Fans pick 56 books like Terrible Virtue

I’m drawn to stories of women whose journeys shed light on human nature. These women are often found in cautionary tales within dystopian and historical fiction. Their stories not only remind us of the past but also hint at possibilities—different versions of the future. To capture this truth, I wrote a novel that delicately blends the past with the near future.

My great-grand aunt Blanche Ames was a co-founder of the Birth Control League of Massachusetts. My grandmother marched in birth control parades with Blanche. My mother stood in the Planned Parenthood booth at the Minnesota State Fair and responded calmly to those who shouted and spit at her. As the lead author and associate editor of the monumental reference work Women’s History Sources: A Guide to Archives and Manuscript Collections in the United States, which helped to launch the field of women’s history in the 1970s, I learned to love American women’s history, and I’ve always loved writing. Lemons in the Garden of Love is my third award-winning historical novel.

My great-grand aunt Blanche Ames was a co-founder of the Birth Control League of Massachusetts. My grandmother marched in birth control parades with Blanche. My mother stood in the Planned Parenthood booth at the Minnesota State Fair and responded calmly to those who shouted and spit at her. As the lead author and associate editor of the monumental reference work Women’s History Sources: A Guide to Archives and Manuscript Collections in the United States, which helped to launch the field of women’s history in the 1970s, I learned to love American women’s history, and I’ve always loved writing. Lemons in the Garden of Love is my third award-winning historical novel.

My great-grand aunt Blanche Ames was a co-founder of the Birth Control League of Massachusetts. My grandmother marched in birth control parades with Blanche. My mother stood in the Planned Parenthood booth at the Minnesota State Fair and responded calmly to those who shouted and spit at her. As the lead author and associate editor of the monumental reference work Women’s History Sources: A Guide to Archives and Manuscript Collections in the United States, which helped to launch the field of women’s history in the 1970s, I learned to love American women’s history, and I’ve always loved writing. Lemons in the Garden of Love is my third award-winning historical novel.

As a woman who started writing later in life, I know about reinventing oneself and overcoming obstacles along the way. At any age, there are many hurdles to climb in getting a novel published, though probably more for an older woman. Marketing is a whole other aspect of being an author and that’s where technology comes in. It can be daunting. I had to learn a whole new vocabulary, programs, and social media I never dreamed I’d use. It all seems easy now, yet in the beginning, it definitely created a lot of angst. My life has blossomed from it all and I’m proud I’ve climbed those hurdles. I want the same for my characters. 

I have spent my medical career focused on infertility and helping couples achieve their dream of pregnancy. Over the span of my career, I have had the opportunity to teach and provide research in the field of infertility, offer medical treatment to address the dream of pregnancy and parenthood, and, most importantly, be there for each and every one of my patients in good and bad times through the stages of their fertility journeys. The joy of achieving pregnancy after navigating infertility makes our entire team celebrate this sometimes monumental goal. This is why I am most passionate and enthusiastic to provide a book designed for those going through the challenging, daunting infertility process.

When I started writing The Majesties, I wanted the narrative to be a continual excavation of secrets, one after the other. This sort of multi-layered story has always intrigued me and my fascination with it has influenced all my written work so far. I am particularly fascinated by books where characters unconsciously keep secrets from themselves, and where the line between the “real” and the fantastic is blurred beyond recognition. Sometimes it’s not just about solving a mystery, but articulating its mysteriousness—giving it flesh and bone, stitching its parts together, and bringing it to life through words.

Over my twenty years as a historian, the common thread in my work is the gap between how people are supposed to behave and how they actually do behave. From interracial sexual relationships in the segregated South, to rum smuggling from Cuba during Prohibition, to abortion on college campuses before Roe, I'm interested in how people work around rules they don’t like. And rules about sex are some of the most ignored rules of all. Reading about strange beliefs and common desires connect us to our ancestors. Being a professor of history at the University of Alabama in Tuscaloosa, Alabama allows me to research bad behavior in the past to my heart’s content.

I am a feminist author, having written about women’s history for nearly half a century. One phrase, "Dig where you stand," truly inspired me. Living in Oldham, I began researching the history of the radical suffragists across industrial Lancashire. Later, moving across the Pennines to Halifax, I gradually learned of Anne Lister of Shibden Hall—and became gripped by her diaries! Meanwhile, I worked in Adult Education at Leeds University & was a Reader in Gender History.

I’ve been a journalist for years, and to write my first book, I ended up doing a ton of original research and reporting about photography, fashion, the art world, and the magazine industry in midcentury New York. But certain passages in the twins’ interviews reminded me strongly of many books I’d read growing up, that address the challenges young women face as they confront choices in life. And their story, with its wild and colorful characters, begged to be structured like a novel. It also took place when American society was changing dramatically for women, as it is today. So, I kept books like these in mind while writing.