Fans pick 100 books like Erté Graphics

This book has been criticized for not including enough different locations of fluorescent minerals (which, here, are centred mainly around North America and Greenland), but personally, I think it is enough to make a start - it all depends where we are on, in our journey! 

Myself, I’m most stunned by the amazing photographs, which occupy a large portion of the book - showing various minerals under UV light (which, incidentally, is not the “UV light” that we know from parties) in a completely different context. This world is all around us, and yet most of us make no attempt to even know it. Has anyone done tours of underground caves under these lighting conditions, yet? And, if not, why not?

This is a book I have in my library because of its sheer virtuosity, and because it is such a mine of information about its subject. From what I gather, it took the author around a decade to write, and is applicable to the beginning jeweller, as well as to the seasoned diamond-cutter, or goldsmith. 

I like to have this book around, and reasonably close to me at all times, because it reminds me of what I ought to be. I sit my laptop on it, because the thickness of it (hardback, at over 800 pages) offers a comfortable height for my typing experience. Maybe one day - when I have the time, and the space - I will read it, from cover to cover, and digest it in all of its breathtaking detail. If, like me, you are a curious mix of art/chemistry/geology nerd, then this book is for… show more.

If Ernst Haeckel was the go-to microscopic illustrator of his time, then Karl Blossfeldt led the way, in early photomicrography. His beautiful, natural, black-and-white photographs are magnified only but a few times, but yet capture, in the sharpest of detail, that which we would not normally see. 

On researching this man a little more, I was interested to note that he (like myself) was also invested in inspiring artists to greater work; and that he believed that there was some benefit to be had, in appreciating the beauty of botanical life-forms. I would say, he had a point; it certainly didn’t do me, any harm, on my trek through the long journey that is art!

I had the great pleasure of meeting Michael Hickey at one of the RHS shows in London, at which I was exhibiting some of my botanical art; a thoroughly nice man, who sadly died soon after. I also met the personable and talented Coral Guest, the creator of the most exquisite botanical paintings, at the same show!

This is an excellent introduction to plant families for the beginner in botanical painting, focusing on 25 core plant families. It leaves out some of the technical botanical detail which would probably be included on an undergraduate botany course, but which would be confusing for the botanical painter who simply wanted to illustrate. It is clearly laid out, written, and illustrated; a must for plant artists, would-be botanists, and even medical herbalists - everywhere!

I repost art that catches my eye. I click when I see a piece of Egon Schiele on social media. It’s impossible to look away, which is saying something, considering the variety and audacity of modern art. Born in Tulln, Austria, in 1890, Schiele died of the Spanish Flu in 1918 at only 27.

A student of Gustav Klimt, Schiele’s art is expressionistic, graphic, and transformative. His imagination is a slap in the face, a Munch “Scream” of a crime scene photograph. Steiner has done a great service in producing this art book, in which all of Schiele’s work is reproduced in color. His commentary is, at the same time, chronological and thematic. Schiele survived derisive criticism and prison, and although his life was short, his imaginative punches still landed.

Mario Praz’s Illustrated History of Interior Decoration is a wonderful chatty collection of case studies that explores the history of the subject in a well-informed and erudite manner. Interiors are generally lost to the mists of time, remembered only as the backdrop to other activities in paintings and prints, Praz has searched out the best of these to generously illustrate the book.

This bejeweled guide to Fin de Siècle art and aesthetics is like a moonlit walk in one of King Ludwig II fairytale castles, populated by androgynous chimeras, drowned princes, and erotic vampires carrying John the Baptist’s head on a platter designed by Moreau. As fabulous and tragic as the author, whose drag mode was that of a convincing English Spinster, Philipe Jullian was born to write this book which has influenced my work since I bought it aged 18, with not a clue about life. For over 40 years I have endeavored to keep a torch burning for the extraordinary decorative aesthetics of the author. Few books are as complete as Dreamers of Decadence for not only does Jullian explore the artists of that curious oeuvre, he also introduces the best of the literature as well as the movement’s strange obsessions and themes, each chapter revealing new facets of the… show more.

The Romantic painters of the early 19th century were intrigued with notions of the sublime, the Absolute, and the unity and divinity of all nature. After the mid-1880s the focus of the avant-garde painters became energized by the quest to escape the bounds of “materialism” (an umbrella term by which they meant positivism, the mechanistic worldview of Newtonian physics, as well as the destructive effects of industrialism). Lynn Gamwell illuminates the fascination many of the modern artists felt for various scientific discoveries in various decades. For instance, the first exhibition of x-rays by the Berlin Physical Society in 1896 was hailed by the artists as proof that an invisible structure underlies every surface, just as Theosophy asserts! Exploring the Invisible is subtle, thorough, and insightful engagement with this rich interplay.

This stunning book features 100 inspiring interiors across the globe, and is a great resource to get to know some of the world’s best designers. There is just enough text to provide an understanding of the history, concepts, and ideas behind each project, while the core focus is on the photography of rooms and details. Quite simply, you may want to study interior design after reading this book cover to cover.

Hazan knows every nook and cranny of his city. He exults in the buildings and architecture, but his main subject is the people who wove the fabric of its diverse communities and their histories. He takes us on a historical journey that passes from the salons of the old aristocracy to the artisanal districts where popular, revolutionary activism was born. Hazan makes no attempt to conceal his left-wing sympathies, but he is equally at home admiring the Art Nouveau gems of the well-heeled 16th arrondissement as he is enjoying the vibrant, ethnically diverse northern districts of the city. Hazan’s love of the human life of Paris shines through.