Here are 100 books that The Guinevere Deception fans have personally recommended if you like
The Guinevere Deception.
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I’ve been writing fantasy since I was a very young child. My need to escape a world that I viewed with fear was satiated by writing worlds that gave me control over how I could create and master them. I would read books that I adored but wanted to implement changes to better fit my own personal feelings and perception. For example, unicorns were terrifying creatures in my head, so I gave them fire-covered horns and eyes of flames. Nothing in the world felt pure or safe to me, so I write in a way that gives a dark twist to any and all mythological creatures and magical realms.
Be careful what you say out loud. You never know who might hear you.
In this story, you have a cruel and harsh Staryk lord with only care for his silver to be turned to gold. He’s cold and indifferent to the one he appoints to this seemingly impossible task, yet you find yourself clinging to hope he will change.
There are multiple POV, so if this is your thing, trust me you’ll love how many are in here. It’s like getting multiple thrilling stories in one book. Redeemable monsters is how I would label this book in two words if I had to.
Following her award-winning novel Uprooted, Naomi Novik has once again been influenced by classic folktales. Taking Rumpelstiltskin as her starting point, Spinning Silver is rich, original and a joy to read.
Will dark magic claim their home? Miryem is the daughter and granddaughter of moneylenders, but her father's too kind-hearted to collect his debts. They face poverty, until Miryem hardens her own heart and takes up his work in their village. Her success creates rumours she can turn silver into gold, which attract the fairy king of winter himself. He sets her an impossible challenge - and if she fails,…
I wrestled with big questions as a child, particularly concerning gender inequality. I was aware of the issue as young as 7 years old. I didn’t even feel comfortable challenging the way things were until I was a young adult. Thus began my journey of researching, studying, and embracing women’s rights and gender equality. I feel very passionate about presenting those big questions earlier in the lives of girls, so they start feeling comfortable challenging the places where things don’t make sense, or the areas where inequality still exists. There is a need for more books like these in the market, but I hope you enjoy this list!
This book is for a slightly older reader (probably 16+), but the first scene opens with a period. Blood. It’s one of the things I love most about it.
The story revolves around Bisou Martel, who becomes a wolf hunter. She is at her strongest when she has her period, and she saves girls who are in danger of being violated by boys and men. Talk about female empowerment!
A dark, engrossing, blood-drenched tale of the familiar threats to female power-and one girl's journey to regain it. Five starred reviews greeted this powerful story from Elana K. Arnold, author of the Printz Honor winner Damsel.
You are alone in the woods, seen only by the unblinking yellow moon. Your hands are empty. You are nearly naked. And the wolf is angry.
Since her grandmother became her caretaker when she was four years old, Bisou Martel has lived a quiet life in a little house in Seattle. She's kept mostly to herself. She's been good.
I have loved fairy tales since I was a little girl and watched my first Disney movie. Over the years, I’ve read many fairy tale retellings, as well as the original versions. I love how writers can see a story like Beauty and the Beast and find ways to make an almost completely new story, but still hold true to the original concepts of the fairy tale. Fairy tales connect us to our childhood and when we read these new versions, it lets us relive a part of our childhood. Not many books can do that!
Beauty and the Beast is my favourite fairy tale, so not only do I read every retelling I can get my hands on, but I’m quite particular about how I rate them. Stalking Shadowsexceeded all expectations. I loved how she changed the genders of her Beauty and Beast (or Beasts). I love when women are allowed to be beastly and monstrous. Panin also didn’t shy away from talking about tough subjects in her book, another reason I loved it so much. I especially liked how she tackled racism and Lord Sebastian’s experiences as a biracial child growing up in the village.
A gothic YA fantasy debut about a young woman striving to break her sister's curse and stop the killing in her small French town—now in paperback
Seventeen-year-old Marie mixes perfumes to sell on market day in her small 18th-century French town. She wants to make enough to save a dowry for her sister, Ama, in hopes of Ama marrying well and Marie living at the level of freedom afforded only to spinster aunts. But her perfumes are more than sweet scents in cheap, cut-glass bottles: A certain few are laced with death. Marie laces the perfume delicately—not with poison, but…
I have loved fairy tales since I was a little girl and watched my first Disney movie. Over the years, I’ve read many fairy tale retellings, as well as the original versions. I love how writers can see a story like Beauty and the Beast and find ways to make an almost completely new story, but still hold true to the original concepts of the fairy tale. Fairy tales connect us to our childhood and when we read these new versions, it lets us relive a part of our childhood. Not many books can do that!
Bayron made the classic Cinderellafairy tale something modern girls can relate to. Black, LGBT girls will especially find a kindred spirit in Sophia. I loved how determined Sophia was to fight back against society’s expectations of her. She was willing to fight for her happily ever after, even if it didn’t look like how the world thought it should. To see Sophia’s struggles rewarded with her love story with Constance was great to read.
"Wholly original and captivating." - Brigid Kemmerer, New York Times bestselling author of A Curse So Dark and Lonely
Girls team up to overthrow the kingdom in this unique and powerful retelling of Cinderella from a stunning new voice that's perfect for fans of Dhonielle Clayton and Melissa Albert.
It's 200 years after Cinderella found her prince, but the fairy tale is over. Teen girls are now required to appear at the Annual Ball, where the men of the kingdom select wives based on a girl's display of finery. If a suitable match is not found, the girls not chosen…
As a university historian and archaeologist my focus has been the Early Middle Ages. In the 1990s I wrote several books about the fifth and sixth centuries which barely mentioned Arthur but popular histories and films based on his story just kept coming, so I decided to look again at his story and work out how and why it developed as it did. I have published three well-received books on the subject, each of which builds on the one before, plus articles that have been invited to be included in edited volumes. I disagree with much in the five books above but collectively they reflect the debate across my lifetime. It is a great debate, I hope you enjoy it.
Oliver Padel is a linguist specializing in early Welsh and Cornish and as such the ideal guide to Arthur’s presence in early Celtic literature. While acknowledging that the earliest datable instances come in the Historia Brittonum in 829-30, his view is that Arthur began as a figure of Celtic mythology and was only later converted into a pseudo-historical figure fixed in the past. In that sense, the early Arthur is the individual in the Historia Brittonum in the section called Mirabilia (Wonders), where he is used as a way of explaining landscape features and the names given to them, who has then been adapted to be a British general fighting 12 battles in chapter 56. This has strongly influenced ways of looking at the evidence in recent years and it deserves our attention.
Personally, I don’t agree with it for two reasons. First of all is the whole issue of…
A fascinating survey of the numerous references to Arthur found in medieval Welsh literature emphasising the diverse literary genres used and the multifaceted portrayal of the character. New edition.
I fell in love with historical fiction when I was a child. Adventurous tales—especially if they had swordplay in them! And I was fascinated by young people having to choose whether to stand up for what they believed in or run away. Ordinary folk are forced by circumstances—and villains—to do the extraordinary. I empathized and felt like I could be one of them. So when I came to write, I wanted to tell those kinds of stories. I eventually realized what I wrote was 'the intimate epic'—showing how the minor historical players can have a major effect.
Of course, the characters in this book are the stuff of legend: King Arthur, Guinevere, and the narrator of this tale, Lancelot.
But I think what is great about Mr. Kristian's approach is that he makes them all completely and recognizably human, with all the frailties and failings of ordinary people who are forced, by world events, to rise to the extraordinary.
Men who will be myths are, at heart, only men. A beautifully realized setting, a credible and incredible world for one of the great stories to play out against.
Conn Iggulden called it 'a masterpiece' while The Times hailed it 'a gorgeous, rich retelling of the Arthurian tale' . . . ________________
In Britain, Rome's legions are but a distant memory.
And Uther Pendragon is dying.
Enemies stalk the land.
Into this uncertain world a boy is cast - an outsider, plagued by memories of those he's lost.
Under the watchful eye of Merlin, the boy begins his journey to manhood. He meets another outcast, Guinevere - wild, proud and beautiful. And he is dazzled by Arthur - a warrior who carries the hopes of the people like…
I have always loved stories about King Arthur–what’s not to love–Arthurian stories are about the underdog triumphing, destiny, knights and quests, swords (and stones, or lakes), great heroes and villains, and magic. My university studies made me into a military historian (among other things–including an opera singer and a historian of film), and I loved revisiting my love of Arthur in various guises. I have sung him on stage, played him in roleplaying games and miniature wargames, and I have written articles and books about him in film and history. I hope my list of recommendations provokes you to think about King Arthur in new ways!
There have been too many novels featuring the story of King Arthur to count; this is my favorite. I found it (and the following two books in the series) really captured the idea of who Arthur was, why he was needed, and why he did what he did at the time for me.
It was the first Cornwell novel I read, and he has become my favourite novellist. I think he writes battle scenes better than anyone–he puts you in the middle of the action and makes you feel the visceral nature of combat (especially in his Arthurian and medieval books). If anyone is looking for a place to start with Arthurian fiction but doesn’t know where to begin, I wouldn’t hesitate to recommend this book and series.
Uther, the High King of Britain, has died, leaving the infant Mordred as his only heir. His uncle, the loyal and gifted warlord Arthur, now rules as caretaker for a country which has fallen into chaos - threats emerge from within the British kingdoms while vicious Saxon armies stand ready to invade. As he struggles to unite Britain and hold back the Saxon enemy, Arthur is embroiled in a doomed romance with beautiful Guinevere.
Have you ever felt this deep, internal calling, one you can’t escape from, that even as time goes by, it remains there, whispering in your inner mind, telling you, driving you, to create things that aren’t real? To make them into words that then form adventures? For as long as I can remember I have felt this, and feel it is what I was meant to do. I love, and try to incorporate in my own stories, elements that involve magic, uncommon or new creatures, extensive worlds, flawed characters, a pinch of love, and everything else (including, possibly, a kitchen sink) that can be found in a made-up universe.
I really enjoyed this book for a number of reasons, three being: the world-building, the magic, and the flawed characters.
It showcased real people, one character in particular, King Akeela, who started out as a good man but descended into madness fueled by anger after he learned his adopted brother slept with his wife. The story blended an Arthur, Lancelot, and Guinevere love story into a fresh plot with betrayal, love, war, and magic that is different from other stories.
It had me whipping through the pages to see how the story and characters progressed and what ultimately happened to Akeela’s wife, who was wrought with leukemia.
A young king breaks with the past and makes peace with the kingdom his father has fought for years. To seal the bargain he is offered the hand of the kingdom's princess. And so begins a fast moving epic of madness, obsession, prejudice and sheer magic. John Marco has woven an intricate tale of personalities driven by love, hatred and ambition. Each character must, in the end, pay the price for their actions and THE EYES OF GOD is, at its core, an almost classical tragedy. Rich in its evocation of magical lands, detailed in its dissection of motive, compelling…
As a graduate student in library science, I stumbled across an entry on Macbeth in a biographical dictionary. It stated he was actually a good king who ruled for seventeen years. Furthermore, he claimed the throne in his own name and that of his wife. I was hooked. I did extensive research trying to find the man behind the legend, and how the tale got twisted into what Shakespeare gave us. From Celtic, Norse, and English sources, I extrapolated the culture of 11th-century Scotland, and a man who might well have been the historical high king Macbeatha.
One of the key characters in the Arthur legends is Guenevere, and nowhere does she become more real than in Parke Godwin’s Beloved Exile. In post-Roman Britain, after Arthur’s defeat by the Saxons, a mature and bereft Guenevere is taken captive by a Saxon thane. Keeping her identity secret, she struggles through life as a slave in her enemy’s household. Yet, in her soul, she is still a queen and cannot bear to see her nation torn by treachery and internal conflict. She becomes attached to the Saxon family she now serves and discovers that, in order to preserve Arthur’s legacy, she must make allies of her enemies.
When I think of the distant past, I imagine it being populated by those who were a bit closer to the magical world than we. The men (or were they wizards?) who raised the standing stones. The druids of the ancient Celtic world. Figures like Arthur, Robin Hood, and the Viking shamans who harbored a kinship with the waters, with the trees, and with the land. The magic of the past is like a song played on a harp, the echoes of which still waft through our world. Some of us can hear those echoes yet, and some of us write about them.
Jennifer Ivy Walker is a relative newcomer to publishing Historical Romance, but she knows how to embroider a legend. There is a wealth of detail in her writing that pulls the reader into the story. This tale is a retelling of the story of Tristan and Isolde, in which we meet figures such as Lancelot du Lac, King Arthur and his Guinevere, and get glimpses of Camelot. Elves and goddesses mingle with mortals in the forests of ancient Britain and France. This retelling has a French accent that lifts it above the ordinary and the well-known. It belongs here because it gives me faith that the ancient tradition of weaving magic into stories, both by pen and tongue, will carry on.
In this dark fairy tale adaptation of a medieval French legend, Issylte must flee the wicked queen, finding shelter with a fairy witch who teaches her the verdant magic of the forest. Fate leads her to the otherworldly realm of the Lady of the Lake and the Elves of Avalon, where she must choose between her life as a healer or fight to save her ravaged kingdom. Tristan of Lyonesse is a Knight of the Round Table who must overcome the horrors of his past and defend his king or lose everything. When he becomes a warrior of the Tribe…
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