100 books like The Complete Tales and Poems of Edgar Allan Poe

Discovering Diana, the reluctant witch who must rediscover herself and her supernatural talents, makes this novel a page-turner of magick and mystery. And I loved how the weave of those two powers pulled in the romance between Diana and Matthew. An added spicy balance that mixes like a brew into the witch and vampire families that are here and from the Otherworld.

I am not a vampire fan, but the magick here is irresistible. It became rather addictive because the witchcraft spells were so illusory that I felt “invited in.” The vampire scenes were a bit nerve-wracking, creating real tension for me. Diana’s journey was perfect, as it kept growing with obsessive and fantastical suspense. I was in their witch-vampire world, which was as frightening as it was compelling. 

Anne Rice is a wonderful poet disguised as a novelist who creates dreamy and eerie landscapes in this book. She paints backdrops of multiple settings and weaves those landscapes with the mood of her characters: modern and bustling San Francisco to mysterious and moody New Orleans.

The plot involves an analytical science girl who is suddenly immersed in a mysterious past that includes witches and other supernatural beings. It explores the roots of societal misogyny by recapping the history of the Mayfair clan and an unleashed demon spirit that haunts the family, all with a romance lurking in the subplot.

It is written like a dark fairy tale that weaves a contemporary world with supernatural elements. Don’t miss this!

I love that a normal human being, Ig Perrish (awesome character name), wakes up one morning and notices he is physically transforming into a supernatural being. The progressive growth of the horns (excellent anatomical descriptions of their extension from the cranium) coinciding with his gradual distaste and rejection of all things Judeo-Christian is brilliant.

I also love that Joe Hill turned the idea of what a demon is on its head, that they are not inherently evil but become that way because they can detect the hypocrisy of human thought, which drives them mad. They are so mad that they want to harm the very beings that tell them one thing but believe in another. Something I believe is responsible for all that is truly evil in the natural world. 

Though her style has always struck me as danger-close to tabloid and disjointed, nobody ever said those traits couldn't result in coffee-through-nostrils hilarity and knockout via punchline.

Fisher's particular brand of sex, drugs, and rock-n-roll certainly didn't help with her bipolar management. All the same, her unhinged lifestyle did deliver a bevy of dramatic and somewhat instructive anecdotes.  

She captures the chaos with such wit and bite in Postcards from the Edge and Shockaholic, but if you have to choose just one book, go with Wishful Drinking.

Lasher continues the Mayfair Witches saga by developing one of my favorite themes in speculative fiction: What’s “apparently” right or wrong, good or evil? This premise fascinates and charges me when I write my paranormal fantasies.

I love that Rowan falls for Lasher’s enchantment in the beginning when he promises her extraordinary powers by sharing his physical self sexually with her, but then the story pivots to the immortal itself and its end game. What started out as a dream became a nightmare.

I love when paranormal fantasy goes off the rails, and the happy ending is not necessarily realized in the story. It is a betrayal of the characters in your book to give them a happy ending when the circumstances don’t warrant it.

Whether one can detect TR's likely bipolar condition from the vast array of moods and messaging in these deeply personal and candid letters remains subjective.  

What comes through as undebatable, however, is the level of tenderness, vulnerability, playfulness, and sentiment that our 26th President (who proudly accepted his Bull Moose and Rough Rider monikers) reveals here.

Though a handful of the editor's selections seem too esoteric, the remainder holds special appeal to me because my father's "letters/apologies to (his) grandchildren" informed the core of my book.

The thorns of Twain's personal life and literary career only heighten our intrigue with him. 

For me, he's a tragic figure whose parade of misfortunes interrupted by periods of commercial success and critical acclaim followed by further failures result in an exceptionally bipolar history. His classic novels should persist as required reading but I find his short stories equally satisfying.

This volume is voluminous, so here are some favorites to start: "The Man That Corrupted Hadleyburg," "Was it Heaven? Or Hell?" and "Luck."

I like Caroline’s bravery. When her manic-depression surfaced, she was in Richard Selzer’s Yale summer writing class. I witnessed her ensuing years being obsessed with him as he tried to keep her stable, although she lived in Toronto and he in New Haven.

A vulnerable Chinese immigrant in a foreign land, she holds nothing back when describing her bipolar condition, confinement, and recovery. Selzer stabilized her, she said, because he listened to her non-judgmentally while encouraging her to write.

I find her to be inspirational, expressing practical therapeutic steps to recovery with a new hope on the horizon. She lectures worldwide, giving others the courage to fly.    

Many years ago, because I’d written a book about my family’s experience surviving the Cambodian genocide, a talented author asked if I would mentor her through writing a book about the aftermath of the Bosnian conflict and her mother’s mental illness. The result of this is Amra Pajalic’s extraordinary memoir Things Nobody Knows about Me. Pajalic writes with raw candour about her mother’s bipolar and psychosis and growing up in the economically depressed suburbs of working-class Australia. Despite the horrors and hardships of having to constantly be an ‘adult’ in the parent-child relationship Amra’s memoir is full of humour, life, and love.

This book parlays the author’s personal experience with bipolar disorder and mental illness and her experience as a clinician treating these conditions to describe the sometimes clinical roots of genius.

How "artistic temperament," as expressed in literature, music, and the visual arts, differs from the euphoric highs and desperate lows of full-blown psychiatric conditions is the very worthwhile question she passionately tries to answer with and for us.