100 books like Common Families of Flowering Plants

This book has been criticized for not including enough different locations of fluorescent minerals (which, here, are centred mainly around North America and Greenland), but personally, I think it is enough to make a start - it all depends where we are on, in our journey! 

Myself, I’m most stunned by the amazing photographs, which occupy a large portion of the book - showing various minerals under UV light (which, incidentally, is not the “UV light” that we know from parties) in a completely different context. This world is all around us, and yet most of us make no attempt to even know it. Has anyone done tours of underground caves under these lighting conditions, yet? And, if not, why not?

This is a book I have in my library because of its sheer virtuosity, and because it is such a mine of information about its subject. From what I gather, it took the author around a decade to write, and is applicable to the beginning jeweller, as well as to the seasoned diamond-cutter, or goldsmith. 

I like to have this book around, and reasonably close to me at all times, because it reminds me of what I ought to be. I sit my laptop on it, because the thickness of it (hardback, at over 800 pages) offers a comfortable height for my typing experience. Maybe one day - when I have the time, and the space - I will read it, from cover to cover, and digest it in all of its breathtaking detail. If, like me, you are a curious mix of art/chemistry/geology nerd, then this book is for… show more.

If Ernst Haeckel was the go-to microscopic illustrator of his time, then Karl Blossfeldt led the way, in early photomicrography. His beautiful, natural, black-and-white photographs are magnified only but a few times, but yet capture, in the sharpest of detail, that which we would not normally see. 

On researching this man a little more, I was interested to note that he (like myself) was also invested in inspiring artists to greater work; and that he believed that there was some benefit to be had, in appreciating the beauty of botanical life-forms. I would say, he had a point; it certainly didn’t do me, any harm, on my trek through the long journey that is art!

Dover (one of my favourite publishers) has the knack of knowing good art when they see it. This is one of my favourite books, slimline though it happens to be - showing the genius imagination, and fashion illustration, of “RT (his real initials)” at its most luscious. 

We’re treated to: the alphabet; numbers; playing cards; gems; and The Seasons - albeit, not in the forms you might think - but in the glorious, arresting, Art-Nouveau style that was Erte’s trademark. A feast for the eyes, and above all - just the sort of fun we need, to motivate us, in this day and age!

Dr. Duke was a legend in the worlds of herbalism and botany, a field in which he not only earned a doctorate but made his life’s work. After immersing himself for many years in the Amazonian rainforest and Central America, he went on to create Dr. Duke’s Phytochemical and Ethnobotanical Databases at the USDA. Traveling widely to find plants with anti-cancer activity, Duke and his team documented the chemical properties of thousands of species. His bestseller is stocked with remedies for more than a hundred of the most common ailments. Among the most accessible herbals for a general audience, this book is delightfully written, scientifically sound, and quite funny. With warmth, wit, and abundant good reason, Duke describes why and how to make your own natural medicine cabinet.

I loved the main character, the beautifully named Saffron Everleigh. She’s a woman in 1923 London, trying to make her way in academia at a time when women weren’t usually allowed in the doors.

Her scientific interests and studies in botany come in handy when she attends a dinner party for the school, and a professor’s wife drops to the floor, poisoned by an unknown substance. Working with the equally passionate, ahem, Alexander Ashton, a fellow researcher, Saffron must investigate the murder or wind up next on the murderer's list. There are two more books in this series, so we are lucky to spend more time with our plucky heroine.

For a basic understanding of how the plant world functions and fits into the web of life, this book will give the reader a good foundation for entering into the vast domain of botany. The study of plants should be the first undertaking of the survival student. Why? Because plants provide most of your resource materials, and – unlike animals – they are accessible all the time. Meaning, they don’t run away.

This gorgeous book by microbiologist Dr. Beronda L. Montgomery is as beautiful to read as it is to hold—in your hands, in your heart. We can’t stop thinking about Montgomery’s key lesson: if you have a plant that is struggling, you figure out what environmental changes it needs to thrive—more or less water or sunlight, better soil. When people fail to flourish, we’re quick to blame the individual. As an African American woman, Montgomery makes us think about society and how we approach problems (do we compete or do we build a collaborative effort for a holistic solution?). Humans have much to discover from our photosynthesizing world: how plants learn—from their own kin, their friends, and their foes—and Montgomery helps us to understand the nature (literally) of teaching and learning.

I’ve been recommending Brian Capon’s Botany for Gardeners to my gardening students for years. Unlike your typical botany textbook, it’s written expressly for gardeners, which means it presents all you need to know about botany if you are a gardener, not a scientist or a botany student. The presentation is clear, concise, and conversational, so it feels like learning about botany from a friend…a really smart friend! This book will either take you as far as you need to go in botany, or it will open you up to the world of botany and inspire you to learn more. 

Matthew Hall’s book offers a good formulation of the problem—Western philosophy has treated plants as things, not as living beings—and a nice overview of alternative (non-Western and, above all, Indigenous) approaches to plants that do not fall into the same trap. I have on many occasions vehemently disagreed with Hall’s recommendations that we should treat plants as persons, not least because of the problematic (and, ironically, very Western) heritage of personhood. But it is a wonderful entry point into the topic of plants and philosophy.