Fans pick 100 books like The Lone Ranger and Tonto Fistfight in Heaven

Vonnegut’s book is a unique combination of satire, science fiction, and raw war critique. Billy Pilgrim, the protagonist, lives out the trauma of surviving the Dresden bombing by becoming "unstuck in time," drifting through different moments of his life, from past to future. This strange, nonlinear structure mirrors how we process trauma in fragments and waves, never in a neat, chronological order. The randomness of death, the meaninglessness of war—all these themes come together in a way that’s both absurd and deeply moving. As we witness terror and violence continually unfold across the globe, the echoes of Slaughterhouse-Five feel ever-present.

The phrase “So it goes” serves as a refrain throughout the novel, after every death—reminding us of the inevitability of loss in wartime, no matter the scale. This book hit me hard with its dark humor and cynical commentary on the glorification of war. Vonnegut forces you to laugh in… show more.

I saw my first raven near Mount Rainier. The bird looked me in the eye, hopped to the left, sized me up, and continued his business. The advancing Russian army drove Bernd Heinrich and his family into the forest near Hahnheide, Germany, where they lived in a small hut for five years.

There, he began his lifelong quest to connect with insects (especially bees), owls, trees, antelope (he runs ultramarathons), geese...and ravens. The mind of the Raven is a deep, scientific meditation on the intersection between being human and raven. It concludes that “ultimately [our differences are] less a matter of consciousness than of culture” (342).

I wonder how culture has dulled my imagination, a struggle Heinrich clearly has fought more successfully than I have.

I repost art that catches my eye. I click when I see a piece of Egon Schiele on social media. It’s impossible to look away, which is saying something, considering the variety and audacity of modern art. Born in Tulln, Austria, in 1890, Schiele died of the Spanish Flu in 1918 at only 27.

A student of Gustav Klimt, Schiele’s art is expressionistic, graphic, and transformative. His imagination is a slap in the face, a Munch “Scream” of a crime scene photograph. Steiner has done a great service in producing this art book, in which all of Schiele’s work is reproduced in color. His commentary is, at the same time, chronological and thematic. Schiele survived derisive criticism and prison, and although his life was short, his imaginative punches still landed.

I was fourteen when I was introduced to my next pick. Our teacher read aloud The Kool-Aid Wino and The Cleveland Wrecking Yard, and I was lucky enough to find a copy at the mall as I read, bang! Trout Fishing in America Terrorists, bang! The Hunchback Trout, and bang! Sandbox Minus John Dillinger Equals What?

Brautigan grew up neglected and received involuntary electroshock treatments because he was hungry and threw a rock through a police station window. He never went to college but taught college classes. His imagination gave him a reason to live. It gave me one, too.

This collection of short stories draws from Van Alst’s experience as a Native American growing up in Chicago, where racism and gang violence were everyday realities. Gripping and uncompromising, the stories walk a line between the traumas of Indigenous life in America and the possibilities of resilience and resistance.

LaPier and Beck’s book is the perfect backstory to Van Alst’s.

Chicago, built on the lands of the Three Fires Council, has a long history as an Indigenous metropolis, from activism around the famous 1893 World’s Fair to the building of urban Indian organizations. The authors show how Indigenous people are everywhere in the archives. 

Though we are thankful for the current movements to decolonize archives and museums, from at least 1750, Native writers have been doing this important survival work of asserting Native ways of knowing. This revelation is the subject of Wisecup’s ground-breaking study. It shows how early Native writers assembled lists, collages, and literary texts that, through juxtaposition and recontextualization, resisted the way colonial archives defined their bodies, belongings, and words as ethnographic evidence of vanishing peoples. Wisecup offers revealing ways to read the Indigenous compilations of key figures like Mohegan Samson Occom’s medicinal recipes, Ojibwe Charlotte Johnston’s poetry scrapbooks, and Abenaki leader Joseph Laurent’s vocabulary lists. We also deeply appreciate how Wisecup ends each chapter by connecting the early writer it focuses on to contemporary Indigenous culture.

The U.S. Supreme Court has often been filled with Justices who issued racist decisions against Indian tribes and their members. In reaching these decisions, these Justices often overlooked significant facts and created new legal principles to suit their purposes.

Mr. Echo-Hawk selected the 10 worst cases the Supreme Court had decided up to that point. He discusses the factual background of each case and explains why the Court’s decision is wrong, often revealing the Justices' known prejudices.

This book is an eye-opener for readers wondering whether Indian tribes have had a fair chance of winning cases in the Supreme Court.

This book is the “bible” of Federal Indian Law. Mr. Cohen was appointed by President Franklin Delano Roosevelt as the Commissioner of Indian Affairs and was the first pro-Native Commissioner to hold that post. He took it upon himself and his agency to publish a treatise that Indian tribes and others could rely on to learn about treaties, statutes, and agreements that set forth the rights of Indian tribes and their members.

It’s been updated several times. It is the most authoritative text in the field and is frequently cited by courts and commentators. It doesn’t lend itself to easy reading, however. (My book synthesizes the information contained in the Cohen book and makes it understandable to the non-lawyer.)

Andrés Reséndez estimates that between 2.4 and 4.9 million Indigenous Americans were enslaved between 1492 and 1900, a statistic that will shock many people, as the history of Native enslavement in the Americas barely seems to have touched the popular imagination.

This book, accessibly written but based on meticulous research, is absolutely essential reading, as it returns this ‘other slavery’ to its rightful place in our understandings of Indigenous, American, and global history.