Here are 69 books that Famous Father Girl fans have personally recommended if you like
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I am both a musician and an author: a Juilliard-trained professional composer who fell into writing after a Ph.D. in electronic music at NYU. Both of my biographies—a favorite genre—chronicle the lives of inventors who married music to electronics and altered the trajectory of music. But their lives each took strange turns—sometimes in almost fictional dimensions—demonstrating that leaving a technological and artistic mark on posterity often has a black side that history overlooked. I’m fascinated by the psychic profiles of my subjects, and I love books that show how character is not black and white—that those who moved the needle of human progress also harbored dark realms in their personalities.
If you’ve ever wondered (or haven’t) what Richard Nixon, Jane Fonda, Linda Ronstadt, All in the Family, and the films Chinatown and Shampoo share in common, and why it matters, author and political correspondent Ronald Brownstein connects the dots in a compelling examination of how the seismic cultural upheavals we attribute to the late 60s were in fact late bloomers, leaving their mark only in the early 70s.
Part nostalgia, part pop and TV history, part political analysis, this book zeros in on the cast of personalities and classic artistic works that collectively made 1974 the pivotal year in the modern American zeitgeist. Something for everyone who lived through that time—I can attest to that—and a timely cultural history lesson for those who didn’t.
In this exceptional cultural history, Atlantic Senior Editor Ronald Brownstein-"one of America's best political journalists" (The Economist)-tells the kaleidoscopic story of one monumental year that marked the city of Los Angeles' creative peak, a glittering moment when popular culture was ahead of politics in predicting what America would become.
Los Angeles in 1974 exerted more influence over popular culture than any other city in America. Los Angeles that year, in fact, dominated popular culture more than it ever had before, or would again. Working in film, recording, and television…
I am both a musician and an author: a Juilliard-trained professional composer who fell into writing after a Ph.D. in electronic music at NYU. Both of my biographies—a favorite genre—chronicle the lives of inventors who married music to electronics and altered the trajectory of music. But their lives each took strange turns—sometimes in almost fictional dimensions—demonstrating that leaving a technological and artistic mark on posterity often has a black side that history overlooked. I’m fascinated by the psychic profiles of my subjects, and I love books that show how character is not black and white—that those who moved the needle of human progress also harbored dark realms in their personalities.
Electric guitars are all around us, but they didn’t just burst upon the scene with 1950s rock ‘n’ roll, fully formed; their zig-zaggy path to ubiquity surprised me, and I’m sure it will surprise others. Ian Port’s captivating triple biography of the electrified guitar and its creators Leo Fender and Les Paul (the Gibson guitar), is set against the atmosphere of competing visions and vicious rivalry between Fender and Gibson, and their rush to win the hearts and pocketbooks of their famed rocker customers.
This very American tale of spontaneous mom-and-pop invention that spawned a beloved tool of music we take for granted uncovers the dark and sometimes clandestine side of its creation. It resonated with my own similar discoveries about Bob Moog and his synthesizer.
"A hot-rod joy ride through mid-20th-century American history" (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar's amplified sound-Leo Fender and Les Paul-and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built.
In the years after World War II, music was evolving from big-band jazz into rock 'n' roll-and these louder styles demanded revolutionary instruments. When Leo Fender's tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to…
I am both a musician and an author: a Juilliard-trained professional composer who fell into writing after a Ph.D. in electronic music at NYU. Both of my biographies—a favorite genre—chronicle the lives of inventors who married music to electronics and altered the trajectory of music. But their lives each took strange turns—sometimes in almost fictional dimensions—demonstrating that leaving a technological and artistic mark on posterity often has a black side that history overlooked. I’m fascinated by the psychic profiles of my subjects, and I love books that show how character is not black and white—that those who moved the needle of human progress also harbored dark realms in their personalities.
As a New Yorker, I’ve glanced fleetingly over the years at architect Philip Johnson’s monumental structures that dot the city, and as a Ph.D. student, I spent hours researching under the atrium of his Bobst Library at NYU, assuming incorrectly—as this book demonstrates—that Johnson was a traditionally-schooled, distinguished architect of sound personal character. Lamster’s revealing biography untangles a disturbingly complex man—an almost gentleman farmer among architects with limited technical background, lofty plans, and a lifelong engagement with fascism.
This book pulls back the curtain to unveil an unexpected trail of machinations between Johnson and his circle of the wealthy and powerful, showing how a doyen of modern culture hid his failings from the public behind the façade of his towering creations.
When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable--and influential--figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, CT, and his controversial AT&T Building in NYC, among many others in nearly every city in the country--but his most natural role was as a consummate power broker and shaper of public opinion.
Johnson introduced European modernism--the sleek, glass-and-steel architecture that now dominates our cities--to…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I am both a musician and an author: a Juilliard-trained professional composer who fell into writing after a Ph.D. in electronic music at NYU. Both of my biographies—a favorite genre—chronicle the lives of inventors who married music to electronics and altered the trajectory of music. But their lives each took strange turns—sometimes in almost fictional dimensions—demonstrating that leaving a technological and artistic mark on posterity often has a black side that history overlooked. I’m fascinated by the psychic profiles of my subjects, and I love books that show how character is not black and white—that those who moved the needle of human progress also harbored dark realms in their personalities.
The invention of the radio came at a great price for Edwin Armstrong, inventor of the key component that made broadcasting possible. Financially ruined by nefarious competition, he jumped from a window. Lewis’s gripping account of the lives of Armstrong, Lee de Forest, and David Sarnoff—the pioneers who put our lives on the air—is another tug-of-war tale of who got there first or who claimed to have gotten there first and who would profit from crossing the finish line, deserved or not.
I’ve researched the history of radio extensively for my own writing, and Lewis’s account is surely the best seat-of-the-pants history of this technology that fostered not only radio but every incarnation of electronics during the first half of the 20th century.
The story of the invention of radio focuses on scientist Lee de Forest, brilliant recluse Edwin Armstrong, and RCA mogul David Sarnoff, who turned a basement discovery into a worldwide communications revolution
These books are all by or about comic geniuses. I have always expressed myself through humor. I never felt I was pretty, so making people laugh was another way of seducing people. I started out by doing improvisational theater on the streets of New York, went on to have a recurring role on Seinfeld, and performed my solo shows on three continents. One of my greatest thrills has been to share the stage with other storytellers while touring with The Moth. When I used my storytelling skills on TikTok, I was amazed at the response. Eleven million Likes is a lot of love. I hope I deserve it.
I love showbiz biographies full of the inside dope on glamorous, brilliant people, because I’ve always wanted to be one of those glamorous, brilliant people.
Mike Nichols knew everyone important in the arts, ate at the most fabulous restaurants, traveled to the most luxurious locations, and owned several grand homes. And I am pleased to report that he was frequently anxious and depressed.
I find it very reassuring to learn that someone who has everything I’ve ever dreamed of is no happier than I am. I know that sounds a little mean, but I never claimed to be perfect.
A National Book Critics Circle finalist • One of People's top 10 books of 2021 •An instant New York Times bestseller • Named a best book of the year by NPR and Time
A magnificent biography of one of the most protean creative forces in American entertainment history, a life of dazzling highs and vertiginous plunges—some of the worst largely unknown until now—by the acclaimed author of Pictures at a Revolution and Five Came Back
Mike Nichols burst onto the scene as a wunderkind: while still in his twenties, he was half of a hit improv duo with Elaine May…
I'm a Canadian author and figure skating historian. I have written about the sport's fascinating past for over a decade. My innate curiosity about skating history dates back to the days of BETA tapes and card catalogs. Long before YouTube and social media, the only insights we often had about skater's stories were small nuggets of information passed on in television broadcasts and magazines. Figure skating biographies are a rare treat, allowing us to really get to know the people behind the skating performances we love. I'm absolutely delighted to share with you a skating biography of my own - the true story of The Father of Figure Skating - Jackson Haines.
It was one of Toller Cranston's performances that first inspired me to take up figure skating. There was something so bold, expressive, and larger than life about his performances. Those qualities are all front and center in his biography Zero Tollerance. Toller was never afraid to speak his mind, shake the tree or let the truth get in the way of a good story... and this biography is resplendent with great stories, heart, and humour.
Toller Cranston is: six-time Canadian figure-skating champion, celebrity, costume designer, artist extraordinaire, broadcaster, choreographer of skating routines, raconteur, bon vivant, coach, world traveller, art collector, legend, and enigma. In 1976 he won Olympic bronze (so why did it feel like defeat?). This book tells the story of his life after those fateful games at Innsbruck.
The rise and fall of Toller’s first professional ice show is described in soul-searing detail. His subsequent triumphant tour of Europe as the Skater of the Century is recounted, in contrast, with wicked humour. There are vignettes here of his encounters with the rich and…
Four years old and homeless, William Walters boarded one of the last American Orphan Trains in 1930 and embarked on an astonishing quest through nine decades of U.S. and world history.
For 75 years, the Orphan Trains had transported 250,000 children from the streets and orphanages of the East Coast…
I'm a British-born American historian, currently residing in Long Beach, California. I’ve published four books on the CIA and lectured about it for the Great Courses. Why spies? I’ve always loved spy novels and movies but my historical interest was piqued years ago when I stumbled across the weird story of how the CIA secretly funded various American artists and writers in the so-called Cultural Cold War. Decades on, I’m still fascinated by the subject: there’s so much human drama involved, and it’s a great lens through which to examine recent American and world history.
This book, about the CIA’s secret funding of art and culture in the Cold War battle for hearts and minds, caused a big stir on its publication in 2000. Written by a young British researcher, it scathingly criticized the Agency’s cultural operations (a source of some pride among intelligence veterans), arguing that they compromised and undermined the very artistic values they were supposed to defend. Several writers on the same subject since, myself included, have argued with aspects of her work, but Saunders’ research and storytelling are second to none. A harsh but hugely informative and entertaining account of one of the most intriguing chapters in the history of the Cold War.
During the Cold War, freedom of expression was vaunted as liberal democracy's most cherished possession-but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA-whether they knew it or not.
Called "the most comprehensive account yet of the [CIA's] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA's undercover program of cultural interventions…
I have always been a passionate music lover. Music–especially rock–and its creators have always fascinated me. My many adventures include becoming a music journalist, attending hundreds of concerts since the 1970s, and meeting many of my heroes who have since become legendary. This is why I love books that conjure memories or take me to musical moments in time that I have missed. Especially wonderful are the biographies written by or about bands, superstars and people who adore them.
It was very interesting to follow Laurie Kaye’s progression from a childhood of neglect and abuse to radio fan and later, to becoming a radio star. Her resume of interviews with rock stars and celebrities is stunning. Her intimate descriptions made me feel as if I was there during her incredible moments with several Beatles members and other superstars, who warmed up to her intelligent questions.
Laurie got the scoop of a lifetime with her RKO radio team in 1980—an interview with John Lennon and Yoko Ono, which tragically turned out to be John’s last. He was murdered hours later. As the author of a Yoko Ono biography, I was thrilled that Laurie accurately described Yoko in a positive light. I found it exciting and harrowing to read about how Laurie’s life became entwined with the sudden death of Lennon, which shattered her psyche and shook the whole world. A…
In December 8, 1980, twenty-something rock journalist Laurie Kaye entered the legendary Dakota apartments on Manhattan's Upper West Side to co-conduct an interview with her longtime idol, John Lennon. It was the last interview Lennon would ever give - just hours later, outside that same building, Lennon was shot dead by a twenty-five-year-old man (whom Kaye refuses to refer to by name) whom Kaye herself had encountered after finishing the interview and stepping outside onto the street.
Kaye has beaten herself up ever since over her failure to recognise that the assassin - who blocked her path and harassed her…
I’m a student of biography. Artists, musicians, and comedians are what I read about. I crave to know what makes a great artist tick, how their ideas develop, and why they choose to pursue their craft at huge personal expense. I’m motivated to write more of my own. These biographies are informative, entertaining, and engaging reads, well worth your time. It’s a challenging and frustrating process to tell an artist’s story. Yet their roots, their influences, and how they shake up popular culture make for greater insight into our humanity. Artists take risks and I’m always impressed by the boldness of their vision.
One of the most misunderstood artists of the last century has to be Yoko Ono. Donald Brackett, whose written biographies of Amy Winehouse, Tina Turner, and Sharon Jones, has done an excellent job of telling Ono’s story, going way beyond the standard, reductive tales about Ono and her relationship with John Lennon. His book traces Ono’s roots in Japan, her early works of performance art, and her time in New York in the Fifties mixing with the city’s art scene in Soho. Brackett’s love and respect for Ono’s artistic achievements shines throughout its pages.
For more than sixty years, Yoko Ono has fascinated us as one of the world’s most innovative, radical artists. From a childhood of both extraordinary privilege and extreme deprivation in war-time Japan, she adopted an outsider’s persona and moved to America where, after a spell at Sarah Lawrence College, she made a place for herself in bohemian arts circles. She was already twice divorced and established as a performance artist in the Fluxus movement and in Tokyo’s avant-garde scene before her fortuitous meeting with the Beatles’ John Lennon at a London Gallery in 1966.
Me and The Times offers a fresh perspective on those pre-internet days when the Sunday sections of The New York Times shaped the country’s political and cultural conversation. Starting in 1967, Robert Stock edited seven of those sections over 30 years, innovating and troublemaking all the way.
I’m a senior writer at Rolling Stone, where I cover a wide range of music-related topics. But as a child of the Seventies, I was shaped by the defining and enthralling pop culture of that era, from singer-songwriters, Southern rock, and disco records to Norman Lear sitcoms. In some of my work, I’ve chronicled the highs and lows of that era, perhaps as a way to answer a question that haunted me during my youth: Why did my older sisters and their friends keep telling me that the Sixties were the most incredible decade ever and the Seventies were awful? What did I miss? And how and where did it all go wrong?
What happened to the individual members of the Beatles in the years after the group dissolved? Many books have been devoted to that part of their saga, but few gripped me as much as this detailed, well-researched story of McCartney and his band Wings. Written with the cooperation of Macca—who gave several interviews to Doyle—Man on the Run makes you realize how chaotic, unstable, and (to use a period phrase) wild and crazy Wings were, despite the banality of some of their music. In that regard, it’s a perfect Seventies story: Beneath the seemingly mellow vibes and image lie a far more turbulent saga, reflecting the way McCartney himself repeatedly grappled with redefining himself after his tenure in arguably the greatest pop group of all time.
The most famous living rock musician on the planet, Paul McCartney is now regarded as a slightly cosy figure, an (inter)national treasure. Back in the 1970s, however, McCartney cut a very different figure. He was, literally, a man on the run. Desperately trying to escape the shadow of the Beatles, he became an outlaw hippy millionaire, hiding out on his Scottish farmhouse in Kintyre before travelling the world with makeshift bands and barefoot children. It was a time of numerous drug busts and brilliant, banned and occasionally baffling records. For McCartney, it was an edgy, liberating and sometimes frightening period…
