13 books like Schiele

Maybe you’ve read this book, but maybe you haven’t. The kids like me who used to carry the 95¢ Dell paperbacks are now dead or thinking about it.

The author, Kurt Vonnegut, was an American prisoner of war and spent 24 hours underground in a meat locker during the Allied firebombing of Dresden, Germany. He said of his experience the bombing “killed 250,000 people in 24 hours and destroyed all of Dresden—possibly the world’s most beautiful city. But not me.” It’s fair to say that this book was his imagination’s way of dealing with the war. “One” acts as a preface, so the novel really begins with “Two,” “Listen:/Billy Pilgrim is unstuck in time,” and then imagination fights its way out.

I saw my first raven near Mount Rainier. The bird looked me in the eye, hopped to the left, sized me up, and continued his business. The advancing Russian army drove Bernd Heinrich and his family into the forest near Hahnheide, Germany, where they lived in a small hut for five years.

There, he began his lifelong quest to connect with insects (especially bees), owls, trees, antelope (he runs ultramarathons), geese...and ravens. The mind of the Raven is a deep, scientific meditation on the intersection between being human and raven. It concludes that “ultimately [our differences are] less a matter of consciousness than of culture” (342).

I wonder how culture has dulled my imagination, a struggle Heinrich clearly has fought more successfully than I have.

I love story collections where a writer has nothing to lose. The writer tries out ideas, and when imagination goes off the rails, we all go for a ride. This book has a central voice, Victor, who takes us to the carnival. There is Thomas, the storyteller whose imagination destabilizes like an LSD trip, but when Victor, Thomas, and their friends all take hallucinogens, everyone’s a Thomas.

As the stories unfold, somebody’s waiting for Crazy Horse, Jesus, Qualchan, or Coyote, and maybe they come, and maybe they don’t. It all boils down to “Survival = Anger x Imagination. Imagination is the Only Weapon on the Reservation” (150), an equation worth the price of admission.

I was fourteen when I was introduced to my next pick. Our teacher read aloud The Kool-Aid Wino and The Cleveland Wrecking Yard, and I was lucky enough to find a copy at the mall as I read, bang! Trout Fishing in America Terrorists, bang! The Hunchback Trout, and bang! Sandbox Minus John Dillinger Equals What?

Brautigan grew up neglected and received involuntary electroshock treatments because he was hungry and threw a rock through a police station window. He never went to college but taught college classes. His imagination gave him a reason to live. It gave me one, too.

How much of yourself are you willing to sacrifice, the book asks its heroine. It's time the victims had their say and it's a question Kerry Postle tackles head-on. Wally Neuzel was a model to both Gustave Klimt and Egon Schiele, giants of the Neue Sachlichkeit in Vienna in the early 1900s, artists who in today's terms, got away with murder. The novel highlights the delicate position a girl was in if she chose to model for an artist albeit a famous one. It might secure her a place in history, but models were regarded as little better than prostitutes, rejected (once they'd had their way with them, of course) by the very bourgeoisie who bought the paintings and often by the artists themselves. 

Here is a story of persistence and justice that inspired the movie Woman in Gold. By taking on the Austrian government, the portrait painted by Gustav Klint is eventually returned to its rightful owner. Once more we witness the reluctance of authorities to acknowledge what was perpetrated during Nazi times.

Taking place in Vienna, the events coincide with the experiences of the protagonist in my own book. The mother fled Germany in late 1937 and lived in Vienna until early 1941. She met her husband there, married him while he was in prison, heard that the Jewish children in her orphanage were killed, and witnessed her mother’s death. “It was the worst experience in my life,” she says.

I wish that the perseverance and outcome shown in this story could be mirrored in my own book, but rules introduced by West Germany in the 1950s make this impossible.… show more.

Dover (one of my favourite publishers) has the knack of knowing good art when they see it. This is one of my favourite books, slimline though it happens to be - showing the genius imagination, and fashion illustration, of “RT (his real initials)” at its most luscious. 

We’re treated to: the alphabet; numbers; playing cards; gems; and The Seasons - albeit, not in the forms you might think - but in the glorious, arresting, Art-Nouveau style that was Erte’s trademark. A feast for the eyes, and above all - just the sort of fun we need, to motivate us, in this day and age!

Mario Praz’s Illustrated History of Interior Decoration is a wonderful chatty collection of case studies that explores the history of the subject in a well-informed and erudite manner. Interiors are generally lost to the mists of time, remembered only as the backdrop to other activities in paintings and prints, Praz has searched out the best of these to generously illustrate the book.

This bejeweled guide to Fin de Siècle art and aesthetics is like a moonlit walk in one of King Ludwig II fairytale castles, populated by androgynous chimeras, drowned princes, and erotic vampires carrying John the Baptist’s head on a platter designed by Moreau. As fabulous and tragic as the author, whose drag mode was that of a convincing English Spinster, Philipe Jullian was born to write this book which has influenced my work since I bought it aged 18, with not a clue about life. For over 40 years I have endeavored to keep a torch burning for the extraordinary decorative aesthetics of the author. Few books are as complete as Dreamers of Decadence for not only does Jullian explore the artists of that curious oeuvre, he also introduces the best of the literature as well as the movement’s strange obsessions and themes, each chapter revealing new facets of the… show more.

Hazan knows every nook and cranny of his city. He exults in the buildings and architecture, but his main subject is the people who wove the fabric of its diverse communities and their histories. He takes us on a historical journey that passes from the salons of the old aristocracy to the artisanal districts where popular, revolutionary activism was born. Hazan makes no attempt to conceal his left-wing sympathies, but he is equally at home admiring the Art Nouveau gems of the well-heeled 16th arrondissement as he is enjoying the vibrant, ethnically diverse northern districts of the city. Hazan’s love of the human life of Paris shines through.