I’m an educator at heart and have been teaching in high schools for over thirty years now. I get a kick out of helping young people see the world anew and think about ideas in ways that at first seem strange and challenging to them, both in the classroom and through my novels. Of course, to be any good at that, I have to be inquisitive and open myself, and there’s nothing like the topic of consciousness to make you feel feeble-minded and ill-informed. It’s such a wondrous topic because it sits at the precise meeting point of so many of our scientific, cultural, artistic, religious, and philosophical traditions.
The issues of free will and consciousness are, to my limited mind, inextricably linked. And so, while Dennett somewhat overpromised and underdelivered with his well-known Consciousness Explained (tremendously hard not to underdeliver with a title like that) here I think he’s much more on the money. I think of all the books that I’ve read which address, either directly or tangentially, the issue of how the mind works, this is the one that gave me the clearest new insight into how we might think about, well, thinking. Dennett is a fine thinker and an excellent communicator but he tends to lose nuance when he goes combative. This is one of his gentler books, and all the better for it.
Can there be freedom and free will in a deterministic world? Renowned philosopher Daniel Dennett emphatically answers "yes!" Using an array of provocative formulations, Dennett sets out to show how we alone among the animals have evolved minds that give us free will and morality. Weaving a richly detailed narrative, Dennett explains in a series of strikingly original arguments-drawing upon evolutionary biology, cognitive neuroscience, economics, and philosophy-that far from being an enemy of traditional explorations of freedom, morality, and meaning, the evolutionary perspective can be an indispensable ally. In Freedom Evolves, Dennett seeks to place ethics on the foundation it…
This guy’s got genuine chops when it comes to thinking practically about the way the brain works. I love reading about the way various biological oddities affect how people perceive the world because of the insights it offers into the tricks all of our brains are playing. But I can never escape the suspicion that story tellers like to over-extraoplate from a small number of over-hyped cases. What I love about Ramachandran is that his work in the field means he’s considering stories he’s had first hand experience with.
In this landmark work, V. S. Ramachandran investigates strange, unforgettable cases-from patients who believe they are dead to sufferers of phantom limb syndrome. With a storyteller's eye for compelling case studies and a researcher's flair for new approaches to age-old questions, Ramachandran tackles the most exciting and controversial topics in brain science, including language, creativity, and consciousness.
Bookshelves groan under the weight of highly skilled science communicators, and through them those of us with no specialist knowledge can learn about evolution, quantum mechanics, neuroscience et al, and then bore people to death with our newfound knowledge. There is, however, a world of difference between the things science discovers and the stories we tell about these discoveries. I love this book because it makes the reader do the hard yards, thinking not just about the breathless new discoveries, but also the very nature of this knowledge, and hence its limits.
Co-published with the University of Queensland Press. HPC holds rights in North America and U. S. Dependencies.
Since its first publication in 1976, Alan Chalmers's highly regarded and widely read work--translated into eighteen languages--has become a classic introduction to the scientific method, known for its accessibility to beginners and its value as a resource for advanced students and scholars.
In addition to overall improvements and updates inspired by Chalmers's experience as a teacher, comments from his readers, and recent developments in the field, this fourth edition features an extensive chapter-long postscript that draws on his research into the history of…
I do enjoy a good argument, especially when it’s between highly articulate experts in their field. Gould is a fine science writer who always flew the flag for caution when it came to over-interpreting our findings. Here he makes the case for different ways of knowing, and as a committed philosophical pragmatist myself, in the style of William James, I’m all for his insistence that we avoid the lure of crass reductionism, no matter how smart and superior this might make us feel. Ever so important when it comes to thinking about the big issues like consciousness.
In his final book, Gould offers a surprising and nuanced study of the complex relationship between our two great ways of knowing: science and the humanities, twin realms of knowledge that have been divided against each other for far too long.
I think glorious failures are far more interesting than modest successes, and let’s face it, any book that attempts to explain consciousness is bound to fail on so many levels. What I love about Hofstadter’s work is its boldness and reach. He’s as happy in the world of abstract metaphor as he is speaking of science or mathematics, and understands that we need new metaphors of consciousness just as badly as we need new scientific models. And even though he flounders at times, it kind of doesn’t matter, because of the sheer energy and verve of his quest: sort of Don Quixote with a calculator. For the math geeks amongst you, there’s an unusually clear and careful discussion of the incompleteness theorem as well. What’s not to like?
Can thought arise out of matter? Can self, soul, consciousness, I" arise out of mere matter? If it cannot, then how can you or I be here? I Am a Strange Loop argues that the key to understanding selves and consciousness is the strange loop",a special kind of abstract feedback loop inhabiting our brains. The most central and complex symbol in your brain is the one called I." The I" is the nexus in our brain, one of many symbols seeming to have free will and to have gained the paradoxical ability to push particles around, rather than the reverse.…
Anax thinks she knows history. Her grueling all-day Examination has just begun, and if she passes, she’ll be admitted into the Academy—the elite governing institution of her utopian society. But Anax is about to discover that for all her learning, the history she’s been taught isn’t the whole story. And the Academy isn’t what she believes it to be. In this brilliant novel of dazzling ingenuity, Anax’s examination leads us into a future where we are confronted with unresolved questions raised by science and philosophy.
Centuries old, these questions have gained new urgency in the face of rapidly developing technology. What is consciousness? What makes us human? If artificial intelligence were developed to a high enough capability, what special status could humanity still claim? Outstanding and original, Beckett’s dramatic narrative comes to a shocking conclusion.
I've been passionate about music for almost my entire life. Jazz music in particular speaks to me but not just jazz. I love music, full stop. I really discovered jazz when I attended a jazz club workshop in London and there, I had to join in or leave. I chose to join in and since then I have never looked back. I was introduced to more jazz musicians and now write about music for three major columns as well as Readers’ Digest. My Women In Jazz book won several awards. I have been International Editor for the Jazz Journalist Association and had my work commissioned by the Library of Congress.
With input from over 100 musicians, the book discusses what exactly jazz is, and how you know you are listening to it. Do we truly know when and how jazz first originated? Who was the first jazz musician? How does jazz link to other genres? What about women in jazz? And writers and journalists? Do reviews make any difference?
This book is a deep dive into jazz's history, impact, and future. It discusses jazz's social, cultural, and political influence and reveals areas where jazz has had an impact we may not even realize.Its influences on hip hop, the connection to…
This book is very different from other, more general jazz books. It is packed with information, advice, well researched and includes experiences from jazz musicians who gleefully add their rich voices to Sammy's in-depth research. All genres, from hard bop to be-bop, vocal jazz, must instrumental, free jazz, and everything between is covered in one way or another and given Sammy's forensic eye. There is social commentary and discussions of careers in jazz music. The musical background of those in the book is rich and diverse. Critics comment: "This new book by Sammy Stein is a highly individual take on…
