Here are 86 books that The Mermaid and Mrs. Hancock fans have personally recommended if you like
The Mermaid and Mrs. Hancock.
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I became fascinated with geography as a teenager and spent my life studying it. I always wanted to understand how we transform our planet, for better or worse. Part of this is understanding what happens in particular localities, which I have been able to look at closely by visiting places across all continents (except Antarctica). Part of it is understanding how the complex relations between human society and everything else shape global futures. My long-standing passion, however, has been understanding how what happens in one locality is shaped by its evolving connections with the rest of the world. These books pushed me to see the world differently through these connections.
Having long wondered about how our world has been shaped by such commodities as tea, coffee, and sugar, I was fascinated by this carefully researched study of how cotton has shaped our world since the first cotton clothing 5,000 years ago in (what is now called) Pakistan.
The great thing about this book is its global reach, following cotton around the world as folks learned how to use it. While this is serious academic research, the author’s ability to relate local lives and key individuals to the broader forces shaping the globalizing cotton market keeps the story humming along.
I learned how British military power was key to Britain’s ability to relocate the global heart of cotton textile production from India to Manchester, boosting European wealth by deindustrializing India—a reminder that who wins and loses crucially depends on political power, not just market forces.
WINNER OF THE BANCROFT PRIZE • A Pulitzer Prize finalist that's as unsettling as it is enlightening: a book that brilliantly weaves together the story of cotton with how the present global world came to exist.
“Masterly … An astonishing achievement.” —The New York Times
The empire of cotton was, from the beginning, a fulcrum of constant global struggle between slaves and planters, merchants and statesmen, workers and factory owners. Sven Beckert makes clear how these forces ushered in the world of modern capitalism, including the vast wealth and disturbing inequalities that are with us today.
I began my academic career working on political history until a chance conversation and a serendipitous find in an archive changed the direction of my doctoral research. Since then, I have become increasingly enmeshed in Business History, interested predominantly in the people that were at the heart of commercial activity. It is my belief that the landscape of business was – and is – shaped more by the people directly involved in it than by those making policy and devising international treaties. My current work – funded by an Arts and Humanities Research Council Leadership Fellowship – explores the ways in which information was created, disseminated, and utilised in early modern business networks.
While perhaps a little late to be truly classed as ‘early-modern’, Andrew Popp’s Entrepreneurial Families is one of the books that sparked my own interest in a social approach to business history. Revitalising the exploration of the role of families in business after Davidoff and Hall’s seminal 1987 study Family Fortunes, this micro-study primarily employs correspondence as its source. This not only allows Popp to explore the validity of this approach, but it also helps him to realise his aim to ‘re-humanise the economic’. The focus on family makes this work appealing not only to those interested in business history, but to those interested in debates about the public/private spheres, gender history, and kinship.
Entrepreneurship is increasingly being recognized as an important facet of economic history. Popp examines the Shaw family business to present a study of entrepreneurism that puts the family centre stage.
I began my academic career working on political history until a chance conversation and a serendipitous find in an archive changed the direction of my doctoral research. Since then, I have become increasingly enmeshed in Business History, interested predominantly in the people that were at the heart of commercial activity. It is my belief that the landscape of business was – and is – shaped more by the people directly involved in it than by those making policy and devising international treaties. My current work – funded by an Arts and Humanities Research Council Leadership Fellowship – explores the ways in which information was created, disseminated, and utilised in early modern business networks.
It has been broadly recognised in recent years that the traditional perception of early-modern Atlantic business as a male-dominated space is outmoded and inaccurate. In this superb book, Ellen Hartigan-O’Connor shows that the women who participated in commerce – from all ranks of society – were not exceptions in exclusively male-dominated markets but were ‘quintessential market participants’. Appealing strongly to my own approach to business history, Hartigan-O’Connor marries social and economic history, providing an updated view of who the commercial players were in eighteenth-century America.
In 1770, tavernkeeper Abigail Stoneman called in her debts by flourishing a handful of playing cards before the Rhode Island Court of Common Pleas. Scrawled on the cards were the IOUs of drinkers whose links to Stoneman testified to women's paradoxical place in the urban economy of the late eighteenth and early nineteenth centuries. Stoneman did traditional women's work-boarding, feeding, cleaning, and selling alcohol-but her customers, like her creditors, underscore her connections to an expansive commercial society. These connections are central to The Ties That Buy.
Historian Ellen Hartigan-O'Connor traces the lives of urban women in early America to reveal…
The Road from Belhaven is set in 1880s Scotland. Growing up in the care of her grandparents on Belhaven Farm, Lizzie Craig discovers as a small girl that she can see the future. But she soon realises that she must keep her gift a secret. While she can sometimes glimpse…
I began my academic career working on political history until a chance conversation and a serendipitous find in an archive changed the direction of my doctoral research. Since then, I have become increasingly enmeshed in Business History, interested predominantly in the people that were at the heart of commercial activity. It is my belief that the landscape of business was – and is – shaped more by the people directly involved in it than by those making policy and devising international treaties. My current work – funded by an Arts and Humanities Research Council Leadership Fellowship – explores the ways in which information was created, disseminated, and utilised in early modern business networks.
Sheryllynne Haggerty is not the first to consider the issues of risk, obligation, and reputation in early-modern business – I might have chosen Craig Muldrew’s earlier The Economy of Obligation, for instance – but what marks this book apart is its interdisciplinary approach to business culture. Throughout, Haggerty skillfully interweaves the broad range of primary material she uses – including merchants’ letters, accounts, state papers, newspapers, and trade directories – with a theoretical framework drawing explicitly on socio-economic theory. The use of fascinating case studies and an engaging writing style makes this, despite being an excellent example of a scholarly monograph, accessible to a broader audience.
In 1780 Richard Sheridan noted that merchants worked 'merely for money'. However, rather than being a criticism, this was recognition of the important commercial role that merchants played in the British empire at this time. Of course, merchants desired and often made profits, but they were strictly bound by commonly-understood socio-cultural norms which formed a private-order institution of a robust business culture. In order to elucidate this business culture, this book examines the themes of risk, trust, reputation, obligation, networks and crises to demonstrate how contemporary merchants perceived and dealt with one another and managed their businesses. Merchants were able…
I’ve loved Gothic fiction since I was a teen, though back then, I didn’t know it was Gothic. I just liked the creepiness, the often-isolated heroine, and the things-aren’t-what-they-seem murkiness of the stories. One of my first reads was Jane Eyre, which has remained a favorite. Though I didn’t like history in school (too much memorization!), I read several historical fiction books from different eras that fascinated me. These things, combined with another genre favorite—mystery/thriller, led to my first book. It turns out that all those things I’d gravitated to in my decades of reading became the things I most wanted to write about - mystery/thriller historical fiction with elements of Gothic.
Nobody does characters like Jess Kidd. Every person in this story is bizarre—a monster, misfit, or malefactor—yet not one feels contrived. I adored Bridie Devine, a small, rotund, pipe-smoking detective who begins to see the same ghost everywhere she goes.
Bridie’s quarry is a strange girl who’s been kidnapped and might (depending on who you ask) have supernatural powers or be a “lovely grotesque” who’s caught the eye of collectors. I fell in love with Kidd’s imaginative Victorian London, where nothing is as it seems, and evil lurks around every bend.
London, 1863. Bridie Devine, the finest female detective of her age, is taking on her toughest case yet. Reeling from her last job and with her reputation in tatters, a remarkable puzzle has come her way. Christabel Berwick has been kidnapped. But Christabel is no ordinary child. She is not supposed to exist.
As Bridie fights to recover the stolen child she enters a world of fanatical anatomists, crooked surgeons and mercenary showmen. Anomalies are in fashion, curiosities are the thing, and fortunes are won and lost in the name of entertainment. The public love a spectacle and Christabel may…
There are so many billionaire romances out there based in America, but as a Brit, there’s nothing quite like reading a contemporary romance based in London. The capital city of Great Britain, there are a great number of reasons why books here are simply to die for. The history, the culture, the mixture of communities, and the potential for passion – in my opinion, there’s no better place to escape to in a book. Even better if there are delicious characters to lose yourself with…
If you adore a second chance romance, then this is the steamy billionaire romance with a trip to London for you.
I adored how Rebecca Castle weaves together hints for the second standalone in this series, and a few of the scenes made me pant! So sizzling. Make sure you grab it now.
Two sassy girls. Two billionaire British brothers. One beautiful city of culture, history. And love.
KINGSLEY Tall, handsome, rich, and British. I thought I had it all as the bachelor son of one of England’s ancient aristocratic families. The girls. The parties. The money. The power. But that was until I spent a semester at an American high school. That was until I met her.
SCARLETT That bad boy Brit, Kingsley Heath-Harding, broke my heart, but that was a long time ago in high school. He fled back to the UK, and I thought I would never see him again.…
When King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one crossover. He’s been a Hittite warrior, a Silk Road mercenary, a reluctant rebel in the Peasant’s Revolt of 1381, and an information peddler…
There was a time when women had to use pseudonyms or otherwise pretend to be men to get published. These days, especially in the urban fantasy genre, it seems like there are more female authors and female main characters than male ones! I love dynamic main characters, male or female, and every one of these books has stellar characters with a great story. I wanted to mention so many other authors, but I have narrowed it down to these five. I hope you enjoy my list.
The Alex Versus series's world-building, magic, and plots are very complex and layered. This is some seriously well thought out urban fantasy.
The main character, Alex, is basically an instant seer, able to see multiple consequences of diving left versus right, shooting someone, running, etc. He doesn’t always have time to evaluate his choices before having to make a decision. And often, there’s no out without loss or a high price to be paid.
The back story is cleverly woven into the plot and is never boring. This series has one of my favorite side characters ever written—an arachnid with startling insight and wisdom.
The start of a compelling new urban fantasy series based in Camden, featuring Alex Verus - a mage with a dark past who can see the future . . .
***The million-copy-selling series***
'Harry Dresden would like Alex Verus tremendously - and be a little nervous around him. I just added Benedict Jacka to my must-read list. Fated is an excellent novel, a gorgeously realized world with a uniquely powerful, vulnerable protagonist. Books this good remind me why I got into the storytelling business in the first place' Jim Butcher, author of the Dresden Files
It would be fair to say that the deconstruction has firmly taken hold of the Western genre in movies. But while an appreciation of Sergio Leone is omnipresent to the point of cliché for cinema buffs, in literature, Louis L’Amor, Zane Grey, and William W. Johnstone reign supreme. Cormac McCarthy’s apocalyptic Western horrors being the exception that makes the rule.
But Western books have their own subversion, and I wanted to spotlight those. The men’s adventure, the pulp fiction, the outright smut. These are the books that inspired my own novel, A Man Called Bone, and I hope it does right by its muses.
Leaving Piccadilly for the moment, we have the adult western. As if the name of the genre and the name that starts every book title isn’t enough, it’s published by Playboy. And as you might have guessed from there being four hundred of these books, put out damn near monthly since the seventies, it’s a bit of a fool’s errand to single out any one book. They’re somewhere between the formulaic nature of needing to be a Western with literally obligatory sex and violence, and the author being a house name that’ll change with any given volume, who by necessity will have his own idiosyncratic take on the material.
One book, you might get a writer that’s really into delivering the sex appeal promised by the cover. Another time, you’ll get someone who just wants to write a Western (if that: people weren’t writing these things for their health,…
While pursuing the cold-blooded killer Rafe Masterson, Slocum narrowly escapes the outlaw’s quick draw with his life. Unfortunately, his trusty horse wasn’t so lucky. Slocum’s steed was just the latest victim to fall afoul of Masterson, who has two notches in his belt representing the two deputies he’s already gunned down. Wanted in several states, Masterson is increasing both his death toll and reward value—and he’s not about to let Slocum bring him in…dead or alive.
Although I’m from New Zealand, Europe has been home for a lot of my adult life, and that has included a lot of time in North Yorkshire. It always seems to me that there’s potential for magic around every corner, in the deep sinkholes and high fells of the Dales, or the cobbled charm of the York Shambles and the loom of the Abbey over Whitby harbour. So I do feel that the fact so many stories are set in London is a waste of so many delightfully different settings, and I make a point of hunting out as many alternatives as I can. I hope you enjoy this selection!
In the depths of the Cotswolds, Andy Caplet is a small-town journalist with a disastrous career (and life). Until, that is, the mysterious Inspector Hobbes offers him a spare room and the chance to follow along on some investigations. The only problem being, none of the cases are exactly the usual sort of crime, and Inspector Hobbes is not a usual inspector. Or a usual human. These stories are just fun, goofy escapism, caught somewhere between cosy mystery and urban fantasy, and they’re pure entertainment. Andy can be a bit annoying, but Inspector Hobbes is delightful.
A reporter with nothing to lose. An inspector with something to hide. The Cotswolds’ newest odd couple is on the case…
Of all the journalists at his small-town paper, Andy Caplet is far and away the worst. At least he has a job. But when his latest expose on the strange and scandalous Inspector Hobbes backfires, Andy is left broke and homeless. The inspector’s offer of a spare room for a few days (or months) seems like the only option…
Andy agrees to accompany the inspector to investigate a sudden surge in crime and soon finds himself immersed in a…
In this book set against the backdrop of a changing America, Sarah must find the courage to confront the ghosts of her past and come to terms with her future. Sarah, a young woman from the rural town of Tolerance, Arkansas, has endured an impoverished and painful childhood.
I first became fascinated by the portrayal of female criminals when I wrote a novel, The Ghost of Lily Painter, based on the first women to be executed at Holloway Prison in London in 1903. Holloway was the most infamous female jail in Europe and shortly before it closed down in 2016, I was given access to the prison archives. That led to Bad Girls, nominated for the Orwell Prize, and it also led to the discovery of a forgotten criminal aristocracy - the women who were once so notorious they were Public Enemy No.1.
There aren’t many novels featuring professional female crooks, and Anna Freeman’s gripping story, set in London during the Great Smog of 1952, portrays a really believable all-female gang. Florrie Palmer is torn between her allegiance to the Cutters, led by her mother, and a desire to go straight. It’s a suspenseful, atmospheric read, and partly inspired by the real Forty Elephants.
'Think Patrick Hamilton meets Peaky Blinders with a feminist twist' Metro
'Utterly transporting, read and lose yourself completely' Stylist
'A cinematic, rogueish, and utterly entertaining page-turner by the queen of feisty historical women. Goes down in one jewel-fisted slug' Abigail Tarttelin, author of DEAD GIRLS
'My mum always said, a fistful of rings is as good as a knuckleduster'
The Great Smog descends on London overnight; a leadership feud breaks out amongst a gang of female thieves who have terrorized the city for years; and Florrie, the girl who is set to inherit the bloody crown, falls in love with…
