Here are 100 books that The Other Slavery fans have personally recommended if you like
The Other Slavery.
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I have been a historian of the Indigenous world for more than two decades, but I have learnedso much since I expanded my perspective from Mesoamerica and the Aztec-Mexica into the wider history of Native peoples. There are literally hundreds of Indigenous communities across the world and so there is always more to learn. I have been incredibly privileged to learn by listening to Indigenous people – in person, in print, and on digital and social media. I hope these books can offer some starting points to set you on a similar journey of discovery, opening up some new ways of thinking and of seeing both the past and the present.
Combining personal memoir and scrupulous history, this traces the long history of Indigenous resistance in the United States, showing it as a story of self-defence and struggles for sovereignty.
Starting with the remarkable Indigenous resistance against the Dakota Access Pipeline at Standing Rock, Estes’s work manages to combine a readable introduction to complex history with an urgent recognition of the stakes involved in the fight for land, water, and natural resources today.
One of my favourite recommendations to anyone who wants to start understanding the deep roots of contemporary issues facing Indigenous communities.
In 2016, a small protest encampment at the Standing Rock reservation in North Dakota, initially established to block construction of the Dakota Access oil pipeline, grew to be the largest Indigenous protest movement in the twenty-first century, attracting tens of thousands of Indigenous and non-Native allies from around the world. Its slogan "Mni Wiconi"-Water is Life-was about more than just a pipeline. Water Protectors knew this battle for Native sovereignty had already been fought many times before, and that, even after the encampment was gone, their anti-colonial struggle would continue.
In Our History is the Future, Nick Estes traces traditions…
I have been a historian of the Indigenous world for more than two decades, but I have learnedso much since I expanded my perspective from Mesoamerica and the Aztec-Mexica into the wider history of Native peoples. There are literally hundreds of Indigenous communities across the world and so there is always more to learn. I have been incredibly privileged to learn by listening to Indigenous people – in person, in print, and on digital and social media. I hope these books can offer some starting points to set you on a similar journey of discovery, opening up some new ways of thinking and of seeing both the past and the present.
A Canadian of Polish and Ojibwe descent, you can tell that Talaga is an experienced journalist, as this moving book is a combination of clear narrative and incisive research.
Starting with Canada, but then widening her lens to Indigenous communities across the world, Talaga shows how the violence of colonialism, the rupture from land and community, and the loss of heritage – compounded by socioeconomic deprivation – has resulted in an epidemic of youth suicide and generational trauma across Indigenous communities.
Talaga’s analysis is devastating, but also gives hope of a possible future reconciliation, through examples of resilience and the recovery of Indigenous ways of knowing and being.
The world's Indigenous communities are fighting to live and dying too young. In this vital and incisive work, Tanya Talaga explores intergenerational trauma and the alarming rise of youth suicide.
From Northern Ontario to Nunavut, Norway, Brazil, Australia, and the United States, the Indigenous experience in colonised nations is startlingly similar and deeply disturbing. It is an experience marked by the violent separation of Peoples from the land, the separation of families, and the separation of individuals from traditional ways of life - all of which has culminated in a spiritual separation that has had an enduring impact on generations…
Memory is capricious and impacts our view of the past. That’s why I do what I do! I am a twenty-year museum professional who began my career at Conner Prairie Interactive History Park, worked at the Denver Museum of Nature & Science for almost ten years, and am now part of the Arts & History department at the City and County of Broomfield. I have designed and developed programs and events, as well as managed teams in each of these stops. I seek to illuminate stories, elevate critical voices, and advocate for equity through the unique pathways of the arts, history, and museum magic.
Dee Brown’s landmark 1970 book Bury My Heart at Wounded Knee provided a beautiful and much-needed antidote to the ‘march of the pioneers’ and Manifest Destiny narratives that held sway over much of the history of the western United States from 1850s-1890.
Over time, however, Brown’s book (and more specifically the massacre at Wounded Knee) became calcified as the ‘end point’ of histories about indigenous people. Treuer challenges this perspective by showcasing native resistance, resilience, and flourishing in the wake of Wounded Knee. Indigenous history is deep, varied, and filled with fascinating people and events—Treuer shows us how to find hope and joy in history even though there is also profound pain.
LONGLISTED FOR THE 2020 ANDREW CARNEGIE MEDAL FOR EXCELLENCE
A NEW YORK TIMES BESTSELLER
Named a best book of 2019 by The New York Times, TIME, The Washington Post, NPR, Hudson Booksellers, The New York Public Library, The Dallas Morning News, and Library Journal.
"Chapter after chapter, it's like one shattered myth after another." - NPR
"An informed, moving and kaleidoscopic portrait... Treuer's powerful book suggests the need for soul-searching about the meanings of American history and the stories we tell ourselves about this nation's past.." - New York Times Book Review, front…
I have been a historian of the Indigenous world for more than two decades, but I have learnedso much since I expanded my perspective from Mesoamerica and the Aztec-Mexica into the wider history of Native peoples. There are literally hundreds of Indigenous communities across the world and so there is always more to learn. I have been incredibly privileged to learn by listening to Indigenous people – in person, in print, and on digital and social media. I hope these books can offer some starting points to set you on a similar journey of discovery, opening up some new ways of thinking and of seeing both the past and the present.
In this humane call to action, Anishnaabe author Patty Krawec combines an accessible introduction to the European invasion of the Americas with practical suggestions for grappling with these histories and their legacy.
Weaving the stories of her ancestors with personal accounts and historical context, Krawec makes a case for how Christian and Indigenous worldviews can become compatible, and makes suggestions for how we can all become better kin to each other. I devoured this book and have been recommending it to everyone ever since.
The invented history of the Western world is crumbling fast, Anishinaabe writer Patty Krawec says, but we can still honor the bonds between us. Settlers dominated and divided, but Indigenous peoples won't just send them all "home."
Weaving her own story with the story of her ancestors and with the broader themes of creation, replacement, and disappearance, Krawec helps readers see settler colonialism through the eyes of an Indigenous writer. Settler colonialism tried to force us into one particular way of living, but the old ways of kinship can help us imagine…
At some point I decided that if I was going to teach US history, I better have a good sense of what the place looked like. So I drove across the country—and then back again—and then again, and then once more, each time at a different latitude. I drove through North Dakota and South Dakota, Montana and Idaho, Nebraska and Kansas, Arkansas and Oklahoma, Louisiana and Texas, up and down California, Oregon and Washington, and on and on. I got addicted to seeing the landscape in all its amazing variety and vastness, and seeing the landscape made the histories come alive.
I had always known that Oklahoma was home to the “Five Civilized Tribes,” but I had not known much about the enslaved people they brought West with them. Alaina Roberts weaves her own family’s history into the history of Indian Territory and the state of Oklahoma, and made me rethink what I knew about African Americans in the West.
Perhaps no other symbol has more resonance in African American history than that of "40 acres and a mule"-the lost promise of Black reparations for slavery after the Civil War. In I've Been Here All the While, we meet the Black people who actually received this mythic 40 acres, the American settlers who coveted this land, and the Native Americans whose holdings it originated from.
In nineteenth-century Indian Territory (modern-day Oklahoma), a story unfolds that ties African American and Native American history tightly together, revealing a western theatre of Civil War and Reconstruction, in which Cherokee, Choctaw, Chickasaw, Creek, and…
During my childhood in Canada, I was fascinated by the “Wild West” and the fact that my maternal grandmother, who lived with us, was born in Wisconsin in 1876, when Jesse James was still robbing trains. I became an international multimedia producer, and I always took an entertainment-based approach to my work, grounded in research. After I retired, I began to search for my roots, uncovering interesting stories of my ancestors. Besides accessing websites and books, I traveled to where they lived to gain insights, meet historians, and distant cousins. I also engaged expert genealogists to prove my lineage back to the Mayflower and Puritan settlers of New England. That allowed me to join the Mayflower Society.
This title caught my attention because we usually associate slavery with the American south. But the Puritans brought many indentured laborers from England to help build their settlements and operate their farms and businesses. When these white men worked their way to freedom, the settlers turned to indenturing Native Americans, and enslaving captives of warfare, selling some of them for goods and African slaves from the Caribbean. (I found a reference in this book that my ancestor, Dr. Mathew Fuller, participated in this trade during King Philip’s War.) Newell’s book, full of primary sources, gives excellent background on, and understanding of, the founding of New England’s culture, economy, and legal framework. Those alien ideas didn’t go so well for the original inhabitants as white settlers pushed westward.
In Brethren by Nature, Margaret Ellen Newell reveals a little-known aspect of American history: English colonists in New England enslaved thousands of Indians. Massachusetts became the first English colony to legalize slavery in 1641, and the colonists' desire for slaves shaped the major New England Indian wars, including the Pequot War of 1637, King Philip's War of 1675-76, and the northeastern Wabanaki conflicts of 1676-1749. When the wartime conquest of Indians ceased, New Englanders turned to the courts to get control of their labor, or imported Indians from Florida and the Carolinas, or simply claimed free Indians as slaves.
When students ask me if I am from Kentucky, I say “no, but I got here as quickly as I could.” I chose to make the state my home and raise my family here, and I have studied its history for nearly three decades. I am drawn to Kentucky’s story and the paradox it represents: on one hand, you have the Derby, rolling hills and pastures, and fine bourbon, but set against that polished, sophisticated image are the stereotypes of a lawless, illiterate, poor state. As a borderland, not quite north or south, east or west, Kentucky offers a fascinating lens through which to view the nation’s history.
Ever since John Filson wrote the first history of the state in 1784, the Kentucky frontier has captured the public’s imagination. Aron goes beyond heroic accounts and stories of triumph to understand how egalitarian aims and the sense that the West could become a “good poor man’s country” failed to pan out for so many. The west did not become the land of opportunity for Native Americans or slaves, nor did it provide a fresh start for many poor white men and women. Two iconic figures, Boone and Clay, serve as familiar bookends, neatly framing Aron’s story and tying their worlds to the one we recognize today.
Eighteenth-century Kentucky was a place where Indian and European cultures collided-and, surprisingly, coincided. But this mixed world did not last, and it eventually gave way to nineteenth-century commercial and industrial development. How the West Was Lost tracks the overlapping conquest, colonization, and consolidation of the trans-Appalachian frontier. Not a story of paradise lost, this is a book about possibilities lost. It focuses on the common ground between Indians and backcountry settlers which was not found, the frontier customs that were not perpetuated, the lands that were not distributed equally, the slaves who were not emancipated, the agrarian democracy that was…
As an undergraduate History student, I was told by one of my professors that I thought too much like an anthropologist; as a postgraduate Anthropology student, I was told by another professor that I wrote too much like a historian! At that point, I finally gave up and turned to journalism and fiction writing…though my love for history figures largely in much of what I continue to write and read today.
Thomas King is one of the great voices of our generation, and without a doubt, the thing I loved most about this book was his voice: witty, wry, self-deprecating, caustic, clever, outraged, and honest.
Highly recommended for anyone interested in the facts, characters, stories, and narratives of a difficult history, as well as reckoning with past and present injustice.
In The Inconvenient Indian, Thomas King offers a deeply knowing, darkly funny, unabashedly opinionated, and utterly unconventional account of Indian-White relations in North America since initial contact. Ranging freely across the centuries and the Canada-U.S. border, King debunks fabricated stories of Indian savagery and White heroism, takes an oblique look at Indians (and cowboys) in film and popular culture, wrestles with the history of Native American resistance and his own experiences as a Native rights activist, and articulates a profound, revolutionary understanding of the cumulative effects of ever-shifting laws and treaties on Native peoples and lands.
For 23 years, I was a staff historian at the Fortress of Louisbourg National Historic Site. In the decade that followed, I worked for Parks Canada on other French colonial and Acadian sites in Atlantic Canada. Along the way and since, I wrote hundreds of articles and 21 books. Some of those books have won prizes, and the government of France honored me by making me a chevalier of its Ordre des Palmes académiques.
For any who might feel that Anderson’s 900-page Crucible of War might be a bit too long, the historian thoughtfully produced this 382-page book on the same topic. There’s less detail, obviously, but Anderson still covers essentially the same ground and does so once again in highly readable fashion. It’s a journey in which Anderson explains how the conflict destroyed the French empire in North America, overturned the balance of power on two continents, altered the roles of Indigenous peoples, and contributed toward what a generation later would become the American Revolution. The book is well illustrated.
The globe's first true world war comes vividly to life in this "rich, cautionary tale" (The New York Times Book Review)
The French and Indian War -the North American phase of a far larger conflagration, the Seven Years' War-remains one of the most important, and yet misunderstood, episodes in American history. Fred Anderson takes readers on a remarkable journey through the vast conflict that, between 1755 and 1763, destroyed the French Empire in North America, overturned the balance of power on two continents, undermined the ability of Indian nations to determine their destinies, and lit the "long fuse" of the…
In grade school, I was taught that my ancestors in Borikén (Puerto Rico) were eradicated by the Spanish, just a few decades after Christopher Columbus “discovered” the Americas. I have since become an Anthropologist of technology, where I study how the infrastructure failures and disasters like hurricanes are reactivating a dormant Taíno identity on my ancestral archipelago. My speculative fiction is inspired by this research and my fractured family history as a descendant of the Taíno, enslaved Africans, and their colonizers from Spain. In my stories, I challenge the narrative of my own extinction, imagining alternative pasts and futures where the Taíno are flourishing and Boricuas are free from American colonial rule (Taínofuturism).
The future is Indigenous. Time is not linear. The scientific and the spiritual are not mutually exclusive. The apocalypse can be survived.
These are some of the many provocations explored in the stories, essays, and excerpts that make up Grace Dillon’s (Anishinaabe) groundbreaking anthology, Walking the Clouds. The voices that appear in this collection lay the foundations for indigenous futurism and challenge the ongoing colonial politics of science fiction (SF) as a genre. SF tropes like alien encounters, apocalypses, and interstellar voyages are realigned with the assimilationist and genocidal histories of colonialism that inspired them.
Walking the Clouds is a powerful intervention and a must-read for anyone seeking an introduction to indigenous futurisms and decolonial fiction.
In this first-ever anthology of Indigenous science fiction Grace Dillon collects some of the finest examples of the craft with contributions by Native American, First Nations, Aboriginal Australian, and New Zealand Maori authors. The collection includes seminal authors such as Gerald Vizenor, historically important contributions often categorized as "magical realism" by authors like Leslie Marmon Silko and Sherman Alexie, and authors more recognizable to science fiction fans like William Sanders and Stephen Graham Jones. Dillon's engaging introduction situates the pieces in the larger context of science fiction and its conventions.
Organized by sub-genre, the book starts with Native slipstream, stories…
