Here are 100 books that The New Land with the Green Meadows fans have personally recommended if you like
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I live in England but grew up in Canada, where my Grade 5 Social Studies teacher filled my head with stories of people and places, including the Vikings. In the early 1960s, I learned about the excavations at L’Anse aux Meadows in Newfoundland featured in Canadian newspapers. My first job was in Denmark, and I subsequently travelled in the Nordic homelands and settlement areas, including the Faeroes, Iceland, and Greenland, visiting museums and archaeological sites at every opportunity. Norse America is my 26th book, but it is both the one with the deepest roots in my own past and the one most engaged with contemporary concerns about race.
The discovery of artefacts from a Viking grave in northern Ontario in 1936 was a sensation, and their subsequent display in the Royal Ontario Museum added a new dimension to the colonial history of Canada. The exposure of the discovery as a hoax in 1956 damaged the reputation of the Museum and its director. Hunter’s account, which is securely anchored in archival evidence, is skillfully assembled as an unfolding drama. In this book, the Beardmore hoax has received its definitive treatment by a scholar who writes brilliantly for a general audience.
In 1936, long before the discovery of the Viking settlement at L'Anse aux Meadows, the Royal Ontario Museum made a sensational acquisition: the contents of a Viking grave that prospector Eddy Dodd said he had found on his mining claim east of Lake Nipigon. The relics remained on display for two decades, challenging understandings of when and where Europeans first reached the Americas. In 1956 the discovery was exposed as an unquestionable hoax, tarnishing the reputation of the museum director, Charles Trick Currelly, who had acquired the relics and insisted on their authenticity. Drawing on an array of archival sources,…
I live in England but grew up in Canada, where my Grade 5 Social Studies teacher filled my head with stories of people and places, including the Vikings. In the early 1960s, I learned about the excavations at L’Anse aux Meadows in Newfoundland featured in Canadian newspapers. My first job was in Denmark, and I subsequently travelled in the Nordic homelands and settlement areas, including the Faeroes, Iceland, and Greenland, visiting museums and archaeological sites at every opportunity. Norse America is my 26th book, but it is both the one with the deepest roots in my own past and the one most engaged with contemporary concerns about race.
This book by a distinguished Canadian archaeologist is the finest overview of the human history of the circumpolar region. Its twin concerns are the indigenous peoples of the Arctic and the impact of intruders from the south. It is unusual in its coverage of the Russian and Scandinavian Arctic. The excellent account of the Norse colonies in Greenland feeds into a compelling analysis (through the prism of trade goods) of Norse penetration into the territories of the Dorset and Thule peoples.
The Arctic of towering icebergs and midnight sun, of flaming auroras and endless winter nights, has long provoked flights of the imagination. Now, in "The Last Imaginary Place", renowned archaeologist, Robert McGhee lifts the veil to reveal the true Arctic world. Based on thirty years of work with native peoples of the Arctic and travel in the region, McGhee's account dispels notions of the frozen land as an exotic, remote world that exists apart from civilization. Between the frigid reality and lurid fantasy lies McGhee's true interest, the people who throughout human history have called the Arctic home. He paints…
I live in England but grew up in Canada, where my Grade 5 Social Studies teacher filled my head with stories of people and places, including the Vikings. In the early 1960s, I learned about the excavations at L’Anse aux Meadows in Newfoundland featured in Canadian newspapers. My first job was in Denmark, and I subsequently travelled in the Nordic homelands and settlement areas, including the Faeroes, Iceland, and Greenland, visiting museums and archaeological sites at every opportunity. Norse America is my 26th book, but it is both the one with the deepest roots in my own past and the one most engaged with contemporary concerns about race.
This book is an eye-opening account of how the history of Nova Scotia became distorted in the interest of attracting tourists. This manufactured history exalts whiteness and masculinity, and quietly excludes ethnic minorities and women. The Yarmouth runestone, which is adduced as evidence that the Norse landed in Yarmouth, is an important artefact in this ideological history, and the authors give an excellent account of its history and its place in tourist history.
Using archival sources, novels, government reports, and works on tourism and heritage, Ian McKay and Robin Bates look at how state planners, key politicians, and cultural figures such as Henry Wadsworth Longfellow, long-time premier Angus L. Macdonald, and novelist Thomas Raddall were all instrumental in forming "tourism/history." The authors argue that Longfellow's 1847 poem Evangeline - on the brutal British expulsion of Acadians from Nova Scotia - became a template a new kind of profit-making history that exalted whiteness and excluded ethnic minorities, women, and working class movements. A remarkable look at the intersection of politics, leisure, and the presentation…
I live in England but grew up in Canada, where my Grade 5 Social Studies teacher filled my head with stories of people and places, including the Vikings. In the early 1960s, I learned about the excavations at L’Anse aux Meadows in Newfoundland featured in Canadian newspapers. My first job was in Denmark, and I subsequently travelled in the Nordic homelands and settlement areas, including the Faeroes, Iceland, and Greenland, visiting museums and archaeological sites at every opportunity. Norse America is my 26th book, but it is both the one with the deepest roots in my own past and the one most engaged with contemporary concerns about race.
Birgitta Wallace spent decades at L’Anse aux Meadows, which she excavated and expertly interpreted. The happy coincidence of a supremely important site being placed in the hands of a supremely gifted archaeologist has been a boon for both public and scholarly understanding of the site. This lavishly illustrated book is at once a guidebook for the site and an account of its historical significance.
I was born and raised on the rugged island of Newfoundland and am enthralled by the ocean, its rhythm, its power. The setting of The Kerrigan Chronicles is the setting for my early life: same area, different era. As a child, I was unaware of the sacrifices and struggles of my ancestors. During cross-country telephone conversations with my aging father, I heard stories of poverty, illness, and war. When Dad described the earthquake and tsunami of 1929, I was hooked. I have written other novels, modern-day suspense that could quite frankly have been written by other people butThe Kerrigan Chronicles are mine and mine alone.
A colleague (Thanks, Rob) recommended this to me because it deals with Newfoundland (my home) and with the romance and ambition of Premier Joseph Smallwood who led Newfoundland to join Canada. I recall Premier Smallwood arriving in my community to preside over a bridge opening. I, age nine, scampered through the crowd and stopped dead in front of a man in a black wool overcoat. I looked up: black fedora; black horn-rimmed glasses. Shocked at almost slamming into the premier, I ran. Only one thought occurred: he looked so small in that heavy coat. The Colony of Unrequited Dreamstells of this small man’s relentless quest for leadership: in the absence of roads, he campaigned by walking the railroad tracks in the dead of winter, ending up skin and bones and darn near dead. My road to my roots started with this reading.
A mystery and a love story spanning five decades, The Colony of Unrequited Dreams is an epic portrait of passion and ambition, set against the beautiful, brutal landscape of Newfoundland.
In this widely acclaimed novel, Johnston has created two of the most memorable characters in recent fiction: Joey Smallwood, who claws his way up from poverty to become New Foundland's first premier; and Sheilagh Fielding, who renounces her father's wealth to become a popular columnist and writer, a gifted satirist who casts a haunting shadow on Smallwood's life and career.
I am a historian of visual culture, and my work explores the ways images can shape and challenge dominant ideas about other species. The ways we choose to represent certain animals (or not) can have important consequences, both in terms of environmental issues but also in terms of the wellbeing of individual animals. Digging deeper into these histories can make us aware that the categories we like to put animals in can shift and change depending on the time period and place. As we confront increasingly urgent climate and environmental issues, understanding these dynamics will be even more important than ever.
This book is full of engaging and thoughtful essays focusing on the ways that human-animal histories have shaped so many aspects of life in Canada. From the horses on the streets of Montreal in the 19th century to more recent exploration of captive animals in Vancouver, this book presents an important range of topics that ask the reader to think differently about the histories, spaces, and species they may think they know. I also really appreciate that the University of Calgary Press has published an open access version of this book.
Animal Metropolis brings a Canadian perspective to the growing field of animal history, ranging across species and cities, from the beavers who engineered Stanley Park to the carthorses who shaped the city of Montreal. Some essays consider animals as spectacle: orca captivity in Vancouver, polar bear tourism in Churchill, Manitoba, fish on display in the Dominion Fisheries Museum, and the racialized memory of Jumbo the elephant in St. Thomas, Ontario. Others examine the bodily intimacies of shared urban spaces: the regulation of rabid dogs in Banff, the maternal politics of pure milk in Hamilton and the circulation of tetanus bacilli…
I was born and raised as both an anglophone Canadian and a diaspora Jew. After living in Montreal, Jerusalem, and New York for a total of about 15 years, I returned to my hometown of Toronto and took up the position of the J. Richard Shiff Chair for the Study of Canadian Jewry at York University, where I work as a professor of history. I teach undergraduate students, graduate students, fellow academics, community leaders, and the wide public about all sorts of dimensions of this very religiously diverse, culturally diverse, socio-economically diverse, and politically diverse community of 400,000+ souls, with its 260+-year-old history.
I love this book’s sprawling effort to answer all sorts of basic questions about the living, vibrant Jews of Canada.
The book was so solid and sold so well when it originally came out with a trade publisher it was re-issued. It uses good social science and approachable theories.
I found it highly informative, intuitive, and curiosity-provoking. What’s more, it’s really funny. If you’re a Canadian Jew, you’ll learn something about yourself or some part of the Jewish world of which you’re a part of. And if you’re not both Canadian and Jewish, you’ll get a very good grounding in understanding the world’s fourth-largest Jewish community.
Liberal democratic societies with diverse populations generally offer minorities two usually contradictory objectives: the first is equal integration and participation; the second is an opportunity, within limits, to retain their culture. Yet Canadian Jews are successfully integrated into all domains of Canadian life, while at the same time they also seem able to retain their distinct identities by blending traditional religious values and rituals with contemporary cultural options. Like Everyone Else but Different illustrates how Canadian Jews have created a space within Canada's multicultural environment that paradoxically overcomes the potential dangers of assimilation and diversity. At the same time, this…
After writing a novel about the toll true crime can take on victims’ loved ones and the risk it runs of glamourizing killers while overshadowing victims, I’ve been on the hunt for true crime books that don’t fall into these traps. The titles on this list showcase beautiful writing and tell compelling stories without dehumanizing the victims or glamourizing the perpetrators.
Gabby Petito. Natalee Holloway. Laci Peterson. These names probably sound familiar. Lauren Cho, Stephany Flores, and Latoyia Figueroa might not. This illustrates what news anchor Gwen Ifill dubbed “missing white woman syndrome,” the disproportionate media coverage in missing persons cases that attractive, upper-middle-class white women receive.
McDiarmid’s moving book illustrates this phenomenon, following the cases of thousands of Indigenous women who have disappeared from a stretch of road in British Columbia dubbed “The Highway of Tears.” For decades, the cases garnered little media attention until a white woman named Nicole Hoar disappeared in 2002, bringing more resources and coverage.
In painstaking detail, this immersive and necessary book follows several of these previously ignored women’s lives, illustrating the systemic issues that failed the victims and their loved ones.
“These murder cases expose systemic problems... By examining each murder within the context of Indigenous identity and regional hardships, McDiarmid addresses these very issues, finding reasons to look for the deeper roots of each act of violence.” —The New York Times Book Review
In the vein of the bestsellers I’ll Be Gone in the Dark and The Line Becomes a River, a penetrating, deeply moving account of the missing and murdered indigenous women and girls of Highway 16, and a searing indictment of the society that failed them.
For decades, Indigenous women and girls have gone missing or been found…
I’ve been a writer most of my life, moving from high-school essays to working for newspapers to creating novels. One way or another, I’ve also spent much of that time exploring Canada's back roads and smaller communities. Those places and the people living in them have a pungent reality that I often find missing in the froth of modern urban society. The places and their people are interesting and inspiring, and I always get drawn back to reading and writing about them.
I was very much taken with this novel’s blend of romance, mystery, and exploration of whether you can ever go home again. Raddall doesn’t get much mention and is largely remembered for his other novels when he does. That’s a shame.
This 1956 work stands up very well against more recent works. It features unadorned yet persuasive prose that many modern writers can only wish for. Raddall quite evidently intended it as a loving, almost lyrical, description of rural Nova Scotia. He succeeded.
It was spring in Nova Scotia when Neil Jamieson returned to Oak Falls. Wild and resentful, he had run away fourteen years before. Now, still blustering and belligerent, educated but not subdued, he took a fresh look at the citizens of Oak Falls and particularly at the timber town's decaying sawdust aristocracy.
In my life, I have always loved visiting the unsung places: villages rather than cities, places where I am the only tourist. In both reading and writing, I’m drawn to the quietly dramatic times, the moments before important events, or the aftermaths. I want to see how real characters live in real places dealing with real problems, even if all three are invented. I spent most of my childhood getting lost in books, emerging only long enough to return to the library to discover more places and times where I could snuggle between the covers of a story. As a writer, I hope I can do this for other readers.
We all need rock stars to idolize, and mine is Alice Munro, a Canadian writer whose books are mostly short story collections about the quietly intense lives of farmers and townspeople in rural Canada.
I’m from a generation of writers who learned about writing through the stories of Alice Munro, Anton Chekhov, and Raymond Carver, among others. Choosing my favorite Munro book is a challenge—for decades I read them all over and over—but if I had to, I’d say it’s Dance of the Happy Shades.
No one understands better what it’s like to be an adolescent girl than Alice Munro, and no one is more gifted at portraying it, particularly in the stories “An Ounce of Cure” and “Red Dress—1946,” with such generous characterizations and courageous honesty.
In these fifteen short stories--her eighth collection of short stories in a long and distinguished career--Alice Munro conjures ordinary lives with an extraordinary vision, displaying the remarkable talent for which she is now widely celebrated. Set on farms, by river marshes, in the lonely towns and new suburbs of western Ontario, these tales are luminous acts of attention to those vivid moments when revelation emerges from the layers of experience that lie behind even the most everyday events and lives.
"Virtuosity, elemental command, incisive like a diamond, remarkable: all these descriptions fit…
