98 books like The Guinevere Deception

Be careful what you say out loud. You never know who might hear you.

In this story, you have a cruel and harsh Staryk lord with only care for his silver to be turned to gold. He’s cold and indifferent to the one he appoints to this seemingly impossible task, yet you find yourself clinging to hope he will change.

There are multiple POV, so if this is your thing, trust me you’ll love how many are in here. It’s like getting multiple thrilling stories in one book. Redeemable monsters is how I would label this book in two words if I had to.

This book is for a slightly older reader (probably 16+), but the first scene opens with a period. Blood. It’s one of the things I love most about it.

The story revolves around Bisou Martel, who becomes a wolf hunter. She is at her strongest when she has her period, and she saves girls who are in danger of being violated by boys and men. Talk about female empowerment!

Beauty and the Beast is my favourite fairy tale, so not only do I read every retelling I can get my hands on, but I’m quite particular about how I rate them. Stalking Shadows exceeded all expectations. I loved how she changed the genders of her Beauty and Beast (or Beasts). I love when women are allowed to be beastly and monstrous. Panin also didn’t shy away from talking about tough subjects in her book, another reason I loved it so much. I especially liked how she tackled racism and Lord Sebastian’s experiences as a biracial child growing up in the village.  

Bayron made the classic Cinderella fairy tale something modern girls can relate to. Black, LGBT girls will especially find a kindred spirit in Sophia. I loved how determined Sophia was to fight back against society’s expectations of her. She was willing to fight for her happily ever after, even if it didn’t look like how the world thought it should. To see Sophia’s struggles rewarded with her love story with Constance was great to read.  

Oliver Padel is a linguist specializing in early Welsh and Cornish and as such the ideal guide to Arthur’s presence in early Celtic literature. While acknowledging that the earliest datable instances come in the Historia Brittonum in 829-30, his view is that Arthur began as a figure of Celtic mythology and was only later converted into a pseudo-historical figure fixed in the past. In that sense, the early Arthur is the individual in the Historia Brittonum in the section called Mirabilia (Wonders), where he is used as a way of explaining landscape features and the names given to them, who has then been adapted to be a British general fighting 12 battles in chapter 56. This has strongly influenced ways of looking at the evidence in recent years and it deserves our attention.

Personally, I don’t agree with it for two reasons. First of all is the whole issue of… show more.

Of course, the characters in this book are the stuff of legend: King Arthur, Guinevere, and the narrator of this tale, Lancelot.

But I think what is great about Mr. Kristian's approach is that he makes them all completely and recognizably human, with all the frailties and failings of ordinary people who are forced, by world events, to rise to the extraordinary.

Men who will be myths are, at heart, only men. A beautifully realized setting, a credible and incredible world for one of the great stories to play out against.

There have been too many novels featuring the story of King Arthur to count; this is my favorite. I found it (and the following two books in the series) really captured the idea of who Arthur was, why he was needed, and why he did what he did at the time for me.

It was the first Cornwell novel I read, and he has become my favourite novellist. I think he writes battle scenes better than anyone–he puts you in the middle of the action and makes you feel the visceral nature of combat (especially in his Arthurian and medieval books). If anyone is looking for a place to start with Arthurian fiction but doesn’t know where to begin, I wouldn’t hesitate to recommend this book and series. 

One of the key characters in the Arthur legends is Guenevere, and nowhere does she become more real than in Parke Godwin’s Beloved Exile. In post-Roman Britain, after Arthur’s defeat by the Saxons, a mature and bereft Guenevere is taken captive by a Saxon thane. Keeping her identity secret, she struggles through life as a slave in her enemy’s household. Yet, in her soul, she is still a queen and cannot bear to see her nation torn by treachery and internal conflict. She becomes attached to the Saxon family she now serves and discovers that, in order to preserve Arthur’s legacy, she must make allies of her enemies.

This is the first book in a series that I don’t think is talked about enough. There are several characters from different points of view, but the ones that stand out most are Lukien and Baron Glass. I love a redeemed villain in any media, and Baron Glass fits that mold.

Originally depicted as the villain in a warring kingdoms opening story, I loved the way that the “villain” becomes portrayed as a kindly mentor that despite age and injury can still fight. Lukien and Glass serve as perfect foils for each other, and the author uses plenty of symbolism to support that. Put together with the whole cast; you have a perfect rag-tag cast of main and supporting characters that breathe on their own with flaws and relatable goals.

Jennifer Ivy Walker is a relative newcomer to publishing Historical Romance, but she knows how to embroider a legend. There is a wealth of detail in her writing that pulls the reader into the story. This tale is a retelling of the story of Tristan and Isolde, in which we meet figures such as Lancelot du Lac, King Arthur and his Guinevere, and get glimpses of Camelot. Elves and goddesses mingle with mortals in the forests of ancient Britain and France. This retelling has a French accent that lifts it above the ordinary and the well-known. It belongs here because it gives me faith that the ancient tradition of weaving magic into stories, both by pen and tongue, will carry on.