Here are 100 books that Natural Art Forms fans have personally recommended if you like
Natural Art Forms.
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I am a somewhat eclectic personality, who has studied both arts (fashion, illustration) and sciences (geology, chemistry) alike. I hope that in the book choices I have made - using my love of words, appreciation of fine books, and natural discernment - the reader will find a degree of excellence; as well as surprise and delight, at the discovery of titles they may not even have thought of!
This book has been criticized for not including enough different locations of fluorescent minerals (which, here, are centred mainly around North America and Greenland), but personally, I think it is enough to make a start - it all depends where we are on, in our journey!
Myself, I’m most stunned by the amazing photographs, which occupy a large portion of the book - showing various minerals under UV light (which, incidentally, is not the “UV light” that we know from parties) in a completely different context. This world is all around us, and yet most of us make no attempt to even know it. Has anyone done tours of underground caves under these lighting conditions, yet? And, if not, why not?
Seeing fluorescent minerals up close for the first time is an exciting experience. The colors are so pure and the glow is so seemingly unnatural, that it is hard to believe they are natural rocks. Hundreds of glowing minerals are shown, including Aragonite, Celestine, Feldspar, Microcline, Picropharmacolite, Quartz, Spinel, Smithsonite, plus many more. But don't let the hard-to-pronounce names keep you away. Over 870 beautiful color photographs illustrate how fluorescent minerals look under UV light and in daylight, making this an invaluable field guide. Here are minerals from the United States, including mines in New Jersey, New York, Arizona, and…
I am a somewhat eclectic personality, who has studied both arts (fashion, illustration) and sciences (geology, chemistry) alike. I hope that in the book choices I have made - using my love of words, appreciation of fine books, and natural discernment - the reader will find a degree of excellence; as well as surprise and delight, at the discovery of titles they may not even have thought of!
This is a book I have in my library because of its sheer virtuosity, and because it is such a mine of information about its subject. From what I gather, it took the author around a decade to write, and is applicable to the beginning jeweller, as well as to the seasoned diamond-cutter, or goldsmith.
I like to have this book around, and reasonably close to me at all times, because it reminds me of what I ought to be. I sit my laptop on it, because the thickness of it (hardback, at over 800 pages) offers a comfortable height for my typing experience. Maybe one day - when I have the time, and the space - I will read it, from cover to cover, and digest it in all of its breathtaking detail. If, like me, you are a curious mix of art/chemistry/geology nerd, then this book is for…
The definitive reference for jewelry makers of all levels of ability--a complete, profusely illustrated guide to design, materials, and techniques, as well as a fascinating exploration of jewelry-making throughout history.
I am a somewhat eclectic personality, who has studied both arts (fashion, illustration) and sciences (geology, chemistry) alike. I hope that in the book choices I have made - using my love of words, appreciation of fine books, and natural discernment - the reader will find a degree of excellence; as well as surprise and delight, at the discovery of titles they may not even have thought of!
I had the great pleasure of meeting Michael Hickey at one of the RHS shows in London, at which I was exhibiting some of my botanical art; a thoroughly nice man, who sadly died soon after. I also met the personable and talented Coral Guest, the creator of the most exquisite botanical paintings, at the same show!
This is an excellent introduction to plant families for the beginner in botanical painting, focusing on 25 core plant families. It leaves out some of the technical botanical detail which would probably be included on an undergraduate botany course, but which would be confusing for the botanical painter who simply wanted to illustrate. It is clearly laid out, written, and illustrated; a must for plant artists, would-be botanists, and even medical herbalists - everywhere!
Provides a basic introduction to twenty five commonly occurring families of flowering plants, chosen for their economic, ornamental and ecological importance. It is designed to enable students of botany and related disciplines to gain some knowledge of the general characteristics of each family and also the relationships between them. An introductory section provides basic botanical information which is often assumed to be known and which is essential for a proper consideration of the families themselves. These are described in the second section of the book. For each family, information on its distribution, classification, general features and economic importance precedes a…
I am a somewhat eclectic personality, who has studied both arts (fashion, illustration) and sciences (geology, chemistry) alike. I hope that in the book choices I have made - using my love of words, appreciation of fine books, and natural discernment - the reader will find a degree of excellence; as well as surprise and delight, at the discovery of titles they may not even have thought of!
Dover (one of my favourite publishers) has the knack of knowing good art when they see it. This is one of my favourite books, slimline though it happens to be - showing the genius imagination, and fashion illustration, of “RT (his real initials)” at its most luscious.
We’re treated to: the alphabet; numbers; playing cards; gems; and The Seasons - albeit, not in the forms you might think - but in the glorious, arresting, Art-Nouveau style that was Erte’s trademark. A feast for the eyes, and above all - just the sort of fun we need, to motivate us, in this day and age!
The Russian-born, Paris-bred artist Erté (Romain de Tirtoff) is recognized as one of the foremost fashion and theatrical designers of the twentieth century. In 1968, when he produced his first lithographs, art lovers discovered that he had found another medium suited to his extraordinary talents. This volume provides a fascinating sample of Erté's very best graphic work, offering every plate from his most popular collections: The Alphabet (1977); The Numerals (1968); The Aces (1974); The Precious Stones (1969); and The Seasons (1970). Each plate has been painstakingly reproduced from the autographed, limited-edition lithographs. A brief Preface offers bibliographic data.
I’m a science writer with over 40 books published. Science is central to all our modern lives—but for many people it feels remote, and difficult to understand. I love the opportunity to communicate science—to turn it from a collection of facts into stories that people can relate to. I always read popular science before I got into writing, but, if anything, I read it even more now. My own background is physics and math—and I enjoy reading and writing about that—but sometimes, it’s particularly interesting to pull together different aspects of science that affect all of us, crossing disciplines and uncovering the wonders that science bring us.
Sometimes you don’t want an intensely detailed exploration of a topic, but rather a series of interesting articles—and these 50 ‘wonders that reveal an extraordinary universe’ are an ideal way of dipping into some of the strangest and most wonderful aspects of modern science. Although each topic only lasts a few pages, it’s enough to get you interested and is bound to make you tell someone nearby about it. When you’ve read one, it’s hard not to go on and read a few more.
A mind-bending journey through some of the most weird and wonderful facts about our universe, vividly illuminating the hidden truths that govern our everyday lives.
Fact: You could fit the whole human race in the volume of a sugar cube.
Fact: The electrical energy in a single mosquito is enough to cause a global mass extinction.
Fact: You age more quickly on the top floor than on the ground floor.
So much of our world seems to make perfect sense, and scientific breakthroughs have helped us understand ourselves, our planet, and our place in the universe in fascinating detail. But…
I’ve always had equally balanced interests in the arts/humanities and the natural sciences. I started as a physics major in college but added a second major in philosophy after encountering the evolutionary theories of Hegel, Bergson, Alexander, Whitehead, and Teilhard de Chardin. This interest continued in graduate school at Northwestern, where my first year coincided with the arrival of Prof. Errol E. Harris, who had a similar focus and would direct my doctoral dissertation in philosophy, whose title was From Ontology to Praxis: A Metaphilosophical Inquiry into Two Philosophical Paradigms. One of the “paradigms” was reductionist; the other was emergentist.
This is a collection of twenty-four essays by thirty-six prominent researchers, demonstrating how important this topic has become for both scientific and philosophical research. In 2016 (after I had published ESSENTIAL DIFFERENCE: Toward a Metaphysics of Emergence [2012], where I discuss Paul Humphreys’ view on pp. 231-2), he published EMERGENCE: A Philosophical Account, Oxford University Press, New York.
What I find especially significant in this more recent (and more challenging) work is that, in effect, emergence theory has developed into both a metascience and a metaphilosophy–as is evident in Humphreys’ Chapters 2, “Ontological Emergence” and 5, “Conceptual Emergence,” as well as Chapters 6, “Philosophical Topics Related to Emergence,” and 7, “Scientific Topics Related to Emergence.” This parallels very closely my own perspective on both scientific and philosophical conceptions of emergence.
Contemporary classics on the the major approaches to emergence found in contemporary philosophy and science, with chapters by such prominent scholars as John Searle, Stephen Weinberg, William Wimsatt, Thomas Schelling, Jaegwon Kim, Daniel Dennett, Herbert Simon, Stephen Wolfram, Jerry Fodor, Philip Anderson, David Chalmers, and others.
Emergence, largely ignored just thirty years ago, has become one of the liveliest areas of research in both philosophy and science. Fueled by advances in complexity theory, artificial life, physics, psychology, sociology, and biology and by the parallel development of new conceptual tools in philosophy, the idea of emergence offers a way to understand…
My fascination with the Universe led me to become a high-energy physics and astrophysics researcher. I work at CERN (Geneva) working on elementary particles. Over many years, I have written and reviewed numerous scientific articles and served as the editor for two books. I have also reviewed books and co-written a few short popular science pieces. My reading interests encompass not only academic and literary works but also popular science, philosophy, and sociology. Understanding the Universe is difficult. With this collection, I hope to provide you with an authentic introduction to the study of the Universe and its evolution from various perspectives.
This book explains what not to do to know the Universe, with examples from non-fiction postmodern nonsense "texts." These texts include discourses detached from experimental verification and scientific terms used completely out of context.
I love this book because I find pseudo- and postmodern science distasteful and harmful. I think it shows clearly how some famous postmodern intellectuals promote antipathy for facts, clear thinking, empirical tests, and, in general, science — our best shot at understanding the Universe. These postmodern intellectuals have huge influence and have helped spread the trend of rejection of reason and science throughout the World.
I adore this book stressing science is not an arbitrary "narration" or a collection of metaphors for postmodern essays. I share the authors’ dreams about a future after postmodernism.
In 1996 physicist Alan Sokal published an essay in Social Text--an influential academic journal of cultural studies--touting the deep similarities between quantum gravitational theory and postmodern philosophy.
Soon thereafter, the essay was revealed as a brilliant parody, a catalog of nonsense written in the cutting-edge but impenetrable lingo of postmodern theorists. The event sparked a furious debate in academic circles and made the headlines of newspapers in the U.S. and abroad.
In Fashionable Nonsense: Postmodern Intellectuals' Abuse of Science, Sokal and his fellow physicist Jean Bricmont expand from where the hoax left off. In a delightfully witty and clear voice,…
I was once an academic philosopher, but I found it too glamorous and well-paid so I became a novelist and private intellectual mentor instead. I wroteYou Are Herebecause I love whatscience knows, but an interest in howscience knows drew me into the philosophy of science, where a puzzle lurks. Scientists claim that the essence of their craft is captured in a 17th Century formula, “the scientific method”... and in a 20th Century litmus test, “falsifiability.” Philosophers claim that these two ideas are (a) both nonsense and (b) in any case mutually contradictory. So what’s going on?
There are many short, accessible introductions to what current philosophers of science spend their time arguing about; this is one of the best. It wisely doesn’t cover everything, but instead uses Francis Bacon’s crucial break with the authority of Aristotle as a point of entry into current debates on half a dozen core issues such as inductive inference, progress, and realism.
Few can imagine a world without telephones or televisions; many depend on computers and the Internet as part of daily life. Without scientific theory, these developments would not have been possible.
In this exceptionally clear and engaging introduction to philosophy of science, James Ladyman explores the philosophical questions that arise when we reflect on the nature of the scientific method and the knowledge it produces. He discusses whether fundamental philosophical questions about knowledge and reality might be answered by science, and considers in detail the debate between realists and antirealists about the extent of scientific knowledge. Along the way, central…
I’m an educator at heart and have been teaching in high schools for over thirty years now. I get a kick out of helping young people see the world anew and think about ideas in ways that at first seem strange and challenging to them, both in the classroom and through my novels. Of course, to be any good at that, I have to be inquisitive and open myself, and there’s nothing like the topic of consciousness to make you feel feeble-minded and ill-informed. It’s such a wondrous topic because it sits at the precise meeting point of so many of our scientific, cultural, artistic, religious, and philosophical traditions.
Bookshelves groan under the weight of highly skilled science communicators, and through them those of us with no specialist knowledge can learn about evolution, quantum mechanics, neuroscience et al, and then bore people to death with our newfound knowledge. There is, however, a world of difference between the things science discovers and the stories we tell about these discoveries. I love this book because it makes the reader do the hard yards, thinking not just about the breathless new discoveries, but also the very nature of this knowledge, and hence its limits.
Co-published with the University of Queensland Press. HPC holds rights in North America and U. S. Dependencies.
Since its first publication in 1976, Alan Chalmers's highly regarded and widely read work--translated into eighteen languages--has become a classic introduction to the scientific method, known for its accessibility to beginners and its value as a resource for advanced students and scholars.
In addition to overall improvements and updates inspired by Chalmers's experience as a teacher, comments from his readers, and recent developments in the field, this fourth edition features an extensive chapter-long postscript that draws on his research into the history of…
Science is truth and always evolving as we discover new things. Like a child, scientists are always asking "Why this? Why that?" Great scientists like great artists are childlike or at least manage to harness the wonder of their childhood self. If a child is interested in the world around them they will never be bored. It will set them up for life and that's a truly precious thing.
For everyone who bought A Brief History of Time and was even more confused by the end, this is for you. There are no pictures, just lovely words, lots of incredible facts, and some lovely connections between seemingly unconnected things.
It's a great dipping book, too, as each chapter deals with different aspects of why and how we got to where we are.
“You Are Here is not just physics for poets, but as close to poetry or music as science is ever likely to get. Christopher Potter’s narrative is as imaginative, ingenious, and elegantly concise as it is user-friendly.” — Sylvia Nasar, author of A Beautiful Mind
“A personal, brilliant, and often amusing account . . . . An idiosyncratic, encyclopedic blitzkrieg of a book.” —The Boston Globe
“The Verdict: Read.” — Time
Christopher Potter’s You Are Here is a lively and accessible biography of the universe—how it fits together and how we fit into it—in the style of science writers like…
