Here are 100 books that The Office of Historical Corrections fans have personally recommended if you like
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Soon after 9/11, I had dinner with several American scientists worried about how new security measures would affect international collaborations and foreign-born colleagues. Since science rarely if ever comes up in discourse about the War on Terror, that set me off. I’m always drawn to whatever gets overlooked. I was born in one international city – New York – and have lived in another – Los Angeles – for over 20 years. I’ve spent time on four continents and assisted survivors of violent persecution as they seek asylum – which may explain why I feel compelled to include viewpoints from outside the US and fill in the gaps when different cultural perspectives go missing.
Through friendships with Borinqueñxs and interest in the island, I don’t consider myself wholly ignorant about Puerto Rico. Like the Philippines, Puerto Rico was claimed by the US following the Spanish American War, but once again, when I tried to learn more about that era, I ran into a brick wall. Marisel Vera recovers that history while offering all the pleasures of a traditional family saga. She brings the reader close to the daily lives and loves of a family of coffee farmers who struggle first under Spanish rule and then the system established by the US. Vera also taught me something I’d never heard of: the deceptive recruitment that carried newly impoverished but still hopeful Puerto Ricans off to Hawaii to labor in the sugar fields.
Marisel Vera emerges as a major new voice in contemporary fiction with this "capacious" (The New Yorker) novel set in Puerto Rico on the eve of the Spanish-American War. Up in the mountainous region of Utuado, Vicente Vega and Valentina Sanchez labor to keep their coffee farm from the creditors. When the great San Ciriaco hurricane of 1899 brings devastating upheaval, the young couple is lured along with thousands of other puertorriquenos to the sugar plantations of Hawaii, where they are confronted by the hollowness of America's promises of prosperity. Depicting the roots of Puerto Rican alienation and exodus, which…
Soon after 9/11, I had dinner with several American scientists worried about how new security measures would affect international collaborations and foreign-born colleagues. Since science rarely if ever comes up in discourse about the War on Terror, that set me off. I’m always drawn to whatever gets overlooked. I was born in one international city – New York – and have lived in another – Los Angeles – for over 20 years. I’ve spent time on four continents and assisted survivors of violent persecution as they seek asylum – which may explain why I feel compelled to include viewpoints from outside the US and fill in the gaps when different cultural perspectives go missing.
Sometimes I read a book and wish I’d written it. With Insurrecto, I cheered and gave thanks that Gina Apostol did write it. Decades ago, I became obsessed with the US conquest of the Philippines after the Spanish American War and how the people of the islands fought back to liberate their country. I knew Mark Twain protested the occupation. I found military histories of the war against Spain. At that time, I couldn’t find anything from the Filipino perspective. Where were books to challenge the American belief we’ve never had colonies? Apostol brings this lost history brilliantly to life with a contemporary filmmaker and a translator who create dueling narratives while trying to make a movie about a 1901 massacre.Insurrecto is a remarkable work, complex enough to repay rereading.
Histories and personalities collide in this literary tour-de-force about the Philippines’ present and America’s past by the PEN Open Book Award–winning author of Gun Dealers’ Daughter.
Two women, a Filipino translator and an American filmmaker, go on a road trip in Duterte’s Philippines, collaborating and clashing in the writing of a film script about a massacre during the Philippine-American War. Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation American soldiers created “a howling wilderness” of the surrounding countryside.…
Soon after 9/11, I had dinner with several American scientists worried about how new security measures would affect international collaborations and foreign-born colleagues. Since science rarely if ever comes up in discourse about the War on Terror, that set me off. I’m always drawn to whatever gets overlooked. I was born in one international city – New York – and have lived in another – Los Angeles – for over 20 years. I’ve spent time on four continents and assisted survivors of violent persecution as they seek asylum – which may explain why I feel compelled to include viewpoints from outside the US and fill in the gaps when different cultural perspectives go missing.
I fall hard for novels about intense friendships and loyalty. I’ve never been to Korea, but it was easy for me to relate to the protagonist, Jung Yoon, whose personal growth is influenced by her study of European culture, much as my own immersion in Latin American culture continues to inform my life.
Here again, a gap in most Americans’ knowledge gets filled in. Shin’s haunting and poetic novel offers a bracing account of the student protests in South Korea in the ’80s, with repression, deaths, and disappearances at the hands of the US-supported dictatorship. The politics are eye-opening, but just a backdrop to the characters’ pursuit of love, friendship, intellectual development, and the tender way they must mourn many other losses as they grow up and apart.
Both a coming-of-age story and a love story, I'LL BE RIGHT THERE follows four friends who meet in the 1980s, at university in Seoul. Times are tough - South Korea is still a military dictatorship - and the group cling to each other, falling in and out of love. As they face personal loss and political uncertainty their paths diverge - mysterious deaths occur and secrets are revealed. Steeped in heartache, this novel is a delicate examination of youthful passions, tragedy, and political turmoil Like PLEASE LOOK AFTER MOTHER, I'LL BE RIGHT THERE combines utterly universal, resonant themes with an…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Soon after 9/11, I had dinner with several American scientists worried about how new security measures would affect international collaborations and foreign-born colleagues. Since science rarely if ever comes up in discourse about the War on Terror, that set me off. I’m always drawn to whatever gets overlooked. I was born in one international city – New York – and have lived in another – Los Angeles – for over 20 years. I’ve spent time on four continents and assisted survivors of violent persecution as they seek asylum – which may explain why I feel compelled to include viewpoints from outside the US and fill in the gaps when different cultural perspectives go missing.
For decades, Holocaust denial was widespread in Arab countries. That’s beginning to change, and Sansal’s harrowing novel – inspired in part by a Nazi officer who escaped to Algeria and became a hero in the war for independence – aids in writing that history back into consciousness. We gain extraordinary intimacy with two brothers as they contend in different ways with the challenges of North African immigrant life in France, the massacre by the Algerian military that claims the lives of their parents, and the discovery of their father’s horrific past. Sansal was attacked for comparing Islamist fundamentalism to the Holocaust and for visiting Israel, but I think it’s clear his intent is to condemn any ideology based on an unyielding and violent intolerance of difference.
“[A] masterly investigation of evil, resistance and guilt, billed as the first Arab novel to confront the Holocaust” from the Nobel Prize–nominated author (Publishers Weekly).
Banned in the author’s native Algeria, this groundbreaking novel is based on a true story and inspired by the work of Primo Levi.
The Schiller brothers, Rachel and Malrich, couldn’t be more dissimilar. They were born in a small village in Algeria to a German father and an Algerian mother and raised by an elderly uncle in one of the toughest ghettos in France. But the similarities end there. Rachel is a model immigrant—hard working,…
From the age of 11, and an encounter with an illustrated anthology entitled The World of Zen, I have been drawn to and fascinated by the spiritual, philosophical, and folkloric aspects of East Asian Culture. I studied the subject at Cambridge University and subsequently trained in Zen Shiatsu therapy. Most of my books draw from my passion for East Asian culture, and Japan in particular. I have travelled widely in Japan over the last two decades, and for Tsunami Girl spent four years researching, interviewing survivors, and visiting Fukushima. I am now working on a new book on Japanese yōkai and ghosts…
Away from the 2011 disaster itself, Fumio Obata’s Just So Happens is a wonderful graphic novel again exploring that borderland between konoyo (this world) and anoyo (that world). And it just happens to be another story that bridges Japan and the West, this time Japan and the UK. Central character Yumiko travels back to Japan for a family funeral, and is immersed in a world of ritual, Shinto temples, Noh theatre – at once both familiar and strange to her. Word and image combine beautifully to draw on themes that have obsessed me for years.
Yumiko was born in Japan but has made a life in London, losing herself in its cosmopolitan bustle. She has a gallery show of her art, a good job, and a good guy she plans to marry. The culture she grew up in seems very far away-until her brother phones with the news that their father has died. Yumiko returns to Tokyo and finds herself immersed in the rituals of death while also plunged into the rituals of life-fish bars, bullet trains, pagodas-as she confronts the question of where her future really lies. Just So Happens deals both gently and…
As a teenager, I “discovered” the poetry of Emily Dickinson and put her verse to music. Later, at Yale University I delved deeper into the power of rhythms, the beauty of images, the clarity of insights—how they combine to create a genuine poetic voice that reveals an interior world. Politics, of course, define our interactions in the exterior world, and great novels meld these two elements—poetry and politics—into a seamless union. I’ve been inspired to write novels about two poets—Emily Dickinson and John Keats—to bring the reader into the intense, poetic world of their blazing interiors and their unique outward politics.
Happinessis a gentle, insightful, poetic depiction of the politics of nature in London, England—specifically, the treatment of urban foxes in the midst of human activity. The layers of life (children, adults, foxes, falcons, street cleaners, psychiatrists, immigrants, landowners) interact here in ways deeply moving and insightful, reminding me of the central question in much of my writing: the boundaries between our private, poetic perceptions and the politics of survival.
'Forna's voice is relentlessly compelling, her ability to summon atmosphere extraordinary ... A thing of lasting beauty' OBSERVER
SHORTLISTED FOR THE RSL ONDAATJE PRIZE 2019
SHORTLISTED FOR THE JHALAK PRIZE 2019
A breathtaking novel from Orange Prize-shortlisted and Commonwealth Writers' Prize-winning author Aminatta Forna
Waterloo Bridge, London. Two strangers collide. Attila, a Ghanaian psychiatrist, and Jean, an American studying the habits of urban foxes. From this chance encounter in the midst of the rush of a great city, numerous moments of connections span out and interweave, bringing disparate lives together.
Attila has arrived in London with two tasks: to deliver…
Ava Winston likes her life of routine in Lexington, Kentucky. Then a tornado blows it away. Ava is safe in the basement, but when she emerges, only one corner of her home stands. Rather than crumbling under the loss, she feels a load lifted. Maybe something beyond the familiar is…
I listen to about eight albums of music per week. At least one per day and another of that bunch gathers a re-listen, though more warrant the same! Listening is my favorite hobby. I name it like one would rock climbing or gardening, and though we are here connecting through words and swapping ideas, it all starts with my ear. I most want to feel what I’d like to know, and it is possible that music sometimes held the work of thinking on my behalf. In writing my book, I was most interested in what it meant to be offered the world in such a personal yet composed way each day.
Love is made more possible by every violence it has overcome.
Throughout Summerhill’s sophomoric collection, I found myself turning toward play, both in the pause that suddenly arrived after a line that hits and in the music I turned on after a line that urged reconsideration.
Even for the avid fan of Frank Ocean’s discography, this book serves as a vital push toward questioning what it is we deem valuable. A must-read for self-declarations of grace and hope in the face of racial, historical, and social brutality.
A poetry collection that celebrates Black culture, creativity, and memory.
From Kendrick to Kanye, to a Sunday in Oakland with Frank Ocean's falsetto in the foreground, Mausoleum of Flowers is still life set against the backdrop of demise. Daniel Summerhill's sophomore collection grabs fate by the throat and confronts it. What does it mean to continue living when your friends are dying beside you? This collection melds an exploration of spirituality and rebellion with Black tradition. Summerhill's poems invite the reader near in order to self-excavate and explore tones of loss, love, and light.
I’ve sat in many grief circles and listened to fellow grievers share their pain at being abandoned or misunderstood by their friends and families as they grieve. Often we suffer the secondary loss of community because our culture has not taught us how to grieve or how to be a friend to those in grief. My wife and I found some invaluable tools that helped us communicate our needs to our community, and keep them close on our grief journey. One of those tools is grief books. I’ve read dozens of them, and while everyone responds to grief books differently, I think these five books are the very best.
Devine does a wonderful job of validating our feelings and our needs as we grieve.
It is filled with many wonderful pieces of wisdom about grief. The most helpful insight she offered me was the distinction she drew between the healthy pain of grief versus the unnecessary and unhelpful suffering that so often accompanies grief.
She provides practical advice on how to be kind to ourselves as we grieve. We can’t “fix” our grief and loss, but we can be kind to ourselves on this difficult journey.
As seen in THE NEW YORK TIMES * READER'S DIGEST * SPIRITUALITY & HEALTH * HUFFPOST
Featured on NPR's RADIO TIMES and WISCONSIN PUBLIC RADIO
When a painful loss or life-shattering event upends your world, here is the first thing to know: there is nothing wrong with grief. "Grief is simply love in its most wild and painful form," says Megan Devine. "It is a natural and sane response to loss."
So, why does our culture treat grief like a disease to be cured as quickly as possible?
In It's OK That You're Not OK, Megan Devine offers a profound…
I have always been intrigued by missing persons. I wonder how their family copes with having no closure on the situation and how they can live wondering where their loved one is and whether they are dead or alive. I have read these recommended books many times to satisfy this craving. I enjoy a sense of the macabre even though the story may be about mundane everyday topics. This only adds to the sense of dread and wonder. I enjoy the intriguing twists and turns, keeping me on my toes and wanting more until the end. I hope you enjoy the books on this list as much as I have.
I recommend this book and the author’s fabulous writing, comprising of
dread and humour (which I love), all rolled into one. Three separate case
histories, interlinked, each littered with fabulous, memorable
characters. Jackson Brodie, the Detective trying to solve the case, is one of the best, with brilliant detective skills and a haunting
personal life.
An intriguing mix of family drama and mystery, giving it
more depth than just an ordinary thriller. I have read this book many
times, and it’s always new, never boring, and the ending is still a surprise.
Case one: A little girl goes missing in the night. Case two: A beautiful young office worker falls victim to a maniac's apparently random attack. Case three: A new mother finds herself trapped in a hell of her own making - with a very needy baby and a very demanding husband - until a fit of rage creates a grisly, bloody escape.Thirty years after the first incident, as private investigator Jackson Brodie begins investigating all three cases, startling connections and discoveries emerge ...
Shahrazad’s Gift is a collection of linked short stories set in contemporary Cairo — magical, absurd, and humorous.
The author focuses on the off-beat, little-known stories, far from CNN news: a Swedish belly dancer who taps into the Oriental fantasies of her clientele; a Japanese woman studying Arabic, driven mad…
As I formed my self-identity I considered myself a spiritual seeker, always straying beyond the boundaries of my more conservative Christian communities. As a minister’s wife, I had a wide experience of Christian-based faith and community. When my husband died instantly of a heart attack, my entire spiritual foundation seemed to crumble. This book is a memoir of my journey to rebuild a new spirituality, founded on the remnants of my original faith and expanding to meet my new and changing experience of who I am. I have a master’s degree in English so the study of literature, mythology, and poetry also strongly influenced my journey, my story, and this memoir.
This was the first book I read about grief after my husband died. It was recommended by my therapist and I immediately purchased a copy for each of my adult children. It was the beginning of my search for finding meaning in my suffering. This book includes mindfulness practices which opened me to believing that I had the power to transform my experience of suffering into a deepening wisdom in my life. As I was challenged to lean into the faith of my past, I found solace in this new way of practicing spirituality in my life. It opened out a path for me to the healing which inspired my own book.
Many people who suffer the death of a loved one cling to the experience of grief long after the actual pain of loss goes away. This is because grief itself is a complex issue, fraught with misinformation and unrealistic expectations, often leading to interpersonal isolation at the times people need connection the most. Ironically, it is often by embracing the experience of grief that people become most fully mindful of life.
Grieving readers will find, in this book, a new understanding of their own grief process. They will learn about the spiral staircase, a metaphor used to describe the ebb…
