50 books like In the Hands of Women

As a woman who started writing later in life, I know about reinventing oneself and overcoming obstacles along the way. At any age, there are many hurdles to climb in getting a novel published, though probably more for an older woman. Marketing is a whole other aspect of being an author and that’s where technology comes in. It can be daunting. I had to learn a whole new vocabulary, programs, and social media I never dreamed I’d use. It all seems easy now, yet in the beginning, it definitely created a lot of angst. My life has blossomed from it all and I’m proud I’ve climbed those hurdles. I want the same for my characters. 

As a woman who started writing later in life, I know about reinventing oneself and overcoming obstacles along the way. At any age, there are many hurdles to climb in getting a novel published, though probably more for an older woman. Marketing is a whole other aspect of being an author and that’s where technology comes in. It can be daunting. I had to learn a whole new vocabulary, programs, and social media I never dreamed I’d use. It all seems easy now, yet in the beginning, it definitely created a lot of angst. My life has blossomed from it all and I’m proud I’ve climbed those hurdles. I want the same for my characters. 

The biggest compliment a reader can give me is to tell me my book made them cry. Yes, I love a great tear-jerker. I love writing them, and I love reading them. When we feel more deeply, we can live more fully. Books that evoke emotion can help us tune into our authentic selves and confront falsehoods that have held us back from full victory in our lives. Plus, reading is cheaper than therapy! I seek to bring hope, healing, and freedom through fiction. You have to feel to heal, so bring on all the feels.  

As a woman who started writing later in life, I know about reinventing oneself and overcoming obstacles along the way. At any age, there are many hurdles to climb in getting a novel published, though probably more for an older woman. Marketing is a whole other aspect of being an author and that’s where technology comes in. It can be daunting. I had to learn a whole new vocabulary, programs, and social media I never dreamed I’d use. It all seems easy now, yet in the beginning, it definitely created a lot of angst. My life has blossomed from it all and I’m proud I’ve climbed those hurdles. I want the same for my characters. 

My great-grand aunt Blanche Ames was a co-founder of the Birth Control League of Massachusetts. My grandmother marched in birth control parades with Blanche. My mother stood in the Planned Parenthood booth at the Minnesota State Fair and responded calmly to those who shouted and spit at her. As the lead author and associate editor of the monumental reference work Women’s History Sources: A Guide to Archives and Manuscript Collections in the United States, which helped to launch the field of women’s history in the 1970s, I learned to love American women’s history, and I’ve always loved writing. Lemons in the Garden of Love is my third award-winning historical novel.

I am a professor of history and Jewish studies at American University and author of America’s Jewish Women: A History from Colonial Times to Today, winner of the National Jewish Book Award – 2019 Jewish Book of the Year. Since childhood I have been reading stories of women’s lives and tales set in Jewish communities across time and space. Yet, the voices that so often best evoke the past are those captured on the pages of great memoirs.

I’m the sort of writer who constantly asks “what kind of story could I set here?” A quiet copse, a busy mall, a shabby wedding venue, all locations have their own stories to tell in addition to those of the characters who inhabit them. Stories work best when the location is the pivot around which everything else happens. This is doubly true for secondary world fantasy because, when you’re creating a world, you don’t just tease the story out of its locations—you can weave it into the fabric of the place. Which is how I created the world of Queen Of Clouds, down to its very motes.

I am fascinated by how gender and sex, characteristics of our beings that we take to be the most intimate and personal, are just as subject to external forces as anything else in history. I have written about the cultivation of masculinity in college fraternities, the history of young people and the age of consent to marriage, and about a same-sex couple who lived publicly as “father and son” in order to be together. My most recent book is a biography of an abortion provider in nineteenth-century America who became the symbol that doctors and lawyers demonized as they worked to make abortion a crime. I am a professor at the University of Kansas. 

Years ago, I wrote mystery novels featuring women investigators when that was new in the genre. Now, I discover stories of real-life women whose lives have a natural story arc that can engage the reader from start to finish. Like gambling and prostitution, abortion, when it was illegal in the US, as it is now again in many places, was simultaneously in your face and undercover. It was also largely practiced by women, which is why I’m fascinated by books about it.

My great-grand aunt Blanche Ames was a co-founder of the Birth Control League of Massachusetts. My grandmother marched in birth control parades with Blanche. My mother stood in the Planned Parenthood booth at the Minnesota State Fair and responded calmly to those who shouted and spit at her. As the lead author and associate editor of the monumental reference work Women’s History Sources: A Guide to Archives and Manuscript Collections in the United States, which helped to launch the field of women’s history in the 1970s, I learned to love American women’s history, and I’ve always loved writing. Lemons in the Garden of Love is my third award-winning historical novel.