100 books like The Blue Room and Other Tales

Since I was a child, Halloween and Christmas have held equally hallowed positions in my heart. When I learned of Krampus folklore in my teens, I was immediately fascinated. Krampus offered the best of both worlds—a dose of Halloween creepiness to counterbalance the bright jubilation of the winter holidays. Krampus Confidential, a middle-grade mystery, and adaptation of The Maltese Falcon, is my second children’s book that aims to introduce this magnificent creature to children in a way that doesn’t inspire nightmares. My first, Goodnight Krampus, is a board book for young readers that reimagines the monster as a rambunctious toddler who gives Santa a hard time by refusing to go to sleep on Christmas Eve.

I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.

I write as Robert J. Lloyd, but my friends call me Rob. Having studied Fine Art at a BA degree level (starting as a landscape painter but becoming a sculpture/photography/installation/performance generalist), I then moved to writing. During my MA degree in The History of Ideas, I happened to read Robert Hooke’s diary, detailing the life and experiments of this extraordinary and fascinating man. My MA thesis and my Hooke & Hunt series of historical thrillers are all about him. I’m fascinated by early science, which was the initial ‘pull’ into writing these stories, but the political background of the times (The Popish Plot and the Exclusion Crisis, for example) is just as enticing. 

For as long as I can remember I have been absolutely gripped by the stories that old clothes can tell. From visiting fashion museums as a child to collecting books on the subject, I was drawn to the shapes, the fabrics, and the tales. I can remember a curator once telling me that clothes are the closest we can get to people in the past. They are the ghostly outlines of our ancestors and that has stayed with me. We give so much away about ourselves through the clothes we choose to wear and so they really do matter.

I am an Anglo Irish writer who is as filled with a wide-eyed wonder of the magic of Christmas in my middle age as I was as a small child. Alongside my lifelong love of Christmas and its traditions, I have enjoyed an equally long love of ghost stories. Combining these two passions, I am the editor of the Ghost Stories For Christmas anthologies of classic Christmas ghost stories, the first of which was published in 2022. I am also the writer of Ghostly Tales of Japan, a collection of original stories set throughout Japanese history.

I’ve been obsessed with fantasy since my grandmother bought me the entire Dorothy and the Land of Oz series as a kid. I love discovering new types of fantasy characters, spins on characters, new lore in genres, and mythology woven in creative ways. For my fantasy group, I’ve researched many interpretations of fae, witches, elves, vampires, and shapeshifters. I’m always looking to add to my list, and I love finding Indie authors new to their niche. I feel so privileged to interview many authors like these and Jennifer L. Armentrout (squeal) for my podcast, The Finding the Magic Book Podcast. I hope you love these books as much as I did.

I’m fascinated by the Victorians – and I’ve spent most of my career trying to understand them – because they’re so like us and so unlike us in many ways. They’re familiar and unfamiliar at the same time. I’m a historian of science, and I’m passionate about trying to understand why we think about the world – and about science – the way we do. I think it started with the Victorians, so understanding them really matters and getting it right rather than repeating the same old stories. I hope these books will help you put the Victorians in their place the way they helped me.

All the best books have a cat sidekick. Over and over, when people talk to me about my book, they pause in the middle of whatever they were about to say and go, “Oh my gosh, Biscuits,” and then launch into a list of things Biscuits the cat does, and how they are similar to things their cats have done, presumably up to and including throwing hands (paws?) with horrifying monsters that want to eat your heart. Biscuits is the latest in a long and proud tradition of literary feline companions, an essential element of many of my favorite and formative texts growing up. 

Like many of us over (ahem…we’ll say) 40, I grew up reading historical romance—those were the first full-length romance novels on store shelves. My mum is British and visits there added to my interest in Regency England. Then 50 Shades exploded and people’s spice level tolerance increased. But mainly in contemporary romance, with all the tools and toys. Curious as to how spice in the Regency would look, I went searching. I found a few of these fabulous authors, but not many choices, so I decided to write one. Now there are more authors published in this subgenre, and I’m proud to be one of them.

I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.