Fans pick 100 books like The New England Village

Quabbin is a relic of a lost world – both figuratively and literally. In his old age, Francis Underwood remembered his childhood village, the buildings, the personalities, their dress, manners, and speech, their faith and their passions for reform, their old social customs and their emerging middle-class sensibilities – and most of all their stories. But it is a world, as Underwood knew, that was passing away. His secluded old New England village was opening to the world, and its agrarian ways were soon to be eclipsed by the industrial village. What Underwood did not know, but we do, is that his childhood home has literally disappeared, under the flooding waters of the Quabbin Reservoir. This is an extraordinary testimonial to that lost world!

Jack Larkin, former historian of Old Sturbridge Village, befriended me when I was a research fellow at the Village years ago. He was one of the most generous and original scholars I’ve ever known. Though deeply versed in the primary sources of the Village’s rich research library, Jack’s understanding of the past was richly informed by his immersion in the living history of the Village. He knew the past intimately – how it felt, looked, smelled. For Jack, being “in the room where it happened” had a different meaning: he knew their homes, barns, workshops, meetinghouses. He married this rich evidence with his knowledge of village life – family and neighborly dynamics, the growth of material desires, popular politics, and religious revivalism. This book engagingly preserves Jack’s rare understanding of daily life in the early Republic. 

When the Robertsons bought their 18th-century home in Hampton, Ct., they inherited an unparalleled lode of documents assembled over 100 years of the previous owners’ history. Starting in the 1790s, the Traintors saved, it seems, every bit of paper that came through their hands: from private letters and business accounts, to pamphlets, social invitations, school records, and, of course books. The Robertsons spent years digesting this remarkable trove. In this book, they “open out” the evidence – as Laurel Ulrich did for Martha Ballard’s diary – in a way that transforms it into a moving and deeply intimate story of family life and community change in a small New England town. I found their tale – told often in the Taintors’ own words – to be vivid, immediate, a surprisingly frank, personal, and moving story.

Bob Gross, knowing that we shared an interest in New England towns in the early Republic, generously shared drafts of each chapter of this magisterial work. I was astonished. The depth and range of his research are unparalleled. In a life-work 45 years in the making, Bob has culled evidence on Concord from every conceivable source, showing the rest of us how it’s done. He has reconstructed families and linked neighbors through church, farm, business, political, and religious activities, using this to reconstruct the life of the town. Bob knows his people so well that I am convinced he has accurately captured their personalities, dynamics, and conflicts. It is rare that we can have such confidence in “knowing” the past. In engaging prose, he presents individuals actively shaping – or resisting – change in their town, and ultimately, their world.

Shirley Jackson is a master of the short story. My favorite is The Lottery. The build-up to the main event is spectacular. The reader thinks the village is getting ready for a normal event. As time passes, we realize what is to come. The themes of tradition and mob mentality are still relevant as we read about current events. 

I paid homage to this story in my own tale which is included in my book. 

The sheer command of the English language displayed by John Updike is something I marvel at, but he is at the height of his powers in this novel. What’s more, it’s a sexy book in the old-fashioned sense of men desiring women and women wanting to be desired by men.

I consider this Updike’s best novel because the story moves ahead at a great pace and is filled with tension between its characters. If someone told me it is largely about the computer revolution, I would have been suspicious. No need to be. Owen, the main character, starts as a young boy, goes into the computer business, finds success, has seemingly endless dalliances with women, and eventually meets his end. I found it to be a great ride.

I love a New England mystery, especially one that includes recipes.

Katherine Hall Page fills the bill with her twenty-six delightful Faith Fairchild mysteries. Faith is a high-end New York City caterer who falls in love and marries a minister from a New England village. Will she be bored? Can love conquer all?

It turns out that this sleepy New England town has murders aplenty, but luckily, Faith is on the scene. I have tried her recipes, and they are wonderful!

The first great American trashy novel, Peyton Place today seems rather tame, but in its day, it was scandalous. Plucking it from my mother’s bookcase when I was 14, I was engrossed by its roaring passion and sensational secrets.

Set in a small New England town, the book set the stage for the modern soap opera, and I wolfed it down like a big box of candy. It reminds me of those great, heady melodramas of the 1950s (and was itself made into a fabulously sudsy film in 1957), an intoxicating mix of all things forbidden.

I adored the fact that it was literary, which it doesn’t get enough credit for. I think its opening line—“Indian summer is like a woman…”—is one of the best in mid-20th Century literature. 

In this exceptional story that I’ve read twice, Elizabeth Strout places a seemingly ordinary, though distant, mother and her shy teenage daughter in the provincial town of Shirley Falls, Maine, to create a stunning awakening in the daughter Amy and foster the admission of a long-hidden secret by Amy’s mother Isabelle. As much as Amy thinks her development is about her sexuality, it is more about forming a relationship with her lonely mother. After Amy learns her mother’s story, she learns her most important moment of identity has not been sexual initiation, but her self-acceptance. The relationship between mother and daughter fosters Amy’s coming of age. 

This book has all my favorite detective fiction elements: a beautiful cover, an independent heroine, Abigail Rook, crime-solving alongside an elusive detective, R.F. Jackaby, and a solid plot that kept me guessing until the end. Set in late nineteenth-century New England, Rook teams up with Jackaby in a parallel to a Watson-Holmes relationship except this detective novel features the supernatural. Rook learns quickly that Jackaby stands out among detectives as he can see supernatural creatures. I love so much about this book, particularly the chemistry between Rook and Jackaby as co-investigators. This is a must-read not only for detective fiction fans, but for Dr. Who and Buffy the Vampire Slayer fans as well.