Here are 100 books that Strumpet City fans have personally recommended if you like
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I like happy endings. There, I’ve said it. I love books. I’ve written more than sixty to date, and I read all the time in every genre. I also love history, and World War II is a particular passion. It was an era rich with drama, horror, and heroism, with stories begging to be told. So many of those stories, real and fictional, end in heartbreak. But the great thing about being a writer is that I can take the characters I love through hell and back, then, in the end, have them come shining through. That’s what I want as a reader, too.
This heartbreaking, harrowing WW2 tale is based on the true story of Lali Sokolov, a Jewish prisoner in Auschwitz who was forced to tattoo the arms of incoming prisoners.
His blossoming relationship with another prisoner, Gita, and what they endured in the concentration camp shape the soul of this book, which ultimately is a testament to the power of the human spirit.
One of the bestselling books of the 21st century with over 6 million copies sold.
Don't miss the conclusion to The Tattooist of Auschwitz Trilogy, Three Sisters. Available now.
I tattooed a number on her arm. She tattooed her name on my heart.
In 1942, Lale Sokolov arrived in Auschwitz-Birkenau. He was given the job of tattooing the prisoners marked for survival - scratching numbers into his fellow victims' arms in indelible ink to create what would become one of the most potent symbols of the Holocaust.
Waiting in line to be tattooed, terrified and shaking, was a young girl.…
A lover of fiction since my teens, I only really took an interest in history in my 20s. I’m fascinated with WWII and the 1950s due to family histories and having visited key sites, like Bletchley Park and the Command Bunker in Uxbridge, near where I grew up. I’m not especially patriotic, but I am proud of what Britain had to do in 1940, as well as the toll the war took and the years of recovery. But it’s also the time, albeit decreasingly so, when people still alive today can look back at their youth, and we can all have a nostalgia for that time in our lives.
As a huge fan of Ian McEwan’s early novels with their dark drama, especially The Innocent, I initially gave up on this book after the first 70 pages—but then, thankfully, resumed a while later.
What seemed a genteel novel about manners transforms into something much more sinister and dramatic. I loved the tense atmosphere of it, with much of the story condensed into one hot pre-war summer’s day and then the later serious repercussions from what, at the time, seem fairly harmless childish actions.
On the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a…
I’m deeply interested in the lives of my ancestors including the times they lived through so in researching our family tree I took into account the historical events they witnessed. This is what led me to read and write historical fiction. One branch of my family where survivors of the Great Hunger so I have done a lot of research on this dark period of Irish history. During WW1 my husband’s great uncle died in the trenches as an Irishman fighting in the British Army while at the same time my English grandfather and his two brothers were imprisoned as conscientious objectors, one of them dying as a consequence.
This is the first book in a trilogy that follows multiple generations of a fictional Irish family. Set in the mid-1600s, Cromwell’s soldiers leave a trail of destruction behind as they attack towns and villages throughout the country. After his wife is killed in the massacre of Drogheda Dominick McMahon and his two children, along with a wounded priest, set out to find a safer place to live. The story is compelling and, although part of a trilogy, can be read as a stand-alone novel. It has everything I like about historical fiction – captivating characters woven into a series of major events that pull the reader into a bygone era.
It is 1649. As the English soldiers trample the Irish homesteads, leaving behind them a trail of barbarity and destruction, a few brave men set out to seek a 'fair land' over the brow of the hill.
Among them is Dominick MacMahon, whose wife has been killed in the bloody massacre of Drogheda, and whose son and daughter, and a wounded priest, Father Sebastian, accompany him.
But as he journeys in search of peace and freedom he is relentlessly pursued by Coote, the Cromwellian ruler of Connaught . . .
I’m deeply interested in the lives of my ancestors including the times they lived through so in researching our family tree I took into account the historical events they witnessed. This is what led me to read and write historical fiction. One branch of my family where survivors of the Great Hunger so I have done a lot of research on this dark period of Irish history. During WW1 my husband’s great uncle died in the trenches as an Irishman fighting in the British Army while at the same time my English grandfather and his two brothers were imprisoned as conscientious objectors, one of them dying as a consequence.
This is an eyewitness account of the Great Hunger in Ireland for the years 1847-1849, written by an American woman who felt pity for the poor Irish immigrants fleeing their native land. Her first trip to Ireland was just before the Great Hunger and although conditions were bad then, they were much worse on her second visit. Her accounts allow the reader to see what takes place through her eyes and they are harrowing at times. Not only does the author inform us of the dire situation of the poor but she also pays tribute to those who lost their lives in the struggle to help others. This was one of the books I used as a reference while writing my own series.
"Annals of the Famine in Ireland" is essential reading for anyone who wishes to understand the effects and contributing causes of the Great Famine. But it is not a history. It does not merely trot out facts and figures. Rather, it is a personal and emotional response from an eye-witness to the calamity. Histories are generally detached from the events that they record but, in this account, the reader will experience an immediacy to the situation as though transported back to the very time and place. The anecdotal nature of the testimony allows it to be so.
In addition to writing novels, I’m also a playwright. Whatever form I work in, I’m drawn to character, drama, and emotion. I aspire to write literary page-turners that feel as rich and complicated as real life. Also, I want the endings of my books to slay readers and break their hearts. Of course, when I say that, I’m not necessarily speaking of sorrow; sometimes your heart breaks from expanding, from a surfeit of feeling. Your heart breaks only to grow larger.
This literary rendering of Dublin at the beginning of the 20th century comprises fifteen stories. Whenever I read them, I can feel Joyce’s adoration for this city—and the last story, "The Dead," is glorious.
The final line always slays me: “His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead”
A definitive edition of perhaps the greatest short story collection in the English language
James Joyce's Dubliners is a vivid and unflinching portrait of "dear dirty Dublin" at the turn of the twentieth century. These fifteen stories, including such unforgettable ones as "Araby," "Grace," and "The Dead," delve into the heart of the city of Joyce's birth, capturing the cadences of Dubliners' speech and portraying with an almost brute realism their outer and inner lives. Dubliners is Joyce at his most accessible and most profound, and this edition is the definitive text, authorized by the Joyce estate and collated from…
I am an author and a reader, and there is little I love more than falling deep into an atmospheric mystery. One that has the texture of dark velvet—something so rich, vivid, and experiential I can almost wrap it around me—and has just the right amount of suspense to keep me turning pages. As an author of historical fiction and mysteries, capturing that immersive, atmospheric sense of place is so important to me. When I see this done well, I want to savor it, study it—and try to get you to read it, too.
No one does dialogue and atmospheric tension like Tana French. Faithful Place is my favorite of hers.
I felt like the characters were so alive that I could hear their voices in my head long after I had closed the book. This story is rife with a gritty, urban Irish atmosphere and thick with familial tension. French does a cross between literary fiction and procedural that is devastating, at times quite dark, and yet ringing with hope—one of my favorite qualities in a mystery.
Best read on a dark, rainy afternoon with a mug of rich coffee—or a Guinness.
From Tana French, author of the forthcoming novel The Searcher, “the most important crime novelist to emerge in the past 10 years” (The Washington Post), the bestseller called “the most stunning of her books” (The New York Times) and a finalist for the Edgar Award.
Back in 1985, Frank Mackey was a nineteen-year-old kid with a dream of escaping hisi family's cramped flat on Faithful Place and running away to London with his girl, Rosie Daly. But on the night they were supposed to leave, Rosie didn't show. Frank took it for granted that she'd dumped him-probably because of his…
I’m a British writer but I have lived in Norway for over twenty years. My yearning for history goes back as long as I can remember and I often feel trapped in the wrong time. Writing historical fiction is my way of delving into the past and bringing it back to life. I’ve always been creative and enjoyed arts and crafts and, as well as being a writer, I am also a creativity coach and have my own podcast,The Creatively You Show, which helps writers and artists deal with the emotional challenges of the creative process. My book choices reflect these interests and the broader themes of history and art.
This beautiful book is possibly the most important book of my writing career. I found it in a second-hand bookstore in Dublin on a rainy afternoon and, like the plot, I felt that my finding it was a stroke of providence. I was so moved by the story that I immediately signed up for a writing workshop with the author. That workshop was a defining moment in my life – after it, I knew I wanted to be a writer. Although this story is not directly about art, it shows how a man’s calling, his compulsion to paint, plays a key role in the lives and the destinies of others. The novel has a fairytale-like quality to it, a poetic timelessness that captures the essence of spirituality and love.
A classic love story and a seminal work of Irish literature that is a testament to romance, magic and the power of true love. With an introduction by actor John Hurt.
In love everything changes, and continues changing all the time. There is no stillness, no stopped clock of the heart in which the moment of happiness holds forever, but only the constant whirring forward motion of desire and need. . .
Nicholas Coughlan and Isabel Gore are meant for each other - they just don't know it yet. Though each has found both heartache and joy in the wild…
Growing up, I didn’t understand the hypersensitivity I felt to my own inner world and the outer. Highly alert to both interoceptive and exteroceptive data, I often felt overstimulated and overwhelmed by the intensity to which I experienced my own feelings, the feelings of others, and sensory inputs. I thought there was something wrong with me because being a feeler is generally seen as a weakness.I now write novels about quiet, sensitive, introspective young people for others who feel like I did, as a way to share the true power within this way of being, which I have discovered to be a gift, not a curse over time.
The story of a curious young woman on a quest for knowledge and insights into the deeper mysteries of the world.
With the guidance of a wise shaman and a witch who have both walked the path of truth before her in different ways, she learns magic and how to overcome fear. It is a book that takes the reader on a journey alongside Brida and leaves space for one’s own moments of self-discovery, learning, and growth.
This is the story of Brida, a young Irish girl, and her quest for knowledge. She has long been interested in various aspects of magic but is searching for something more. Her search leads her to people of great wisdom, who begin to teach Brida about the spiritual world. She meets a wise man who dwells in a forest, who teaches her about overcoming her fears and trusting in the goodness of the world; and a woman who teaches her how to dance to the music of the world, and how to pray to the moon. As Brida seeks her…
I am an historian of urban crime and policing. I specialise in metropolitan forces, for example the Dublin Metropolitan Police, London Police, and their colonial counterparts. I am particularly interested in the transnational exchange of concepts and personnel. The latter decades of the nineteenth century saw a lively and consistent movement of police across countries and continents, cross-pollinating ideas and experiences, shaping the future of organised policing. I have traced Australian policing roots to the streets of Dublin and London, which are explored in To Preserve and Protect: Policing Colonial Brisbane (2020) through personal life stories of policemen and criminals alike.
In Dublin Hanged, Henry paints an evocative picture of the turn-of-the-eighteenth-century Irish capital collapsing under rising property crime, food shortages due to series of particularly inclement winters, and political unrest. He also vividly captures the events that led to the organisation of the first metropolitan uniformed police in the British Isles, which came to be widely unpopular. Henry shows, the organisation of the force was costly and in order to fund the new police, the household tax ‘skyrocketed’ virtually overnight. Henry’s analysis reveals there was a marked decline in the frequency of rape and violent assaults in the years following the introduction of the police in October 1786, indicating a degree of effectiveness of the new police despite the lack of its popularity.
I’m a fantasy author and mythologist who studies myth’s place in culture, history, and heritage conservation. To finish my doctorate, I moved from Seattle to Galway, Ireland and never left. Myth and folklore permeate the landscape around me as well as my day-to-day life. After grad school I returned to my first love, fiction, with all the knowledge and passion that came from the better part of a decade spent studying mythology. When I’m not writing, I spend my time exploring 5000-year-old tombs or practicing Fiore (14th century Italian sword fighting) with my husband. The Serpent and the Swan is the debut fairy tale in a much larger series.
This book is one of the best at capturing the impact of myth on history, culture, and politics. Thompson starts long before the Easter 1916 Rising, the book’s central event, and examines how Celticity became a focal point of reclaiming an Irish identity separate from the British. Just as Jack Zipes’ Grimm Legacies demonstrates how the collection of folklore developed a unified German cultural identity, Thompson illustrates how collecting (and in many cases updating) the myths of the land gave Ireland not only a new identity but also a new history. The heroes of those mythic stories would be used for the next three centuries as allegories for both Ireland and the Irish in art, literature, theatre, and political rhetoric. It is the blueprint of all my worldbuilding.
We know from our literary histories that there was a movement called the Irish Literary Renaissance, and that Yeats was at its head. We know from our political histories that there is now a Republic of Ireland because of a nationalistic movement that, militarily, began with the insurrection of Easter Week, 1916. But what do these two movements have to do with one another?… Because I came to history with literary eyes, I could not help seeing history in terms and shapes of imaginative experience. Thus Movement, Myth, and Image came to be the way in which the nature of…
