Here are 100 books that The Last Dinosaur Book fans have personally recommended if you like
The Last Dinosaur Book.
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I saw my first Godzilla movie when I was seven years old, and I immediately fell in love: what kid doesn’t want to be a giant radioactive monster with attitude? But unlike baseball cards, I never outgrew Godzilla and, over the decades, came to appreciate the cultural significance of one of the world’s most enduring film icons. In my writing on Godzilla, I explore my own fascination with monsters and contemplate why all societies, from the dawn of time to today, have compulsively created imaginary creatures that terrify them. The books on this list have helped me understand the human obsession with monsters, and I hope you will find them equally enlightening and enjoyable.
I am generally not a big fan of hardcore academic theory, but this collection of essays edited by Jeffrey Jerome Cohen gave me a steady stream of "aha!" moments when I first read it about twenty years ago.
I struggled a bit with some of the jargon here, not to mention the fact that it only deals with monsters in the Western tradition, but I know of no better book for helping readers understand why humans create (and need) monsters, what roles monsters play in affirming (and undermining) social norms, and what the study of monsters can reveal about the anxieties and fault-lines in the cultures that spawn them. “Monsters are our children,” Cohen writes at one point: that still blows my mind after two decades of chewing on it.
Monsters provide a key to understanding the culture that spawned them. So argues the essays in this wide-ranging collection that asks the question, what happens when critical theorists take the study of monsters seriously as a means of examining our culture? In viewing the monstrous body as metaphor for the cultural body, the contributors consider beasts, demons, freaks, and fiends as symbolic expressions of very real fears and desires, signs of cultural unease that pervade society and shape its collective behaviour. Through a sampling of monsters as a conceptual category, these essays argue that our fascination for the monstrous testifies…
I saw my first Godzilla movie when I was seven years old, and I immediately fell in love: what kid doesn’t want to be a giant radioactive monster with attitude? But unlike baseball cards, I never outgrew Godzilla and, over the decades, came to appreciate the cultural significance of one of the world’s most enduring film icons. In my writing on Godzilla, I explore my own fascination with monsters and contemplate why all societies, from the dawn of time to today, have compulsively created imaginary creatures that terrify them. The books on this list have helped me understand the human obsession with monsters, and I hope you will find them equally enlightening and enjoyable.
I was fascinated by yokai, the weird and wonderful creatures of Japanese folklore, well before they became a thing on social media and in global pop culture. Of all the books designed to introduce yokai to Western audiences, Michael Dylan Foster's is by far the best at explaining how the Japanese understand these legendary creatures and their roles in Japanese culture throughout history.
His stories of kappa and oni and monstrous umbrellas with arms and legs are hilarious, creepy, unforgettable, instructive, and revealing. If I have one gripe about this book, it is that Foster dismisses Godzilla and other kaiju as not being yokai. He’s wrong, but everyone deserves one mistake, especially in an otherwise excellent book.
Monsters, ghosts, fantastic beings, and supernatural phenomena of all sorts haunt the folklore and popular culture of Japan. Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories. Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful…
I saw my first Godzilla movie when I was seven years old, and I immediately fell in love: what kid doesn’t want to be a giant radioactive monster with attitude? But unlike baseball cards, I never outgrew Godzilla and, over the decades, came to appreciate the cultural significance of one of the world’s most enduring film icons. In my writing on Godzilla, I explore my own fascination with monsters and contemplate why all societies, from the dawn of time to today, have compulsively created imaginary creatures that terrify them. The books on this list have helped me understand the human obsession with monsters, and I hope you will find them equally enlightening and enjoyable.
Who cannot love a serious but accessible book that obsesses about things like Pokémon, the Mighty Morphin Power Rangers, and Tamagotchi (those annoying and addictive “digital pets” that were a millennial fad)?
Anne Allison’s volume was a real eye-opener for me on the place of monsters in youth culture, as a form of play, and how monsters have been commercialized and globalized over the past half century. It is incredible that, in the early twenty-first century, American kids were more likely to embrace Pikachu and Godzilla than the archetypal monsters of Western culture like Dracula and Frankenstein. Allison helped me understand why Japanese monsters are now conquering the globe.
From sushi and karaoke to martial arts and technoware, the currency of made-in-Japan cultural goods has skyrocketed in the global marketplace during the past decade. The globalization of Japanese "cool" is led by youth products: video games, manga (comic books), anime (animation), and cute characters that have fostered kid crazes from Hong Kong to Canada. Examining the crossover traffic between Japan and the United States, Millennial Monsters explores the global popularity of Japanese youth goods today while it questions the make-up of the fantasies and the capitalistic conditions of the play involved. Arguing that part of the appeal of such…
I saw my first Godzilla movie when I was seven years old, and I immediately fell in love: what kid doesn’t want to be a giant radioactive monster with attitude? But unlike baseball cards, I never outgrew Godzilla and, over the decades, came to appreciate the cultural significance of one of the world’s most enduring film icons. In my writing on Godzilla, I explore my own fascination with monsters and contemplate why all societies, from the dawn of time to today, have compulsively created imaginary creatures that terrify them. The books on this list have helped me understand the human obsession with monsters, and I hope you will find them equally enlightening and enjoyable.
I have never been that interested in cryptids, although few words bring a smile to my face as quickly as “Bigfoot” or “Yeti.” I found Eric Cheezum’s Chessie a great read because it takes cryptids seriously, not (of course) as actual, yet-to-be-documented creatures, but as media manifestations of more profound cultural and social transformations, ruptures and yearnings.
Cheezum’s insight into cryptids impressed upon me that the folkloric creation of monsters occurred not just in some distant European past but even in Virginia retirement homes in the 1970s. The book also reminded me that monsters can be as “real” as one imagines. The next time I drive by the Chesapeake Bay, I’ll be looking for Chessie!
The incredible true story of the mysterious sea creature who captured hearts and imaginations during the turbulent 1970s, 1980s, and 1990s.
In the summer of 1978, residents along the Virginia side of the Potomac River were startled by sightings of a strange creature lurking in the water. Eventually dubbed Chessie, this elusive sea serpent tantalized reporters and the public alike, always slipping away just out of reach. In this, the first comprehensive history of the Chessie phenomenon, Eric A. Cheezum takes us on a thrilling journey through the life and times of the famous monster, diving beneath the surface to…
Dougal Dixon graduated from the University of St. Andrews with two degrees in geology. But although his education was entirely scientific his background was deeply artistic – a potentially unemployable combination back in the ‘70s. And so he ended up in publishing, as the Earth Science editor for an illustrated encyclopedia publisher. Since then he has become a full-time writer, specializing in geological articles for encyclopedias, handbooks on fossil collecting, and principally children’s books on dinosaurs. As well as that he has done a number of books on speculative evolution – exploring the principles of biology in novel ways.
Like Wilford’s book, this one goes through the history of palaeontology, but puts it in the context of society at the time. For example the general appreciation of the dinosaur in the last 150 years has gone from an amazing curiosity, through a symbol of something that was too clumsy to survive, through a metaphor for our own vulnerability to climate change or pollution or nuclear annihilation, to the venerable ancestor of our lovely birds . . . It can be a bit nerdy at times – overly detailed plot lines of particular films or comic books – and can be somewhat repetitive – the same examples cropping up again and again. The sweep of the work references other writers in the field – including Septhen Jay Gould, Donald F. Glut and the above John Noble Wilford – giving a great coverage of the subject
From their discovery in the 19th century to the dawn of the Nuclear Age, dinosaurs were seen in popular culture as ambassadors of the geological past and as icons of the ""life through time"" narrative of evolution. They took on a more foreboding character during the Cold War, serving as a warning to mankind with the advent of the hydrogen bomb. As fears of human extinction escalated during the ecological movement of the 1970s, dinosaurs communicated their metaphorical message of extinction, urging us from our destructive path. Using an eclectic variety of examples, this book outlines the three-fold ""evolution"" of…
A writer, yoga teacher, and somatic psychologist, I’ve been passionate about yoga and the sacred arts ever since I encountered, on my parent’s bookshelf, the awe-inspiring art catalogue, The Manifestations of Shiva, an exhibit curated by the late, great art historian Stella Kramrisch. An adjunct faculty member in the Somatics MA program at the California Institute of Integral Arts, I have lived and traveled extensively throughout India, studying yoga there, and teaching in the U.S. In Berkeley, I write fiction and maintain a private psychology practice, incorporating yoga as a tool for nervous system regulation and embodied wellbeing. I also lead local and international yoga retreats.
The sociologist, Andrea Jain, contextualizes the historical roots of yoga in this well-researched and readable book. For the yogi who has read everything, she provides a refreshing perspective. She addresses the yoga explosion in the West, linking spiritual consumer culture with late-stage capitalism without the typical moralizing, or nostalgia for a so-called golden age of yoga. She shows that yoga was never a fixed historical or essentialist enterprise, but rather, always changing and adapting to the culture that surrounded it. That culture, in turn, re-makes yoga over and over. While serious yogis can respect yoga’s roots, we’re also part of its innovation and evolution. This is a yoga history lesson worth reading, offering much to ponder.
Premodern and early modern yoga comprise techniques with a wide range of aims, from turning inward in quest of the true self, to turning outward for divine union, to channeling bodily energy in pursuit of sexual pleasure. Early modern yoga also encompassed countercultural beliefs and practices. In contrast, today, modern yoga aims at the enhancement of the mind-body complex but does so according to contemporary dominant metaphysical, health, and fitness paradigms. Consequently, yoga is now a part of popular culture. In Selling Yoga, Andrea R. Jain explores the popularization of yoga in the context of late-twentieth-century consumer culture. She departs…
I’m an emeritus professor of psychology (University of Washington) who has long been intrigued by the mistakes that people have made throughout history. I’ve long been struck by Oppenheimer’s observation, immediately after the Trinity explosion, that “I am become Death, the destroyer of worlds.” This led me to look into the wide array of mistakes, from the mythic, literary, athletic, business, political, medical, and military. In writing OOPS!, I let myself go in a way that I’ve never before, writing with a critical and wise-ass style that isn’t strictly academic, but is factually accurate and, frankly, was a lot of fun!
This is an accessible account of history through the lens of how “mistakes were made,” and how most of us aren’t told about them.
It is plain old-fashioned great fun to read about blunders in the worlds of business, sports, pop culture, even some of America’s epic military failures (so long as they happened long ago!). A great corrective to claims that the US is uniquely blessed with perfection.
Have you ever wondered what the biggest failures in American history are?
Which sports teams just can’t seem to catch a break and keep failing, over and over and over in the most disastrous manner?
What are some of the biggest failures in American pop culture?
In The United States of Epic Fails: 52 Crazy Stories and Blunders Through History That You Didn't Get Taught in School you’ll learn all about these embarrassing moments and many other American failures on an epic level.
Here you will find out:
What film almost destroyed a major studio and killed a movie genre?…
Memory is capricious and impacts our view of the past. That’s why I do what I do! I am a twenty-year museum professional who began my career at Conner Prairie Interactive History Park, worked at the Denver Museum of Nature & Science for almost ten years, and am now part of the Arts & History department at the City and County of Broomfield. I have designed and developed programs and events, as well as managed teams in each of these stops. I seek to illuminate stories, elevate critical voices, and advocate for equity through the unique pathways of the arts, history, and museum magic.
Born in 1979, I’m part of the final gasp of Generation X. Klosterman uses pop culture trends and the rise of the internet and cellphones as framing for understanding how Generation X formed its view of the world and its place in it.
A fun musing on the profound changes to society and communication that took place over the decade of the 1990s, The Nineties reminds us that it wasn’t all that long ago that we got most of our news from the TV, magazines, or the newspaper, and that the 90s shaped my generation in a multitude of ways.
From the bestselling author of But What if We’re Wrong, a wise and funny reckoning with the decade that gave us slacker/grunge irony about the sin of trying too hard, during the greatest shift in human consciousness of any decade in American history.
It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a…
Van Gosse, Professor of History at Franklin & Marshall College, is the author ofWhere the Boys Are: Cuba, Cold War America, and the Making of a New Left, published in 1993 and still in print, a classic account of how "Yankees" engaged with the Cuban Revolution in its early years. Since then he has published widely on solidarity with Latin America and the New Left; for the past ten years he has also taught a popular course, "Cuba and the United States: The Closest of Strangers."
Perez is a commanding figure in this scholarship, deeply learned. I like teaching this concise book of his, full of powerful illustrations (cartoons over many decades), because it really gets at how North Americans have projected their racialized and sexualized fantasies and obsessions onto this island, unable to perceive Cubans as real people, let alone historical actors.
This title presents the images of beneficence, acts of aggression.For more than two hundred often turbulent years, Americans have imagined and described Cuba and its relationship to the United States by conjuring up a variety of striking images - Cuba as a woman, a neighbor, a ripe fruit, a child learning to ride a bicycle. One of the foremost historians of Cuba, Louis A. Perez Jr. offers a revealing history of these metaphorical and depictive motifs and uncovers the powerful motives behind such characterizations of the island.Perez analyzes the dominant images and their political effectiveness as they have persisted and…
Family is one of the few truly universal experiences that all human beings have, because we all come from somewhere. Every human on Earth is raised by someone, so it’s something we can all relate to, for good or for ill. Universal experiences like family allow us as human beings to relate to others, and that common ground is what provides joy and meaning in life. I appreciate that I don’t have to have a master’s degree or PhD in family studies or family therapy to glean insights into how our families shape us. My own observations and analytical writer’s mind made me realize the importance of storytelling in keeping families together, especially across generations.
Family can be an emotionally charged word, especially for people who come from toxic families or don’t even know their biological families. This is why I appreciate this non-fiction book by Bella DePaulo, which acknowledges that there is more than one way to be a family. She goes well beyond the typical nuclear family of mother, father, and biological children to explore how people are living together in the 21st century. One type of configuration she explores, the multi-generational household, is near and dear to my heart because I grew up like that, and it changed my life for the better.
A close-up examination and exploration, How We Live Now challenges our old concepts of what it means to be a family and have a home, opening the door to the many diverse and thriving experiments of living in twenty-first century America.
Across America and around the world, in cities and suburbs and small towns, people from all walks of life are redefining our “lifespaces”—the way we live and who we live with. The traditional nuclear family in their single-family home on a suburban lot has lost its place of prominence in contemporary life. Today, Americans have more choices than ever…
