Here are 99 books that The Fantastic Tales of Fitz-James O'Brien fans have personally recommended if you like
The Fantastic Tales of Fitz-James O'Brien.
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Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.
If I ever have to write a book to get past the censors, this book will be my model. Who knew that a mordant critique of a corrupt state could be so elegant, even whimsical?
The barbs are so oblique that the censor has a hard time finding something to pick on or even noticing it, and yet they’re unmistakable to anyone living in a society with even a passing resemblance to Stalin’s Russia—and after reading The Master and Margarita, I see those resemblances in every organization and every regime.
'Bulgakov is one of the greatest Russian writers, perhaps the greatest' Independent
Written in secret during the darkest days of Stalin's reign, The Master and Margarita became an overnight literary phenomenon when it was finally published it, signalling artistic freedom for Russians everywhere. Bulgakov's carnivalesque satire of Soviet life describes how the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow one Spring afternoon. Brimming with magic and incident, it is full of imaginary, historical, terrifying and wonderful characters, from witches, poets and Biblical tyrants to the beautiful, courageous Margarita, who will…
As a writer of dark historical novels, I'm always drawn to other books that reflect my gothic themes. I think this interest first began when I read Wuthering Heights, soon afterwards studying the Victorian Sensation novels at university. These vividly described and densely plot-driven stories, often with shocking twists and vivid casts of characters, would thrill and entrance me. Afterwards I'd look out for any newly published books by contemporary writers dealing with similar ideas. I can't describe how it felt when I wrote one myself and saw it on the bookshop shelves.
Coming from Herefordshire on the border with Wales, my own novels are often steeped in the natural reflections of eerie rural isolation, with the folklore and pagan customs of those places existing hand in hand with the newer forms of Christianity. Perhaps this is why I connect so passionately with the novels that are set in Thomas Hardy's Wessex.
And what a spell beautiful Tess was to weave around my heart. This profoundly moving novel will never be forgotten.
'She looked absolutely pure. Nature, in her fantastic trickery, had set such a seal of maidenhood upon Tess's countenance that he gazed at her with a stupefied air: "Tess- say it is not true! No, it is not true!"'
Young Tess Durbeyfield attempts to restore her family's fortunes by claiming their connection with the aristocratic d'Urbervilles. But Alec d'Urberville is a rich wastrel who seduces her and makes her life miserable. When Tess meets Angel Clare, she is offered true love and happiness, but her past catches up with her and she faces an agonizing moral choice.
I was born a polymath in Cheam, Surrey, England. Even as a child I had a passionate interest in music, architecture, film, poetry, drama, and storytelling. I lived very much in the world of my imagination and was able to apply it to a wide variety of projects. I have worked in Film, TV, Theatre, and have written scripts, plays, novels, songs, a musical, and an opera, all different in feeling. I have therefore had a special interest in innovative artistic work, and story-telling which pushes the boundaries of the imagination.
Saint Erkenwald is arguably the earliest ghost story in the English Language.
It is an alliterative poem by Ralph Strode, author of Sir Gawain and the Green Knight, the finest poet of the English middle ages. The effect which it has on its audiences is mesmerising.
They follow Bishop Erkenwald down to a bronze-age tomb in the foundations of Saint Paul’s Cathedral, with a living corpse inside. A lover of paradox, Strode saw time as simultaneously a continuum and a series of moments (atoms). Only in the moment can change occur, and a man who has been imprisoned for a thousand years be released.
When I read the only surviving copy of the poem, I was so moved that I had to catch my own tear before it fell and smudged the ink.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
I’ve always loved to read and laugh, and the weirder the humor, the better. It’s a strange and turbulent world out there, and sometimes, it seems like you have to laugh for crying. Fortunately, there are plenty of other talented writers and entertainers out there who share this outlook – and not just authors. Many musicians, actors, and comedians can convey this sense of cosmic absurdity, and I’m a huge fan of most of them. These books just skim the surface of the wild worldviews of kindred spirits who are capable of appreciating just how weird our society really is and can lampoon it to hilarious effect.
This book continues to astound me. Flann O’Brien puts together such a surreal set of circumstances for his unnamed narrator that the book is hard to put down.
O’Brien doesn’t strike me as the Hunter Thompson type; this book made me wonder what they were brewing into the whiskey on the Emerald Isle. The improbability of the narrator’s criminal activity and the law enforcement response often seems like a fever dream, albeit a very entertaining one. Even though I now know the M. Knight Shyamalan twist, I still can re-read this book, thinking, “What’s next? What’s next?”
A masterpiece of black humour from the renown comic and acclaimed author of 'At Swim-Two-Birds' - Flann O'Brien.
A thriller, a hilarious comic satire about an archetypal village police force, a surrealistic vision of eternity, the story of a tender, brief, unrequited love affair between a man and his bicycle, and a chilling fable of unending guilt, 'The Third Policeman' is comparable only to 'Alice in Wonderland' as an allegory of the absurd.
Distinguished by endless comic invention and its delicate balancing of logic and fantasy, 'The Third Policeman' is unique in the English language.
With a graduate degree in Writing Popular Fiction (seriously, someone gave me a degree for writing an urban fantasy book), I know that genres are nothing more than marketing terms that tell bookstores which shelves to put the books on. As an author, combining genres and subverting their topes allows me to stretch their potential and tell fresh stories that might not find an easy home on a single shelf, so it’s also important for me to read and support those making the same attempts. Stories that adhere to strict reader expectations will always find a home, but I’ve always had way more fun exploring the other possibilities.
I did my best to put together a list of alternate history books that didn’t feature either the American Civil War or World War 2, but this book was too interesting to leave out (and also, it doesn’t involve the Nazis winning the war in yet another veiled attempt at white supremacism fanfic). It does fit within my list in how Tregillis also flips many of the tropes of the genres explored here, especially regarding the main character’s role within the plot. And lest you think all alternate history stories with a healthy dose of fantasy must feature a romantic element, Tregillis’ unflinching take on the horrors of war (but add magic and make it equally horrifying) should more than make up for it.
Raybould Marsh is a British secret agent in the early days of the Second World War, haunted by something strange he saw on a mission during the Spanish Civil War: a German woman with wires going into her head who looked at him as if she knew him. When the Nazis start running missions with people who have unnatural abilities - a woman who can turn invisible, a man who can walk through walls, and the woman Marsh saw in Spain who can use her knowledge of the future to twist the present - Marsh is the man who has…
I’ve been fascinated by the link between golf and the Eastern arts since I heard the great Jack Nicklaus say that golf is played with the feet. This immediately struck a chord with me as my background spans over thirty years of Tai Chi training and I have understood from this art that all movement comes from the ground upwards. The early training of Nicklaus in fact echoes that of the ancient warriors who understood the link between intention and action, which is a very different approach to the modern way of over-thinking technique. The simplicity of flow cancels out the need to separate the golf swing into individual positions.
I have always been interested in Vedic philosophy and have greatly enjoyed the film The Legend of Bagger Vance. While there has been much watering down of ancient truths to fit with our 21st Century lifestyle (the plethora of mindfulness apps being one example) the author of this book has a depth of literary and spiritual knowledge that helps unlock the mysteries of golf and allies them with the epic tale, The Bhagavad Gita. Rosen explains that Rannulph Junuh, (played by Matt Damon in the film) is really Arjuna, the charioteer who is instructed by the Supreme Being, Bhagavan (Bagger Vance, the caddie played by Will Smith). It is an approach to the game that brings us face to face with the eternal battles within and how to overcome them.
In 1995, Steven Pressfield decided to introduce the Bhagavad-Gita to a contemporary audience, so he restructured the Gita in terms of a golf novel, The Legend of Bagger Vance. Now a major motion picture directed by Robert Redford and starring Matt Damon and Will Smith, The Legend of Bagger Vance is loosely based on the ancient Hindu epic, The Bhagavad-gita. Steven Rosen, in Gita on the Green: The Mystical Tradition Behind Bagger Vance, draws the story out further using some thirty years of Gita scholarship and a writing style that is both eloquent and thorough.
Forsaking Home is a story about the life of a man who wants a better future for his children. He and his wife decide to join Earth's first off-world colony. This story is about risk takers and courageous settlers and what they would do for more freedom.
I was a weird kid. Often accused of ‘thinking too much’, I cut my literary teeth on Stephen King, Ray Bradbury, Phillip K Dick, and Shirley Jackson. Raised on their dark milk, I grew up wanting more than hollow scares and mindless eviscerations. Don’t just give me a scary story, give me a scary story that resonates, one that raises a lens to our world, our history, the rules we’re asked to live by. Unsettle me, make me think. Most of all, give me characters worth my precious time. These are the kind of stories I endeavor to write and the ones I most enjoy reading. I hope you enjoy this small selection as much as I have.
Reminiscent of Ray Bradbury at his very finest, this absorbing collection of supernatural tales has it all: fascinating characters, palpable atmosphere, and delicious, chewy plots. McHugh brings the uncanny into the every day, most often through the experiences of women, and often using a distinctly Irish lens. From the Irish countryside, in all its windswept, boggy, or tangled forms, to modern office life, this is a glorious kaleidoscope of experiences that feel real even as the surface of human experience is punctured to expose the void beneath. Each story in this collection has a lot to offer, and - another thing this writer has in common with Bradbury - you’ll find yourself returning time and again for rereading
The Boughs Withered is the debut collection from accomplished Irish author Maura McHugh. It includes twenty tales - four of them original to the volume - which represent the best strange visions from an award-winning writer of fiction, non-fiction, comic books and plays. Among the featured stories is "Bone Mother", which was adapted into the award-winning stop-motion animated short film by See Creature in Canada.
In her horror and dark fantasy stories, Maura McHugh explores her love of the uncanny, delves into the eerie past, and evokes weird landscapes that might just co-exist with our own.
I write what I see. Dark Fantasy has been the escape I have needed my entire life. It helped me understand hard topics such as war, greed, and loss. Working through a character's struggles has saved me from the darkest parts of my mind and guided me to where I can love myself.
The strongest creatures have tried and failed to fulfill their destiny. Rather than succumb to the fallout of their actions, they ran away and hid amongst the world separately. All it took was one glance from a stranger to turn their world upside down. Can love break the curse that is their existence?
I found that the bond of family, found or born, can create a bearable existence when all hope is lost.
Seven sons, each with a bloodline of supernaturals that can be traced back to them, but where did they go? Humiliation, pain and hunger become Dabria’s everyday life as a captive but when she is forced to watch the one person in the world she loves die...what will she become?Rising from the blood and ashes, Dabria is tossed into a cell and left to rot...only she isn’t alone. A monster so feared they locked him up and threw away the key...and now, he has his sights set on her. Nothing is safe from him, not her body nor her mind,…
My Swedish grandmother first introduced me to the horror genre when I was a small boy. Her folktales of trolls and witches really fueled my imagination! Then, when I was in junior high, my father encouraged me to read Edgar Allan Poe and H.P. Lovecraft. I didn’t get hooked on things Gothic, however, until I heard the lyrics of Jim Morrison and the Doors in high school. After college, I became a freelance writer. I quickly learned that 80% of my spooky stuff got accepted by magazines while only 10% of my general interest work was published. That said, it’s no wonder I became a horror writer!
The Best of H.P. Lovecraft: Bloodcurdling Tales of Horror and the Macabre showcases some of the weirder stories of the horror genre. “The Rats in the Walls” and “The Thing on the Doorstep” put the “f” in fear! H.P.’s evil space creature, Cthulhu, also makes an appearance in this anthology.
“H.P. Lovecraft has yet to be surpassed as the twentieth century’s greatest practitioner of the classic horror tale.”—Stephen King
“The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.”—H.P. Lovecraft
This is the collection that true fans of horror fiction must have: sixteen of H.P. Lovecraft’s most horrifying visions, including:
The Call of Cthulu: The first story in the infamous Cthulhu mythos—a creature spawned in the stars brings a menace of unimaginable evil to threaten all mankind. The Dunwich Horror: An evil man’s desire to perform an unspeakable…
Forsaking Home is a story about the life of a man who wants a better future for his children. He and his wife decide to join Earth's first off-world colony. This story is about what risk takers and courageous settlers and what they would do for more freedom.
Religion and horror have long appeared to me like the double helix of some mysterious, transcendental strand of DNA. This relationship has been lived out in my own life. I am simultaneously an author of supernatural horror stories, a critic and scholar of the field, and a student of religion and philosophy with a master’s in religious studies, a Ph.D. in leadership studies, and a lifetime of involvement in various Christian churches. As both a writer and a human being, I hold a special focus on the mutual implications of religion, horror, and creativity, which all seem to arise from and lead back to the same ultimate mystery.
This book is a skeleton key for understanding the fundamental relationship between religion, horror, and the supernatural. Otto was a German theologian and scholar of religions in the late nineteenth and early twentieth centuries, and in this, his most famous book, he set out to interrogate the nature of holiness, understood not primarily as supernatural moral goodness but as the feeling of numinous dread that accompanies the supernatural, and that “first begins to stir in the feeling of ‘something uncanny, ‘ ‘eerie,’ or ‘weird.’” He explicitly states that it was this emotion in the mind of early humans that gave rise not only to religion but to the cultural traditions of ghost stories and horror tales. If you read only one book on religion and horror, make it this one.
"It is essential to every theistic conception of God, and most of all to the Christian, that it designates and precisely characterizes Deity by the attributes Spirit, Reason, Purpose, Good Will, Supreme Power, Unity, Selfhood. The nature of God is thus thought of by analogy with our human nature of reason and personality; only, whereas in ourselves we are aware of this as qualified by restriction and limitation, as applied to God the attributes we use are 'completed', i.e. thought as absolute and unqualified. Now all these attributes constitute clear and definite concepts: they can be grasped by the intellect;…