62 books like The Honorary Consul

This is a concise noir with clear and simple prose. There is no metafiction, magical realism, or non-linear narrative to contend with. The protagonist, Mr. Machi, is a terrible person, almost psychopathic, a symbol of everything that is wrong in Argentina. The book is a critique of unbridled capitalism and its status symbols. To kick things off, Machi finds a dead body inside the boot of his beloved BMW and from there the action and the hilarity don’t stop. Told from the point of view of Machi, we have an uncomplicated antihero, a person completely without redeeming features. According to legend, the author still works as a subway station cleaner.

The painter Castel meets Maria, the only person in the world capable of understanding him and his art. They start a relationship, but he becomes obsessive and wants her to live for him only. Castel describes his mind as a dark labyrinth in which occasional flashes of lightning illuminate dark corridors. The increasingly paranoid painter murders Maria and the novel takes the form of his prison-cell confession. Unable to understand why he committed the crime; he is at a loss how to justify himself. Sabato’s tortured protagonist is up there with Camus’ Meursault and Dostoevsky’s Underground Man. Femicide is a huge problem in Latin America, and Sabato was praised for being able to recreate the mind of a monster. However, I found Castel somewhat sympathetic.

More about hiding out and the lead-up to the final shoot-out than the bank robbery at the start, this novel is based on a real case from the 1960s. After they rob a bank in the Province of Buenos Aires, Dorda and Brigone, escape with the money over the Rio de la Plata. They find a bolthole in Montevideo, the capital of Uruguay, a country much like Argentina culturally and historically, but with fewer hysterical tendencies. Not happy about this are the politicians and police officers involved in the robbery and anxious for their cut of the loot. Piglia does a good job of recreating Argentina in the 1960s. Despite some stylistic pretensions and his overwriting of the main characters, the author manages not to get in the way of the story.

An Agatha Christie-style mystery set in Buenos Aires. At two in the morning, Pancho Soler returns drunk to his apartment building on Santa Fe Avenue. He presses the button for the lift, and it arrives with a surprise inside: a beautiful blonde woman, sitting upright, but dead. Many of the suspects who live in the building are recent immigrants from Europe and, as the novel is set in the 1950s, their memories and secrets from WW2 are still fresh. Boris, a Bulgarian chemist who worked for the Nazis, is the most entertaining of the lot. There are the usual red herrings and revelations in the search for the murderer. The young Argentinian detective is a little flat by Christie's standards, but this is a satisfying whodunnit.   

Set in the fictitious West African country of Kinjanja, the hapless exploits of an ill-fated British High Commission delegate in the wrong place at the wrong time left me exhausted from laughing out loud so hard.

It’s a sliding-door adventure thriller about the comic yet tragic downfall of a good man trying to do his best in the face of unrelenting adversity. I read it while living in Nigeria (Kinjanja is a cross between Ghana and Nigeria) and found it to be the perfect fusion of exotic location and sense of place, combined with a headlong descent into mayhem and madness.

Picco’s book is a striking tale of his role as a UN diplomat in the 1980s and 1990s, where he worked tirelessly behind the scenes to negotiate and free numerous hostages held by Islamic terrorist groups in Lebanon. 

He describes his meetings with key Israeli, Syrian, American, and Iranian interlocutors in extremely risky, high-stakes hostage negotiations; he was thought to have been one of the few Westerners to have ever met the late Imad Mugnihyah, leader of Islamic Jihad—and lived to tell the tale. 

Picco is a true hero, and the released Lebanon hostages owed their lives to his compassion, courage, unbelievable endurance, and remarkable diplomatic gifts.

‘Game changer’ is a much-overused term for new academic books, but not in this case. Wolfram Siemann’s seminal biography of Metternich sheds a blinding array of new light on one of the most important figures of the age, and recasts forever our understanding of the politics and diplomacy of the Napoleonic period. At last, a great scholar has systematically exploited the private archives of the Metternich family, bringing new facts to bear on the key moments of the Napoleonic wars. It is simply indispensable, and HUP are to be saluted for making it available in English.

This humorous, intelligent tale—about a diplomat’s son who befriends a troupe of young pickpockets in early-‘60s Marseilles—is a brisk read by a writer who cares as much about the rhythm of his sentences as he does the arc of his story. Before our hero knows it, he’s caught up in a life of excitement that begins to make sense to him—until it doesn’t. Full of surprises, including one that walloped this reader as much as it does the main character, this novel navigates a shadowy and unexpected world where young teens talk like seasoned criminals, and friendship itself is a risky proposition.

When one thinks of diplomats and what they do, one often conjures up scenes of fancy cocktail parties and elegant dinners–and understandably so. It is exactly for this reason that I will never forget how Jane Marriott recalled what it felt like, during her time as British Ambassador to Yemen, to sit inside an embassy that was under attack.

She shared this and other stories during a workshop held at the British Academy in London, where both academics and practitioners were involved. This is a recommended volume for all those interested in how embassies work in times of crisis. 

I liked the different perspective of this novel. The main character is an Irish priest in Rome who refuses to bow to pressure and toe the Nazi line by running an escape line for Allied prisoners of war.

It’s a story of courage and determination and is beautifully written, too. The characterisation is a masterclass in how to bring people to life.

Based on a true story, yet written with great skill and imagination, I found it totally immersive. This was the first book I've read by this author, but it won't be the last.