93 books like Studio Europe

As someone writing a post-apocalyptic retelling of the biblical Book of Esther, I was immediately drawn to this counterfactual history set amidst an isolated Eastern European nation of Turkic warrior Jews. Called the “Jewish Game of Thrones” the book goes deep into a magical alternative universe that will have you hungering for a sequel.

As the first in his series of novels on the 1930s in Europe, Alan Furst's Night Soldier tends to earn the most critical praise, but Dark Star remains my personal favorite. Furst masters the noir ambiance and moral ambiguity of Europe as war approaches, where everyday people are drawn into the world of espionage and intrigue. His settings often lie outside the main urban centers of Paris and Berlin in the remote reaches of Eastern Europe. Furst's novels are impeccably researched for accurate detail-one of my must-haves in historical fiction-and each book will draw you to read the next in his series.

I did my best to put together a list of alternate history books that didn’t feature either the American Civil War or World War 2, but this book was too interesting to leave out (and also, it doesn’t involve the Nazis winning the war in yet another veiled attempt at white supremacism fanfic). It does fit within my list in how Tregillis also flips many of the tropes of the genres explored here, especially regarding the main character’s role within the plot. And lest you think all alternate history stories with a healthy dose of fantasy must feature a romantic element, Tregillis’ unflinching take on the horrors of war (but add magic and make it equally horrifying) should more than make up for it.

Another master, Alan Furst’s 1st novel (of 15 so far) is a great place to start. His stories are so well researched you might think you were reading a travel guide.

Filled with intricate details of the conflict between Russia and Germany as World War II begins, Khristo Stoianev is a young man recruited to work for the Russian secret service, the NKVD. From his recruitment in Bulgaria through training and successive secret missions, Khristo must survive not only the Nazis, but his own employers, who decide he too must be killed.

Furst builds both the pace and tension as Khristo fights his way across Europe trying to escape. Relentless.  

This controversial book was a Rorschach Test for the security community.

Some read it as a critique of the United States; others saw it as a call for pacifism; others saw it as an attack on Franklin Roosevelt or Winston Churchill. In fact, it was none of those things and all of them. Baker is a novelist who purchased a newspaper archive from the 1930s and 1940s and simply reprinted some of the stories contained therein. He offers little additional comments or interpretation.

The book is an anecdote to the idea that the Second World War was somehow the “good war.”  Like all others, it was barbarism; unlike all others, it was barbarism on a scale never seen before or since. And like all wars, it was, at its root, the story of common people victimized by their governments.

This book features stories by different authors who envision the crowds of people passing through Grand Central Station in New York and choose to tell ten stories of people returning from Europe at the end of World War II. It’s a time of upheaval and great change in the world and in their lives. I love when the macrocosm of the world can be distilled down to a single person’s story.

This is a history of the decade that was published in 1973. What it lacks in the perspective of greater hindsight, it gains in the energy and immediacy that Cockburn brings to the subject. It feels vivid and urgent, and conveys the sense of fear and alarm of that time very well. Parts are almost an eyewitness account. In my reading of history books that deal with the time, this stood out as being accessible and lively. 

People in the West tend to celebrate 1945 as a year of liberation; but, of course, in Eastern Europe, the defeat of Germany merely heralded the beginning of four more decades of repression. In this book, Anne Applebaum describes the Communist takeover of three European countries – East Germany, Poland, and Hungary. It’s a masterpiece both of research and of analysis. Communism, just like capitalism, had many faces: this book shows brilliantly just how varied repression can be. In 2013 it won the lucrative Cundill Prize, and deservedly so.

The archetypal combat flying story, this is an easy, fun, and eye-opening book that Scott wrote only months after returning from the war. Scott clearly loved to fly and had done so since the early 1930s after graduating from West Point. Resourceful and tenacious, he received command of a fighter group in China after having been officially told the previous year that he was too old (at the ripe old age of 33) to fly fighters. This is a rollicking read that will be enjoyed by readers of all ages.

My own background, process, and style have me reaching for ever-tinier stories that I think I can go deep on, in order to hopefully excavate something larger. Judt’s Postwar is the opposite: a colossal swing at a multi-decade period across European history. In this, he synthesizes political, economic, social, and cultural histories to guide the reader through Europe’s development after World War II. It’s a book where you find yourself going over each line a few times in order to make sure you’ve wrung all meaning from it and every sentence returns you to your notes.