Here are 100 books that The Heist Artist fans have personally recommended if you like
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Anurag Anand is a keen observer of humankind. He believes that the diversity of human emotions, motivations, and actions offer him a rich palette of tones to paint his stories with. He is the author of thirteen books across genres like self-help, historical fiction, crime thrillers, and contemporary fiction. Anurag’s works have been lauded for their realism, simplicity, and sharp characterization by readers across the spectrum. Of course, he is an avid reader and likes to remain abreast with the developments in the Indian writing space. He is a familiar face (and voice) in literature festivals, television debates and other related forums across the country.
If God was a Banker is Ravi Subramanian’s debut book and my personal favorite among all his works. The story centers around a multinational bank in India and an array of exciting characters that make up its management cadre. A heady mix of aspirations, passions, jealousy, and alliances result in the characters pushing boundaries of convention and sometimes even legality. The twists and turns that consequently emerge make the book a gripping page-turner.
In If God Was A Banker, the story revolves around two management graduates in the rat race for success. Sundeep is ambitious and selfish, which leads him to achieve his goals through unscrupulous means. Swami is the exact opposite as he sticks to his morals and ethics to ensure success in his career. Swami's ideal and ethics keeps him behind Sundeep in terms of performance at the New York International Bank where they both work. Sundeep's rapid rise up the corporate ladder and his popularity with colleagues disguises his real motives and cunning mind. The story also has a main…
Anurag Anand is a keen observer of humankind. He believes that the diversity of human emotions, motivations, and actions offer him a rich palette of tones to paint his stories with. He is the author of thirteen books across genres like self-help, historical fiction, crime thrillers, and contemporary fiction. Anurag’s works have been lauded for their realism, simplicity, and sharp characterization by readers across the spectrum. Of course, he is an avid reader and likes to remain abreast with the developments in the Indian writing space. He is a familiar face (and voice) in literature festivals, television debates and other related forums across the country.
The Secret of the Stolen Idols is Vivek’s debut novel, and it unravels as quite a surprise package. Lucid language, sharp characterization, and a pacy plot make it a story that lingers in your mind long after you are done reading the book. With his descriptions, Vivek brings to life a Goa that lies beyond the prying eyes of tourists, and one that is just as enchanting as its overt persona.
Anurag Anand is a keen observer of humankind. He believes that the diversity of human emotions, motivations, and actions offer him a rich palette of tones to paint his stories with. He is the author of thirteen books across genres like self-help, historical fiction, crime thrillers, and contemporary fiction. Anurag’s works have been lauded for their realism, simplicity, and sharp characterization by readers across the spectrum. Of course, he is an avid reader and likes to remain abreast with the developments in the Indian writing space. He is a familiar face (and voice) in literature festivals, television debates and other related forums across the country.
There are times when we think that we have successfully buried something in our past and it suddenly resurfaces and shocks us. But what if this ‘thing’ wreaks havoc with our lives and turns it topsy turvy? Only the Good Die Young is a taut and gripping sequel to Akash Verma’s thriller, You Never Know. The book unravels beautifully, quite like a web series playing out between the craftily stitched words.
Sometimes when you're desperate to leave the past behind, the past is eager to catch up! Anuradha leaves Gurgaon when Dhruv chooses his family over her. She thinks that chapter of her life has ended, and starts afresh in Mumbai. But strangely, it seems her past is trying to catch up. Dhruv suddenly comes back into her life. Even as they try to figure out their relationship, horrible things start happening to people they know. Together, Anuradha and Dhruv need to find out who it is that cannot bear to see them together. Who is carrying out these shocking crimes?…
Riley Masterson has moved to Greenbrier, SC, anxious to escape the chaos that has overwhelmed her life.
Questioned in a murder in Alabama, she has spent eighteen months under suspicion by a sheriff’s office, unable to make an arrest. But things in gentrifying Greenbrier are not as they seem. As…
Anurag Anand is a keen observer of humankind. He believes that the diversity of human emotions, motivations, and actions offer him a rich palette of tones to paint his stories with. He is the author of thirteen books across genres like self-help, historical fiction, crime thrillers, and contemporary fiction. Anurag’s works have been lauded for their realism, simplicity, and sharp characterization by readers across the spectrum. Of course, he is an avid reader and likes to remain abreast with the developments in the Indian writing space. He is a familiar face (and voice) in literature festivals, television debates and other related forums across the country.
Born with a silver spoon, the protagonist of the story, Aratrika Reddy finds herself at the helm of affairs for a multi-million-dollar conglomerate at a very early age. The lack of experience is duly made up for by her enthusiasm and the zeal to leave a mark, until she finds herself at a crossroads where she has precisely eight hours to save her company from certain insolvency. With greed, treachery, and mistrust shaping the unexpected and exciting twists and turns in the plot, this one is a must-read. Especially for those looking for a glimpse into the winding corridors of power and the crafty and sly maneuvers that shape them.
Please Read Notes: Brand New, International Softcover Edition, Printed in black and white pages, minor self wear on the cover or pages, Sale restriction may be printed on the book, but Book name, contents, and author are exactly same as Hardcover Edition. Fast delivery through DHL/FedEx express.
I am trained in physics but moved over to psychology and neuroscience partway through graduate school at Cornell University because I became fascinated with the stupefying complexity of brains. I found that a lot of the main ideas and approaches in these fields seemed flawed and limited—things like defining something to study such as “emotion” or “perception” without specifying what measurable quantities are necessary and sufficient to understand those things. Luckily, I was (and continue to be) mentored by independent thinkers like neuroanatomist Barbara Finlay and computational neuroscientist David Field, who instilled in me their spirit of free and deeply informed inquiry. Today, more and more brain researchers are rethinking established ideas.
Lisa Barrett is one of the most respected researchers in psychology today in part because she is unafraid to debunk the comforting misconceptions we have about our minds, and especially about our emotions. Seven and a Half Lessons About the Brain dispels myths about emotion, and about our reptilian brain, among others. One of the most important lessons in the book is that your brain is not for thinking—it is primarily for myriad other processes of maintaining internal organs, blood oxygenation, energy consumption level, balance, and for performing a host of other tasks. But for Barrett, it’s not just about debunking. She has a compelling vision of how the brain actually does work. Not only does she have deep expertise in human behavior, brain anatomy, evolution, and neurochemistry, her vision of how our minds work is also described in energetic prose.
'Highly accessible, content-rich and eminently readable . . . Fascinating and informative . . . popular science at its best.' - The Observer
'Subtly radical . . . It presents a revelatory model of consciousness that will be completely new to most readers' - The Guardian 'Best Reads For Summer'
Have you ever wondered why you have a brain? Let renowned neuroscientist Lisa Feldman Barrett, bestselling author of How Emotions Are Made, demystify that big grey blob between your ears . . .
In seven short chapters (plus a brief history of how brains evolved), this slim, entertaining, and accessible…
My grandparents played a pivotal role in my childhood, living with us and raising my brother and me while my parents worked long hours. Some of my favorite memories of those years are lying in bed as Abuelo told me stories that made me laugh instead of making me sleepy, cooking picadillo with my abuela in the kitchen, and going on long walks along the beach with my abuelo. Though they didn’t speak to me in Spanish, they taught me to sing nursery rhymes and enticed me with sticks of Big Red gum to get me to learn how to roll my r’s.
I love multigenerational stories in general, and this one centers 3 generations, not only the grandparent and grandchild. This story reminded me of all the times I spent with my mother and my abuela, the 3 women of the family, and how we would bond over our trips together.
I also love books that show the world as I love to travel and I enjoyed accompanying these three beautiful characters on their journey. I also love how this story expertly reveals how this shared experience is perceived differently by each member of the family. And the theme of returning to a homeland is also one that resonates with me.
A child, mother, and grandmother travel all the way to the end of the earth in this picture book that celebrates multigenerational love-perfect for fans of Drawn Together and Alma.
"I want to see what's at the end of the earth!"
Sejal, Mommy, and Pati travel together to the southern tip of India. Along the way, they share meals, visit markets, and catch up with old friends.
For Pati, the trip retraces spaces she knows well. For Mommy, it's a return to the place she grew up. For Sejal, it's a discovery of new sights and sounds. The family finds…
In 2038 a devastating pandemic sweeps across the world. Two decades later, Britain remains the epicenter for the Fornax variant, annexed by a terrified global community.
David Malik is as careful as any man to avoid contact with the virus. But when his sister tests positive as an asymptomatic carrier,…
I have been writing novels for many years now about the social history of Birmingham and the West Midlands and often find myself writing about World War Two. It’s the history of most families in this country. But I also grew up—unusually for my generation—with parents who were active adults in the war, my father in the army in North Africa and Italy, my mother in a factory that had gone over to munitions in Coventry. So the war felt very present as they talked about it a lot. Only later I grew to understand what it means to people and explored the history for myself.
Rumer Godden is a favourite novelist of mine, but this is non-fiction. Godden was born in India and only left after Independence. Towards the end of World War Two, she made a long journey to document the work done by women volunteers in the Bengal region of India during the war, travelling huge distances, crossing many rivers, to remote places. The book, with photographs, includes the work of both European and Indian volunteers in a huge number of organizations, ranging from the Red Cross, hospital trains, and dispatch riders to the ARP and mobile canteens. Best of all are the descriptions Godden gives us in this wonderful book as she turns her novelist's eye on all these people and places of work and brings them all to life.
A banker by day and a cynical cartoonist-cum-blogger by night, I have traveled the world, have met many interesting people with compelling backgrounds, and have experienced many peculiar and beautiful things.
I love getting inspiration from my experiences and spinning stories out of that. As an author, I always look out for the unconventional ending fueled by my fervid imagination.
I prefer the medium of the short story as it keeps the author honest and sharp—no meandering into unrelated tangents.
Ruskin Bond is known more for his simple stories about everyday people in the Himalayan foothills (like a North Indian R.K. Narayan). He does throw in the odd story, which seems like a folktale with a surprising ending like A Face in the Night and The Eyes Have It. This livens up the collection more, as you don’t know when you will get one of the unexpected plot twists.
His books ooze with his love for his adopted country, and he writes with such tenderness about young characters that they are wholesome and fulfilling to read.
What I love most about him is that he is one of the most approachable and friendly authors. He spends hours sitting in his hometown’s main bookshop talking with readers and autographing their purchases.
As a fantasy author, I love stories set within complex and unusual worlds. I especially enjoy worlds where the rules of physics and metaphysics are re-imagined, adding an extra dimension to the story. Most fantasy worlds are much like our own – big, spherical, ordinary climactic zones, normal physics. Magic sort of exists around the edges. A handful of fantasy worlds are different: the world is flat, layered, hollow, has physical and metaphysical laws that change when you step across a political border – or is wholly contained within an infinite House with oceans pouring through the lower levels. Those are worlds I find especially delightful to visit – and to write about!
The Pyramids of London has the most ornate, baroque alternative-history setting of any novel in the entire history of fantasy novels. Seriously. To start with, every kind of mythology is true in whatever region that mythology developed. Also, the pharaohs of Egypt have been vampires for thousands of years. Plus, when they die, vampires might become stars. Which are also gods. Plus France is ruled by the Fae. At night, when the Fae Court of the Moon arises in Paris, gravity suddenly drops dramatically.
Insert a murder mystery into this wildly ornate setting, plus fully realized characters you both believe in and root for, and off you go, on a fantastic journey through a world that is like nothing you’ve ever seen before.
In a world where lightning sustained the Roman Empire, and Egypt's vampiric god-kings spread their influence through medicine and good weather, tiny Prytennia's fortunes are rising with the ships that have made her undisputed ruler of the air. But the peace of recent decades is under threat. Rome's automaton-driven wealth is waning along with the New Republic's supply of power crystals, while Sweden uses fear of Rome to add to her Protectorates. And Prytennia is under attack from the wind itself. Relentless daily blasts destroy crops, buildings, and lives, and neither the weather vampires nor Prytennia's Trifold Goddess have been…
Liveaboard sailor Cass Lynch thinks her big break has finally arrived when she blags her way into skippering a Viking longship for a Hollywood film. However, this means returning to the Shetland Islands, the place she fled as a teenager. When a corpse unexpectedly appears onboard the longship, she can…
I’m an archaeologist, which means that I’ve been lucky enough to travel to many places to dig and survey ancient remains. What I’ve realized in handling those dusty old objects is that all over the world, in both past and present, people are defined by their stuff: what they made, used, broke, and threw away. Most compelling are the things that people cherished despite being worn or flawed, just like we have objects in our house that are broken or old but that we keep anyway.
Miller’s work in village India – a world away from most of our experiences – focuses on the way that people make things to be bought and used, cherished and given, and broken and discarded, all with a feedback loop from producer to consumer and back again. Through his conversations with artisans, he reveals that when high-status people buy certain shapes, lower-status people start to want them also, until those shapes become too “common” and high-status folks begin to show their distinction through the patronage of a new design. The cycle is never-ending, and Miller’s memorable words are always in the back of my mind whenever I’m looking through ancient artifacts and thinking about how their forms and decorations changed over time.
The aim of Artefacts as Categories is to ask what we can learn about a society from the variability of the objects it produces. Dr Miller presents a comprehensive analysis of the pottery produced in a single village in central India, drawing together and analysing a whole range of aspects - technology, function, design, symbolism and ideology - that are usually studied separately. Using the concepts of 'pragmatics', 'framing' and 'ideology', the author points to the insufficiency of many ethnographic accounts of symbolism and underlines the need to consider both the social positioning of the interpreter and the context of…
