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This book really helped me to look beyond slave trading merchants’ papers to think about the lived realities of the slave trade for those merchants’ victims.

Smallwood follows enslaved people from their initial sale on the African coast, aboard the slave ships, and then through their sale and seasoning in the English Americas—a model that brilliantly exposes the multi-staged way that captive Africans were commodified within the slave trade.

Saltwater Slavery also details the experiences of enslaved people within the trade, especially the mental and physical trauma that they suffered aboard the slave ships. 

I really admire how this book traces two lines of a tumultuous family history through a series of short stories.

Opening in Ghana 250 years ago, the book follows two trajectories: one family branch that is kidnapped into slavery in America, and a second that remains in Africa while collaborating with slave traders.

This is a brave book that is not afraid to pose difficult questions, but in doing so, it opens a clear-eyed perspective on the way that history shapes us.

In 2007, I was writing a biography of Liverpool merchant William Davenport, who had made his fortune via the slave trade.

As I researched Davenport’s dry ledgers and letterbooks, I was fortunate to have Marcus Rediker’s exceptional The Slave Ship to hand. Pushing back against the “violence of abstraction” inherent to the accounts of slavers like Davenport, Rediker’s book exposed the horrors of the Middle Passage in unflinching detail.

His book is also filled with powerful individual stories of captives, captains, and crewmen that demonstrated to me the importance of writing “human histories” of the slave trade.

When I started researching the slave trade in the mid-2000s, there wasn’t a great deal of historical work that examined the realities of the trade for its enslaved victims, nor the merchants who organized it.

I therefore had to turn to Barry Unsworth’s exceptional 1993 novel Sacred Hunger, to gain insight into the slave trade’s gruesome realities. Unsworth undertook deep historical research before writing Sacred Hunger, which examines the fictional slaving voyage of the Liverpool Merchant.

The novel vividly exposes the violence, misery, and death that was at the trade’s core, as well as enslaved people’s constant attempts to resist their captivity. He also paints an accurate portrait of slaving merchants’ chilling rationality and “Sacred Hunger” for personal profit, regardless of what achieving that ambition costs in human lives.

The Seven Years’ War was a pivotal event in the formation of the British Empire, but histories of the conflict often omit a crucial battleground: Jamaica.

Starting in 1760, enslaved West Africans in Jamaica organized to throw off their captivity. Tacky’s Revolt, as the uprising became known, was the greatest slave rebellion the Atlantic world had yet seen. It was also linked to other, global struggles, both in Africa and between European empires.

In Tacky’s Revolt, Vincent Brown links these hyper-local and imperial stories. I found it particularly useful for understanding the complexities of race and ethnicity in the eighteenth-century British Caribbean. 

Anne Lister inherited Shibden Hall from her uncle in 1826, joining England’s landed gentry. But what was her historical context? Writing about Anne Lister's life in the 1830s, I grew fascinated by this impressive post-slavery research project led by eminent feminist historian Catherine Hall.

Although Anne herself never owned slaves, people in her circle did. You can search by name and locality on the UCL Legacies website. It opened my eyes to hypocrisy in British society then, and I’m sure it will startle you, too!

The British Empire underwent a profound transformation in the eighteenth century—so much so that historians sometimes draw a line between the “first” and “second” British Empires.

One aspect of that transformation concerned how colonies were governed. Until the 1760s, most British colonies enjoyed strong legislatures, a limited role for the military in everyday life, and the protections of English law. That changed during the Age of Revolutions, as Britain embraced an increasingly autocratic style of colonial rule.

The King’s Peace charts this transformation in an engaging and accessible way by weaving its arresting case studies into an ambitious argument about how modern states exercise authority. It gave me a keen sense of how the empire could simultaneously feel fragile and crushingly strong.

By her own admission, Morris was nostalgic about British Empire, and while I disagree with some of her conclusions, and she herself remarked that she was “ashamed” of the work before she died, there is no doubt that she penned the single best narrative of Britain’s imperial adventures.

No other writer has written so accessibly and elegantly about a complicated history that extended across five centuries.

For me, proof that you don’t always need to agree with a writer to admire them.

Over the past decade, there has been an enormous amount written about the “decline of global liberalism,” and particularly the so-called US-led liberal international order. Jeanne Morefield’s book Empires without Imperialism examines the nostalgia of liberal orders in comparing nineteenth and early-twentieth-century Britain and contemporary Anglo-American debates about liberalism and world politics. Morefield takes us through arguments from a diverse cast of characters including classicists like Alfred Zimmern and Donald Kagan, historians like Niall Ferguson, and political actors like Jan Smuts and Michael Ignatieff in order to understand how liberals draw on history as part of their political projects.

Van Diemen’s Land is the former name for the island at the bottom of Australia now called Tasmania. The British who invaded the island changed the colony’s name after the place became infamous. Not only was it home to the British Empire’s most feared convict stations, but it also had a fearsome reputation as the location of one of the most brutal genocides in the Empire’s history. Nick Brodie draws on extensive, yet previously ignored, archival documents to refute the long-standing myth that the Vandemonian War was fought between hapless convict shepherds at the far reaches of the island colony and the island’s Aboriginal inhabitants. He demonstrates instead how this significant conflict was an orchestrated campaign in which the Lieutenant-Governor of the colony used military and para-military forces to prosecute his war against Aboriginal people. Ultimately, the British won the Vandemonian War and then purposefully covered up the military nature… show more.