Here are 100 books that The Man in the Glass House fans have personally recommended if you like
The Man in the Glass House.
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I am both a musician and an author: a Juilliard-trained professional composer who fell into writing after a Ph.D. in electronic music at NYU. Both of my biographies—a favorite genre—chronicle the lives of inventors who married music to electronics and altered the trajectory of music. But their lives each took strange turns—sometimes in almost fictional dimensions—demonstrating that leaving a technological and artistic mark on posterity often has a black side that history overlooked. I’m fascinated by the psychic profiles of my subjects, and I love books that show how character is not black and white—that those who moved the needle of human progress also harbored dark realms in their personalities.
If you’ve ever wondered (or haven’t) what Richard Nixon, Jane Fonda, Linda Ronstadt, All in the Family, and the films Chinatown and Shampoo share in common, and why it matters, author and political correspondent Ronald Brownstein connects the dots in a compelling examination of how the seismic cultural upheavals we attribute to the late 60s were in fact late bloomers, leaving their mark only in the early 70s.
Part nostalgia, part pop and TV history, part political analysis, this book zeros in on the cast of personalities and classic artistic works that collectively made 1974 the pivotal year in the modern American zeitgeist. Something for everyone who lived through that time—I can attest to that—and a timely cultural history lesson for those who didn’t.
In this exceptional cultural history, Atlantic Senior Editor Ronald Brownstein-"one of America's best political journalists" (The Economist)-tells the kaleidoscopic story of one monumental year that marked the city of Los Angeles' creative peak, a glittering moment when popular culture was ahead of politics in predicting what America would become.
Los Angeles in 1974 exerted more influence over popular culture than any other city in America. Los Angeles that year, in fact, dominated popular culture more than it ever had before, or would again. Working in film, recording, and television…
I am both a musician and an author: a Juilliard-trained professional composer who fell into writing after a Ph.D. in electronic music at NYU. Both of my biographies—a favorite genre—chronicle the lives of inventors who married music to electronics and altered the trajectory of music. But their lives each took strange turns—sometimes in almost fictional dimensions—demonstrating that leaving a technological and artistic mark on posterity often has a black side that history overlooked. I’m fascinated by the psychic profiles of my subjects, and I love books that show how character is not black and white—that those who moved the needle of human progress also harbored dark realms in their personalities.
Electric guitars are all around us, but they didn’t just burst upon the scene with 1950s rock ‘n’ roll, fully formed; their zig-zaggy path to ubiquity surprised me, and I’m sure it will surprise others. Ian Port’s captivating triple biography of the electrified guitar and its creators Leo Fender and Les Paul (the Gibson guitar), is set against the atmosphere of competing visions and vicious rivalry between Fender and Gibson, and their rush to win the hearts and pocketbooks of their famed rocker customers.
This very American tale of spontaneous mom-and-pop invention that spawned a beloved tool of music we take for granted uncovers the dark and sometimes clandestine side of its creation. It resonated with my own similar discoveries about Bob Moog and his synthesizer.
"A hot-rod joy ride through mid-20th-century American history" (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar's amplified sound-Leo Fender and Les Paul-and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built.
In the years after World War II, music was evolving from big-band jazz into rock 'n' roll-and these louder styles demanded revolutionary instruments. When Leo Fender's tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to…
I am both a musician and an author: a Juilliard-trained professional composer who fell into writing after a Ph.D. in electronic music at NYU. Both of my biographies—a favorite genre—chronicle the lives of inventors who married music to electronics and altered the trajectory of music. But their lives each took strange turns—sometimes in almost fictional dimensions—demonstrating that leaving a technological and artistic mark on posterity often has a black side that history overlooked. I’m fascinated by the psychic profiles of my subjects, and I love books that show how character is not black and white—that those who moved the needle of human progress also harbored dark realms in their personalities.
The invention of the radio came at a great price for Edwin Armstrong, inventor of the key component that made broadcasting possible. Financially ruined by nefarious competition, he jumped from a window. Lewis’s gripping account of the lives of Armstrong, Lee de Forest, and David Sarnoff—the pioneers who put our lives on the air—is another tug-of-war tale of who got there first or who claimed to have gotten there first and who would profit from crossing the finish line, deserved or not.
I’ve researched the history of radio extensively for my own writing, and Lewis’s account is surely the best seat-of-the-pants history of this technology that fostered not only radio but every incarnation of electronics during the first half of the 20th century.
The story of the invention of radio focuses on scientist Lee de Forest, brilliant recluse Edwin Armstrong, and RCA mogul David Sarnoff, who turned a basement discovery into a worldwide communications revolution
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I am both a musician and an author: a Juilliard-trained professional composer who fell into writing after a Ph.D. in electronic music at NYU. Both of my biographies—a favorite genre—chronicle the lives of inventors who married music to electronics and altered the trajectory of music. But their lives each took strange turns—sometimes in almost fictional dimensions—demonstrating that leaving a technological and artistic mark on posterity often has a black side that history overlooked. I’m fascinated by the psychic profiles of my subjects, and I love books that show how character is not black and white—that those who moved the needle of human progress also harbored dark realms in their personalities.
I’ve been a fan of Leonard Bernstein’s music and his peerless conducting since I was a child and I knew that his personal and creative life was stormy. But I was gobsmacked by Jamie Bernstein’s deeply personal tour through the up-close, at-home world of this timeless genius. She invites us into Lenny’s study, his living room, or seats us at the dinner table as he puffs his umpteenth daily cigarette, downs a scotch, and holds forth on the sacred, the profane, and the mundane.
As a biographer, I gleaned much from this powerful memoir, a confessional chronicle that emboldened me to take chances and dissect the deepest innards of my subject unapologetically. If we can witness Lenny soiling himself onstage in his last year as he is honored for lifetime achievement, we can also plumb the depths of his deeper psyche as well. A masterful portrait.
The intimate memoir of Leonard Bernstein and his family, that helped inspire the new movie Maestro
“Unique among classical-music memoirs for its physical intimacy, its humor and tenderness, its ambivalence toward an irrepressible family genius. . . . The existence of this well-written book, with its poignancy and its shuddery detail. . . is a mark of [Jamie Bernstein’s] sanity and survival. In telling [her father’s] story, she got to write her own.” —New Yorker
The oldest daughter of revered composer/conductor Leonard Bernstein offers a rare look at her father on the centennial of his birth in a deeply intimate…
When I was young, my parents gave me a book of quotations. I was hooked. Now I’m the solo librarian for NBBJ, a design firm with 12 offices worldwide and I select and buy books for all 12 offices. I search for the best books to inspire the designers I work with. But I’m aware that not everyone who works for an architectural firm is an architect. We have people in accounting, facilities, tech services, and more. I try to have a selection of books for these people, too – people who are interested in architecture, but aren’t experts. I have a Master’s in medieval history and a Master's in Library and Information Science.
Although not an architect or critic, Silber takes on the “Starchitect” who designs, not for the user, but for ego. Offering examples such as Liebeskind’s Royal Ontario Museum and Gehry’s Stata Center at MIT, Silber offers a bold argument that many of our leading lights too enmeshed in Archi-speak and have convinced clients to approve projects that don’t work. You may disagree with the author, but this slim volume will get you to think.
Have you ever wondered why the Guggenheim is always covered in scaffolding? Why the slashes on the exterior of Libeskind's Jewish Museum, supposed to represent Jewish life in prewar Berlin, reappear, for no reason, on his Royal Ontario Museum in Toronto? Or why Gehry's design for an MIT lab for sensitive research has glass walls? Not to mention why, for $44.2 per square foot, it doesn't keep out the rain? You're not alone. In Architecture of the Absurd, John Silber dares to peek behind the curtain of "genius" architects and expose their willful disdain for their clients, their budgets, and…
I am a design-obsessed George Washington University (Washington, DC) professor, author, architect, interior designer, sketcher, modernist, city lover, traveler, and University of Michigan alumni who writes about topics on architecture and interior design for people of all ages and backgrounds. Everyone lives in the built environment, but not everyone understands it. For example, sketching is one of the best ways to understand a piece of furniture, interior, or building. You will never see the object the same way after you draw it! All of the books on this list are approachable, interesting, fun, and most importantly inspiring. Enjoy!
Hands down, the best book on modern architecture from someone who lived it. Peter Blake was an architect and renowned critic who ran in serious architectural circles during the modern movement. As editor-in-chief of Architectural Forum, he was an expert on the topic and knew everyone involved. His engaging and approachable writing style makes this a must-read for every budding modernist. I re-read this book every year…it’s that good.
Brings to life the masters of twentieth-century architecture and art, sharing anecdotes and memories of Frank Lloyd Wright, Buckminster Fuller, Le Corbusier, Jackson Pollock, and others
It didn’t begin with Donald Trump. When the Republican Party lost five straight presidential elections during the 1930s and 1940s, three things happened: (1) Republicans came to believe that presidential elections are rigged; (2) Conspiracy theories arose and were believed; and (3) The presidency was elevated to cult-like status.
I am a design-obsessed George Washington University (Washington, DC) professor, author, architect, interior designer, sketcher, modernist, city lover, traveler, and University of Michigan alumni who writes about topics on architecture and interior design for people of all ages and backgrounds. Everyone lives in the built environment, but not everyone understands it. For example, sketching is one of the best ways to understand a piece of furniture, interior, or building. You will never see the object the same way after you draw it! All of the books on this list are approachable, interesting, fun, and most importantly inspiring. Enjoy!
This small format hardback is a really enjoyable read, as it asks a lot of good questions about architecture that will really get you thinking and curious about the topics. Each question is answered quickly (in a sentence), and then in a longer format, but still very digestible. It’s a great gift for any architecture lover.
This entertaining and informative book explores the world of architecture through a series of 101 questions and answers that cover a wide range of issues on its practice and theory. There are historical questions, such as "Who was the first architect?" and "Are all churches architecture?" as well as ones that relate to contemporary activity, such as "Have computers changed architecture?" and "How small can a home get?." There are also many that are intriguing and irreverent, such as "Why do architects want to paint the world white?" and "Is Dubai a city?". For each of the questions there is…
I am a design-obsessed George Washington University (Washington, DC) professor, author, architect, interior designer, sketcher, modernist, city lover, traveler, and University of Michigan alumni who writes about topics on architecture and interior design for people of all ages and backgrounds. Everyone lives in the built environment, but not everyone understands it. For example, sketching is one of the best ways to understand a piece of furniture, interior, or building. You will never see the object the same way after you draw it! All of the books on this list are approachable, interesting, fun, and most importantly inspiring. Enjoy!
This is a fun sketching book to let your imagination run wild. More than just a coloring book, there are visual prompts that allow the user to modify or redesign an iconic building, or create one from scratch. It provides the framework; you provide the artistry. For kids and adults of all ages, this book will provoke creativity and encourage the architect in everyone.
This innovative book is the first to provide a fun, interactive way to learn about architecture. Filled with an array of beautiful and elegant drawings, it poses all manner of architectural challenges for the user: from designing your own skyscraper, to drawing an island house or creating a Constructivist monument, plus many others more.
Aimed at anyone who loves drawing buildings, it encourages the user to imagine their own creative solutions by sketching, drawing and painting in the pages of the book. In so doing, they will learn about a whole range of significant architectural issues, such as the importance…
I’ve been fascinated by architecture and landscape architecture since discovering the work of Le Corbusier at the age of sixteen. Most of my life has been spent teaching and writing about it - fifteen books and numerous articles - with occasional forays into designing and building. I took early retirement as a Professor of Architecture in 2013, the year after enjoying ‘Fifteen Minutes of Fame’ on a BBC TV series featuring the development of my ‘mineral scarves’ for Liberty of London. This led to a creative app and website for children called Molly’s World (to be launched in 2024) and on my seventieth birthday in 2023 I launched an architectural and garden design studio.
I was introduced to this at the end of my first year as an architecture student and it introduced me to looking at history through a designer’s eyes.
The original and best edition was in a small format, packed with postage-stamp-sized illustrations. Venturi’s target was the reductive, less-is-more strand of Modern architecture. ‘Less is a bore’, Venturi declared, and he opened my eyes to Mannerism and the Baroque and offered new insights into modern masters such as Aalto and Le Corbusier.
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I am a researcher and professor of Planning and Urban Design at Middle East Technical University, Ankara (Turkiye). I am interested in how we can develop sustainable communities in urban and rural areas, modern and historical areas, and create a much more just world for all living beings. This question has become increasingly important for our life as uncertainties arise. New paradigms appear daily with climate change, wars, energy crises, pandemics, migrations, safety and security, growing diversity, and socio-spatial inequalities. I chose these books because they helped me think of new ways to achieve a sustainable and just world for all living beings.
In this book, Patsy Healey develops an approach to understanding and evaluating governance processes of urban space by investigating ‘actors’ who are involved in these processes and their power relations.
On the one hand, she emphasizes the importance of context, such as economic, social, and environmental contexts, which impact how the physicality of space and its governance process is shaped. Using a social constructivist and relational approach, she investigates urban space, its dynamics, and governance processes and shows the multiplicity of social worlds, rationalities, and practices that co-exist in the urban context.
Healey also explores and demonstrates the complexity of the power relations between actors of urban space governance. She finds out that particular forms of the collaborative process of spaces (especially socially inclusive and just collaborative ones) can be more effective in transforming practices, cultures, and outcomes.
...a major, carefully argued contribution, which should raise the discourse among planning theorists to a new level - a level reserved for a book that succeeds in the ambitious task of weaving together, into one fabric, theories of planning and theories in planning'. - Rachelle Alterman and Tamy Stav, Town Planning Review
'...[A] visionary and important work...' - A.McArthur, Planning and Design
'A brilliant exposition of the development of theoretical concepts of planning in the second half of the Twentieth century.' - A. Gilg, Perspectives in Rural Policy and Planning
