100 books like The Birth of Loud

If you’ve ever wondered (or haven’t) what Richard Nixon, Jane Fonda, Linda Ronstadt, All in the Family, and the films Chinatown and Shampoo share in common, and why it matters, author and political correspondent Ronald Brownstein connects the dots in a compelling examination of how the seismic cultural upheavals we attribute to the late 60s were in fact late bloomers, leaving their mark only in the early 70s.  

Part nostalgia, part pop and TV history, part political analysis, this book zeros in on the cast of personalities and classic artistic works that collectively made 1974 the pivotal year in the modern American zeitgeist. Something for everyone who lived through that time—I can attest to that—and a timely cultural history lesson for those who didn’t.

As a New Yorker, I’ve glanced fleetingly over the years at architect Philip Johnson’s monumental structures that dot the city, and as a Ph.D. student, I spent hours researching under the atrium of his Bobst Library at NYU, assuming incorrectly—as this book demonstrates—that Johnson was a traditionally-schooled, distinguished architect of sound personal character. Lamster’s revealing biography untangles a disturbingly complex man—an almost gentleman farmer among architects with limited technical background, lofty plans, and a lifelong engagement with fascism.  

This book pulls back the curtain to unveil an unexpected trail of machinations between Johnson and his circle of the wealthy and powerful, showing how a doyen of modern culture hid his failings from the public behind the façade of his towering creations.  

The invention of the radio came at a great price for Edwin Armstrong, inventor of the key component that made broadcasting possible. Financially ruined by nefarious competition, he jumped from a window. Lewis’s gripping account of the lives of Armstrong, Lee de Forest, and David Sarnoff—the pioneers who put our lives on the air—is another tug-of-war tale of who got there first or who claimed to have gotten there first and who would profit from crossing the finish line, deserved or not.  

I’ve researched the history of radio extensively for my own writing, and Lewis’s account is surely the best seat-of-the-pants history of this technology that fostered not only radio but every incarnation of electronics during the first half of the 20th century. 

I’ve been a fan of Leonard Bernstein’s music and his peerless conducting since I was a child and I knew that his personal and creative life was stormy. But I was gobsmacked by Jamie Bernstein’s deeply personal tour through the up-close, at-home world of this timeless genius. She invites us into Lenny’s study, his living room, or seats us at the dinner table as he puffs his umpteenth daily cigarette, downs a scotch, and holds forth on the sacred, the profane, and the mundane.  

As a biographer, I gleaned much from this powerful memoir, a confessional chronicle that emboldened me to take chances and dissect the deepest innards of my subject unapologetically.  If we can witness Lenny soiling himself onstage in his last year as he is honored for lifetime achievement, we can also plumb the depths of his deeper psyche as well.  A masterful portrait.  

I love this book because it’s not your typical sleepy-time bedtime story. It’s silly and loud, with mentions of monster trucks and guitar solos. It might not have my kids yawning, but it will have them excited to read before bed.

If I’m ever struggling to get my kids to bed (so, most nights), reading a fun book like this always helps to get them zipping through their bedtime routines a little faster.

Electric guitars and basses are the most popular stringed musical instruments.

Many players dream of building their own instrument. This book provides step-by-step instructions for doing just that. The author is an enthusiastic builder himself, and is also a teacher of instrument construction.

The book is written in a direct and personal style, and anticipates all of the questions a novice builder will ask. This is amazingly confidence-building. For first-time builders of electric guitars, there is no better place to start than this book.

One girl. Four different lives. Set in the late 60s and full of musical reminders of that time period, a psychology professor investigates the reason behind meeting four different versions of the same girl. This exploration of the many worlds theory gets more into our brain and how it perceives strange phenomenon. 

In the second half, no shocker, there are some experiments with psychedelics that help Garrett think through the idea of parallel worlds, what they might mean, and how that veil could be lifted, if only for a brief time and only by a few. This one makes you think!

We’re probably in a golden age of guitar making. The internet has made information on how to make guitars, once rare indeed, free to anyone who wants to learn. New builders need to see what the very top luthiers (makers of stringed instruments) are building. This book is full of beautiful pictures – more pictures than words – that show the highest levels of design and construction. When I want to dream about how my next guitar might look, I go here.

Michael Nesmith was famous for being a member of “The Monkees,” but his family was rich before that success. His mother, Bette Nesmith, a secretary, and amateur artist, invented Liquid Paper in 1958. She sold her company to Gillette in 1979 for $49,500,000. This book chronicles the amazing achievement of hundreds of people just like Bette. Some became famous (Orville Wright, Levi Strauss, Fred, and Donald Trump, Helen Keller), whereas others were outshone by their creations. The author explains the thought processes, work systems, promotional efforts, and production demands behind each creative person’s journey from idea to finished product. Superb drawings enhance the explanations of machines, bridges, tunnels, and skyscrapers.

The author is the thing here. Geoff Emerick was the sound engineer at Abbey Road Studios during the recording of the later Beatle albums – Sgt. Pepper, the White Album, and, yes, Abbey Road. Of course, every Beatle fan knows that George Martin was the Beatle’s producer but it was Emerick who set up the microphones and the tape loops. It was Emerick who captured Ringo’s drumming the best (pillow in the bass drum) and to a large degree, it was he who helped the Beatles shape their legendary sound.