Here are 96 books that Studio Europe fans have personally recommended if you like
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I’ve always been fascinated by history, by the way that the past informs the present, how it makes us who we are. And I’ve found myself drawn, as a reader and as a writer, towards those stories that incorporate some element of magic into the past. I’ve written two magical historical novels. And my third book, which I hope to be finished with soon, is a fabulist tale set in the future, which I like to say is history that hasn’t happened yet.
As someone writing a post-apocalyptic retelling of the biblical Book of Esther, I was immediately drawn to this counterfactual history set amidst an isolated Eastern European nation of Turkic warrior Jews. Called the “Jewish Game of Thrones” the book goes deep into a magical alternative universe that will have you hungering for a sequel.
What if an empire of Jewish warriors that really existed in the Middle Ages had never fallen—and was the only thing standing between Hitler and his conquest of Russia?
Eastern Europe, August 1942. The Khazar kaganate, an isolated nation of Turkic warrior Jews, lies between the Pontus Euxinus (the Black Sea) and the Khazar Sea (the Caspian). It also happens to lie between a belligerent nation to the west that the Khazars call Germania—and a city the rest of the world calls Stalingrad.
After years of Jewish refugees streaming across the border from Europa, fleeing the war, Germania launches its…
While a graduate student and then an army interpreter in Germany, I listened to reminiscences from both Third Reich military veterans and former French resistance fighters. Their tales picked up where my father's stories of pre-war European life always ended, and my fascination with this history knew no bounds. On occasion I would conceal my American identity and mentally play the spy as I traversed Europe solo.A dozen years later upon the death of my father, I learned from my mother his great secret: he had concealed his wartime life as an American spy inside the Reich. His private journals telling of bravery and intrigue inspire each of my novels.
As the first in his series of novels on the 1930sin Europe, Alan Furst's Night Soldiertends to earn the most critical praise, but Dark Starremains my personal favorite. Furst masters the noir ambiance and moral ambiguity of Europe as war approaches, where everyday people are drawn into the world of espionage and intrigue. His settings often lie outside the main urban centers of Paris and Berlin in the remote reaches of Eastern Europe. Furst's novels are impeccably researched for accurate detail-one of my must-haves in historical fiction-and each book will draw you to read the next in his series.
Andre Szara, survivor of the Polish pogroms and the Russian civil wars, is a journalist working for Pravda in 1937. War in Europe is already underway and Szara is co-opted to join the NKVD, the Soviet secret intelligence agency. He does his best to survive the tango of pre-war politics by calmly obeying orders and keeping his nose clean. But when he is sent to retrieve a battered briefcase the plot thickens and is drawn into even more complex intrigues.
Szara becomes a full-time spymaster and as deputy director of a Paris network, he finds his own star rising when…
With a graduate degree in Writing Popular Fiction (seriously, someone gave me a degree for writing an urban fantasy book), I know that genres are nothing more than marketing terms that tell bookstores which shelves to put the books on. As an author, combining genres and subverting their topes allows me to stretch their potential and tell fresh stories that might not find an easy home on a single shelf, so it’s also important for me to read and support those making the same attempts. Stories that adhere to strict reader expectations will always find a home, but I’ve always had way more fun exploring the other possibilities.
I did my best to put together a list of alternate history books that didn’t feature either the American Civil War or World War 2, but this book was too interesting to leave out (and also, it doesn’t involve the Nazis winning the war in yet another veiled attempt at white supremacism fanfic). It does fit within my list in how Tregillis also flips many of the tropes of the genres explored here, especially regarding the main character’s role within the plot. And lest you think all alternate history stories with a healthy dose of fantasy must feature a romantic element, Tregillis’ unflinching take on the horrors of war (but add magic and make it equally horrifying) should more than make up for it.
Raybould Marsh is a British secret agent in the early days of the Second World War, haunted by something strange he saw on a mission during the Spanish Civil War: a German woman with wires going into her head who looked at him as if she knew him. When the Nazis start running missions with people who have unnatural abilities - a woman who can turn invisible, a man who can walk through walls, and the woman Marsh saw in Spain who can use her knowledge of the future to twist the present - Marsh is the man who has…
I'm a military historian and an author. To get inspiration for my writing, I spent 35 years in Special Forces (as a "Green Beret") and as a CIA officer in strange places working with interesting people. I first wrote non-fiction but I needed US Government approval for everything. So, following the saying “Fiction is the lie through which we tell the truth,” I tell my tales as “faction”—stories reflecting a reality most people don’t know or understand. I write about “Us Versus Them”—stories about teamwork—and the result is The Snake Eater Chronicles. I leave it to the reader to decide where fact ends and fiction begins.
Another master, Alan
Furst’s 1st novel (of 15 so far) is a great place to start. His
stories are so well researched you might think you were reading a travel guide.
Filled with intricate details of the conflict between Russia and Germany as
World War II begins, Khristo Stoianev is a young man recruited to work for the
Russian secret service, the NKVD. From his recruitment in Bulgaria through
training and successive secret missions, Khristo must survive not only the
Nazis, but his own employers, who decide he too must be killed.
Furst builds
both the pace and tension as Khristo fights his way
across Europe trying to escape. Relentless.
Bulgaria, 1934. A young man is murdered by the local fascists. His brother, Khristo Stoianev, is recruited into the NKVD, the Soviet secret intelligence service, and sent to Spain to serve in its civil war. Warned that he is about to become a victim of Stalin's purges, Khristo flees to Paris. Night Soldiers masterfully re-creates the European world of 1934-45: the struggle between Nazi Germany and Soviet Russia for Eastern Europe, the last desperate gaiety of the beau monde in 1937 Paris, and guerrilla operations with the French underground in 1944. Night Soldiers is a scrupulously researched panoramic novel, a…
I’m a political scientist who specializes in US foreign policy. I’ve been interested in war and peace – and avoiding the former – for as long as I can remember. More than anything else, I wish I could convince Americans of how safe they are, relatively speaking, and how safe they can remain if only we make wise decisions moving forward. The future is brighter than we think.
This controversial book was a Rorschach Test for the security community.
Some read it as a critique of the United States; others saw it as a call for pacifism; others saw it as an attack on Franklin Roosevelt or Winston Churchill. In fact, it was none of those things and all of them. Baker is a novelist who purchased a newspaper archive from the 1930s and 1940s and simply reprinted some of the stories contained therein. He offers little additional comments or interpretation.
The book is an anecdote to the idea that the Second World War was somehow the “good war.” Like all others, it was barbarism; unlike all others, it was barbarism on a scale never seen before or since. And like all wars, it was, at its root, the story of common people victimized by their governments.
At a time when the West seems ever more eager to call on military aggression as a means of securing international peace, Nicholson Baker's provocative narrative exploring the political misjudgements and personal biases that gave birth to the terrifying consequences of the Second World War could not be more pertinent. With original and controversial insights brought about by meticulous research, Human Smoke re-evaluates the political turning points that led up to war and in so doing challenges some of the treasured myths we hold about how war came about and how atrocities like the Holocaust were able to happen. Baker…
Before I started writing, my understanding of war largely came about through its manifestation over subsequent decades in individuals. My grandfather selectively shared stories from his time as a bomber, then as a POW in Germany. Maybe it was this conjunction, a personal sense of rebuilding and of storytelling, that has driven my interest in the subject over these years, as a journalist and critic and then as an author of a book on the subject.
My own background, process, and style have me reaching for ever-tinier stories that I think I can go deep on, in order to hopefully excavate something larger. Judt’s Postwar is the opposite: a colossal swing at a multi-decade period across European history. In this, he synthesizes political, economic, social, and cultural histories to guide the reader through Europe’s development after World War II. It’s a book where you find yourself going over each line a few times in order to make sure you’ve wrung all meaning from it and every sentence returns you to your notes.
Finalist for the Pulitzer Prize * Winner of the Council on Foreign Relations Arthur Ross Book Award * One of the New York Times' Ten Best Books of the Year
"Impressive . . . Mr. Judt writes with enormous authority." -The Wall Street Journal
"Magisterial . . . It is, without a doubt, the most comprehensive, authoritative, and yes, readable postwar history." -The Boston Globe
Almost a decade in the making, this much-anticipated grand history of postwar Europe from one of the world's most esteemed historians and intellectuals is a singular achievement. Postwar is the first modern history that covers…
We are the Paper Lantern Writers, an author collective focused on historical fiction of all eras. From Medieval Europe to the Gilded Age (and beyond), in locales around the world, from romantic to tragic and back again, our books will take you on the journeys of a lifetime. There’s a story to be told every where you look and we'd love to be your tour guide. Follow us on Facebook, Instagram, Twitter, and YouTube, and join our Facebook group SHINE.
This book features stories by different authors who envision the crowds of people passing through Grand Central Station in New York and choose to tell ten stories of people returning from Europe at the end of World War II. It’s a time of upheaval and great change in the world and in their lives. I love when the macrocosm of the world can be distilled down to a single person’s story.
Ten bestselling authors inspired by New York City's iconic Grand Central Terminal have created their own stories, set on the same day, just after the end of World War II, in a time of hope, uncertainty, change, and renewal….
A war bride awaits the arrival of her GI husband at the platform…A Holocaust survivor works at the Oyster Bar, where a customer reminds him of his late mother…A Hollywood hopeful anticipates her first screen test and a chance at stardom in the Kissing Room…
On any particular day, thousands upon thousands of people pass through Grand Central, through the whispering…
Keith Lowe is the author of several works on postwar history. His international bestseller, Savage Continent, won the English PEN/Hessell Tiltman Prize and Italy’s Cherasco History Prize. His book on the long-term legacy of World War II, The Fear and the Freedom, was awarded China’s Beijing News Annual Recommendation and was shortlisted for the Historical Writers Association Non-Fiction Crown. His books have been translated into more than twenty languages.
People in the West tend to celebrate 1945 as a year of liberation; but, of course, in Eastern Europe, the defeat of Germany merely heralded the beginning of four more decades of repression. In this book, Anne Applebaum describes the Communist takeover of three European countries – East Germany, Poland, and Hungary. It’s a masterpiece both of research and of analysis. Communism, just like capitalism, had many faces: this book shows brilliantly just how varied repression can be. In 2013 it won the lucrative Cundill Prize, and deservedly so.
Chosen 16 times as a 'Book of the Year' - the top non-fiction pick of 2012
'The best work of modern history I have ever read' A. N. Wilson, Financial Times
At the end of the Second World War, the Soviet Union unexpectedly found itself in control of a huge swathe of territory in Eastern Europe. Stalin and his secret police set out to convert a dozen radically different countries to a completely new political and moral system: Communism. Anne Applebaum's landmark history of this brutal time shows how societies were ruthlessly eviscerated by Communist regimes, how opposition was destroyed…
When I started researching the 1930s in Britain, I realised that I had only ever considered the period from the Irish perspective, as the tail-end of the long battle for independence. I had always seen Britain in the role of oppressor: Rich, where Ireland was poor; powerful where Ireland was weak. As I read more, a new picture of Britain began to emerge. The Great Depression, the numbers of people unemployed, the children with rickets and scurvy due to malnutrition. And with those things, the rise of socialism and fascism, both expressing the same dissatisfaction with life. I wanted to know more. And so I went looking for books to teach me.
This is a history of the decade that was published in 1973. What it lacks in the perspective of greater hindsight, it gains in the energy and immediacy that Cockburn brings to the subject. It feels vivid and urgent, and conveys the sense of fear and alarm of that time very well. Parts are almost an eyewitness account. In my reading of history books that deal with the time, this stood out as being accessible and lively.
I am an aviation historian and writer, a defense analyst, and a retired, combat-experienced, Marine Corps fighter pilot. I am one of the lucky ones. Since early childhood, I wanted nothing more than to become a fighter pilot. It was a combination of good fortune, hard work, and a bit of talent that made it possible for me to realize that dream. I was inspired by the memoirs and recollections of World War II fighter pilots, and I read every book on the topic that I could find. Following my military service, I transitioned from a reader to a writer; my experience as a military pilot helps to make my books real and credible.
The archetypal combat flying story, this is an easy, fun, and eye-opening book that Scott wrote only months after returning from the war. Scott clearly loved to fly and had done so since the early 1930s after graduating from West Point. Resourceful and tenacious, he received command of a fighter group in China after having been officially told the previous year that he was too old (at the ripe old age of 33) to fly fighters. This is a rollicking read that will be enjoyed by readers of all ages.
This book was issued during World War II, in conformity with all government regulations controlling the use of paper and other materials (so stated on copyright page). The author, Colonel Robert L. Scott, Jr., consistently scheduled himself as a pilot on all possible missions. He led all types of combat missions, but specialized in the most dangerous, such as long-range flights to strafe from minimum altitudes Jap airdromes, motor vehicles, and shipping deep in enemy territory. Colonel Scott’s group of fighters always operated against greatly superior numbers of the enemy. Often the odds were five to one against them. This…
