Here are 70 books that The Karpman Drama Triangle Explained fans have personally recommended if you like
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I’ve been an entrepreneur for over 40 years and now pass on that knowledge to mentees and university students. The key to success in business is being able to attract and then learn from mentors, who, in my opinion, always should provide their knowledge, wisdom, and connections free of charge. As an entrepreneur, it’s easy to go down ‘The Dark Side’, especially if the pursuit of money and power becomes overwhelming. Many famous billionaires are not especially nice people. But there are many nice businesspeople out there and I aspire to be one of those, hence my pursuit of a daily advancement in esoteric, hermetic, and other knowledge.
For those interested in the hidden mysteries of science and nature and trying to work out the meaning of life, this is essential reading. It goes from the creation to the end of the world, explaining the various mysteries along the way, all of which are not actually secret, but in plain sight, if you know where and how to look.
The complete history of the world, from the beginning of time to the present day, based on the beliefs and writings of the secret societies.
Jonathan Black examines the end of the world and the coming of the Antichrist - or is he already here? How will he make himself known and what will become of the world when he does? - and the end of Time.
Having studied theology and learnt from initiates of all the great secret societies of the world, Jonathan Black has learned that it is possible to reach an altered state of…
Exploring what is hidden beneath our feet has been a long-time obsession of mine, a passion has taken me into subterranean Syrian tombs, Kurdish caves, Thai grave pits, and buried Assyrian palaces. Since I break things, I let others do the digging and I do the writing. I'm particularly drawn to places that can help explain why humans became the urban species we are today. What did they believe, think, eat, drink, and dream about? And I'll take a dusty and nearly vanished mudbrick Sumerian sanctuary in a remote Iraqi desert to a crowded Egyptian stone temple any day.
This is the go-to history of Jerusalem, an easy read that makes the city’s vast past digestible. It won’t leave you feeling overwhelmed with dates and names.
This is a fine effort to tell a complicated story in a single volume, with the caveat that it lends more weight to the Jewish and Christian points of view, and less to Arab and Muslim perspectives.
A new, updated, revised edition of JERUSALEM: THE BIOGRAPHY, the wider history of the Middle East through the lens of the Holy City, covering from pre-history to 2020, from King David to Donald Trump.
The story of Jerusalem is the story of the world.
Jerusalem is the universal city, the capital of two peoples, the shrine of three faiths; it is the site of Judgement Day and the battlefield of today's clash of civilisations. How did this small, remote town become the Holy City, the 'centre of the world' and now the key to peace in the Middle East? Drawing…
I’ve been an entrepreneur for over 40 years and now pass on that knowledge to mentees and university students. The key to success in business is being able to attract and then learn from mentors, who, in my opinion, always should provide their knowledge, wisdom, and connections free of charge. As an entrepreneur, it’s easy to go down ‘The Dark Side’, especially if the pursuit of money and power becomes overwhelming. Many famous billionaires are not especially nice people. But there are many nice businesspeople out there and I aspire to be one of those, hence my pursuit of a daily advancement in esoteric, hermetic, and other knowledge.
Nobody really knows what makes a video go viral on social media. Scott Bradlee is a jazz pianist who turned his love of 20s music into a YouTube phenomenon with over 4Bn hits: Postmodern Jukebox. He explains how you can turn this (often unexpected) instant attraction into a series of robust business models.
From the creator of the sensation Postmodern Jukebox--with millions of fans globally--comes an inspirational memoir about discovering what you love and turning it into a creative movement.
With student loan debt piling up and no lucrative gigs around the corner, Scott Bradlee found himself in a situation all too familiar to struggling musicians and creative professionals, unsure whether he should use the little income he had to pay the rent on his basement apartment on the fringes of New York City or to avoid defaulting on his loans.
It was in these desperate circumstances that Bradlee began experimenting, applying his…
I’ve been an entrepreneur for over 40 years and now pass on that knowledge to mentees and university students. The key to success in business is being able to attract and then learn from mentors, who, in my opinion, always should provide their knowledge, wisdom, and connections free of charge. As an entrepreneur, it’s easy to go down ‘The Dark Side’, especially if the pursuit of money and power becomes overwhelming. Many famous billionaires are not especially nice people. But there are many nice businesspeople out there and I aspire to be one of those, hence my pursuit of a daily advancement in esoteric, hermetic, and other knowledge.
Nobody really understands why The Beatles are still so popular over 50 years after they last played together. Rory Best is the brother of Pete Best (famously replaced in The Beatles by Ringo Starr) and the son of Neil Aspinall (the Beatles Road Manager who later ran Apple Corporation - The Beatles’ own company). This book tells the story of the true origins of The Beatles, centred around his mother, Mona Best, and The Casbah Coffee Club.
The Casbah Coffee Club, which opened in Liverpool on August 29, 1959, was the brainchild of Mona Best, the mother of Pete Best. It is well known that Pete Best was the drummer for The Beatles in their early days in Liverpool and Hamburg. But less well known is that The Beatles’ origins were in fact at Pete’s mother’s club-it was at the Casbah and with Mona Best’s blessing that the greatest popular music phenomenon of the twentieth century began.
And now, the basement club where The Quarrymen, The Silver Beatles, and finally The Beatles played over 90 times before…
I'm a classically trained Shakespearian actor who has spent a lifetime researching Tudor and Stuart times, imbibing their language, customs, and idiosyncrasies. As an actor, I'm trained to get inside my characters' heads and dedicate myself to their intentions. Also, as an actor, I've come to relish language and recognize what makes a good phrase, paragraph, and/or book. I not only perform the Bard, but I've also taught his rhetorical stylings to countless people. I love language and admire writers who use it elegantly. They say, "Write what you know." I know Shakespeare and the Elizabethan era inside and out. One's life can be changed by a book; the ones I've recommended have changed mine.
Shaw believed he was a better writer than Shakespeare, and I think he may be right in this play. His wit and language combine to inform and entertain. Cleverness and iconoclasm abound. You can't help but revel in Shaw's pin-pricking of cherished beliefs. In response, we are forced to reevaluate customs and standards. If you want intellectual fun, this play is for you.
Shaw began writing MAN AND SUPERMAN in 1901 and determined to write a play that would encapsulate the new century's intellectual inheritance. Shaw drew not only on Byron's verse satire, but also on Shakespeare, the Victorian comedy fashionable in his early life, and from authors from Conan Doyle to Kipling. In this powerful drama of ideas, Shaw explores the role of the artist, the function of women in society, and his theory of Creative Evolution. As Stanley Weintraub says in his new introduction, this is "the first great twentieth-century English play" and remains a classic expose of the eternal struggle…
My passion for Greek literature began as a child when I was captivated by Greek myths and epic tales. As a student, I became fascinated with tragic revenge plots involving women, especially mothers who kill their children, and since then, I have published extensively on gender and violence in ancient Greek literature and life. I speak modern Greek and love thinking about these topics in traditional Greek folk poetry and literature as well, especially works like Alexandros Papadiamantis’ The Murderess and Pantelis Prevelakis’ The Sun of Death.
Sophocles’ play depicts Electra beautifully, from her bitter mourning for her dead father to her grim determination when she contemplates taking vengeance herself as she believes her brother Orestes is dead. The debate between Electra and her sister Chrysothemis over what they, as women, should do is a high point for me.
This edition features the Victorian translation of Jebb that matches the majesty of Sophocles’ play well and is enjoyable to read. Easterling’s introduction to the scholar’s career and approach is also fascinating.
This is one of the seven plays of Sophocles in the full editions by R.C. Jebb, all of which will be reissued under the BCP imprint. They have occasionally been reprinted but never before in affordable paperback versions. In this set, each volume contains a foreword by P.E. Easterling, concerned with Jebb and his contribution to Sophoclean scholarship; there follows an introduction by a noted Sophoclean scholar dealing with Jebb's treatment of the individual play and its value for - and contrast with - subsequent interpretations, for which a select bibliography is included.
I’ve been a writer since I was fourteen (possibly before that) and I’ve been an official freelance proofreader/copyeditor since 2019. I’ve published over thirty books and proofread or copyedited over sixty-two manuscripts as of this writing. I’ve garnered enough experience in both fields to, at least, be considered.
Another excellent book about plot and the importance of making sure you have a good one. The difference between a good plot and a great plot is a bestseller. If you want your story’s plot to speak of mastery, do not miss out on reading this insightful book. Add it to your personal library for good measure. It’s always a good idea to have it there, so you can reference it in the future even after finishing it.
Discover how to create stories that build suspense, reveal character, and engage your audience with this ultimate guide to writing.
When it comes to writing bestsellers, it's all about the plot. Trouble is, plot is where most writers fall down-but you don't have to be one of them. With this book, you'll learn how to create stories that build suspense, reveal character, and engage readers-one scene at a time.
Celebrated writing teacher and author Martha Alderson has devised a plotting system that's as innovative as it is easy to implement. With her foolproof blueprint, you'll learn to devise a successful…
When I was fourteen years old, my family moved from Texas to London for a year, and I started going to a little second-hand book shop around the corner. It was run by a long-haired Canadian, who always smoked a pipe. There were only three or four aisles, plus a cluttered backroom. You could pick up a 19th-century edition of the complete works of Shelley, with uncut pages, for two pounds. One volume led to another, in the same way that one friendship can lead to another, or introduce you to a new circle of people. Twenty-odd years later, I decided to write a novel about some of these writers.
One of my favorite plays. Set in an English country house across two centuries, it tells the story of Thomasina Coverly, a precocious schoolgirl in 1809 who falls in love with her eccentric tutor, Septimus Hodge.
Along the way she discovers a version of the 2nd law of thermodynamics – the fact that everything over time becomes messier. Because of sex, she jokes, apart from anything else. Byron makes a brief appearance and Stoppard manages to make him almost as witty on the stage as he was in life.
It’s a very funny, very clever play, but also incredibly moving, as a brilliant young woman briefly sees the world opening up to her remarkable understanding, before life gets in the way.
In a large country house in Derbyshire in April 1809 sits Lady Thomasina Coverly, aged thirteen, and her tutor, Septimus Hodge. Through the window may be seen some of the '500 acres inclusive of lake' where Capability Brown's idealized landscape is about to give way to the 'picturesque' Gothic style: 'everything but vampires', as the garden historian Hannah Jarvis remarks to Bernard Nightingale when they stand in the same room 180 years later.
Bernard has arrived to uncover the scandal which is said to have taken place when Lord Byron stayed at Sidley Park.
I married Indian born Atam Vetta when mixed relationships were rare and viewed with hostility not just in the UK. In 1966, they were illegal in South Africa and in most Southern States of the USA (until Loving v Virginia). In India they are not illegal but many upper-caste Indians do not approve of marriage outside of caste.
In the UK attitudes have revolutionised. Mixed relationships are no longer rare and it is predicted that by 2075 the majority of the population will be of mixed ancestry. There are mixed relationships in all three of my novels. My aim was to explore what we have in common whilst being honest about the challenges. The ultimate prize is an enhanced understanding and the creativity that comes with crossing cultures.
Shakespeare’s tragedies resonate in most cultures because they address the human condition. That is why Romeo and Juliet have spawned West Side Story, many films, and Russian ballets. I personally organised the Joe and Zara workshop with a mixed group of teenagers working on a modern take on the story. The young people in this ten-minute video from the workshop are impressive.
Othello too is tragic. Othello describes how Desdemona would come again ‘greedy –to hear tales of adventure sorrow and suffering. ‘She loved me for the dangers I had passed and I loved her that she did pity them.’
I relate to that.
The second Oxford edition of Shakespeare's Complete Works reconsiders every detail of their text and presentation in the light of modern scholarship. The nature and authority of the early documents are re-examined, and the canon and chronological order of composition freshly established. Spelling and punctuation are modernized, and there is a brief introduction to each work, as well as an illuminating and informative General Introduction. Included here for the first time is the play The Reign of King Edward the Third as well as the full text of Sir Thomas More. This new edition also features an essay on Shakespeare's…
I have spent my working life as a journalist, author and storyteller, aiming to uncover complexity that sheds new light on stories we think we know. I got my training at the Wall Street Journal and the New York Times—and from the wonderful editors of my twelve books. An Innocent Bystander, my book that deals with the Middle East, began as the story of a hijacking and a murder of an American citizen. But as my research widened, I came to see this story couldn’t be told without understanding many perspectives, including the Israeli and the Palestinian, nor could the political be disentangled from the personal.
Oslo is a theatrical rendering of the behind-the-scenes negotiations that led to the Oslo Accords in 1993.
This Tony-Award-winning play takes a perhaps unreasonably optimistic view of potential peace. Nor will reading (or better yet, seeing) this play satisfy a serious researcher’s desire for historic detail. But it lays out the emotional stakes with humanity and humor, not qualities one usually dares to associate with the conflict in the Middle East.
Winner of the 2017 Lucille Lortel Award for Outstanding Play
Winner of the 2017 New York Drama Critics Circle Award for Best Play
“Oslo is a wonderful and moving work that portrays how real diplomacy works. The play shows us what can happen when men and women on opposite sides of what is perceived as an intractable divide strive to create a shared humanity.” – Ban Ki-moon, former Secretary-General of the United Nations
“A disarmingly funny masterpiece.” – Huffington Post
“So human and so funny. Oslo is gripping, compelling, and compulsively…
