Here are 88 books that Chessie fans have personally recommended if you like
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I saw my first Godzilla movie when I was seven years old, and I immediately fell in love: what kid doesn’t want to be a giant radioactive monster with attitude? But unlike baseball cards, I never outgrew Godzilla and, over the decades, came to appreciate the cultural significance of one of the world’s most enduring film icons. In my writing on Godzilla, I explore my own fascination with monsters and contemplate why all societies, from the dawn of time to today, have compulsively created imaginary creatures that terrify them. The books on this list have helped me understand the human obsession with monsters, and I hope you will find them equally enlightening and enjoyable.
I am generally not a big fan of hardcore academic theory, but this collection of essays edited by Jeffrey Jerome Cohen gave me a steady stream of "aha!" moments when I first read it about twenty years ago.
I struggled a bit with some of the jargon here, not to mention the fact that it only deals with monsters in the Western tradition, but I know of no better book for helping readers understand why humans create (and need) monsters, what roles monsters play in affirming (and undermining) social norms, and what the study of monsters can reveal about the anxieties and fault-lines in the cultures that spawn them. “Monsters are our children,” Cohen writes at one point: that still blows my mind after two decades of chewing on it.
Monsters provide a key to understanding the culture that spawned them. So argues the essays in this wide-ranging collection that asks the question, what happens when critical theorists take the study of monsters seriously as a means of examining our culture? In viewing the monstrous body as metaphor for the cultural body, the contributors consider beasts, demons, freaks, and fiends as symbolic expressions of very real fears and desires, signs of cultural unease that pervade society and shape its collective behaviour. Through a sampling of monsters as a conceptual category, these essays argue that our fascination for the monstrous testifies…
I saw my first Godzilla movie when I was seven years old, and I immediately fell in love: what kid doesn’t want to be a giant radioactive monster with attitude? But unlike baseball cards, I never outgrew Godzilla and, over the decades, came to appreciate the cultural significance of one of the world’s most enduring film icons. In my writing on Godzilla, I explore my own fascination with monsters and contemplate why all societies, from the dawn of time to today, have compulsively created imaginary creatures that terrify them. The books on this list have helped me understand the human obsession with monsters, and I hope you will find them equally enlightening and enjoyable.
I was fascinated by yokai, the weird and wonderful creatures of Japanese folklore, well before they became a thing on social media and in global pop culture. Of all the books designed to introduce yokai to Western audiences, Michael Dylan Foster's is by far the best at explaining how the Japanese understand these legendary creatures and their roles in Japanese culture throughout history.
His stories of kappa and oni and monstrous umbrellas with arms and legs are hilarious, creepy, unforgettable, instructive, and revealing. If I have one gripe about this book, it is that Foster dismisses Godzilla and other kaiju as not being yokai. He’s wrong, but everyone deserves one mistake, especially in an otherwise excellent book.
Monsters, ghosts, fantastic beings, and supernatural phenomena of all sorts haunt the folklore and popular culture of Japan. Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories. Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful…
I saw my first Godzilla movie when I was seven years old, and I immediately fell in love: what kid doesn’t want to be a giant radioactive monster with attitude? But unlike baseball cards, I never outgrew Godzilla and, over the decades, came to appreciate the cultural significance of one of the world’s most enduring film icons. In my writing on Godzilla, I explore my own fascination with monsters and contemplate why all societies, from the dawn of time to today, have compulsively created imaginary creatures that terrify them. The books on this list have helped me understand the human obsession with monsters, and I hope you will find them equally enlightening and enjoyable.
Who cannot love a serious but accessible book that obsesses about things like Pokémon, the Mighty Morphin Power Rangers, and Tamagotchi (those annoying and addictive “digital pets” that were a millennial fad)?
Anne Allison’s volume was a real eye-opener for me on the place of monsters in youth culture, as a form of play, and how monsters have been commercialized and globalized over the past half century. It is incredible that, in the early twenty-first century, American kids were more likely to embrace Pikachu and Godzilla than the archetypal monsters of Western culture like Dracula and Frankenstein. Allison helped me understand why Japanese monsters are now conquering the globe.
From sushi and karaoke to martial arts and technoware, the currency of made-in-Japan cultural goods has skyrocketed in the global marketplace during the past decade. The globalization of Japanese "cool" is led by youth products: video games, manga (comic books), anime (animation), and cute characters that have fostered kid crazes from Hong Kong to Canada. Examining the crossover traffic between Japan and the United States, Millennial Monsters explores the global popularity of Japanese youth goods today while it questions the make-up of the fantasies and the capitalistic conditions of the play involved. Arguing that part of the appeal of such…
I saw my first Godzilla movie when I was seven years old, and I immediately fell in love: what kid doesn’t want to be a giant radioactive monster with attitude? But unlike baseball cards, I never outgrew Godzilla and, over the decades, came to appreciate the cultural significance of one of the world’s most enduring film icons. In my writing on Godzilla, I explore my own fascination with monsters and contemplate why all societies, from the dawn of time to today, have compulsively created imaginary creatures that terrify them. The books on this list have helped me understand the human obsession with monsters, and I hope you will find them equally enlightening and enjoyable.
Dinosaurs are the gateway drug to kaiju: most Godzilla fans began as kids fascinated by T-rexes and brontosauruses. I was blown away when I discovered W.J.T. Mitchell’s wonky, geeky, and wonderfully eccentric exploration of why we love dinosaurs, actual monsters (albeit prehistoric ones we can only experience today as skeletons in museums) rather than monsters conjured from our darkest imaginations.
Mitchell’s book is lots of fun to dip into, like a jarful of monstrous candy, but reveals in wonderful detail how dinosaurs (just like the creatures of folklore or fiction) are blank slates onto which a culture’s anxieties and aspirations can be inscribed.
This text addresses the question of how dinosaurs moved from natural extinction to pop culture resurrection, exploring the animal's place in our lives and the source of its popular appeal. In tracing the cultural family tree of the dinosaur there is discovered a creature of striking flexibility, linked to dragons and mammoths, skyscrapers and steam engines, cowboys and Indians. Here the dinosaur becomes a cultural symbol whose plurality of meaning and often contradictory nature is emblematic of modern society itself. As a scientific entity, the dinosaur endured a near-eclipse for over a century, but as an image it is enjoying…
Since I was twelve years old and scribbling stories in an old notebook, I’ve been in love with pirate romance. The intense adventure, the dramatic romance, the freedom of the sea—and most importantly, the chance to find love and redemption, a theme that’s prominent in my Christian pirate romance series and the novels I read and enjoy! This list curates some of the top pirate/privateer novels I’ve read, all with clean romance and inspiring themes, to keep your TBR filled with swashbuckling high-seas voyages!
Not only is Laura Frantz one of my most favorite authors, her historical romanceA Heart Adrift is one of my favorite privateer stories. I quickly fell in love with the swoony Captain Henri Lennox, related to quiet dreamer and chocolatier Esmee Shaw, and was enchanted by every beautiful word that made up this inspiring and intriguing novel! If you love the sea, second chance romance, and stories that will captivate and uplift you, A Heart Adriftis for you!
"Full of rich historical detail, this title is rooted in its time yet filled with issues that resonate today such as racial inequalities, economic injustice, and a pandemic."--Library Journal starred review
"A redemptive story of war, regrets, romance, and an attempt to heal old wounds."--Woman's World
***
It is 1755, and the threat of war with France looms over colonial York, Virginia. Chocolatier Esmee Shaw is fighting her own battle of the heart. Having reached her twenty-eighth birthday, she is reconciled to life alone after a decade-old failed love affair from which she's never quite recovered. But she longs to…
I’ve been writing about climate change for the past 14 years. I have been the Environment and Energy Editor for the news website, The Conversation, and worked for the government in renewable energy and reducing emissions from transport. Now I work for a conservation organisation, protecting land for nature. My first novel, A wrong turn at the Office of Unmade Lists, was set in a climate-changed Melbourne and an idyllic past San Francisco. My most recent novel, From the Wreck, is historical fiction set in the 1870s but is also about modern humans’ history of ecocide. I have also written essays and a non-fiction guide The Handbook: Surviving & Living with Climate Change.
Lucy is an Australian writer but her second novel, Wolfe Island, is set in the US in a time that might be the very recent past or the very near future. Kitty Hawke and her large, loyal dog are the last inhabitants of a sinking island in the Chesapeake Bay; Kitty values her solitude, but when her estranged family is targeted by the US government, she has to decide whether to stand up for what she believes in. Most climate change novels tend toward future dystopias – Wolfe Island is special because it is a firmly realist novel that looks more closely at our current world and reveals all the ways the dystopia is here and now.
Kitty Hawke, the last inhabitant of a dying island sinking into the wind-lashed Chesapeake Bay, has resigned herself to annihilation...
Until one night her granddaughter rows ashore in the midst of a storm, desperate, begging for sanctuary. For years, Kitty has kept to herself – with only the company of her wolfdog, Girl – unconcerned by the world outside, or perhaps avoiding its worst excesses. But blood cannot be turned away in times like these. And when trouble comes following her granddaughter, no one is more surprised than Kitty to find she will fight to save her as fiercely as…
A good puzzle will draw me in every time, and I’ve always loved mysteries. When I was a kid, Trixie Belden was my favorite sleuth. In junior high, I tried my hand at writing a few mystery stories. I also discovered logic puzzles about this time. In a mystery, you have to locate the clues and put them together in a logical manner to solve the riddle. Now I’m the author of 100 published books. Many of them are mysteries, and most of the ones that aren’t have elements of mystery within the story.
While I love the old classics, I’ve discovered several
contemporary authors whose cozy mysteries draw me in. I read this prequel after
having devoured several books about Raleigh Harmon as an adult working for the
FBI and then as a private investigator. They’re all great, but the three in the
Prequel series (or Young Raleigh Harmon series) are now my favorites. I love
the teenage Raleigh, who must solve serious mysteries while dealing with her difficult
family. I love her genius best friend, Drew. And I love the way Raleigh uses
her passion for geology and her common sense in every mystery.
During the worst week of her life, Raleigh Harmon discovers her destiny. Her best friend is a smart-mouthed genius girl named Drew Levinson. But Drew is gone. Nowhere to be found. Everybody insists Drew ran away. But Raleigh suspects something worse.
Armed with one rock hammer, an encyclopedic knowledge of city criminal codes, and a stubborn streak wide as the Chesapeake Bay, Raleigh searches for clues.
Did Drew secretly meet somebody?
Did her loony parents finally push her over the edge?
Or is Raleigh’s hunch dead-on: Drew didn’t choose to leave….
The first book in the best-selling Raleigh Harmon prequel…
The origin story for Black Flags, Blue Waters begins with my kids. After I finished my last book, Brilliant Beacons: A History of the American Lighthouse, I began searching for a new book topic. I asked Lily and Harry, who were then in their teens, what I should write about. When I raised the possibility of pirates, their eyes lit up, both of them saying, “That’s it, you have to write about pirates.” Lily even threw out two possible titles for the book: “Swords, Sails, and Swashbucklers;” and “Argh”— or, perhaps more emphatically, “Arrrgh”— which, I had to tell Lily, much to her chagrin, is a word that probably was never uttered by a Golden Age pirate, and is more likely a creation of movies in which pirates dispense arghs with relish. My children’s strong support is, of course, not the only reason I wrote Black Flags, Blue Waters -- if my publisher hadn't been as enthusiastic about the idea as I was, the book might never have been written. But the fact that my kids were early adopters of the pirate idea, was definitely encouraging.
While this book focuses on piracy in the Chesapeake Bay region, its coverage is much broader than that. Shomette highlights many of the most important themes running through the history of piracy, and he does an excellent job giving the reader the broader context of what was happening in society at large and how that influenced and was influenced by piracy. Shomette’s extensive reliance on primary sources and his use of quotes by the historical figures he profiles, greatly enlivens the text and gives it the stamp of authenticity. And since this book drills down deep into the pirate history of one region, there are many stories here that will be new to those who have only read much broader histories on piracy.
A dazzling array of swashbuckling pirates, picaroons, and sea rovers are pitted against the often feckless representatives of an outpost government authority in the Chesapeake Bay region. It is an exciting and dramatic two hundred-year history that begins grimly with the "starving time" in the Virginia colony in 1609, and ends with the peaceful resolution of the Othello affair with the French in 1807. In between lies a full panoply of violent and bizarre buccaneering incidents that one is hard pressed to imagine from the vantage point of the twenty-first century. Documented by impressive research in articles of the Netherlands,…
I am a retired Army Colonel, paratrooper, and aviator who served four tours in Vietnam as a platoon leader of combat photographers in the 173rd Airborne Infantry Brigade and later as a communication officer in the 1/10 Cavalry Squadron, 4th Infantry Division. Subsequently, I commanded six ties and operated the Moscow Hotline for three Presidents. On retirement, I lectured at the National Archives, Library of Congress, U.S. Naval Museum, and National Army Museum London England. I was also the guest lecturer at the Napoleonic fair, London. I conducted four one-hour television programs on my six books for C-Span Television and appeared on Fox News Network. I was awarded the Distinguished Book Prize from the US Army Historical Foundation and was granted the Military Order of Saint Louis by the Knights Templar, the priory of Saint Patrick, Manhattan, NY for contributions to Military Literature.
I was given the opportunity to make a television program about the Battle of Plattsburgh /Lake Champlain. Amateurs to Arms proved out to the best source for research concerning the War of 1812. It was no wonder since Professor John Elting had also written the 1812 West Point Atlas. His book on the northern battlefields is groundbreaking. An infantry officer in Germany during WWII, his experience brought an understanding of men caught in hand-to-hand combat. As a result of my extensive research, John suggested that I write a companion book to the film. The Final Invasion,Plattsburgh, the war of 1812’s most decisive battle, won the Army Historical Foundation book prize and the endorsement of the US Army War College.
Begun in ignorance of the military reality, the War of 1812 was fought catch-as-catch-can with raw troops, incompetent officers, and appallingly inadequate logistics. The odds against the American fighting forces,woefully unrealistic preparations and expectations, British military might, a feckless Congress and administration, the treason of many citizens who fed and praised the enemy,were overwhelming. American soil was invaded along three frontiers, the national capital was occupied and burned, and the secession of the New England states loomed as a definite possibility. Amateurs, to Arms! examines in succession the campaigns of "Mr. Madison's War": the U.S. invasion of Canada the key…
I’m a writer married to a theologian. My husband and I often discuss Augustine and Aquinas, Austen and Tolstoy, Christie and Sayers, and trends in popular fiction—when we’re not discussing Frog and Toad, Elephant and Piggie, baby diapers, and what to make for dinner. Love stories have long been my favorite stories, and I’ve always enjoyed historical settings. My award-winning novel In Pieces, a 1793 Boston-set historical romance with elements of family drama, society drama, and political suspense, combines all these interests. I even managed to sneak in a diaper-changing scene.
I rarely experience “book hangover” after finishing a novel. The Passion of Mary-Margaret was a notable exception. The story centers on a religious sister (nun) and mystic, Mary-Margaret Fischer, who, before taking final vows, gives up religious life in order to marry her troubled childhood friend. The Passion of Mary-Margaretdelves unflinchingly into difficult themes—abuse, prostitution, racism and bigotry, absentee parents, and self-sacrifice—with an eye toward grace. After finishing the book, I thought, “Yes. This is what love looks like.” It was so good, I couldn’t pick up another novel for weeks.
Mary-Margaret yearned to dedicate her life to the Lord. Jesus had another idea.
When Mary-Margaret Fischer met Jude Keller, the lighthouse keeper's son, she was studying at a convent school on a small island off Chesapeake Bay. Destined for a life as a religious sister, she nevertheless felt a pull toward Jude--gorgeous, rebellious, promiscuous Jude. But Jude, driven by demons no one really understood, disappeared into Baltimore's seamy red-light district. Mary-Margaret moved on with her life, preparing to serve God with her sisters as a teacher and artist.
Then Jude comes home--but now he's bitter, dissolute, and diseased. And Mary-Margaret…
