Here are 15 books that Dark River fans have personally recommended if you like
Dark River.
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I’m the sort of writer who constantly asks “what kind of story could I set here?” A quiet copse, a busy mall, a shabby wedding venue, all locations have their own stories to tell in addition to those of the characters who inhabit them. Stories work best when the location is the pivot around which everything else happens. This is doubly true for secondary world fantasy because, when you’re creatinga world, you don’t just tease the story out of its locations—you can weave it into the fabric of the place. Which is how I created the world of Queen Of Clouds, down to its very motes.
The setting of this masterful story is contemporary London, but one dominated by water: rain, rivers, canal boats, ponds. As the novel progresses, the characters’ only partially successful attempts to connect feel hampered by the decreasing definition of the boundaries between land and water. A sense of hopeless inevitability pervades every page, that in the world of this drowning London something has changed. Something irreversible.
'A mesmerising, mysterious book . . . Haunting. Worrying. Beautiful' Russell T. Davis
'Brilliantly unsettling' Olivia Laing
'A magificent book' Neil Gaiman
'An extraordinary experience' William Gibson
Winner of the Goldsmiths Prize 2020, this is fiction that pushes the boundaries of the novel form.
Shaw had a breakdown, but he's getting himself back together. He has a single room, a job on a decaying London barge, and an on-off affair with a doctor's daughter called Victoria, who claims to have seen her first corpse at age thirteen.…
I’m the sort of writer who constantly asks “what kind of story could I set here?” A quiet copse, a busy mall, a shabby wedding venue, all locations have their own stories to tell in addition to those of the characters who inhabit them. Stories work best when the location is the pivot around which everything else happens. This is doubly true for secondary world fantasy because, when you’re creatinga world, you don’t just tease the story out of its locations—you can weave it into the fabric of the place. Which is how I created the world of Queen Of Clouds, down to its very motes.
This wonderful novel begins with the inheritance of an ancestral pile in rural England and slowly, by twists and turns, reveals the story of the once ornate house and gardens down the centuries. Ladies and lords of the manor, gardeners and servants, painters, photographers, and WWII land girls all flit fleetingly through its pages, but the novel’s heart is the mysterious walled garden whose secrets only a very few get to witness.
American owner of a failing gallery, Toni, is unexpectedly called to England when she inherits a manor house in Hertfordshire from a mysterious lost relative.
What she really needs is something valuable to sell, so she can save her business. But, leaving the New Mexico desert behind, all she finds is a crumbling building, overgrown gardens, and a wealth of historical paperwork that needs cataloguing.
Soon she is immersed in the history of the house, and all the people who tended the gardens over the centuries: the gardens that seem to change in the twilight; the ghost of a fighter…
I’m the sort of writer who constantly asks “what kind of story could I set here?” A quiet copse, a busy mall, a shabby wedding venue, all locations have their own stories to tell in addition to those of the characters who inhabit them. Stories work best when the location is the pivot around which everything else happens. This is doubly true for secondary world fantasy because, when you’re creatinga world, you don’t just tease the story out of its locations—you can weave it into the fabric of the place. Which is how I created the world of Queen Of Clouds, down to its very motes.
This stunning coming-of-age story is set in the rural Midlands in the 1960s. Fern is apprenticed to Mammy, the village wise woman, but the influence of modernity—medicines, the National Health Service, the increased connectivity afforded by motor car—spells the end for their traditional way of life. In a novel without any other overt fantastical elements, one magnificent scene where Fern, torn between loyalty to the past and the pull of the future, opens herself to the latent wonders of the woods and fields and hedgerows around her, is the key to understanding what the world loses with the passing of old knowledge.
The story of a young woman in the midlands in 1966. A woman who may be a witch. She and her family live on the margins of society. Nevertheless her family life is stifling and she seeks freedom with more outsiders, a group of beatniks, but fights to find acceptance there also. And all the time she is struggling with her fey powers. Isabel Allende said of Joyce's previous novel, The Facts of Life: 'This is the kind of book I love to read! I have not been so charmed by a novel in a long time'.
I’m the sort of writer who constantly asks “what kind of story could I set here?” A quiet copse, a busy mall, a shabby wedding venue, all locations have their own stories to tell in addition to those of the characters who inhabit them. Stories work best when the location is the pivot around which everything else happens. This is doubly true for secondary world fantasy because, when you’re creatinga world, you don’t just tease the story out of its locations—you can weave it into the fabric of the place. Which is how I created the world of Queen Of Clouds, down to its very motes.
This novel tells the stories of the residents of an Edinburgh close across the span of the twentieth century. Fagan’s Edinburgh is wonderfully, atmospheric but it’s the close itself and the goings on in its cheek-by-jowl apartments following the arrival of Jessie, sold by her father (whom she has killed) into sexual slavery, and with revenge on her mind, that permeates this murderous, richly gothic story.
Featured in Damian Barr''s picks for 2021 Shortlisted for the Gordon Burn Prize 2021 Chosen as one of the Best Books of 2021 in the Telegraph
''If this addictive slice of Edinburgh Gothic isn''t on all prize lists, there is no justice.'' iNews
''Over time, 10 Luckenbooth Close sinks from grand residence to condemned squat with secrets seething in its walls ... Luckenbooth is a place of compacted time, where the past manifests as unquiet ghosts and the future bleeds into the present ... There''s a force in Luckenbooth''s bizarre assemblage.'' The Times
Growing up in post-WWII Europe, young people’s anxiety was often channelled into searching for ‘lost worlds’, places hope could be nurtured and ancient solutions revived. So I encountered Atlantis and Lemuria and other imagined places but also learned, from training as a geologist, that once-populated lands had actually been submerged. Myths and legends often contain grains of observational truth at their heart. The more ‘submergence stories’ I research, from Australia through India and across northwest Europe, the more I realize how much we have forgotten about undersea human pasts. And how our navigation of the future could be improved by understanding them.
Ever since deep-sea fishing vessels started to bring up artifacts and the bones of extinct land animals from the floor of the North Sea (UK), there has been a suspicion that a once-inhabited submerged land lay there. Named Doggerland, this land has now been investigated in more detail than any other. We know how people lived there, what the topography and vegetation were like, what animals roamed there. And we know that about 8000 years ago, Doggerland – the last land link between the British Isles and the rest of Europe – became submerged. A gripping and hugely compelling account.
This excellent book, which deserves a wide readership, reports on the work of the North Sea Palaeolandscapes Project, which has been researching the fascinating lost landscape of Doggerland which until the end of the last Ice Age connected Britain to the continent in the North Sea area. It aims to make the findings available to a general readership, and show just how impressive they have been, with nearly 23,000km2 mapped. The techniques used to reconstruct the landscape are explained, and conclusions and speculation about the climate and vegetation of the area in the Mesolithic offered. It also tells the story…
I’m an award-winning children's book author-illustrator. I’ve spent the last fifteen years dreaming up stories that I hope will inspire curiosity and wonder in kids of all ages. I’m also a life-long learner! I can’t get enough info about this amazing world we live in. The more I learn, the more I realize that being a noticer, someone who slows down to observe the tiny details around them, will inspire questions and the need to find some surprising and fascinating answers. When my daughter asks a question (and there are many), my mantra has become, “I don’t know, let’s find out!” I hope this list inspires your own adventurous inquiries.
You will never look at an oak tree in the same way after reading The Nature of Oaks.
Tallamay shares so much fascinating info about a tree most of us take for granted. No other tree species supports so many different kinds of animals. From tiny wasps to white-tailed deer, everyone in the forest relies on oak trees.
Whenever I walk past a tall oak tree, I feel like I know so much more about its life and the hidden world it supports. I’m in on a huge secret that started with a tiny acorn.
With Bringing Nature Home, Doug Tallamy changed the conversation about gardening in America. His second book, the New York Times bestseller Nature's Best Hope, urged homeowners to take conservation into their own hands. Now, he is turning his advocacy to one of the most important species of the plant kingdom - the mighty oak tree.
Oaks sustain a complex and fascinating web of wildlife. The Nature of Oaks reveals what is going on in oak trees month by month, highlighting the seasonal cycles of life, death, and renewal. From woodpeckers who collect and store hundreds of acorns for sustenance to…
As a teacher and researcher my primary interest has been focused on the natural history, biology, functional mechanics and interactions between animals through time. Observation and interpretation are keys to my approach, and my little book about dinosaurs explores the range and variety of ways in which science can take observations (the bare fossil bones) and lead to science-based interpretations of what those bones mean. Similarly, the books that I enjoy relate, thematically, to that interest in observation and interpretation/understanding: ranging from attempting to understand the deep history of animal life, to a boy exploring Corfu or even a fictional detective observing and attempting to interpret the scene of a crime.
On the face of it this is just another book about walking in the countryside: so what? Well, it is far more than that. There is a depth and breadth to the challenge of the walk that is entirely unexpected. The idea behind the book was to walk from the south coast of England northward to the Scottish border and in doing so to develop a new trail through the English countryside, and in doing so he plants an acorn every mile in the hope that a line of oak trees would be his legacy. There his however so much history and philosophy drawn into the narrative that the book ends up being simply endlessly fascinating. You are constantly diverted by the quality of his observations and thoughts about the ever-changing countryside, intermingled with the observations by past writers, the history of the English, and indeed the deeper history of…
'The most effective advertisement for the countryside I've ever encountered' Daily Mail
Walking Through Spring follows Graham Hoyland's journey as he traces a new national trail, walking north with Spring from the South Coast to the Borders.
Hoyland connects a labyrinth of ancient footpaths, marking each mile by planting an acorn and drawing a path of oak trees that stretch through the English countryside.
From dairy cows cantering and kicking their heels in lush meadows in the West Country, to galloping bands of lambs in the Peak District and secret green ways winding along canal tow-paths up the Derwent Valley,…
My love of children, nature, the arts, and reading have been the inspiration for my books. Growing up on a farm was the perfect place to satisfy my curiosity about nature. I enjoyed being in nature from sunrise to sunset. Not really knowing what I wanted to be when I grew up, I decided to major in elementary education where I could share my love for learning and keep growing, creating, and learning from my students - even as they learned from me. Through the years I wrote rough drafts and made sketches for stories filled with intriguing ideas, and respect for nature that I aspire to complete to share with others as children’s books.
How can something as small as an acorn grow to the height of a skyscraper? Treemendous: Diary of a Not Yet Mighty Oak illustrates the life of a tiny acorn growing up to be a tall oak tree.It uses delightful and humorous text and adorable illustrations to communicate the basic science behind this phenomenal happening in nature. What a wonderful way to learn about our nation’s tree.
This adorable picture book illustrates the life of a tiny acorn growing up to be a tall oak tree. A wonderful introduction to nonfiction for curious, nature-loving kids!
Hello, world! This little acorn is so excited to grow!
Told in the diary entries of an acorn, this picture book follows a young acorn and its long life as an oak tree, from being buried by a squirrel to towering over other trees. The text communicates the basic science simply and with humor, and the illustrations up the fun factor! Parents will love the sweet story and charming illustrations, and teachers…
I have always loved writing and drawing, so the perfect combination of these two passions is creating picture books. I began my career as a nonfiction book editor, writing texts for illustrated children’s books. I soon became a freelance writer and have never looked back. I love writing on many subjects for readers from kindergarten to high school—but my favorite is writing narrative non-fiction picture books. I get a kick out of finding just the right story to communicate tricky information so the reader has fun while they learn. This is the best way to discover amazing truths about our incredible world.
I love how this beautiful picture book teaches us to value trees as precious life forms that watch over and outlive us. I am fascinated by how the simple life story of a particular oak tree, from acorn to majestic ancient landmark, tells us so much about the passage of time and the changes our planet has seen over the centuries regarding farming, industrialization, and environmental damage.
I’m simply blown away by the wonderful rhyming text and sensitive, detailed illustrations, which work together to present the young reader with a relatable timeline from the distant past stretching far ahead into a hopefully more positive future.
'This beautifully drawn book is a delightful launchpad for home learning' - Sunday Times
Told in gentle rhyming verse, this beautiful non-fiction picture book follows the story of an oak tree on a hilltop as it witnesses life changing around it over the course of hundreds of years. From the time when hunters chased deer through the woodland, to when trees were cleared for farmland, to the smog and factories emerging during the industrial revolution. One majestic oak has seen it all, and now we can too.
Accompanying pages at the end of the book include a timeline of events…
I’ve been fascinated by horror since childhood–when Scooby-Doo: Where Are You! and Doctor Who were my favorite TV shows. I specifically remember watching the Doctor Who serial, The Seeds of Doom, and the 1962 film Day of the Triffids–both about killer plants! As I finished graduate school and then took jobs in higher education, I gravitated back to horror and the gothic, which I am now fortunate enough to teach and research. I’ve written academically about all kinds of horror (most recently folk horror)–and in 2015, myself and two others founded a website, Horror Homeroom, where I write about horror for more popular audiences.
I read Kiernan’s book only recently and found it entrancing. It’s a novel that defies any easy description. In a way, it’s about a grieving writer who takes up residence in an isolated house to try to recover from the death of her partner and to try to start writing again. Nothing more happens except her occasional drives to the local village and walks to the nearby red tree. But the book bursts with richness–with complex storytelling and, we slowly realize, with an increasingly unreliable narrator. As the narrator finds, reads, and transcribes a manuscript of local folklore she found in the house, the novel increasingly blurs the boundaries between past and present, reality and delusion. At times, I found myself unsure of where I was or whose words I was reading. All the stories converge, though, on the red tree, which exerts some force over those that come within…
Sarah Crowe left Atlanta—and the remnants of a tumultuous relationship—to live in an old house in rural Rhode Island. Within its walls she discovers an unfinished manuscript written by the house’s former tenant—an anthropologist obsessed with the ancient oak growing on a desolate corner of the property.
Tied to local legends of supernatural magic, as well as documented accidents and murders, the gnarled tree takes root in Sarah’s imagination, prompting her to write her own account of its unsavory history.
And as the oak continues to possess her dreams and nearly almost all her waking thoughts, Sarah risks her health…
