraged to buy war-saving stamps. On the home front, we experienced blackouts and mock air raids. Sugar, meat, butter, alcohol, and even gasoline were rationed. My cousins were overseas and in the thick of it. They always made sure I had an airplane model at Christmas. And as the war wound to a close, they sent me a cap from one from one of the German soldiers. It still intrigues me and still lives in my head.
If you’re curious about what was happening in Germany throughout the war, you’ll love Albert Speer’s memoir, which provides a unique, inside look at Hitler and his closest associates before and after the Allies landed in Normandy. Speer was Hitler’s architect and paints a unique picture of Hitler from the start of the war. It also includes a wonderful series of pictures at every stage.
If you’re fascinated by The Second World War, this book is a must for your library, as it is in mine. I look at the pictures over and over and delight in seeing the principal players who made those years memorable. It’s a book that will stay in your head for a long time.
I’ve always loved history and have written four novels set in the past. Maybe I was drawn to the past because I partly grew up in Bath–a city where you seem to be living in the eighteenth century. But recent history tells us who we are now, and I’ve always wanted to deal with the subject of the Holocaust since, at the age of thirteen, I came across a book about it in my town’s public library. At that time, nobody talked about it, and I was traumatized by it. How could human beings do such things? I think puzzling over that is partly why I became a writer.
I can’t understand why this book isn’t better known. It is an actual diary that survived by chance. It was written by a young woman of twenty-one from a wealthy Jewish family long-established in France and not thinking of themselves as anything but French. I found it gripping and harrowing, all the more so because when the Nazis conquer France and start to impose restrictions on Jews, Hélène cannot grasp what is happening or what lies ahead. She has had a happy, secure life, but now these hideous indignities are being imposed on her.
When she is forced to wear the yellow star, she is horrified by the jeers and insults directed at her in the streets by passers-by whom she has always thought of as fellow citizens. The diary brings home, like almost nothing else I’ve read, the way in which the ordinary life of the intended victims turned…
Not since The Diary of Anne Frank has there been such a book as this: The joyful but ultimately heartbreaking journal of a young Jewish woman in occupied Paris, now being published for the first time, 63 years after her death in a Nazi concentration camp.
On April 7, 1942, Hélène Berr, a 21-year-old Jewish student of English literature at the Sorbonne, took up her pen and started to keep a journal, writing with verve and style about her everyday life in Paris — about her studies, her friends, her growing affection for the “boy with the grey eyes,” about…
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
I’ve always loved history and have written four novels set in the past. Maybe I was drawn to the past because I partly grew up in Bath–a city where you seem to be living in the eighteenth century. But recent history tells us who we are now, and I’ve always wanted to deal with the subject of the Holocaust since, at the age of thirteen, I came across a book about it in my town’s public library. At that time, nobody talked about it, and I was traumatized by it. How could human beings do such things? I think puzzling over that is partly why I became a writer.
This powerful story angered many when it was published, but Styron is asking serious questions: How do you survive a terrible experience, especially one that forces you to make an agonizing choice? Can you, in fact, survive that? He takes what I believe is the most extreme case of survivor guilt imaginable, which is the heart-rending decision that Sophie is forced to make and which is the core of the novel.
That’s in the past–the recent past for the characters–and in the present, the three main people in the novel find themselves in a painful love triangle that arises specifically from those terrible events but which I found to be a very perceptive insight into a situation that many of us find ourselves in.
It’s about a different kind of choice but one which will cause pain, whatever is decided.
In this extraordinary novel, Stingo, an inexperienced twenty-two year old Southerner, takes us back to the summer of 1947 and a boarding house in a leafy Brooklyn suburb. There he meets Nathan, a fiery Jewish intellectual; and Sophie, a beautiful and fragile Polish Catholic. Stingo is drawn into the heart of their passionate and destructive relationship as witness, confidant and supplicant. Ultimately, he arrives at the dark core of Sophie's past: her memories of pre-war Poland, the concentration camp and - the essence of her terrible secret - her choice.
Having written in the genre of psychological/crime thriller fiction for some years, I am always drawn to original voices, particularly those who are prepared to go that extra mile to produce something fresh or a concept that hasn’t been touched on before. With this kind of writing, it is quite easy to get pigeonholed, and the author has to be as meticulously authentic as they possibly can. Thinking and then using the absurd in writing is probably the best endorsement for any book; the stranger, the better. In this modern, media-fueled world, you always have to go to different places and ignite new ideas and narratives.
This book has been described as one of the century’s truly necessary books.
If you are interested in holocaust literature, then this is a starting point. It's biographical writing at its best. No stone is left unturned in the writer’s account of his time spent in a concentration camp. A story of survival, this book is humanly honest in the portrayal of the unthinkable.
Reading this book for the first time was an experience not to be repeated. It is an essential read for everyone.
With the moral stamina and intellectual pose of a twentieth-century Titan, this slightly built, duitful, unassuming chemist set out systematically to remember the German hell on earth, steadfastly to think it through, and then to render it comprehensible in lucid, unpretentious prose. He was profoundly in touch with the minutest workings of the most endearing human events and with the most contempible. What has survived in Levi's writing isn't just his memory of the unbearable, but also, in THE PERIODIC TABLE and THE WRENCH, his delight in what made the world exquisite to him. He was himself a "magically endearing…
My passion for writing historical fiction set mainly in Poland, or including Polish protagonists is born from my own familial history. My grandfather was forced into the Wehrmacht as a young man, who managed to escape to the UK and join the Polish Army in exile, eventually going back to fight against the Germans. His story set me on a course to become a historical fiction author; reimagining the past and bringing little-known stories to a wider audience. I find that the best way to gain a basic understanding of Polish life during WWII is to read widely – try historical accounts, memoirs, second-hand accounts, and of course, historical fiction.
This book is, I think, the cornerstone of understanding Polish history during WWII. Indeed, it is my ‘go-to' book before I even think about writing anything! It gives such a comprehensive view of all Poles – those forced into the Wehrmacht, those sent to camps, those sent out of their own country, and much, much more. When you have read this fact-based book, it gives you a greater understanding when you come to read historical fiction.
The Second World War gripped Poland as it did no other country in Europe. Invaded by both Germany and the Soviet Union, it remained under occupation by foreign armies from the first day of the war to the last. The conflict was brutal, as Polish armies battled the enemy on four different fronts. It was on Polish soil that the architects of the Final Solution assembled their most elaborate network of extermination camps, culminating in the deliberate destruction of millions of lives, including three million Polish Jews. In The Eagle Unbowed, Halik Kochanski tells, for the first time, the story…
A breathtaking journey across Iran where war and superstition, jealousy and betrayal, and passion and loyalty rage behind the impenetrable walls of mansions and the crumbling houses of the Jewish Quarter.
Against the tumultuous background of World War II, Dr. Yaran will find himself caught in the thrall of the…
I’ve always loved history and have written four novels set in the past. Maybe I was drawn to the past because I partly grew up in Bath–a city where you seem to be living in the eighteenth century. But recent history tells us who we are now, and I’ve always wanted to deal with the subject of the Holocaust since, at the age of thirteen, I came across a book about it in my town’s public library. At that time, nobody talked about it, and I was traumatized by it. How could human beings do such things? I think puzzling over that is partly why I became a writer.
If there is any light to be found in the horror of what happened in Eastern Europe under the Nazis, it is in stories like these. The novel is very closely based on real events in which a German businessman takes a risk by employing and then protecting a large number of Jews.
What I think is so good about it is that it doesn’t sentimentalize or over-simplify what happened. You want to identify with Schindler, the heroic German, but he’s far from saintly. And not all the people he rescues are wholly admirable, either. I found the novel unputdownable, and the suspense isn’t gratuitously stuck on to make the story more exciting.
It’s one of the few fictions about that horror that manages to create a suspenseful narrative without making you feel guilty for enjoying it, and that’s because you know that the frightening twists and turns of the…
The basis for the Oscar-winning Spielberg movie, this novel recreates the story of Oskar Schindler, an Aryan who risked his life to protect Jews in Nazi-occupied Poland.
