Here are 68 books that The Bandit Queens fans have personally recommended if you like
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As a young working mom, I occasionally longed to follow the example of columnist Erma Bombeck and hide from my family in the car. Instead, I channeled the mayhem of family life into a humor column called “The Mother Load,” which detailed the day-to-day challenges of running a business while caring for two daughters, one husband, two guinea pigs, and a dancing rabbit. When I decided to pursue my life-long dream to write fiction, my debut novel was a humorous story about a mother-daughter-grandmother road trip/chase from Boston to Memphis. Although my writing doesn’t shy away from serious issues, I choose to see the world through a humorous and ultimately hopeful lens.
While on a beach vacation, the forty-year-old mother/protagonist of this book, Delia Grinstead, walks away from her distant husband and three surly children – seemingly on a whim – to try out a new life.
Anne Tyler’s characters are unfailingly quirky, and Delia can be both frustrating and charming, but the book engagingly details the mid-life crisis of a woman eager to learn who she is.
NEW YORK TIMES BESTSELLER • From the beloved Pulitzer Prize–winning author of Breathing Lessons
"BALTIMORE WOMAN DISAPPEARS DURING FAMILY VACATION."
The headlines are all the same: Beloved mother and wife Delia Grinstead was last seen strolling down the Delaware shore, wearing only a bathing suit and carrying a beach tote with five hundred dollars tucked inside. To the best of her family's knowledge, she has disappeared without a trace. But Delia didn't disappear. She ran.
Exhausted with her routine and everyone else's plans for her, Delia needed an out, a chance to make a new life for herself and to…
The uncanny slips into the gaps between the objective world and the
world of human experience with all its dreams, apprehensions, and
intuitions. This intermediate space is the habitat of ghosts and also
the zone where my mind does its wanderings. It's where my books come, and
explorations of that space in other peoples' books draw me in, deeply
and inescapably.
This book sent me wandering through the kind of haunted labyrinth I love most. I adore a book that constantly challenges expectations and twists me into a mystery unlike any I’ve read before.
The layers of this very strange and daring story—about a hapless young English teacher gone missing in Vietnam and the ghosts behind her disappearance—came together in ways I never saw coming.
Part puzzle, part revenge tale, part ghost story, this ingenious novel spins half a century of Vietnamese history and folklore into “a thrilling read, acrobatic and filled with verve” (The New York Times Editors’ Choice).
FINALIST FOR THE CENTER FOR FICTION’S FIRST NOVEL PRIZE • LONGLISTED FOR THE WOMEN’S PRIZE FOR FICTION • ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, NPR, Good Housekeeping, Kirkus Reviews
“Fiction as daring and accomplished as Violet Kupersmith’s first novel reignites my love of the form and its kaleidoscopic possibilities.”—David Mitchell, author of Cloud Atlas
I’m an American writer, Army wife, and occasional expat who has spent nearly a decade of my life living abroad (including Japan, Jordan, and the United Arab Emirates), not to mention seven Army moves stateside. I love to read (and write!) books that explore discordance and dislocation, what it is like to be an American living overseas in a time of war, and how these things impact relationships with friends, families, and strangers, and our concept of “home.” My writing is often an exploration of the mundane mixed with the catastrophic. Oh, and I have a weakness for stray cats. Lots of stray cats.
As a military spouse who has lived abroad and is always a bit wary about my surroundings, so much about this uncomfortable novel resonated with me. Two American women become unlikely friends while waiting for an inevitable military coup in an unnamed Central American country. The older woman narrator, Grace, who has married into the ruling family, takes naïve Charlotte under her wing. Both women seem to connect over their background, dislocation, and fractured family life, but nothing is as it seems. The unreliable narrator, the political ugliness, and the encroaching war all make this a thrilling read. The reader never knows what poses the biggest threat to the female protagonists: ex-husbands, runaway children, or firing squads.
A shimmering novel of innocence and evil: the gripping story of two American women in a failing Central American nation, from the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean
"[Didion's] most ambitious project in fiction, and her most successful ... glows with a golden aura of well-wrought classical tragedy.” —Los Angeles Times Book Review
Grace Strasser-Mendana controls much of Boca Grande's wealth and knows virtually all of its secrets; Charlotte Douglas knows far too little. "Immaculate of history, innocent of politics," Charlotte has come to Boca Grande vaguely and vainly…
Since my stepfather disappeared in 1982, disappearance has been my obsession. In writing Disequilibria, I read everything I could on missing persons. By now, I might be the chief authority on Missingness! – that is, on disappearance as a theoretical construct. I’m especially interested in how, across different sensibilities (in fiction, nonfiction, and poetry, but also law, social science, journalism, philosophy, history, and media studies), we can compose a shared language and create shared understanding. My larger goal is to discover creative and redemptive ways of responding to loss, grief, and trauma; to find how disappearance in all its forms creates a framework for understanding what it means to be human.
Aimee Baker’s Doe is a diptych: poems in the first section focus on missing women, while those in the second section reimagine the lives of unidentified women.
Baker creates recurrent, multiple patterns of imagery that celebrate the beauty and dignity of each woman – in argument, essentially, with the ways true crime sometimes exploits and objectifies victims’ lives. At the same time, Doe is about North America as a captivating space of the imagination: the poet creates a geography by turns intimate and vast, familiar and strange, beautiful and terrible.
The finely-crafted textures of the poems in Doe, as well as the apparent dedication to investigation and research in the work overall, make for a rare combination.
Winner of the 2018 Eugene Paul Nassar Poetry Prize
Doe began as author Aimée Baker's attempt to understand and process the news coverage of a single unidentified woman whose body was thrown from a car leaving Phoenix, Arizona. It soon grew into a seven-year-long project with the goal to document, mourn, and witness the stories of missing and unidentified women in the United States.
My maternal grandmother was an unconventional woman and a feminist in every way that matters. Although she was raised according to Victorian norms when girls were expected to remain in patriarchal shadows, she was fiercely independent. She was my hero and encouraged me to forge my own future. She also nurtured in me a love of reading and writing, which led to me becoming a journalist and author. My grandmother and I shared a great love of animals. It’s no coincidence that my debut historical fiction, The Invincible Miss Cust is based on the true story of Britain and Ireland’s first female veterinary surgeon. I’m intrigued by strong, interesting women driven to follow their dreams.
Great Circle tells the story of Marian Graves who, born in 1914, falls in love with flight at a young age and, despite difficult circumstances, is determined to chart her own course in life as one of the world’s earliest female aviators.
I loved Marian’s passion for planes and flying and her determination to circumnavigate the world by flying over the North and South Poles. It’s an epic novel, which weaves in the present-day story of actor, Hadley Baxter who is cast to play Marian in a film about her disappearance in Antarctica.
I thoroughly enjoyed following the lives of the two very driven, liberated, and adventurous women, and was particularly fascinated—sometimes gobsmacked—by the history of female aviation.
NEW YORK TIMES BESTSELLER • A TODAY SHOW #ReadWithJenna BOOK CLUB PICK • The unforgettable story of a daredevil female aviator determined to chart her own course in life, at any cost: an “epic trip—through Prohibition and World War II, from Montana to London to present-day Hollywood—and you’ll relish every minute” (People).
After being rescued as infants from a sinking ocean liner in 1914, Marian and Jamie Graves are raised by their dissolute uncle in Missoula, Montana. There--after encountering a pair of barnstorming pilots passing through town in beat-up biplanes--Marian commences her lifelong love affair with flight. At fourteen she…
I’m passionate about any suspense or thriller book. Even better, if I can’t figure out the ending, I love it when I believe I have the killer or bad guy figured out, and I’m wrong. I have read all of the books I recommended. They were page-turners and kept me on the edge of my seat. I loved reading every single one.
I love Sandra Brown. Her books are always full of suspense. This book did not disappoint me. Romantic Suspense is one of my favorite genres. This book is about FBI agent Drex Easton, who is after a sociopath with multiple identities. It kept me on the edge of my seat. I couldn’t wait to turn the page to see what happens. It kept me up late into the night reading. If I can’t put it down, it’s a great book.
There is always a woman involved, Talia Shafer. Drex believes her husband is the person he’s trailing. I loved how Sandra wove the characters together so the reader didn’t know who would win, the bad guy or Drex. I would recommend it to anyone who loves to read about law enforcement.
From the #1 NYT bestselling author: After a thirty-year search for a serial killer, FBI agent Drex Easton becomes a suspect's next-door neighbor -- but can he navigate a shocking series of twists and turns to track down the truth?
FBI agent Drex Easton is relentlessly driven by a single goal: to outmaneuver the conman once known as Weston Graham. Over the past thirty years, Weston has assumed many names and countless disguises, enabling him to lure eight wealthy women out of their fortunes before they disappeared without a trace, their families left without answers and the authorities without clues.…
When I say I enjoy stories of ordinary people in extraordinary situations, I’m talking about characters who don’t have law enforcement or Special Forces training, who aren’t martial arts experts, KGB agents, or CIA officers. I like those characters too, but they typically engage my head, not my heart. Thrown into dangerous situations, “ordinary” individuals can show tremendous courage and quick-wittedness. I can easily put myself in their shoes and empathize with their plight, which gives me a real stake in the story’s outcome. If a story is well-written, the creative ways characters respond and the strengths they discover within themselves make them true heroes to me.
Two American housewives—sisters—are on vacation in Morocco (a place I’ve really enjoyed visiting) and one of them disappears. Her sister is determined to find her, but neither has any preparation for the dangers they face. A foreign setting is mysterious, exotic, and always holds unknown possibilities. Finding themselves in a rural area, the women don’t know whom to trust, and they cannot rely on the usual social safeguards. The police and military are actually a threat. For me, a standalone thriller like this packs extra tension because you can’t be certain the characters will survive!
These two sisters are about to be permanently "disappeared"
Julie Welch's sister, Fay Lariviere, disappears from their hotel in Morocco. Although she leaves a note that she'll be back in two days, Fay doesn't return.
Julie's anger shifts to worry—and to fear when she discovers a stalker. Then, an attack meant for Julie kills another woman. Searching Fay's luggage and quizzing the hotel staff, Julie discovers Fay's destination—a remote village in the Saharan desert. Convinced her sister is in danger and propelled by her own jeopardy, Julie rushes to warn Fay.
I’ve always been fascinated by the influence technology and science on culture and our lives, especially women’s lives. The history of women’s rights, in many ways, is a story of science and technology’s influence on women’s evolution towards having more freedom (and now less) to control our bodies. As a science writer, these themes influence many of the stories that I choose to read and tell, including both my books, In Her Own Sweet Time: Unexpected Adventures in Finding Love, Commitment and Motherhood and Reconceptions: Modern Relationships, Reproductive Science and the Unfolding Future of Family. I also love to read both fictional and non-fiction stories about the nuances of personal identity.
We Run the Tides is a coming-of-age novel told through the eyes of Eulabee, a young girl growing up in the upscale Sea Cliff neighborhood of San Francisco in the 1980s.
The novel tells the story of the mysterious disappearance of Eulabee’s classmate from her toney private school and its impact on her group of friends. The story wonderfully captures the complicated relationships of young teen girls grabbling with identity, truth, and lies. Vida’s lyrical prose is filled with wit and attention to eclectic details in both her descriptions of San Francisco and the characters that she creates.
An achingly beautiful story of female friendship, betrayal, and a mysterious disappearance set in the changing landscape of San Francisco
Teenage Eulabee and her magnetic best friend, Maria Fabiola, own the streets of Sea Cliff, their foggy oceanside San Francisco neighborhood. They know Sea Cliff’s homes and beaches, its hidden corners and eccentric characters—as well as the upscale all-girls’ school they attend. One day, walking to school with friends, they witness a horrible act—or do they? Eulabee and Maria Fabiola vehemently disagree on what happened, and their rupture is followed by Maria Fabiola’s sudden disappearance—a potential kidnapping that…
I remember being gifted a copy of a fairy tale book for children by someone my dad worked with as a kid. "Wow, these are really close to the originals," Mom murmured under her breath. "Wait, there are originals?" That set off a chain reaction of a lifelong love of fairy tales, myths, legends, and folk stories. Writing The Tooth Fairy forced me to double-check my lifetime of accumulated knowledge. Plus, being trapped indoors with audiobooks during a global pandemic left me a lot more time to learn! In short: I simply love the old legends.
Holly Black co-wrote the Spiderwick Chronicles and knows her stuff. I found this series of graphic novels extremely entertaining, and chillingly true to the old legends. Black takes old legends from several Eurocentric cultures and has them coexisting in one single city, as just people, trying to make it. Poor Rue, the main character, is only half-human. When she finds out her mother is one of "the good neighbors"-- a fairy princess, she has to venture to her grandfather's realm to find her, meanwhile, a swan maiden is murdered up the street, and nixies steal her boyfriend. The drama of the series was riveting, as were the legends she called upon.
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From the amazing imagination of bestselling author Holly Black, a mysterious and wonderful teen graphic novel masterpiece.
Rue Silver's mother has disappeared . . . and her father has been arrested, suspected of killing her. But it's not as straightforward as that. Because Rue is a faerie, like her mother was. And her father didn't kill her mother -- instead, he broke a promise to Rue's faerie king grandfather, which caused Rue's mother to be flung back to the faerie world. Now Rue must go to save her -- and must also defeat a dark faerie that threatens our very…
My book recommendations reflect my experience as a former US government physician-diplomat, based overseas in Russia, Mexico, Europe, and South Asia, where I was involved in working closely with law enforcement and diplomatic negotiators in several highly sensitive, delicate, and dangerous hostage situations, both as a consultant and in providing medical support/care coordination to released hostages. I always found this work to be exhilarating and demanding, and it left me with the highest respect for law enforcement, diplomatic, and mental health professionals who work in this space. As a result, I’ve had additional formal training in hostage negotiation, negotiation psychology, and medical/psychological support to victims.
Daniel Levin’s book is a gripping, gut-wrenching tale of his search for missing young man in Syria during the aftermath of the Arab Spring.
A gifted international negotiator, Levin also tells a very human and tragic tale, with valuable lessons on how negotiators should approach the most dangerous, high-risk negotiations, where the chances of failure and sorrow are extremely high. Levin writes masterfully, and his story overwhelms the reader with his sense of empathy, tragedy, and yes, even hope, in a part of the world where hope is in short supply.
“Riveting . . . Well-written and highly compelling."—Wall Street Journal
“Truly thrilling. Daniel Levin brilliantly conveys both the menace and the evil of Middle Eastern intrigue, and some victories of human kindness over cruelty and despair.”—Daniel Kahneman, New York Times bestselling author of Thinking, Fast and Slow
Daniel Levin was in his New York office when he got a call from an acquaintance with an urgent, cryptic request to meet in Paris. A young man had gone missing in Syria. No government, embassy, or intelligence agency would help. Could he? Would he? So begins a suspenseful, shocking, and at times…
