Here are 100 books that The Limits of Enchantment fans have personally recommended if you like
The Limits of Enchantment.
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I’m the sort of writer who constantly asks “what kind of story could I set here?” A quiet copse, a busy mall, a shabby wedding venue, all locations have their own stories to tell in addition to those of the characters who inhabit them. Stories work best when the location is the pivot around which everything else happens. This is doubly true for secondary world fantasy because, when you’re creatinga world, you don’t just tease the story out of its locations—you can weave it into the fabric of the place. Which is how I created the world of Queen Of Clouds, down to its very motes.
The setting of this masterful story is contemporary London, but one dominated by water: rain, rivers, canal boats, ponds. As the novel progresses, the characters’ only partially successful attempts to connect feel hampered by the decreasing definition of the boundaries between land and water. A sense of hopeless inevitability pervades every page, that in the world of this drowning London something has changed. Something irreversible.
'A mesmerising, mysterious book . . . Haunting. Worrying. Beautiful' Russell T. Davis
'Brilliantly unsettling' Olivia Laing
'A magificent book' Neil Gaiman
'An extraordinary experience' William Gibson
Winner of the Goldsmiths Prize 2020, this is fiction that pushes the boundaries of the novel form.
Shaw had a breakdown, but he's getting himself back together. He has a single room, a job on a decaying London barge, and an on-off affair with a doctor's daughter called Victoria, who claims to have seen her first corpse at age thirteen.…
I’m the sort of writer who constantly asks “what kind of story could I set here?” A quiet copse, a busy mall, a shabby wedding venue, all locations have their own stories to tell in addition to those of the characters who inhabit them. Stories work best when the location is the pivot around which everything else happens. This is doubly true for secondary world fantasy because, when you’re creatinga world, you don’t just tease the story out of its locations—you can weave it into the fabric of the place. Which is how I created the world of Queen Of Clouds, down to its very motes.
This wonderful novel begins with the inheritance of an ancestral pile in rural England and slowly, by twists and turns, reveals the story of the once ornate house and gardens down the centuries. Ladies and lords of the manor, gardeners and servants, painters, photographers, and WWII land girls all flit fleetingly through its pages, but the novel’s heart is the mysterious walled garden whose secrets only a very few get to witness.
American owner of a failing gallery, Toni, is unexpectedly called to England when she inherits a manor house in Hertfordshire from a mysterious lost relative.
What she really needs is something valuable to sell, so she can save her business. But, leaving the New Mexico desert behind, all she finds is a crumbling building, overgrown gardens, and a wealth of historical paperwork that needs cataloguing.
Soon she is immersed in the history of the house, and all the people who tended the gardens over the centuries: the gardens that seem to change in the twilight; the ghost of a fighter…
I’m the sort of writer who constantly asks “what kind of story could I set here?” A quiet copse, a busy mall, a shabby wedding venue, all locations have their own stories to tell in addition to those of the characters who inhabit them. Stories work best when the location is the pivot around which everything else happens. This is doubly true for secondary world fantasy because, when you’re creatinga world, you don’t just tease the story out of its locations—you can weave it into the fabric of the place. Which is how I created the world of Queen Of Clouds, down to its very motes.
This thrilling novel explores what we would do in the face of eco-catastrophe in a really unique way. Two young women—one in Doggerland in 6200 BC and the other in London in 2156—find themselves fleeing to save themselves and their children as the world they’ve always known becomes uninhabitable. The trick of using the same landscape, separated by eight thousand years brings a wonderful sense of perspective to the story, and to our own place in the world.
Doggerland, 6200 BC. As rivers rise, young mother Shaye follows her family to a sacred oak grove, hoping that an ancient ritual will save their way of life.
London, AD 2156. In a city ravaged by the rising Thames, Shante hopes for a visa that will allow her to flee with her four-year-old son to the more prosperous north.
Two mothers, more than 8,000 years apart, struggle to save their children from a bleak future as the odds stack against them.
At the sacred oak grove, Shaye faces a revelation that cuts to the core of who she is; in…
I’m the sort of writer who constantly asks “what kind of story could I set here?” A quiet copse, a busy mall, a shabby wedding venue, all locations have their own stories to tell in addition to those of the characters who inhabit them. Stories work best when the location is the pivot around which everything else happens. This is doubly true for secondary world fantasy because, when you’re creatinga world, you don’t just tease the story out of its locations—you can weave it into the fabric of the place. Which is how I created the world of Queen Of Clouds, down to its very motes.
This novel tells the stories of the residents of an Edinburgh close across the span of the twentieth century. Fagan’s Edinburgh is wonderfully, atmospheric but it’s the close itself and the goings on in its cheek-by-jowl apartments following the arrival of Jessie, sold by her father (whom she has killed) into sexual slavery, and with revenge on her mind, that permeates this murderous, richly gothic story.
Featured in Damian Barr''s picks for 2021 Shortlisted for the Gordon Burn Prize 2021 Chosen as one of the Best Books of 2021 in the Telegraph
''If this addictive slice of Edinburgh Gothic isn''t on all prize lists, there is no justice.'' iNews
''Over time, 10 Luckenbooth Close sinks from grand residence to condemned squat with secrets seething in its walls ... Luckenbooth is a place of compacted time, where the past manifests as unquiet ghosts and the future bleeds into the present ... There''s a force in Luckenbooth''s bizarre assemblage.'' The Times
I am, first and foremost, a reader. I started writing because my debut novel, releasing September 7, wouldn’t leave me alone. Dystopian and post-apocalyptic fiction tends to have that impact on me as a reader, so I wanted to create that same impact in other readers. Lately, my TBR has been dominated by indie-authored books, given my own decision to pursue indie publishing. I love the dystopian classics—especially Alduous Huxley, Kurt Vonnegut, and George Orwell- and I read the latest traditionally published dystopian books. But I find indie authors like the ones I’ve featured here tell compelling stories about important topics that perhaps many traditional publishers won’t publish.
Emma Ellis spins the most horrifying yet hope-filled stories of dystopian societies. In book one of the Eyes Forward series, the world is in a population crisis. Resources are heavily rationed, and the governments of the world are actively taking steps to curb population growth.
That’s when Mae gets pregnant and learns she must find a “life donor”—someone who agrees to die so that the baby may live—or abort her unborn child. I appreciated how Ellis threaded the horror of a forced abortion into a gripping tale of human resilience in the face of overwhelming odds.
The plot twists and turns kept me on the edge of my seat, yet the message of the book made me think about how we steward our natural resources. This book is perfect for Octavia Butler, 1984, and Brave New World fans.
★★★★★ Utterly terrifying, addictive and yet so full of love. -Amazon review
★★★★★ Great writing and a truly gripping story. -Amazon review
★★★★★ Dark, disturbing and deeply compelling. -Amazon review
Mae finds herself pregnant in a world where the global population has hit twenty billion, and governments decree that no child may be born without a life being sacrificed in return.
With growing unrest and violence towards pregnant women, Mae must navigate a hostile world to secure a future for her unborn child — no matter the cost. When the stakes are so high, how far would you go to…
Years ago, I wrote mystery novels featuring women investigators when that was new in the genre. Now, I discover stories of real-life women whose lives have a natural story arc that can engage the reader from start to finish. Like gambling and prostitution, abortion, when it was illegal in the US, as it is now again in many places, was simultaneously in your face and undercover. It was also largely practiced by women, which is why I’m fascinated by books about it.
This book has a permanent place on my nightstand, where I reach for it whenever I need a pithy, brilliant reminder of how the US completed its late-nineteenth-century transformation from a country with no abortion laws to a place where abortion was banned everywhere at every stage.
I’m amazed that a book first published in 1978, long before the advent of the Internet, managed to marshal evidence from newspaper classified ads and forgotten trials to present a portrait of America where abortion was widespread but seldom dared to speak its name.
'The history of how abortion came to be banned and how women lost--for the century between approximately 1870 and 1970--rights previously thought to be natural and inherent over their own bodies is a fascinating and infuriating one.
My great-grand aunt Blanche Ames was a co-founder of the Birth Control League of Massachusetts. My grandmother marched in birth control parades with Blanche. My mother stood in the Planned Parenthood booth at the Minnesota State Fair and responded calmly to those who shouted and spit at her. As the lead author and associate editor of the monumental reference work Women’s History Sources: A Guide to Archives and Manuscript Collections in the United States, which helped to launch the field of women’s history in the 1970s, I learned to love American women’s history, and I’ve always loved writing. Lemons in the Garden of Love is my third award-winning historical novel.
As a former newspaper reporter, I identified with this book. Newspaper reporter Laura Malloy has walked into the Lakewood Family Planning Clinic in St. Paul to interview the director of the clinic when a bomb goes off in the hallway and the young man very near her dies as Laura is propelled backward through the door. Laura tries to find whoever made the bomb, meeting with the young man’s girlfriend, who was at the clinic to get an abortion, his mother and brother, the head of the “pro-life” group, his wife, and others. I found this murder mystery to be very engaging.
While researching a story on abortion, journalist Laura Malloy becomes caught up in the lives of the people devastated by the recent bombing of the Lakeview Family Planning Clinic.
I am fascinated by how gender and sex, characteristics of our beings that we take to be the most intimate and personal, are just as subject to external forces as anything else in history. I have written about the cultivation of masculinity in college fraternities, the history of young people and the age of consent to marriage, and about a same-sex couple who lived publicly as “father and son” in order to be together. My most recent book is a biography of an abortion provider in nineteenth-century America who became the symbol that doctors and lawyers demonized as they worked to make abortion a crime. I am a professor at the University of Kansas.
This is the definitive account of what abortion looked like for the one hundred years during which it was almost completely illegal in the United States.
Reagan does an excellent job of showing us the different ways that women nevertheless accessed abortion care during that time, even as she points out how access was always shaped by race and class.
She is also great at demonstrating how and why police and lawmakers cracked down on abortion and made it less accessible at particular moments in this one-hundred-year period, ultimately showing why it was eventually decriminalized in 1973.
The definitive history of abortion in the United States, with a new preface that equips readers for what's to come.
When Abortion Was a Crime is the must-read book on abortion history. Originally published ahead of the thirtieth anniversary of Roe v. Wade, this award-winning study was the first to examine the entire period during which abortion was illegal in the United States, beginning in the mid-nineteenth century and ending with that monumental case in 1973. When Abortion Was a Crime is filled with intimate stories and nuanced analysis, demonstrating how abortion was criminalized and policed-and how millions of women…
As a woman who started writing later in life, I know about reinventing oneself and overcoming obstacles along the way. At any age, there are many hurdles to climb in getting a novel published, though probably more for an older woman. Marketing is a whole other aspect of being an author and that’s where technology comes in. It can be daunting. I had to learn a whole new vocabulary, programs, and social media I never dreamed I’d use. It all seems easy now, yet in the beginning, it definitely created a lot of angst. My life has blossomed from it all and I’m proud I’ve climbed those hurdles. I want the same for my characters.
This suspenseful novel centers on the life of Hannah Isaacson, a female obstetrician in the early 1900s, a time when women’s choices for birth control and abortion were more than limited. A devoted women's advocate and suffragist, Hannah is determined to make a difference for her patients, even if it means going to jail or challenging the governor of New York.
We women stand on the shoulders of those strong, determined women who fiercely fought for our rights, and Rubin’s well-researched novel brings that home.
In the Hands of Womenis a suspenseful historical novel centered on the life of Hannah Isaacson, an obstetrician in training who was determined to improve medical safety for women in a time when women had few choices. This carefully researched work, set in 1900 Baltimore and New York City, when birth control and abortion were both illegal, leaves us contemplating whether history is repeating itself.
With the advent of obstetrics and anesthesia as distinct fields of practice in 1900, hospital births rapidly gained popularity. Midwives, who previously cared for these women, began supplementing their shrinking incomes with abortions, sometimes performing…
I am fascinated by how gender and sex, characteristics of our beings that we take to be the most intimate and personal, are just as subject to external forces as anything else in history. I have written about the cultivation of masculinity in college fraternities, the history of young people and the age of consent to marriage, and about a same-sex couple who lived publicly as “father and son” in order to be together. My most recent book is a biography of an abortion provider in nineteenth-century America who became the symbol that doctors and lawyers demonized as they worked to make abortion a crime. I am a professor at the University of Kansas.
The word “abortionist” usually conjures up images of dangerous back alleys where untrained men take advantage of women.
In the case of Rickie Solinger’s book, instead, we meet Ruth Barnett, who performed approximately 40,000 abortions in the mid-twentieth century (1918-1968) in Portland, Oregon, without losing a single patient.
What I loved about this book is how Solinger takes us behind the scenes of a thoroughly illegal abortion clinic that still managed to provide expert care to all its patients, even as it sought to evade the law and its enforcers at every turn.
Prior to Roe v. Wade, hundreds of thousands of illegal abortions occurred in the United States every year. Rickie Solinger uses the story of Ruth Barnett, an abortionist in Portland, Oregon, between 1918 and 1968 to demonstrate that it was the law, not so-called back-alley practitioners, that most endangered women's lives in the years before abortion was legal. Women from all walks of life came to Ruth Barnett to seek abortions. For most of her career she worked in a proper suite of offices, undisturbed by legal authorities. In her years of practice she performed forty thousand abortions and never…
