15 books like Dark River

I’m the sort of writer who constantly asks “what kind of story could I set here?” A quiet copse, a busy mall, a shabby wedding venue, all locations have their own stories to tell in addition to those of the characters who inhabit them. Stories work best when the location is the pivot around which everything else happens. This is doubly true for secondary world fantasy because, when you’re creating a world, you don’t just tease the story out of its locations—you can weave it into the fabric of the place. Which is how I created the world of Queen Of Clouds, down to its very motes.

I’m the sort of writer who constantly asks “what kind of story could I set here?” A quiet copse, a busy mall, a shabby wedding venue, all locations have their own stories to tell in addition to those of the characters who inhabit them. Stories work best when the location is the pivot around which everything else happens. This is doubly true for secondary world fantasy because, when you’re creating a world, you don’t just tease the story out of its locations—you can weave it into the fabric of the place. Which is how I created the world of Queen Of Clouds, down to its very motes.

I’m the sort of writer who constantly asks “what kind of story could I set here?” A quiet copse, a busy mall, a shabby wedding venue, all locations have their own stories to tell in addition to those of the characters who inhabit them. Stories work best when the location is the pivot around which everything else happens. This is doubly true for secondary world fantasy because, when you’re creating a world, you don’t just tease the story out of its locations—you can weave it into the fabric of the place. Which is how I created the world of Queen Of Clouds, down to its very motes.

I’m the sort of writer who constantly asks “what kind of story could I set here?” A quiet copse, a busy mall, a shabby wedding venue, all locations have their own stories to tell in addition to those of the characters who inhabit them. Stories work best when the location is the pivot around which everything else happens. This is doubly true for secondary world fantasy because, when you’re creating a world, you don’t just tease the story out of its locations—you can weave it into the fabric of the place. Which is how I created the world of Queen Of Clouds, down to its very motes.

Growing up in post-WWII Europe, young people’s anxiety was often channelled into searching for ‘lost worlds’, places hope could be nurtured and ancient solutions revived. So I encountered Atlantis and Lemuria and other imagined places but also learned, from training as a geologist, that once-populated lands had actually been submerged. Myths and legends often contain grains of observational truth at their heart. The more ‘submergence stories’ I research, from Australia through India and across northwest Europe, the more I realize how much we have forgotten about undersea human pasts. And how our navigation of the future could be improved by understanding them.

I’m an award-winning children's book author-illustrator. I’ve spent the last fifteen years dreaming up stories that I hope will inspire curiosity and wonder in kids of all ages. I’m also a life-long learner! I can’t get enough info about this amazing world we live in. The more I learn, the more I realize that being a noticer, someone who slows down to observe the tiny details around them, will inspire questions and the need to find some surprising and fascinating answers. When my daughter asks a question (and there are many), my mantra has become, “I don’t know, let’s find out!” I hope this list inspires your own adventurous inquiries.

As a teacher and researcher my primary interest has been focused on the natural history, biology, functional mechanics and interactions between animals through time. Observation and interpretation are keys to my approach, and my little book about dinosaurs explores the range and variety of ways in which science can take observations (the bare fossil bones) and lead to science-based interpretations of what those bones mean. Similarly, the books that I enjoy relate, thematically, to that interest in observation and interpretation/understanding: ranging from attempting to understand the deep history of animal life, to a boy exploring Corfu or even a fictional detective observing and attempting to interpret the scene of a crime.

My love of children, nature, the arts, and reading have been the inspiration for my books. Growing up on a farm was the perfect place to satisfy my curiosity about nature. I enjoyed being in nature from sunrise to sunset. Not really knowing what I wanted to be when I grew up, I decided to major in elementary education where I could share my love for learning and keep growing, creating, and learning from my students - even as they learned from me. Through the years I wrote rough drafts and made sketches for stories filled with intriguing ideas, and respect for nature that I aspire to complete to share with others as children’s books. 

I have always loved writing and drawing, so the perfect combination of these two passions is creating picture books. I began my career as a nonfiction book editor, writing texts for illustrated children’s books. I soon became a freelance writer and have never looked back. I love writing on many subjects for readers from kindergarten to high school—but my favorite is writing narrative non-fiction picture books. I get a kick out of finding just the right story to communicate tricky information so the reader has fun while they learn. This is the best way to discover amazing truths about our incredible world.

As a full-time English professor at Blinn College, I always try to choose stories for the literature classes I teach which will resonate with students. Likewise, as an author myself, I aim for that same approach with fiction writing: I want people to remember and reflect on what they read. Memorable settings can help achieve that, so it’s my pleasure to share some of these in America's South that span both the classic side of the spectrum as well as the contemporary side.