Here are 89 books that City Indian fans have personally recommended if you like
City Indian.
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I grew up on a family farm surrounded by larger vegetable and dairy operations that used migrant labor. From an early age, my siblings and I were acquainted with the children of these workers, children whom we shared a school desk with one day and were gone the next. On summer vacations, our parents hauled us around in a station wagon with a popup camper, which they parked in out-of-the-way hayfields and on mountainous plateaus, shunning, much to our chagrin, normal campgrounds, and swimming pools. Thus, I grew up exposed to different cultures and environments. My writing reflects my parents’ curiosity, love of books and travel, and devotion to the natural world.
This book centers around the plight of twelve young, urban Native Americans in Oakland, California, who, having lost connection to the land and their heritage, struggle to make sense of their identity. For various reasons, they all travel to and converge at the Big Oakland Powwow.
It is a gut-wrenching story that grapples with the disenfranchisement of Native Americans, starting with the colonies; the novel opens with a true account of the so-called Indian Wars. An account of history that was rewritten to make us feel good about Thanksgiving. I loved it for the opening scene and the historical references. An impossible to put down novel.
** Shortlisted for the 2020 International Dublin Literary Award **
One of Barack Obama's best books of 2018, the New York Times bestselling novel about contemporary America from a bold new Native American voice
'A thunderclap' Marlon James 'Astonishing' Margaret Atwood, via Twitter 'Pure soaring beauty' Colm Toibin
Jacquie Red Feather is newly sober and hoping to reconnect with her estranged family. That's why she is there. Dene is there because he has been collecting stories to honour his uncle's death, while Edwin is looking for his true father and Opal came to watch her boy Orvil dance.
I came to Indigenous history through the experience as a settler growing up at the edge of a reservation. I also love cities as “texts,” and the ways in which urban places never fully erase what came before. These two interests led me to urban Indigenous studies. Urban and Indigenous histories are often treated as though they are mutually exclusive, when in fact they are deeply entangled with each other: for example, the majority of Indigenous people in the United States live in urban areas. These works capture the rich history of migration, political organizing, and cultural production that has taken place in Indigenous cities.
This collection of short stories draws from Van Alst’s experience as a Native American growing up in Chicago, where racism and gang violence were everyday realities. Gripping and uncompromising, the stories walk a line between the traumas of Indigenous life in America and the possibilities of resilience and resistance.
Growing up in a gang in the city can be dark. Growing up Native American in a gang in Chicago is a whole different story. This book takes a trip through that unexplored part of Indian Country, an intense journey that is full of surprises, shining a light on the interior lives of people whose intellectual and emotional concerns are often overlooked. This dark, compelling, occasionally inappropriate, and often hilarious linked story collection introduces a character who defies all stereotypes about urban life and Indians. He will be in readers' heads for a long time to come.
I came to Indigenous history through the experience as a settler growing up at the edge of a reservation. I also love cities as “texts,” and the ways in which urban places never fully erase what came before. These two interests led me to urban Indigenous studies. Urban and Indigenous histories are often treated as though they are mutually exclusive, when in fact they are deeply entangled with each other: for example, the majority of Indigenous people in the United States live in urban areas. These works capture the rich history of migration, political organizing, and cultural production that has taken place in Indigenous cities.
Rather than focusing on historical archives, this book is based on years of face-to-face research in and with urban Indigenous communities. Deftly describing the urban politics of identity, Jacobs provides insights into the ways in which Indigenous people manage senses of self and community in the twenty-first-century city.
Contemporary accounts of urban Native identity in two pan-Indian communities
In the last half century, changing racial and cultural dynamics in the United States have caused an explosion in the number of people claiming to be American Indian, from just over half a million in 1960 to over three million in 2013. Additionally, seven out of ten American Indians live in or near cities, rather than in tribal communities, and that number is growing.
In Indigenous Memory, Urban Reality, Michelle Jacobs examines the new reality of the American Indian urban experience. Drawing on ethnographic research conducted over two and a…
I came to Indigenous history through the experience as a settler growing up at the edge of a reservation. I also love cities as “texts,” and the ways in which urban places never fully erase what came before. These two interests led me to urban Indigenous studies. Urban and Indigenous histories are often treated as though they are mutually exclusive, when in fact they are deeply entangled with each other: for example, the majority of Indigenous people in the United States live in urban areas. These works capture the rich history of migration, political organizing, and cultural production that has taken place in Indigenous cities.
This edited collection of cutting-edge essays by scholars from across North America captures the profound diversity of Indigenous urban experience.
Ranging from Indigenous cities that existed prior to European arrival through the colonial period to the recent past, this anthology explodes the notion that Indigenous and urban histories have little to do with each other.
From ancient metropolises like Pueblo Bonito and TenochtitlAn to the twenty-first century Oceti Sakowin encampment of NoDAPL water protectors, Native people have built and lived in cities-a fact little noted in either urban or Indigenous histories. By foregrounding Indigenous peoples as city makers and city dwellers, as agents and subjects of urbanization, the essays in this volume simultaneously highlight the impact of Indigenous people on urban places and the effects of urbanism on Indigenous people and politics.
The authors-Native and non-Native, anthropologists and geographers as well as historians-use the term "Indian cities" to represent collective urban spaces established and regulated…
I was born in 1974 and grew up in a time when, at least on paper, women had equal rights. I also grew up not far from Harriet Tubman’s home, not far from Seneca Falls, not far from Susan B. Anthony’s house. I became a historian of women’s rights and, I sometimes joke, a secular evangelical for women’s history. WritingFree Thinkerwas, professionally, the most fun I have ever had. I can think of no better time than right now to study the histories of women who understood that bodily autonomy and political autonomy are two sides of the same coin and who dedicated their lives to securing both.
In the aftermath of the Supreme Court’s ruling in Dobbs, I think it is imperative to remember what life was like before Roe v. Wade and what women did to survive and to live their lives on their own terms. Kaplan’s book tells the story of the Jane Collective in the words of the women who made Jane work, which makes for powerful reading. And, I think it is important to ask ourselves what about today’s post-Roe era is “like before” and what is very different. For example, pre-Roe, most state restrictions on abortion contained exceptions for rape and incest. Post-Roe, nearly all state abortion bans contain no exceptions for rape or incest.The Story of Jane also chronicles, in some ways, a freer time in which one’s every query and movement was not tracked by one’s phone.
An extraordinary history by one of its members, this is the first account of Jane's evolution, the conflicts within the group, and the impact its work had both on the women it helped and the members themselves. This book stands as a compelling testament to a woman's most essential freedom--control over her own body--and to the power of women helping women.
For more than thirty years, I worked as journalist covering the biggest news stories of the day—at Newsweek magazine (where I became the publication’s first African-American top editor), then as a news executive at NBC News and CNN. Now, I keep a hand in that world as a judge of several prestigious journalism awards while taking a longer view in my own work as a contributor for CBS Sunday Morning, Washington Post book reviewer, and author of narrative non-fiction books with a focus on key personalities and turning points in Black History.
Mining contemporaneous news accounts, personal letters and diaries, and dozens of in-depth interviews, scholar Marcia Chatelain explores the impact that the Great Migration had on a generation of young Black Chicago women, who coped with coming of age in the urban North while shouldering the expectations and aspirations of their uprooted parents. Anyone new to Chatelain’s work should also check out her next and equally original book, Franchise: The Golden Arches in Black America, a study of the deeply mixed legacy of McDonald’s restaurants in Black neighborhoods that won the 2021 Pulitzer Prize for History.
In South Side Girls Marcia Chatelain recasts Chicago's Great Migration through the lens of black girls. Focusing on the years between 1910 and 1940, when Chicago's black population quintupled, Chatelain describes how Chicago's black social scientists, urban reformers, journalists and activists formulated a vulnerable image of urban black girlhood that needed protecting. She argues that the construction and meaning of black girlhood shifted in response to major economic, social, and cultural changes and crises, and that it reflected parents' and community leaders' anxieties about urbanization and its meaning for racial progress. Girls shouldered much of the burden of black aspiration,…
I love the art of writing romance fiction. I’m a character-driven author. My stories are contemporary romance with steam, humor, and diversity. I run my business from my living room. When I'm not writing and telling people about my books, I run another online business. Read lots. Watch tons of series. Drink coffee and wine. Listen to music. Cook comforting vegetarian meals. Say prayers, meditate, and light candles. Text with my girlfriends. And try to squeeze in a walk and a shower. My sexy little stories are my attempt at keeping someone up all night. May you always feel loved, seen, and heard. The Smart Girl Mafia Series books 1-4 are currently available.
A funny contemporary romance that I skipped worked because I stay up all night reading it. The heroine is a smart and quirky children’s book author and the hero is the hottest of a hot football star. They find themselves having to work at a summer camp after a potentially scandalous hookup. This is one of my favorite authors and a true master of happily-ever-after storytelling.
Susan Elizabeth Phillips is the gold standard for women's fiction - an award-winning, bestselling phenomenon whose talent for blending laughs and tears with heartfelt, passionate, ingeniously conceived romance has made her one of America's most loved authors. The Phillips magic is vibrantly alive and on display in her long-awaited e-book debut.
Molly Somerville knows she has a reputation for trouble. She did give away her fifteen-million-dollar inheritance, but, hey, nobody's perfect.
Still, if anyone has an almost perfect life, it's Molly. While her Daphne the Bunny children's books could be selling better, she loves her cramped loft, her French poodle,…
Jocelyn Green is the bestselling and award-winning author of eighteen books as of 2021. Her historical fiction has been acclaimed by Publishers Weekly, Booklist, Library Journal, and the Historical Novel Society.
Since the Midway was not on the official fairgrounds, it isn’t always discussed in detail in books about the Columbian Exposition/World’s Fair. This book focuses solely on the Midway and includes the background on all the attractions from Mr. Ferris’s Wheel to Cairo Street to Old Vienna, along with photographs and a map.
Created as a centerpiece for the Columbian Exposition of 1893, the Midway Plaisance was for one summer the world's most wondrous thoroughfare. A journey along its length immersed millions of spellbound visitors in a spectacle that merged exoticism with enlightenment and artistic crafts with dizzying technical achievement. Norman Bolotin, with Christine Laing, draws on his vast knowledge of the 1893 exposition to escort readers down the Midway. Step by step he takes you past forbidding Dahomeyans and dozens of belly dancers until, at last, you reach the colossal Ferris Wheel with cabins the size of street cars. The tour reveals…
I write memoir. I didn’t set out to write memoir. But I’ve become convinced by the power of personal narrative, both on its own merits, and as a frame and lens through which to view the world—a way to take a reader by the hand before slipping into whatever other subject matter sings its siren call. And the memoirs I love best are always in conversation with something bigger, or beyond the self. As Annie Dillard wrote, “there’s nothing you can’t do with [literary nonfiction]. No subject matter is forbidden, no structure is proscribed. You get to make up your own form every time.” I like to see these works as doing just that.
Margo Jefferson is one of the smartest humans on the planet and her memoir reflects that. She tells her story as intertwined with the story of her first cultural context—the Black elite of the 1950s, and the crisis of identity she experienced with the rise of the Black Power movement of the 1960s. She brings her critic’s sharp intelligence and wit to bear in every paragraph, but doesn’t hold back any of her heart. It’s a terrifically moving book anda masterpiece of personal/cultural criticism, full of elegance and nuance.
The daughter of a successful paediatrician and a fashionable socialite, Margo Jefferson spent her childhood among Chicago's black elite. She calls this society 'Negroland': 'a small region of Negro America where residents were sheltered by a certain amount of privilege and plenty'. With privilege came expectation. Reckoning with the strictures and demands of Negroland at crucial historical moments - the civil rights movement, the dawn of feminism, the fallacy of post-racial America - Jefferson brilliantly charts the twists and turns of a life informed by psychological and moral contradictions.
So look, I’m going to admit something: I’ve been casting myself as the heroine in historical adventures and mysteries since the age of six. I’ve been Sherlock Holmes’s daughter, Elizabeth Bennett’s slightly disreputable sleuthing cousin, the lone lady Pinkerton hunting down Butch and Sundance. These youthful fantasies combined three things I adored: puzzles, adventure, and geeking out on history. When I got a little older, I left off imagining myself in the starring role in favour of something even more immersive: becoming someone else entirely. Whether I’m writing them or reading them, books like the ones on this list transport me, and I hope they’ll transport you, too.
I have a thing for Pinkertons. They’re so often portrayed as villains, but this one is a hero: Kate Warne, the (real-life) first female Pinkerton detective. Kate’s story is fascinating and tense, full of surprising twists—some real and some fictional. At times Girl in Disguise reads more like a spy novel than a detective story, especially when it comes to a certain real-life assassination attempt I’d never heard about, and which literally dropped my jaw. Readers interested in fascinating women largely forgotten by history will devour this one.
"Electrifying...a rollicking nineteenth-century thrill ride." -Amy Stewart, New York Times bestselling author of Girl Waits with Gun Inspired by the real story of investigator Kate Warne, this spirited novel follows the detective's rise during one of the nation's times of crisis, bringing to life a fiercely independent woman whose forgotten triumphs helped sway the fate of the country. With no money and no husband, Kate Warne finds herself with few choices. The streets of 1856 Chicago offer a desperate widow mostly trouble and ruin-unless that widow has a knack for manipulation and an unusually quick mind. In a bold move…
