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Westward Vikings.
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I live in England but grew up in Canada, where my Grade 5 Social Studies teacher filled my head with stories of people and places, including the Vikings. In the early 1960s, I learned about the excavations at L’Anse aux Meadows in Newfoundland featured in Canadian newspapers. My first job was in Denmark, and I subsequently travelled in the Nordic homelands and settlement areas, including the Faeroes, Iceland, and Greenland, visiting museums and archaeological sites at every opportunity. Norse America is my 26th book, but it is both the one with the deepest roots in my own past and the one most engaged with contemporary concerns about race.
The discovery of artefacts from a Viking grave in northern Ontario in 1936 was a sensation, and their subsequent display in the Royal Ontario Museum added a new dimension to the colonial history of Canada. The exposure of the discovery as a hoax in 1956 damaged the reputation of the Museum and its director. Hunter’s account, which is securely anchored in archival evidence, is skillfully assembled as an unfolding drama. In this book, the Beardmore hoax has received its definitive treatment by a scholar who writes brilliantly for a general audience.
In 1936, long before the discovery of the Viking settlement at L'Anse aux Meadows, the Royal Ontario Museum made a sensational acquisition: the contents of a Viking grave that prospector Eddy Dodd said he had found on his mining claim east of Lake Nipigon. The relics remained on display for two decades, challenging understandings of when and where Europeans first reached the Americas. In 1956 the discovery was exposed as an unquestionable hoax, tarnishing the reputation of the museum director, Charles Trick Currelly, who had acquired the relics and insisted on their authenticity. Drawing on an array of archival sources,…
I live in England but grew up in Canada, where my Grade 5 Social Studies teacher filled my head with stories of people and places, including the Vikings. In the early 1960s, I learned about the excavations at L’Anse aux Meadows in Newfoundland featured in Canadian newspapers. My first job was in Denmark, and I subsequently travelled in the Nordic homelands and settlement areas, including the Faeroes, Iceland, and Greenland, visiting museums and archaeological sites at every opportunity. Norse America is my 26th book, but it is both the one with the deepest roots in my own past and the one most engaged with contemporary concerns about race.
This book by a distinguished Canadian archaeologist is the finest overview of the human history of the circumpolar region. Its twin concerns are the indigenous peoples of the Arctic and the impact of intruders from the south. It is unusual in its coverage of the Russian and Scandinavian Arctic. The excellent account of the Norse colonies in Greenland feeds into a compelling analysis (through the prism of trade goods) of Norse penetration into the territories of the Dorset and Thule peoples.
The Arctic of towering icebergs and midnight sun, of flaming auroras and endless winter nights, has long provoked flights of the imagination. Now, in "The Last Imaginary Place", renowned archaeologist, Robert McGhee lifts the veil to reveal the true Arctic world. Based on thirty years of work with native peoples of the Arctic and travel in the region, McGhee's account dispels notions of the frozen land as an exotic, remote world that exists apart from civilization. Between the frigid reality and lurid fantasy lies McGhee's true interest, the people who throughout human history have called the Arctic home. He paints…
I live in England but grew up in Canada, where my Grade 5 Social Studies teacher filled my head with stories of people and places, including the Vikings. In the early 1960s, I learned about the excavations at L’Anse aux Meadows in Newfoundland featured in Canadian newspapers. My first job was in Denmark, and I subsequently travelled in the Nordic homelands and settlement areas, including the Faeroes, Iceland, and Greenland, visiting museums and archaeological sites at every opportunity. Norse America is my 26th book, but it is both the one with the deepest roots in my own past and the one most engaged with contemporary concerns about race.
This book is an eye-opening account of how the history of Nova Scotia became distorted in the interest of attracting tourists. This manufactured history exalts whiteness and masculinity, and quietly excludes ethnic minorities and women. The Yarmouth runestone, which is adduced as evidence that the Norse landed in Yarmouth, is an important artefact in this ideological history, and the authors give an excellent account of its history and its place in tourist history.
Using archival sources, novels, government reports, and works on tourism and heritage, Ian McKay and Robin Bates look at how state planners, key politicians, and cultural figures such as Henry Wadsworth Longfellow, long-time premier Angus L. Macdonald, and novelist Thomas Raddall were all instrumental in forming "tourism/history." The authors argue that Longfellow's 1847 poem Evangeline - on the brutal British expulsion of Acadians from Nova Scotia - became a template a new kind of profit-making history that exalted whiteness and excluded ethnic minorities, women, and working class movements. A remarkable look at the intersection of politics, leisure, and the presentation…
I live in England but grew up in Canada, where my Grade 5 Social Studies teacher filled my head with stories of people and places, including the Vikings. In the early 1960s, I learned about the excavations at L’Anse aux Meadows in Newfoundland featured in Canadian newspapers. My first job was in Denmark, and I subsequently travelled in the Nordic homelands and settlement areas, including the Faeroes, Iceland, and Greenland, visiting museums and archaeological sites at every opportunity. Norse America is my 26th book, but it is both the one with the deepest roots in my own past and the one most engaged with contemporary concerns about race.
The Norse site at L’Anse aux Meadows was discovered by the Norwegian explorer Helge Ingstad in 1960. The following year he returned to the site with his wife Anne Stina, a trained archaeologist who led the annual summer excavations until 1968. This book is her memoir of the digs, which was published in Norwegian in 1975 and translated for the predecessor to this edition in 2006. The book ranges beyond the archaeology to encompass an evocative and sometimes lyrical account of the Ingstads’ spartan life on the site, its moments of great excitement when Norse artefacts were found, and their experience of the local community.
Anne Stine Ingstad tells us about her challenging journey to Newfoundland and Labrador where Helge makes a fascinating discovery of Norse settlement in 1960.
In 2005, the Bookseller declared the Viking romance to be officially dead and never, ever coming back. However, they hadn’t consulted Harlequin Historical editors who researched the actual sales and desires of their readers. When my senior editor asked me if could I write one, I duly obliged with Taken by the Viking. The book beat lofty expectations, and the revival began such that the Viking period now ranks up there with Regency in terms of popular time periods for the line. The following list is some of the Viking set romances that I have escaped into on mainly rainy afternoons.
An old school bodice ripper by the absolute mistress of them.
Fires of Winter features a feisty heroine in the Irish princess Breena and a strong hero bent on revenge in Garrick Haardrad. ‘Everyone loves a Lindsey’ was the slogan in the early 1980s and this book showcases her at her page-turning best.
Lovely and dauntless, abducted by invaders from across an icy sea, Lady Breena vowed vengeance swearing no Viking brute would be her master no barbarian would enslave her noble Celtic heart, but then came Garrick Haardrad, the proud and powerful son of a ruthless Viking chieftain.
I am a writer of historical fiction. When I was in my teens, my family embarked on a project to trace our ancestry and identify our living relatives. Through church records in Sweden and Norway, we found that Harald Fairhair (Harfagr), the first king of Norway is one of our ancestors. Those explorations gave me the seeds of my first novel of Viking-Age Norway, The Half-Drowned King, and the subsequent books in the trilogy.
One of the best ways to envision a historical period is to see its artifacts. Vikings: The North Atlantic Saga is a companion to a Smithsonian exhibit of the same name and contains a rich trove of images and descriptions of viking physical culture, along with essays about the archeology of their discovery, and how they were used in the exploration of the North Atlantic, and the eventual journey to the New World.
Replete with color photographs, drawings, and maps of Viking sites, artifacts, and landscapes, this book celebrates and explores the Viking saga from the combined perspectives of history, archaeology, oral tradition, literature, and natural science. The book's contributors chart the spread of marauders and traders in Europe as well as the expansion of farmers and explorers throughout the North Atlantic and into the New World. They show that Norse contacts with Native American groups were more extensive than has previously been believed, but that the outnumbered Europeans never established more than temporary settlements in North America.
I grew up during the civil rights movement in the US, and my ancestors—the lucky ones—escaped pogroms in eastern Europe at the turn of the 20th century and made it to North America. (The unlucky ones were slaughtered in the Holocaust.) So I suppose it is natural that I would be drawn to write stories about the struggle to overcome persecution, racism, and injustice. I love creating characters who, at the beginning of the story, don’t know that they have what it takes to fight for justice, but then slowly build the confidence and courage to make a difference. And writing about these triumphs is fun, too!
Before I read this book, in the 1990s, I had never heard of Canada’s residential school system for Indigenous children. I was horrified, and also ashamed to have been so ignorant. Over the years, I have heard many Indigenous authors speak and have read many books on the subject, and have come to realize that the residential school tragedy is parallel to the Holocaust for Jews—my family’s story. This is the book that opened my eyes.
Her name was Seepeetza when she was at home with her family. But now that she's living at the Indian residential school her name is Martha Stone, and everything else about her life has changed as well. Told in the honest voice of a sixth grader, this is the story of a young Native girl forced to live in a world governed by strict nuns, arbitrary rules, and a policy against talking in her own dialect, even with her family. Seepeetza finds bright spots, but most of all she looks forward to summers and holidays at home.
I’m a New Englander by birth, a Canadian by circumstance, and a Nova Scotian by choice. For as long as I can remember, I’ve told stories, first to my little sister—a captive audience—then to my children, then at my book readings, and now on my podcast, Kate and Friends, which I’m lucky enough to record with two professional musicians. For me, the ultimate test of a story is whether it can be told without visual aids. While I love picture books, and the way an artist can deepen a child’s experience of a story, I gravitate to satisfying, stand-alone tales with a good twist. They’re difficult to write, easy to remember, and great fun to tell!
As a kids’ storyteller, I’ve often used this book, and it bears telling even without its gently comic pictures. When Farmer Joe complains of his daily toil, his clever wife tricks him into becoming so uncomfortable that, once returned to normal conditions, he will never complain again! The story carries a message about positive attitude, without being didactic. Best of all, kids can chuckle along with Farmer Joe’s wife, understanding her trick while hapless Joe does not. Kids, in my experience, love to be smarter than at least one grownup in a story, and this book delivers that in spades!
Farmer Joe has a problem: he works so hard that by the end of the day he is very hot and tired.
"What can I do?" he asks his wife.
You'll laugh at the clever way Farmer Joe's wife helps him keep his cool. Or does she?
Farmer Joe's Hot Day was both the author and illustrator's debut book, and the trilogy became a favourite with kids and teachers alike. Now the classic series returns in a bright levelled reader format for a new generation of book lovers!
I love feeling scared in a controlled situation—like on my couch with a soft blanket and a book—so horror thrillers are my jam. I absolutely love it when a female protagonist is so smart and courageous that I genuinely don’t know what I would do differently. This gives me someone to truly root for. Over time, I’ve discovered all the ways scary books help me manage my anxiety. Reading about all my worst fears but knowing I can set the book down if I need to is empowering. (Spoiler alert: I never set the book down.)
I instantly fell in love with this book's MC, Rowena. She’s just so stinking relatable, and when her world starts to spiral into a dark hell, a la Black Mirror, she has to decide who she is going to believe in order to save herself and her baby girl.
The whole time I read this one, I wondered what I would do. Who would I believe if I were her? I love that feeling of being suspended in dread and the unknown as I read a thriller. This one delivered that for me.
"The best thriller of the year! This book absolutely left me aghast." —Netgalley reviewer ⭐⭐⭐⭐⭐
A new marriage. A perfect home. A machine that says it's all a lie.
Rowena Snyder has the life she's always wanted. So why is everything falling apart?
Moving to the suburbs was supposed to be easy. Instead, Rowena struggles with panic attacks, a husband who wants her on medication, and the isolation of new motherhood. Then a suspicious house fire at her baby’s birthday party threatens to send her over the edge.
When Rowena's husband brings home a product in beta testing at his…
Born into a family with friction between parents, I never thought relationships could get much worse. When my parents divorced, father became estranged, then died by apparent suicide, memoirs by diverse voices opened my world and made me feel less alone. When I went through a sexual and gender identity crisis of my own, they helped me navigate the turmoil in my own life. I spent more than twenty-five years writing professionally for corporate and academic employers before writing biography and memoir became a coping skill.
I was writing my book when I saw the cover of this memoir on the library’s “new books” display. I wasn’t looking for another transition story but discovered that it crossed into “murder investigation” and was hooked. Lorimer’s life took him from the prairies to Vancouver, where he worked for the police department, and included a mid-life transition, with echoes to my arc. His connection to the horrific Pickton serial murder case between 2002 and 2007, involving missing, vulnerable women, makes his own story all the more poignant.
Inspiring and honest, this unique memoir of gender transition and coming-of-age proves it's never too late to find your true identity.
Since he was a small child, Lorimer Shenher knew something for certain: he was a boy. The problem was, he was growing up in a girl's body.
In this candid and thoughtful memoir, Shenher shares the story of his gender journey, from childhood gender dysphoria to teenage sexual experimentation to early-adult denial of his identity-and finally the acceptance that he is trans, culminating in gender reassignment surgery in his fifties. Along the way, he details his childhood in booming…
