Here are 99 books that My Father's House fans have personally recommended if you like
My Father's House.
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Growing up, my mother often shared stories of her evacuation to a small Wiltshire village during World War Two. Far from a warm welcome, the local children viewed the newcomers with suspicion, and they were made to feel unwanted. My mother did, however, form one lifelong friendship that was very important to her. Her tales inspired me to write a novel about an evacuee’s experience for my Creative Writing MA. Living in Dorset at the time, I set my story there. The research was fascinating, allowing me to weave together historical insights with my own memories and experiences of today’s rural life.
The thought of walking around an occupied town in France during WWII terrifies me. The prospect of running into Nazis, looking for any excuse to arrest me, is the thing of nightmares.
But my fears shrink to nothing compared to the experience of blind sixteen-year-old Marie-Laure attempting to navigate war-torn Saint-Malo from the memory of a handmade tabletop model. The strength of courage she shows in this story has never left me.
WINNER OF THE 2015 PULITZER PRIZE FOR FICTION NATIONAL BOOK AWARD FINALIST NEW YORK TIMES BESTSELLER WINNER OF THE CARNEGIE MEDAL FOR FICTION
A beautiful, stunningly ambitious novel about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II
Open your eyes and see what you can with them before they close forever.'
For Marie-Laure, blind since the age of six, the world is full of mazes. The miniature of a Paris neighbourhood, made by her father to teach her the way home. The microscopic…
I’ve always loved stories that rearrange reality in some simple, allusive way, including movies like Groundhog Day or The Truman Show. They remind me of a quote about Italo Calvino that I first read when I was a teenager and have loved ever since: ‘He holds a mirror up to life, then writes about the mirror.’ I tend not to be attracted to stories that simply depict reality and even less so to stories that completely abandon reality for an invented fantasy world. All my favorite fictions take place somewhere in between, in the blending of the real and the impossible.
It always seemed unfair to me that not only do we get just one life, but we only get to live it once. So I fell in love with this novel from the moment I read its premise: Ursula Todd is born and dies and is born again… and again… and again.
I love that she doesn’t remember her previous lives except as vague intuitions that help her avoid making the same mistakes twice–and I also love that avoiding those mistakes often means she makes other (often fatal) mistakes. I found this book funny, moving, and thought-provoking, but what I love most about it is the way its down-to-earth, realistic style allowed me to fully inhabit the impossible conceit at its heart.
What if you could live again and again, until you got it right?
On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.
I’ve been a journalist for much of my life and have been passionate about history since I was a child. Ever since I visited a castle at age five, I’ve loved imagining the past and naturally ended up doing a History degree at Oxford. I love fact-based stories and am always meticulous in my research so that I can bring my readers with me on a journey of discovery. But what always brings history to life for me is focusing on the characters, real or imagined, who’ve made history themselves.
Written in just four weeks, this book pulsates with fury and is all the more poignant when you know its young Jewish author died after his ship was sunk in the war.
Otto Silbermann is a Jewish businessman on the run as his world collapses around him, and he slowly realises his homeland is enemy territory. It’s chilling and devastatingly real.
Berlin, November 1938. With storm troopers battering against his door, Otto Silberman must flee out the back of his own home. He emerges onto streets thrumming with violence: it is Kristallnacht, and synagogues are being burnt, Jews rounded up and their businesses destroyed.
Turned away from establishments he had long patronised, betrayed by friends and colleagues, Otto finds his life as a respected businessman has dissolved overnight. Desperately trying to conceal his Jewish identity, he takes train after train across Germany in a race to escape this homeland that is no longer home.
Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at…
I was born in the UK, in Lichfield, but moved to Italy in 1976 and to Rome in 1982. Over the
past forty years, Rome has become my city, my home, and my inspiration, as it has for
hundreds of thousands of other people during its millennia as caput mundi. It isn’t always the
easiest place to live, but it’s varied and colourful and endlessly stimulating. It’s provided a
backdrop to several of my novels and not only that. Rome is a character in its own right,
boisterous, elegant, breathtakingly beautiful, unutterably sordid. Roma è casa mia!
Pasolini’s films, Mamma Roma and Accattone, were among the reasons I decided to move to Rome in the first place.
Their blend of poetry and wretchedness chimed with my own vision of life at that time and I seized the chance to improve my knowledge of the city, of Italian and of Roman dialect, by reading his first novel Ragazzi di Vita, as soon as I arrived in the city.
Ragazzi di vita are hustlers, doomed from birth by circumstances outside their control, and I was drawn to the novel’s dark non-conformist romanticism, its refusal to compromise and the sheer texture of the language, which I only partly understood. It’s like Kerouac, but for real.
The “provocative” novel about hard-living teenagers in poverty-stricken postwar Rome, by the renowned Italian filmmaker (The New York Times).
Set during the post–World War II years in the Rome of the borgate―outlying neighborhoods beset by poverty and deprivation―The Street Kids tells the story of a group of adolescents belonging to the urban underclass. Living hand-to-mouth, Riccetto and his friends eke out an existence doing odd jobs, committing petty crimes, and prostituting themselves. Rooted in the neorealist movement of the 1950s, The Street Kids is a tender, heart-rending tribute to an entire social class in danger of being forgotten. Heavily censored…
I was born in the UK, in Lichfield, but moved to Italy in 1976 and to Rome in 1982. Over the
past forty years, Rome has become my city, my home, and my inspiration, as it has for
hundreds of thousands of other people during its millennia as caput mundi. It isn’t always the
easiest place to live, but it’s varied and colourful and endlessly stimulating. It’s provided a
backdrop to several of my novels and not only that. Rome is a character in its own right,
boisterous, elegant, breathtakingly beautiful, unutterably sordid. Roma è casa mia!
Morante’s classic novel about the impact on Rome of World War 2 and its aftermath had been on my TBR list for decades but I only got round to it during the first Covid lockdown. I couldn’t have found a more appropriate time.
It’s a novel about oppression, from without and within, laced with the fear of death and an overhanging sense of impotence. This all sounds pretty grim, and the novel certainly doesn’t pull any punches, but it’s also vivid, deeply touching and an extraordinary picture of a city under siege.
It’s particularly poignant for me because I read it while I was holed up in the district of San Lorenzo, one of the main settings of the novel and a place where the destruction wrought by WW2 can still be seen.
History was written nearly thirty years after Elsa Morante and Alberto Moravia spent a year in hiding among remote farming villages in the mountains south of Rome. There she witnessed the full impact of the war and first formed the ambition to write an account of what history - the great political events driven by men of power, wealth, and ambition - does when it reaches the realm of ordinary people struggling for life and bread.
The central character in this powerful and unforgiving novel is Ida Mancuso, a schoolteacher whose husband has died and whose feckless teenage son treats…
I was born in the UK, in Lichfield, but moved to Italy in 1976 and to Rome in 1982. Over the
past forty years, Rome has become my city, my home, and my inspiration, as it has for
hundreds of thousands of other people during its millennia as caput mundi. It isn’t always the
easiest place to live, but it’s varied and colourful and endlessly stimulating. It’s provided a
backdrop to several of my novels and not only that. Rome is a character in its own right,
boisterous, elegant, breathtakingly beautiful, unutterably sordid. Roma è casa mia!
I’ve always seen Muriel Spark as a kindred spirit, and her experience of Rome as mirroring my own, albeit on a more luxurious scale (although I did once live round the corner from her flat near Piazza Farnese).
Of the novels she set in Italy, my favourite is probably The Public Image, a story of revenge and dissimulation that captures the dark heart of the city at a time when it was known as Hollywood on the Tiber. It’s a wonderful portrait of what lay beneath the dolce vita and also, presciently, has a lot to say about celebrity culture and its manufacture. Listen up, influencers!
Spark chooses Rome, "the motherland of sensation," for the setting of her story about movie star Annabel Christopher (known to her adoring fans as "The English Lady-Tiger"), who has made the fatal mistake of believing in her public image. This error and her embittered husband, and unsuccessful actor, catch up with her. Her final act is only the first shocking climax-further surprises await. Neatly savaging our celebrity culture, Spark rejoices in one of her favorite subjects-the clash between sham and genuine identity-and provides Annabel with an unexpected triumph.
I was born in the UK, in Lichfield, but moved to Italy in 1976 and to Rome in 1982. Over the
past forty years, Rome has become my city, my home, and my inspiration, as it has for
hundreds of thousands of other people during its millennia as caput mundi. It isn’t always the
easiest place to live, but it’s varied and colourful and endlessly stimulating. It’s provided a
backdrop to several of my novels and not only that. Rome is a character in its own right,
boisterous, elegant, breathtakingly beautiful, unutterably sordid. Roma è casa mia!
I discovered Bernhard—miraculously—in a provincial train station in southern Italy, where the bar had a selection of books on sale.
This was when Bernhard translations into English were hard to find, so my early experience of the writer, in my opinion one of the most extraordinary of his generation, was in Italian. His final novel, Extinction, is set in Rome and it’s a classic of Bernhardian nihilism, scratching at the itch of the absurdity that is life in the face of death.
Bernhard’s Rome is the yin of intellectual freedom to the suffocating and hypocritical yang of Austria. In the end, what I love most about this book is probably its exhilarating contempt for mediocrity and its capacity, I’ll admit it, to make me laugh out loud at just how awful life really is.
The last work of fiction by one of the twentieth century’s greatest artists, Extinction is widely considered Thomas Bernhard’s magnum opus.
Franz-Josef Murau—the intellectual black sheep of a powerful Austrian land-owning family—lives in Rome in self-imposed exile, surrounded by a coterie of artistic and intellectual friends. On returning from his sister’s wedding on the family estate of Wolfsegg, having resolved never to go home again, Murau receives a telegram informing him of the death of his parents and brother in a car crash. Not only must he now go back, he must do so as the master of Wolfsegg. And…
I’ve been a journalist for much of my life and have been passionate about history since I was a child. Ever since I visited a castle at age five, I’ve loved imagining the past and naturally ended up doing a History degree at Oxford. I love fact-based stories and am always meticulous in my research so that I can bring my readers with me on a journey of discovery. But what always brings history to life for me is focusing on the characters, real or imagined, who’ve made history themselves.
I fell in love with the three-year-old Cristabel Seagrove from the first page. I laughed with her, cried with her, and spent many years with her as she navigated her way into adulthood in the company of her equally engaging siblings.
The characters who inhabit their Dorset stately home before and during the Second World War are both engaging and infuriating. It’s an absolute gem of a book.
'A tour de force' Sarah Winman, author of Still Life
This is the story of an old English manor house by the sea, with crumbling chimneys, draping ivy and a library full of dusty hardbacks. It's the story of the three children who grow up there, and the adventures they create for themselves while the grown-ups entertain endless party guests.
This is the story of a whale that washes up on a beach, whose bones are claimed by a twelve-year-old girl with big ambitions and an even bigger imagination. An unwanted orphan who…
Award-winning journalist and historian Andrew Nagorski was born in Scotland to Polish parents, moved to the United States as an infant, and has rarely stopped moving since. During a long career at Newsweek, he served as the magazine's bureau chief in Hong Kong, Moscow, Rome, Bonn, Warsaw, and Berlin. In 1982, he gained international notoriety when the Kremlin, angered by his enterprising reporting, expelled him from the Soviet Union. Nagorski is the author of seven books, including The Nazi Huntersand Hitlerland.
John “Jock” Colville, a 24-year-old Foreign Office staffer, was assigned to work at 10 Downing Street, Britain’s equivalent of the White House, at the outbreak of World War II. When Winston Churchill replaced Neville Chamberlain as prime minister, Colville, who kept a detailed secret diary, chronicled the new leader’s every move as he rallied his countrymen to keep fighting Hitler’s Germany. His entries for this critical period offer a vivid behind-the-scenes portrait of Churchill, his inner circle—and his strenuous efforts to forge a close partnership with President Roosevelt, who had vowed to keep his country out of the war.
The diaries of Winston Churchill's private secretary from 1941 to 1945 and from 1951 to 1955 provides a unique view of World War II, of Churchill's wartime activities and those of his personal staff
I am a speaker, author, and academic. Originally from Rome, I now live in the Netherlands, where I lecture and do research on international and diplomatic history. My book examines the ethical and pragmatic dilemmas that characterized the making of the German-Israeli relationship after the Holocaust at the outset of the global Cold War. I value good reads and excellent conversations, and I held visiting fellowships in, among others, Berlin, Jerusalem, and Oxford. My work won a Dutch National Research Council grant, a major research grant from the Alfred Landecker Foundation, and the LNVH award for ‘Distinguished Women Scientists.’ These days, I divide my time between Rome, Berlin, and Utrecht.
When one thinks of diplomats and what they do, one often conjures up scenes of fancy cocktail parties and elegant dinners–and understandably so. It is exactly for this reason that I will never forget how Jane Marriott recalled what it felt like, during her time as British Ambassador to Yemen, to sit inside an embassy that was under attack.
She shared this and other stories during a workshop held at the British Academy in London, where both academics and practitioners were involved. This is a recommended volume for all those interested in how embassies work in times of crisis.
Embassies are integral to international diplomacy, their staff instrumental to inter-governmental dialogue, strategic partnerships, trading relationships and cultural exchange. But Embassies are also discreet political spaces. Notionally sovereign territory 'immune' from local jurisdiction, in moments of crisis Embassies have often been targets of protest and sites of confrontation. It is this aspect of Embassy experience that this collection of essays explores and Embassies in Crisis revisits flashpoints in the recent lives of Embassies overseas at times of acute political crisis.
Ranging across multiple British and other embassy crises, unusually, this book offers equal insights to international historians and members of…
